Karl Marx (8 page)

‘And so – to Paris, to the old university of philosophy and the new capital of the new world!’ Marx wrote to Ruge in September 1843. ‘Whether the enterprise comes into being or not, in any case I shall be in Paris by the end of this month, since the atmosphere here makes one a serf, and in Germany I see no scope at all for free activity.’ The revolutions of 1789 and 1830 had made the French capital a natural rallying point. It was a city of plotters and poets and pamphleteers, sects and salons and secret societies – ‘the nerve-centre of European history, sending out electric shocks at intervals which galvanised the whole world’. All the best-known political thinkers of the age were Frenchmen: the mystical Christian socialist Pierre Leroux, the utopian communists Victor Considérant and Etienne Cabet, the liberal orator and poet Alphonse de Lamartine (or, to give him his full glorious appellation, Alphonse Marie Louis de Prat de Lamartine). Above all there was Pierre Joseph Proudhon, libertarian anarchist, who had won instant fame in 1840 with his book
What Is Property
? – a question he answered on page one with the simple formulation ‘property is theft’. All these political picadors would eventually be tossed and gored by Karl Marx – most notably Proudhon, whose
magnum opus
on ‘the philosophy of poverty’ provoked Marx’s lacerating riposte,
The Poverty of Philosophy
. For the moment, however, the newcomer would be content to listen and learn.

There was music in the cafés at night, revolution in the air. With the ‘bourgeois monarchy’ of Louis Philippe tottering,
another high-voltage excitement seemed inevitable and imminent. ‘
The bourgeois King’s loss of prestige among the people
is demonstrated by the many attempts to assassinate that dynastic and autocratic prince,’ Ruge reported. ‘One day when he dashed by me in the Champs-Elysées, well hidden in his coach, with hussars in front and behind and on both sides, I observed to my astonishment that the outriders had their guns cocked ready to fire in earnest and not just in the usual burlesque style. Thus did he ride by with his bad conscience!’ Ruge, Marx and the poet Georg Herwegh – the presiding triumvirate of the
Deutsche-Französische Jahrbücher
– arrived in Paris in the autumn of 1843. Ruge travelled from Dresden in a ‘large omnibus’ accompanied by his wife, a swarm of children and a large leg of veal. Inspired by the utopian Charles Fourier, he proposed that the three couples should form a ‘phalanstery’ or commune, in which the women would take it in turns to shop, cook and sew. ‘
Frau Herwegh summed up the situation at first glance
,’ her son Marcel recorded many years later. ‘How could Frau Ruge, the nice, small Saxon woman, get on with the very intelligent and even more ambitious Frau Marx, whose knowledge was far superior to hers? How could Frau Herwegh, who had only been married so short a time and was the youngest of them, find herself attracted by this communal life?’ Georg and Emma Herwegh had a taste for luxury – and, since her father was a rich banker, the means to indulge it. They declined Ruge’s invitation. But Karl and Jenny (who was now four months pregnant) decided to give it a try. They moved into Ruge’s apartment at 23 Rue Vanneau, next door to the offices of the
Jahrbücher
.

The experiment in patriarchal communism lasted for about a fortnight before the Marxes decamped and found lodgings of their own further down the street. Ruge was a prim, puritanical homebody who couldn’t tolerate his co-editor’s disorganised and impulsive habits: Marx, he complained, ‘
finishes nothing, breaks off everything
and plunges ever afresh into an endless sea of books … He has worked himself sick and not gone to bed for
three, even four, nights on end …’ Shocked by these ‘crazy methods of working’, Ruge was downright scandalised by Marx’s leisures and pleasures. ‘
His wife gave him for his birthday a riding switch
costing 100 francs,’ he wrote a few months later, ‘and the poor devil cannot ride nor has he a horse. Everything he sees he wants to “have” – a carriage, smart clothes, a flower garden, new furniture from the Exhibition, in fact the moon.’ It’s an implausible shopping list: Marx was uninterested in luxuries or fripperies. If he did desire such things it was undoubtedly on behalf of Jenny, who delighted in them. These early months in Paris were the first and only time in her married life when she could afford to indulge the appetite, since Karl’s salary was augmented by a donation of 1,000 thalers sent from Cologne by former shareholders in the
Rheinische Zeitung
. Besides, he wanted her to enjoy a last spree before being cribbed and confined by the demands of maternity. On May Day 1844 she gave birth to a baby girl, Jenny – more often known by the diminutive ‘Jennychen’ – whose dark eyes and black crest of hair gave her the appearance of a miniature Karl.

