Kapitoil (6 page)

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Authors: Teddy Wayne

BOOK: Kapitoil
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JOURNAL DATE RECORDED: OCTOBER 24

 

On Friday morning I greet Rebecca, and she tells me again that she had a good time last night. Dan enters, and she says, “Time to put our noses to the grindstone.”

At 9:00 a.m. Kapitoil predicts the price of oil will rise 6 cents. I buy a contract. Kapitoil looks similar to other programs I am running, so my podmates do not know what I am doing.

At 10:00 a.m. the price of oil is up 4 cents. I sell the contract and we profit.

I immediately run Kapitoil again and put more weight on articles written in the last 90 minutes. It has a new prediction: down 3 cents. I short a contract.

At 11:30 oil is down 4 cents and we again profit.

I email Mr. Ray that we have made two consecutive profits on the hourly transactions. He green-lights me to continue until 5:15 p.m.

I make five more transactions during the day and profit on all of them. At closing time we have made 1.6% profit even though the ending price is only a few cents higher than the original price.

I decipher the reason it was malfunctioning. With the historical data, the program used newspaper articles written through the entire day and averaged them collectively to predict the closing price, but in practice I was using articles published in the morning. It was a foolish but understandable error: When you initially succeed without resistance, you sometimes overlook serious problems that may appear later. When people face challenges, however, they innovate more, e.g., in the way that the mother of a poorer family may produce a complete dinner out of minimal and inexpensive ingredients.

I can now revise the program’s potential. Because the market can vacillate approximately 0.5% every hour, if Kapitoil operates at full efficiency, it can achieve up to 4.0% daily average profits during standard business hours. Over four weeks, assuming maximum vacillation and optimal predictive ability, this equals profits of 219%.

Mr. Ray emails me at 5:30 p.m.:

Nice work today. Finesse the program some more over the weekend, and let’s do it again on Monday. I’ll replace the 100K in your account.

 

Mr. Ray does not seem like the class of higher-up who frequently provides compliments, so for him to write “Nice work today” means very much to me. I almost forward his email to Zahira, but I do not want her to know about the program, both because
(1)
it may still not function and I do not want her to think I am a failure, as she considers me the smartest person she knows, even though I believe she is probably smarter than I am, which normally bothers me but not when it is Zahira, and
(2)
Kapitoil must remain highly privileged information.

After Dan and Jefferson leave, Rebecca puts on her blue wool hat and coat. “You up to anything fun this weekend?” she asks.

I will be refining Kapitoil to operate at full efficiency, but I cannot tell her that. I also do not want to lie 100%, so I say, “I will be laboring on some projects.”

She crashes her hand against her head as if we are in the military. “At ease, then.”

Over the weekend I finesse Kapitoil. I am focused, but several times on Saturday night I wonder what Rebecca is doing, e.g., is she at an event, is she with friends, or is she alone like I am.

 

 

finesse = labor on for enhancement

put one’s nose to the grindstone = labor intensively

 
 

JOURNAL DATE RECORDED: OCTOBER 25

 

On Monday morning Kapitoil continues generating hourly profits. By noon, out of a possible 2.1% profit based on how much the oil futures have vacillated per hour, we have made a 1.7% profit, which is not full efficiency but is still robust.

Mr. Ray emails me:

Meet me in the conference room on 89 at 1:30.

 

Possibly he has reconsidered that Kapitoil might still be too risky. There are rumors that layoffs will soon occur, and maybe they do not have the money to continue high-risk programs like mine.

Or possibly they do not even have the money to retain me as an employee.

I omit lunch because my stomach is turbulent, as it frequently becomes when I am anxious, and do not run Kapitoil at noon, because I do not want it to lose money suddenly and give Mr. Ray more reason to kill it.

At 1:30 I knock on the door of the conference room. Mr. Ray says “Come in” from inside, and I open the door.

He is sitting, and at the head of the table is an older man. He has tan skin and black and white hair, and his nose slightly curves down like a vertical asymptote. His suit is gray and blue and his tie is dark red like blood that has dried.

It is Mr. Schrub.

“Karim,” he says. He stands and extends to a few inches taller than I am. “Glad to meet you.”

I am afraid to look into his eyes as we shake hands, so I look at his red tie. “It is my honor to meet you, Mr. Schrub.”

Mr. Schrub puts out his arm to signal his permission to sit down opposite Mr. Ray.

“George tells me,” he says, “that you can see the future.”

I look at Mr. Ray for help, but he is not looking back at me. “The program has been successful so far at predicting pricing variance,” I say.

“What’s the 1,000-mile view on this thing?”

“I am unfamiliar with that term,” I say.

“What are its long-term prospects?” he says.

“It is employing a market signal from news reports, and it should function for the duration of that signal’s strength,” I say, and I am no longer nervous because I am in the intersected world of programming and finance. “But if the signal converts a great amount, I will have to write a 100% new program, and that new program might not function as efficiently.” Because I am uncertain if
he
is familiar with
these
terms, I translate them to a sports analog: “It is parallel to predicting the strategy of a racquetball opponent. If you compete against him for a long time, you can predict his strategies. But if you receive a new opponent, you have to adopt new tactics because your old predictions will be obsolete.”

