King Dork Approximately (42 page)

Frank Portman (aka Dr. Frank) is the singer/songwriter/guitarist of the influential East Bay punk band the Mr. T. Experience (MTX). MTX has released a dozen albums since forming in the mid-1980s. Look for Frank’s other books,
Andromeda Klein
, and the companion to
King Dork Approximately, King Dork
, both available from Delacorte Press. Frank lives in Oakland, California. Visit him online at
frankportman.com
and follow
@frankportman
on Twitter.

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Excerpt copyright © 2006 by Frank Portman. Published by Delacorte Press, an imprint of Random House Children’s Books, a division of Random House LLC, a Penguin Random House Company, New York.

It started with a book. If I hadn’t discovered it when and how I did, everything would have turned out differently. But because of it the first semester of sophomore year at Hillmont High School ended up way more interesting and eventful and weird than it was ever supposed to be.

It’s actually kind of a complicated story, involving at least half a dozen mysteries, plus dead people, naked people, fake people, teen sex, weird sex, drugs, ESP, Satanism, books, blood, Bubblegum, guitars, monks, faith, love, witchcraft, the Bible, girls, a war, a secret code, a head injury, the Crusades, some crimes, mispronunciation skills, a mystery woman, a devil-head, a blow job, and rock and roll. It pretty much destroyed the world as I had known it up to that point. And I’m not even exaggerating all that much. I swear to God.

I found the book by accident, in a sense. It was in one of the many boxes of books in the basement, in storage in case we ever got more shelves, or perhaps to be sold or given away at some point. The reason I say by accident “in a sense” is because the book I found was exactly the book I had been looking for. But I had been looking for just any old copy of it, rather than the specific copy I ended up finding, which I hadn’t even known existed. And which was something else, and which ended up opening the craziest can of worms …

They call me King Dork.

Well, let me put it another way: no one ever actually calls me King Dork. It’s how I refer to myself in my head, a silent protest and an acknowledgment of reality at the same time. I don’t command a nerd army, or preside over a realm of the socially ill-equipped. I’m small for my age, young for my grade, uncomfortable in most situations, nearsighted, skinny, awkward, and nervous. And no good at sports. So Dork is accurate. The King part is pure sarcasm, though: there’s nothing special or ultimate about me. I’m generic. It’s more like I’m one of the kings in a pack of crazy, backward playing cards, designed for a game where anyone who gets me automatically loses the hand. I mean, everything beats me, even twos and threes.

I suppose I fit the traditional mold of the brainy, freaky, oddball kid who reads too much, so bright that his genius is sometimes mistaken for just being retarded. I know a lot of trivia, and I often use words that sound made-up but that actually turn out to be in the dictionary, to everyone’s surprise—but I can never quite manage to keep my shoes tied or figure out anything to say if someone addresses me directly. I play it up. It’s all I’ve got going for me, and if a guy can manage to leave the impression that his awkwardness arises from some kind of deep or complicated soul, why not go for it? But, I admit, most of the time, I walk around here feeling like a total idiot.

Most people in the world outside my head know me as Moe, even though my real name is Tom. Moe isn’t a normal nickname. It’s more like an abbreviation, short for Chi-Mo. And even that’s an abbreviation for something else.

Often, when people hear “Chi-Mo” they’ll smile and say, “Hippie parents?” I never know what to say to that because
yes, my folks are more hippie than not, but no, that’s not where the name comes from.

Chi-Mo is derogatory, though you wouldn’t necessarily know that unless you heard the story behind it. Yet even those who don’t know the specific story can sense its dark origins, which is why it has held on for so long. They get a kick out of it without really knowing why. Maybe they notice me wincing when I hear them say it, but I don’t know: there are all sorts of reasons I could be wincing. Life is a wince-a-thon.

There’s a list of around thirty or forty supposedly insulting things that people have called me that I know about, past and present, and a lot of them are way worse than Moe. Some are classic and logical, like Hender-pig, Hender-fag, or Hender-fuck. Some are based on jokes or convoluted theories of offensiveness that are so retarded no one could ever hope to understand them. Like Sheepie. Figure that one out and you win a prize. As for Chi-Mo, it goes all the way back to the seventh grade, and it wouldn’t even be worth mentioning except for the fact that this particular nickname ended up playing an unexpectedly prominent role in the weird stuff that happened toward the end of this school term. So, you know, I thought I’d mention it.

Mr. Teone, the associate principal for the ninth and tenth grades, always refers to Sam Hellerman as Peggy. I guess he’s trying to imply that Sam Hellerman looks like a girl. Well, okay, so maybe Sam Hellerman does look a
little
like a girl in a certain way, but that’s not the point.