The novice parents, though doting, were hopelessly incompetent, and by early June it was agreed that the two Jennys should spend several months with the Baroness von Westphalen in Trier learning the rudiments of motherhood. ‘
The poor little doll was quite miserable
and ill after the journey,’ Jenny wrote to Karl on 21 June, ‘and turned out to be suffering not only from constipation but downright overfeeding. We had to call in the fat pig [Robert Schleicher, the family doctor], and his decision was that it was essential to have a wet-nurse since with artificial feeding she would not easily recover … It was not easy to save her life, but she is now almost out of danger.’ Better still, the wet-nurse agreed to come back to Paris with them. But in spite of Jenny’s happiness (‘my whole being expresses satisfaction and
affluence
’), she couldn’t entirely dispel her old forebodings. ‘Dearest heart, I am greatly worried about our future … If you can, do set my mind at rest about this. There is too much talk on all sides about a
steady
income.’ A steady income was one necessity of life that always eluded Karl Marx.

His job in Paris, which seemed to promise financial security, turned out to be even more temporary than his last editorship. Only one issue of the
Deutsche-Französische Jahrbücher
appeared before the breach with Ruge became irreparable – and it scarcely lived up to the cross-border promise of its title. Though France was well supplied with writers, not one of them was willing to contribute. To fill the gap, Marx included his essays on the Jewish question and on Hegel, together with an edited version of his correspondence with Ruge over the previous year or two. The only non-German voice was that of an exiled Russian anarcho-communist, Michael Bakunin. ‘
Marx was then much more advanced than I was
,’ he recalled. ‘He, although younger than I, was already an atheist, an instructed materialist, and a conscious socialist … I eagerly sought his conversation, which was always instructive and witty, when it was not inspired by petty hate, which alas! was only too often the case. There was, however, never any frank intimacy between us – our temperaments did not permit. He called me a sentimental idealist, and he was right; I called him vain, perfidious and sly, and I was right too.’

For all its obvious deficiencies, the first and last issue of the
Jahrbücher
did have one contributor of international stature – the romantic poet Heinrich Heine, whom Marx had revered since childhood and befriended soon after arriving in Paris. Heine was a painfully thin-skinned creature who often burst into tears at the slightest criticism; Marx was a pitiless critic of magnificent insensitivity. For once, however, he restrained his icon-smashing inclinations, in deference to a genuine hero of literature. Heine became a regular visitor to the Marxes’ apartment in the Rue Vanneau, reading aloud from works in progress and asking the young editor to suggest emendations. On one occasion he arrived to find Karl and Jenny frantic with worry over little Jennychen, who had an attack of the cramps and was – or so they believed – at death’s door. Heine took charge at once, announcing that ‘the
child must have a bath’. And so, according to Marx family legend, the girl’s life was saved.

Heine was not a communist, at least in the Marxian sense. He cited the tale of a Babylonian king who thought himself God but fell miserably from the height of his conceit to crawl like an animal on the ground and eat grass: ‘This story is found in the great and splendid Book of Daniel. I recommend it for the edification of my good friend Ruge, and also to my much more stubborn friend Marx, and also to Messrs Feuerbach, Daumer, Bruno Bauer, Hengstenberg, and the rest of the crowd of godless self-appointed gods.’ He contemplated the victory of the proletariat with dread, fearing that art and beauty would have no place in this new world. ‘The more or less clandestine leaders of the German communists are great logicians, the most powerful among them having come from the Hegelian school,’ he wrote in 1854, referring to Marx. ‘These doctors of revolution and their relentlessly determined pupils are the only men in Germany with some life in them and the future belongs to them, I fear.’ Shortly before his death in 1856 he wrote a last will and testament begging forgiveness from God if he had ever written anything ‘immoral’, but Marx was prepared to overlook this lapse into piety – which in anyone else would have provoked his most savage scorn. As Eleanor Marx wrote, ‘
He loved the poet as much as his works
and looked as generously as possible on his political weaknesses. Poets, he explained, were queer fish and they must be allowed to go their own ways. They should not be assessed by the measure of ordinary or even extraordinary men.’