He smiles, possibly because he does understand the jargon terms and does not require the racquetball analog. “Is there a chance our competitors could catch on to what we’re doing?”

“If we continue making anonymous desk transactions through offshore holdings and keep them frequent but minimal, then no one will know it is Schrub, and therefore our market entry will not cause fluctuations in the market,” I say. “We can still make strong profits, as long as we practice restraint.”

Mr. Schrub taps his fingers on the desk. It makes a loud sound in the large room. Then he says, “I’ll level with you, Karim. We took a big hit in the fourth quarter. We bet the lion’s share of our capital that the bubble would finally burst, but it didn’t, and it burned us. Now we need to rebound, and from what George has told me, Kapitoil might be the way. So, as long as it keeps returning profits, we’re going to plough a lot of money into your program.”

I knew from released reports that Schrub suffered losses in the fourth quarter, but I assumed they had rebounded since then. If Mr. Schrub wants to plough money into my program after it has worked for just 1.5 days, then they must truly be in the red and not have other options.

Mr. Ray says, “You’ll receive a raise and promotion.”

“Therefore I would not be working on the Y2K project?” I ask.

“No. We want you working full-time on Kapitoil, doing everything you can to keep it humming.”

“I do not think we should tell my coworkers about this,” I say.

Mr. Ray says, “Absolutely. We can’t let on what you’re doing. We’ll just say you’re working on futures.”

“Speaking of which, how is the program protected?” Mr. Schrub asks.

“I have formally copyrighted it in my name, although I am not patenting the software, as that would force us to disclose its contents to the public,” I say. “And it is encrypted, so only I can enter into the code.”

“Good. Let’s keep it that way,” he says. “I know you two are very busy, so I’ll let you get back to your work,” he adds, although of course he is much busier than we are, but it signifies control if you give permission for the other person to exit the conversation, e.g., Jefferson always ends personal calls by saying “I’ll let you go.”

He shakes my hand again, and his grip is strong but not too strong like some businessmen’s grips are to prove they are powerful. “A pleasure meeting you, Karim. I’m sure we’ll see each other again.” He looks closely at my left eye, and this time I do not allow myself to look away, although my blood simultaneously seems to stop and accelerate in my veins.

Then he leaves, and Mr. Ray and I discuss technical issues and how to enable him to utilize the program as well, and he terminates by saying, “Why don’t you finish up the Y2K work you’ve been doing over the next few days, and then I’ll let your podmates know we’re transferring you to another project next week.”

This is positive news, as I was truly non-stimulated by the Y2K project, but I feel bad about abandoning my podmates, especially Rebecca. But Rebecca also seems careless about which project she works on and is not envious of others, so maybe she will be happy for me.

When I return to my pod, people are whispering to each other and scanning the room. Rebecca explains to me that Mr. Schrub was just in the building. “He only comes in a few times a year, so it’s a big deal,” she says. “I’m having trouble containing my excitement. It’s like Christmas morning on floor 88.” She stops smiling and returns to her work and adds, “Or something like that.”

Near the end of the day, Jefferson and Dan discuss their plans to go to a nightclub. Jefferson asks me, “Karim, you want to come with?”

Although it is a Monday night and this is when I should be finessing Kapitoil even more, this may be my solitary chance. I can feel Rebecca listening to me even though she is pretending to focus on her computer, and I want to suggest that she should attend as well, but it is not my place to do so. “I would be delighted to come with,” I say.

At 6:30 p.m. they are ready to leave, and I say good-bye to Rebecca, who is staying late. Without looking up from coding, she says, “Have a blast, Karim.”

We taxi to Jefferson’s apartment near Rockefeller Center and Radio City Music Hall. It is the first taxi I have taken here, and the driver is African, although I am afraid to ask what country he is from, and I think of Barron, as the only two people who have driven me in a car here are black men. When we arrive I retrieve my wallet, but Dan says, “Don’t sweat it,” and he and Jefferson divide the cost.

Jefferson’s building is classy, but not as classy as mine (e.g., he does not have a doorman), so I feel bad about not paying for the taxi. His apartment structure is similar to mine inside, although it is smaller and the furniture is less expensive. He has posters in frames on his wall of some of the movies he has on postcards in his pod, as well as a painting of an obsolete Japanese soldier with a sword on a horse. Over the television on the wall is a true silver sword that curves at the ends.

Jefferson has a record player but not a CD player, and he cautiously removes a record from its case and centers it on the player as if he is carrying an infant. I hear a saxophone. Dan says, “Can we please play some rap for once?”

“When we go to your place, we can listen to your commercialized, Top-40, disposable MTV garbage. And if you had any sense of history, you’d know nearly all rap derives from jazz,” Jefferson says. “In this day and age, your ignorance of the oppression my brothers and I suffered at the hands of the white man is unconscionable and, frankly, straight-up racist. I’d think you’d sympathize, as a dirty Jew.”