In fact, Mr. Teone happens to have a huge rear end and pretty prominent man boobs, and looks way more like a lady than Sam Hellerman ever could unless he were to gain around two hundred pounds and start a course of hormone therapy. Clearly, he’s trying to draw attention away from his
own nontraditionally gendered form factor by focusing on the alleged femininity of another. Though why he decided to pick on Sam Hellerman as part of his personal battle against his own body image remains a mystery.

I’m just glad it’s not me who gets called Peggy, because who needs it?

There’s always a bit of suspense about the particular way in which a given school year will get off to a bad start.

This year, it was an evil omen, like when druids observe an owl against the moon in the first hour of Samhain and conclude that a grim doom awaits the harvest. That kind of thing can set the tone for the rest of the year. What I’m getting at is, the first living creature Sam Hellerman and I encountered when we penetrated the school grounds on the first day of school was none other than Mr. Teone.

The sky seemed suddenly to darken.

We were walking past the faculty parking, and he was seated in his beat-up ’93 Geo Prizm, struggling to force his supersized body through the open car door. We hurried past, but he noticed us just as he finally squeezed through. He stood by the car, panting heavily from the effort and trying to tuck his shirt into his pants so that it would stay in for longer than a few seconds.

“Good morning, Peggy,” he said to Sam Hellerman. “So you decided to risk another year.” He turned to me and bellowed: “Henderson!” Then he did this big theatrical salute and waddled away, laughing to himself.

He always calls me by my last name and he always salutes. Clearly, mocking me and Sam Hellerman is more important than the preservation of his own dignity. He seems to consider it to be part of his job. Which tells you just about
everything you need to know about Hillmont High School society.

It could be worse. Mr. Donnelly, PE teacher and sadist supreme, along with his jabbering horde of young sports troglodytes-in-training, never bother with Moe or Peggy, and they don’t salute. They prefer to say “pussy” and hit you on the ear with a cupped palm. According to an article called “Physical Interrogation Techniques” in one of my magazines (
Today’s Mercenary
), this can cause damage to the eardrum and even death when applied accurately. But Mr. Donnelly and his minions are not in it for the accuracy. They operate on pure, mean-spirited, status-conscious instinct, which usually isn’t very well thought out. Lucky for me they’re so poorly trained, or I’d be in big trouble.

But there’s no point fretting about what people call you. Enough ill will can turn anything into an attack. Even your own actual name.

“I think he’s making fun of your army coat,” said Sam Hellerman as we headed inside. Maybe that was it. I admit, I did look a little silly in the coat, especially since I hardly ever took it off, even in the hottest weather. I couldn’t take it off, for reasons I’ll get to in a bit.

I know Sam Hellerman because he was the guy right before me in alphabetical order from the fourth through eighth grades. You spend that much time standing next to somebody, you start to get used to each other.

He’s the closest thing I have to a friend, and he’s an all-right guy. I don’t know if he realizes that I don’t bring much to the table, friendship-wise. I let him do most of the talking. I usually don’t have a comment.

“There’s no possibility of life on other planets in this solar system,” he’ll say.

Silence.

“Well, let me rephrase that. There’s no possibility of
carbon-based
life on other planets in this solar system.”

“Really?” I’ll say, after a few beats.

“Oh, yeah,” he’ll say. “No chance.”

He always has lots to say. He can manage for both of us. We spend a lot of time over each other’s houses watching TV and playing games. There’s a running argument about whose house is harder to take. Mine is goofy and resembles an insane asylum; his is silent and grim and forbidding, and bears every indication of having been built on an ancient Indian burial ground. We both have a point, but he usually wins and comes to my house because I’ve got a TV in my room and he doesn’t. TV can really take the edge off. Plus, he has a taste for prescription tranquilizers, and my mom is his main unwitting supplier.

Sam Hellerman and I are in a band. I mean, we have a name and a logo, and the basic design for the first three or four album covers. We change the name a lot, though. A typical band lasts around two weeks, and some don’t even last long enough for us to finish designing the logo, let alone the album covers.

When we arrived at school that first day, right at the end of August, the name was Easter Monday. But Easter Monday only lasted from first period through lunch, when Sam Hellerman took out his notebook in the cafeteria and said, “Easter Monday is kind of gay. How about Baby Batter?”

I nodded. I was never that wild about Easter Monday, to tell you the truth. Baby Batter was way better. By the end of lunch, Sam Hellerman had already made a rough sketch of the logo, which was Gothic lettering inside the loops of an infinity symbol. That’s the great thing about being in a band: you always have a new logo to work on.