K is for Killer (4 page)

Apparently he'd interviewed just about as many applicants as I had landlords. He was looking for a tenant without kids, vile personal habits, or an affinity for loud music. I was looking for a landlord who would mind his own business. I found Henry appealing because at his eighty-some years, I figured I was safe from unwanted attentions. I probably appealed to him because I was such a misanthrope. I'd spent two years as a cop and another two years amassing the four thousand hours required to apply for my private investigator's license. I'd been duly photographed, fingerprinted, bonded, and credentialed. Since my principal means of employment involved exposure to the underside of human nature, I tended even then to keep other people at a distance. I have since learned to be polite. I can even appear friendly when it suits my purposes, but I'm not really known for my cute girlish ways. Being a loner, I'm an ideal neighbor: quiet, reclusive, unobtrusive, and gone a lot.

I unlocked my door and flipped on the downstairs lights, shed my jacket, turned on the TV, pressed the power button for the VCR, and slid Lorna Kepler's video into the machine. I don't see any point in going into excruciating detail about the contents of the tape. Suffice it to say the story line was simple and there was no character development. In addition, the acting was atrocious and there was much simulated sex of a sort more ludicrous than lewd. Maybe it was only my discomfort at the subject that made the whole enterprise seem amateurish. It surprised me to see the credits, which I rewound and read again from the
beginning. There was a producer, a director, and an editor whose names sounded real: Joseph Ayers, Morton Kasselbaum, and Chester Ellis. I put the tape on hold while I jotted them down, then reactivated the play button and let the tape roll again. I expected the actors to have monikers like Biff Mandate, Cherry Ravish, and Randi Bottoms, but Lorna Kepler was listed, along with two others—Russell Turpin and Nancy Dobbs, whose quite ordinary names I made note of in passing. There didn't seem to be a writer, but then I suppose pornographic sex really doesn't require much in the way of scripting. The narrative would make bizarre reading in any event.

I wondered where the film had been shot. Given what I imagined to be a pornographic film budget, no one was going to rent the locations or apply for any permits. For the most part, scenes took place in interiors that could have been anywhere. The lead actor, Russell Turpin, must have been hired solely on the basis of certain personal attributes that he displayed fore and aft. He and Nancy, ostensibly husband and wife, were sprawled naked on their living room couch, exchanging bad dialogue and subjecting each other to various sexual indignities. Nancy was awkward, her gaze straying to a spot at the left of camera where someone was clearly mouthing the lines she was supposed to say. I've seen elementary school pageants with more talent in evidence. whatever passion she conjured up looked like something she'd learned from watching other pornographic film clips, the chief gesture being a lascivious lip licking more likely to cause chapping than arousal, in my opinion. I suspect she was actually hired because she was the only one who owned a real garter belt in this age of panty hose.

Lorna was the prime focus, and her appearance was
staged for maximum effect. She seemed oblivious of the camera, her movements fluid and unhurried, her expertise undisguised. Her looks were elegant, and in the early moments of her role it was difficult to imagine the misbehaviors that would soon emerge. At first, she was cool and seemed to be secretly amused. Later, she was shameless, controlled, and intense, totally focused on herself and whatever she was feeling.

Early in the viewing, I was inclined to fast-forward past any scene not involving her, but the effect became comical—
The Perils of Pauline
with sex parts flapping back and forth. I tried to watch with the same detachment I affect at homicide sites, but the mechanism failed and I found myself squirming. I do not take lightly the degradation of human beings, especially when it's done solely for the financial gain of others. I've heard it said that the pornography industry is larger than the record and the film industries combined, staggering sums of money changing hands in the name of sex. At least this video had little violence and no scenes involving children or animals of any kind.

While there wasn't much story to speak of, the director had made an attempt to create suspense. Lorna played a sexually demonic apparition and as such stalked both husband and wife, who ran stark naked through the house. She was also sexually abusive to a repairman named Harry, who showed up in the film during one of the parts I skipped the first time. Often Lorna's appearances were heralded by smoke and her diaphanous gown was blown skyward by a wind machine. Once the action began, there were many close shots, lovingly detailed by a cameraman with a passion for his zoom lens.