I look to see if Dan responds to the fact that Jefferson called him an ethnic insult and also that he called himself black, but he merely smiles and remains on the couch.

Then Jefferson powers on his DVD and television and inserts a movie and plays it mutely. It is in Japanese, and it is about another obsolete soldier in a dark blue uniform in an area of Japan he does not know who carries only a magical sword for protection.

Jefferson retrieves a takeout menu from his small kitchen area and withdraws three Sapporo beers from his refrigerator. He drops the menu on his coffee table, next to four separate stacks of
The New Yorker
and
The Economist
and
Architectural Digest
and
Gourmet
magazines.

“I’m gonna shit-shower-shave,” he says before he exits the room. “Order the sushi boat for three, some Asahis, and get the sea urchin with quail eggs. Say it’s for me, and they’ll add this goma-shio sesame salt that doesn’t condescend to gaijin palates.”

I do not understand why he orders additional beer if we have more Sapporo here, but I remain mute and watch as the Japanese soldier travels independently on a country road through a snowstorm and fights a team of men who launch a surprise attack.

After Dan orders, he asks how I like my job. I do not want to indicate that I am soon advancing, so I say, “It is enjoyable.”

He laughs. “Very diplomatic. You can admit it’s beneath you—I won’t rat you out.”

I get up and examine the sword so he reroutes the conversation. “I wouldn’t touch that,” Dan says. “It’s from the 18th century, and Jefferson has an aneurysm if anyone breathes on it.” He puts his fingers over the buttons on the remote control without pressing any of them. “He can be kind of a cocksucker sometimes.”

When the Japanese deliveryman with an earring in his left ear arrives, Dan and Jefferson do not let me pay for the food. I eat the sushi that is vegetarian, and it is flavorful, but too expensive if it’s mostly rice. I also drink three beers total and Dan and Jefferson drink more as we watch the movie. We leave before we can finish it, which disappoints me, because the soldier’s enemy has just stolen the magical sword from him and I am curious to see if he can recover it.

When I stand up my head feels filled with helium. Possibly it is because I just watched the Japanese soldier, but I also feel that I could defend myself against a team of attackers, and although of course I do not say it, that I am the cream of the cream programmer at Schrub and have won Mr. Schrub’s confidence after just three weeks.

We taxi again, even though the address is on 20th St. and 5th Ave. and the subway is probably faster. “You’re our guest, Karim. You should never have to touch your wallet,” Jefferson says when I try to pay. “It’s the Japanese way.” He asks for a receipt and winks at me. “Besides, we’ll expense it.”

We walk to a cathedral on the corner of the street, and when we turn the corner, many young people are on line behind a velvet rope to enter it. My clothing is not as sexy as anyone else’s and they will see that I do not belong here, and my body vibrates even though it is not very cold, but I am glad I am with Dan and especially Jefferson, who does look like he belongs, even though he is the shortest man on line. He bypasses the line and talks to the guard at the front, who is a very large black man in a green coat that looks like it is inflated with air, and points on a piece of paper the guard holds. In a minute he waves for us to join him.

Jefferson leads us inside the tall wood doors. It is a true former cathedral. I cannot see well and it is warm and smells like alcohol blended with perspiration and I do not know what song is playing, but it has a robust drumbeat that pains my ears. Next to the stained glass windows are paintings of Jesus Christ and the Virgin Mary, and attached to the wall in the back of the dance floor is a ten-foot cross with toggling lightbulbs around its edges.

Jefferson finds another man he knows approximately our age with blond hair spiked like an electrocardiogram. They both put out their right hands in a class of handshake and they touch the other person’s back with their left hands as if they are hugging slightly.

The man extends his hand to me like he did with Jefferson, and I do the same handshake/hug. “I am Karim,” I say. “Glad to meet you.”

“Andy Tweedy,” he says, although he is already looking at Jefferson. “What are you guys drinking?”

Jefferson says, “Screwdrivers.”

Andy stops a waitress who wears a minimal skirt in a green and red pattern with long socks that reveal her upper legs and a white shirt with a collar that reveals her stomach. “Set them up with a VIP table and bottles for ‘Nailed to the Cross,’” he says.

The waitress leads us through the main floor, which has bright blue lights and some people dancing, although not many yet. We ascend some steps, and many people observe us as we elevate above them. A muscular white guard in a priest’s costume detaches another rope for us. I have never accessed a highly privileged place like this before, and now I am vibrating not because I am nervous but because I am so stimulated.

On the second floor she takes us to a small table that overviews the dance floor and has a cushioned red bench around it. Most of the other tables on this small second floor are also occupied, usually with several men and sometimes a few females also with the men.

Before the waitress leaves she smiles at Jefferson, because he is the most handsome of us and looks like the chief member of our cluster, except that his ears angle out like satellites. We sit down, and Dan rests his legs on the barrier over the dance floor. “Congrats, Karim. You’re a Very Important Person now,” Dan says.

And I do feel VI.

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