The
Jahrbücher
may have been a financial disaster but it enjoyed great
succès d’estime
, not least because of Heinrich Heine’s satirical odes on King Ludwig of Bavaria. Hundreds of copies sent to Germany were confiscated by the police, who had been warned by the Prussian government that its contents were an incitement to high treason. An order went out that Marx, Ruge and Heine should be arrested at once if they attempted to return to their fatherland. In Austria, Metternich promised ‘severe penalties’
against any bookseller caught stocking this ‘loathsome and disgusting’ document.

Arnold Ruge, taking fright, left Marx in the lurch by suspending publication and refusing to pay him the promised salary. Some historians have claimed that the quarrel needn’t have become terminal ‘
had not other personal differences
, especially on fundamental matters of principle, been developing between them for some time’. But in fact the most ‘fundamental matter of principle’ was a ridiculous squabble over the sex life of their colleague Georg Herwegh, who had already betrayed his new bride by starting an affair with the Comtesse Marie d’Agoult, a former mistress of the composer Liszt and mother of the girl who became Cosima Wagner. ‘
I was incensed by Herwegh’s way of living
and his laziness,’ Ruge wrote to his mother. ‘Several times I referred to him warmly as a scoundrel, and declared that when a man gets married he ought to know what he is doing. Marx said nothing and took his departure in a perfectly friendly manner. Next morning he wrote to me that Herwegh was a genius with a great future. My calling him a scoundrel filled him with indignation, and my ideas on marriage were philistine and inhuman. Since then we have not seen each other again.’

Although Marx often railed against promiscuity and libertinism with the puritanical ferocity of a Savonarola – if only to disprove the charge that communism was synonymous with communal sex – he observed the amorous escapades of his friends with amusement and, perhaps, a touch of envy. Jenny certainly feared as much. ‘
Although the spirit is willing, the flesh is weak
,’ she wrote from Trier in August 1844, two months after leaving her husband alone in Paris. ‘The real menace of unfaithfulness, the seductions and attractions of a capital city – all those are powers and forces whose effect on me is more powerful than anything else.’ She needn’t have worried. Among the seductions and attractions of Paris, the rustle of a countess’s skirt could not begin to compete with the clamour of politics. In the summer of 1844 Marx took up an offer to write for
Vorwärts
!, a biweekly communist journal
sponsored by the composer Meyerbeer and now edited by Karl Ludwig Bernays, who had collaborated on the
Deutsche-Französische Jahrbücher
.

As the only uncensored radical paper in the German language appearing anywhere in Europe,
Vorwärts!
, provided a refuge for all the old gang of émigré poets and polemicists, including Heine, Herwegh, Bakunin and Arnold Ruge. Once a week they would gather at the first-floor office on the corner of the Rue des Moulins and the Rue Neuve des Petits for an editorial conference presided over by Bernays and his publisher, Heinrich Börnstein, who recalled:

Some would sit on the bed or on the trunks
, others would stand and walk about. They would all smoke terrifically and argue with great passion and excitement. It was impossible to open the windows, because a crowd would immediately have gathered in the street to find out the cause of the violent uproar, and very soon the room was concealed in such a thick cloud of tobacco smoke that it was impossible for a newcomer to recognise anyone present. In the end, we ourselves could not even recognise each other.

Which was probably just as well, if both Marx and Ruge were in attendance: otherwise the ‘violent uproar’ might have degenerated into fisticuffs.

The two enemies continued their feud in the public prints instead. In July 1844, signing himself merely ‘A Prussian’, Ruge wrote a long article for
Vorwärts!
about the Prussian King’s brutal suppression of the Silesian weavers, who had smashed the machines which were threatening their livelihoods. He regarded the weavers’ revolt as an inconsequential nothing, since Germany lacked the ‘political consciousness’ necessary to transform an isolated act of disobedience into a full-dress revolution.

Marx’s reply, published ten days later, argued that the fertiliser of revolutions was not ‘political consciousness’ but class consciousness,
which the Silesians had in abundance. Ruge (or ‘the alleged Prussian’, as Marx called him) thought that a social revolution without a political soul was impossible; Marx dismissed this ‘nonsensical concoction’, maintaining that all revolutions are both social and political in so far as they dissolve the old society and overthrow the old power. Even if the revolution occurred in just one factory district, as with the Silesian weavers, it still threatened the whole state because ‘
it represents man’s protest
against a dehumanised life’. This was too optimistic by half. The only lasting influence of the revolt was that it inspired one of Heine’s most celebrated verses, ‘The Song of the Silesian Weavers’, which was published in the same issue of
Vorwärts!
.