I flicked the tape off and rewound it, turning my attention
to the packaging. The production company was called Cyrenaic Cinema with a San Francisco address. Cyrenaic? What did that mean? I pulled my dictionary from the shelf and checked the reference. “Cyrenaic—of the Greek school of philosophy founded by Aristippus of Cyrene, who considered individual sensual pleasure the greatest good.” Well,
someone
was literate. I tried directory assistance in the 415 area code. There was no telephone number listed, but the address might be good. Even if Janice and I came to an agreement, I wasn't sure she'd want to fund a trip to San Francisco.

I sorted through the files she'd given me, separating out the news clippings from the police reports. I read the autopsy report with particular care, translating the technicalities into my sketchy layman's understanding. The basic facts were about as distasteful as the film I'd just seen, without the leavening influence of all the corny dialogue. By the time Lorna's body was discovered, the process of decomposition was virtually complete. Gross examination revealed precious little of significance, as all the soft tissue had collapsed into a greasy mass. Maggots had made hasty work of her. Internal examination confirmed the absence of all organs, with only small amounts of tissue left representing the GI tract, the liver, and the circulatory system. Brain tissue was also completely liquefied and/or absent. Osseous remains showed no evidence of blunt force trauma, no stab or gunshot wounds, no ligature, no crushed or broken bones. Two old fractures were noted, but neither apparently pertained to the manner of her death. What laboratory tests could be run showed no drugs or poisons in her system. Complete dental arches were excised and retained, along with all ten fingers. Positive identification was made through dental charts and a residual print from
the right thumb. There were no photographs, but I suspected those would be attached to her department file. Postmortem glossies would hardly have been passed along to her mother.

There was no way to pinpoint date or time of death, but a rough estimate was made from several environmental factors. Countless people interviewed testified as to her night owl tendencies. It was also allegedly her habit to jog shortly after she got up. As nearly as the homicide investigators could establish, she'd slept late as usual on that Saturday, April 21. She'd then pulled on her sweats and had gone out for a jog. The Saturday morning paper was in, as was the mail that had been delivered late that morning. All the mail and newspapers after the twenty-first were piled up unopened. Idly I wondered why she hadn't left for her trip Thursday night as planned. Maybe she'd finished out the work week on Friday, intending to take off Saturday morning once she was showered and dressed.

The questions were obvious, but it was useless to speculate in the absence of concrete evidence. While the cause of death was undetermined, the police had proceeded on the assumption that she'd been struck down by a person or persons unknown. Lorna had lived alone and in singular isolation. If she'd cried out for help, there had been none within range of her. I'm single myself, and though Henry Pitts lives close by, I'm sometimes uneasy. There's a certain vulnerability attached to my work. I've been variously shot, pummeled, punched, and accosted, but I've usually found a way to outmaneuver my attackers. I didn't like the idea of Lorna's final moments.

The homicide detective who'd done all the grunt work was a guy named Cheney Phillips, whom I ran into from time to time. The last I'd heard, he'd moved from homicide
to vice. I'm not really sure how law enforcement agencies in other cities work, but in the Santa Teresa Police Department, officers tend to be rotated every two to three years, exposing them to a variety of responsibilities. This not only ensures a well-balanced department, but allows the opportunity for advancement without an officer's having to wait for the death or retirement of division-entrenched colleagues.

Like many cops in town, Phillips could usually be found in a local watering hole called CC's, which was frequented by attorneys and a variety of law enforcement types. His supervisor on the case had been Lieutenant Con Dolan, whom I knew very well. I was somewhat skeptical that Lorna's role in a low-budget movie was related to her death. On the other hand, I could see why Janice Kepler wanted to believe as much. What else are you going to think when it turns out your late and favorite daughter was a pornographic film star?

I was restless, nearly itchy with an overdose of caffeine. I'd probably sucked down eight to ten cups of coffee during the day, the last two that evening while I was talking to Janice. Now I could feel stimulants, like sugarplums, dancing in my head. Sometimes anxiety and caffeine have the same effect.

I checked my watch again. It was after midnight by now and well past my bedtime. I pulled out the phone book and found the number for CC's. The call took less than fifteen seconds. The bartender told me Cheney Phillips was on the premises. I gave him my name and had him give Cheney the message that I was on my way. As I hung up the phone, I could hear him yelling to Cheney across the din. I grabbed my jacket and my keys and headed out the door.

I
drove east along Cabana, the wide boulevard that parallels the beach. When the moon is full, the darkness has the quality of a film scene shot day for night. The landscape is so highly illuminated that the trees actually cast shadows. Tonight the moon was in its final quarter, rising low in the sky. From the road I couldn't see the ocean, but I could hear the reverberating rumble of the tide rolling in. There was just enough wind to set the palm trees in motion, shaggy heads nodding together in some secret communication. A car passed me, going in the opposite direction, but there were no pedestrians in sight. I'm not often out at such an hour, and it was curiously exhilarating.

By day, Santa Teresa seems like any small southern California town. Churches and businesses hug the ground against the threat of earthquakes. The rooflines are low, and the architectural influence is largely Spanish. There's something solid and reassuring about all the white adobe and the red tile roofs. Lawns are manicured, and the shrubs are crisply trimmed. By night the same features seem stark
and dramatic, full of black-and-white contrasts that lend intensity to the hardscape. The sky at night isn't really black at all. It's a soft charcoal gray, nearly chalky with light pollution, the trees like ink stains on a darkened carpet. Even the wind has a different feel to it, as light as a feather quilt against the skin.

The real name for CC's is the Caliente Cafe, a low-rent establishment housed in an abandoned service station near the railroad tracks. The original gasoline pumps and the storage tanks below had been removed years before, and the contaminated soil had been paved over with asphalt. Now, on hot days the blacktop tends to soften and a toxic syrup seeps out, a tarry liquid quickly converted into wisps of smoke, suggesting that the tarmac is on the verge of bursting into flames. Winters, the pavement cracks from dry cold, and a sulfurous smell wafts across the parking lot. CC's is not the kind of place to encourage bare feet.

I parked out in front beneath a sizzling red neon sign. Outside, the air smelled like corn tortillas fried in lard; inside, like salsa and recirculated cigarette smoke. I could hear the high-pitched whine of a blender working overtime, whipping ice and tequila into the margarita mix. The Caliente Cafe bills itself as an “authentic” Mexican cantina, which means the “day-core” consists of Mexican sombreros tacked above the doors. Bad lighting eliminates the need for anything else. Every item on the menu has been Americanized, and all the names are cute: Ensanada Ensalada, Pasta Pequeño, Linguini Bambini. The music, all canned, is usually played way too loud, like a band of mariachis hired to hover at your table while you try to eat.

Cheney Phillips was sitting at the bar, his face tilted in my direction. My request for an audience had clearly
piqued his interest. Cheney was probably in his early thirties: a white guy with a disheveled mop of dark curly hair, dark eyes, good chin, prickly two-day growth of beard. His was the sort of face you might see in a men's fashion magazine or the society section of the local papers, escorting some debutante decked out like a bride. He was slim, of medium height, wearing a tobacco-brown silk sport coat over a white dress shirt, his pants a pleated cream-colored gabardine. His air of confidence suggested money of intimidating origins. Everything about him said trust fund, private schools, and casual West Coast privilege. This is pure projection on my part, and I have no idea if it's accurate. I've never really asked him how he ended up a cop. For all I know, he's third-generation law enforcement with all the women in his family doing jail administration.

I eased up onto the bar stool next to his. “Hello, Cheney. How are you? Thanks for waiting. I appreciate it.”

He shrugged. “I'm usually here until closing time anyway. Can I buy you a drink?”

“Of course. I'm so wired on coffee I may never get to sleep.”