Just One Day 02: Just One Year (15 page)

T
he production immediately relocates me to a posh hotel in Juhu Beach. The first thing I do is shower. Then I plug in my phone, which has been dead for the past day. I half expect a text or call from Yael, but there isn’t one. I consider telling her I’m staying longer, but after our last conversation, after the last three weeks—three years—I feel like she has no right to this information. Instead, I text Mukesh, asking him to bump my departure date by another three days.

Immediately, he calls back. “You’ve decided to stay with us longer!” he says. He sounds delighted.

“Just a few days.” I explain to him about being an extra and now being cast in a small part.

“Oh, that is most exciting,” he says. “Mummy must be thrilled.”

“
Mummy
doesn’t know, actually.”

“Doesn’t know?”

“I haven’t seen her. I’ve been staying out by the studios, and now I’m in a hotel in Juhu Beach.”

“Juhu Beach. Very classy,” Mukesh says. “But you haven’t seen Mummy since you came back from Rajasthan? I thought she picked you up at the airport.”

“Change of plans.”

“Oh. I see.” There’s a pause. “When do you want to leave?”

“I’m supposed to start shooting on Monday, and it’s meant to take three days.”

“Safer to assume it’ll take double,” Mukesh says. “I’ll see what I can do.”

We hang up and I pick up my script. Faruk has written English translations above the Hindi and someone has made me a tape recording of the Hindi. I spend the afternoon repeating the lines.

When I’m done, I pace the room for a bit. It’s all modern and posh, with a bathtub and a shower and a wide double bed. I haven’t slept somewhere this nice in ages, and it’s a little too quiet, a little too pristine. I sit on the bed, watch Hindi TV just to have some company. I order dinner in my room. That night when I go to bed, I find I can’t sleep. The bed is too soft, too big, after so many years of sleeping on trains, in cars, on bunkbeds, sofas, futons, Ana Lucia’s cramped bed. Now I’m like one of those rescued shipwrecked men who, once rescued and back in civilization, can only sleep on the floor.

• • •

Friday I wake up and practice my lines again. The shoot doesn’t start for three more days, and they stretch in front of me, endlessly, like the gray blue sea out my window. When my phone rings, I am embarrassed by my relief.

“Willem, Mukesh here. I have news about your flights.”

“Great.”

“So soonest I can get you out is April.” He tells me some dates.

“
What
? Why so long?”

“What can I say? All the flights are booked until then. Easter.”

Easter? In a Hindu/Muslim country? I sigh. “You’re sure there’s nothing sooner? I don’t mind paying a bit extra.”

“Nothing to be done. I did the best I could.” He sounds a bit insulted when he says the last bit.

“What about booking me a new flight?”

“Really, Willem, it is only a matter of weeks, and flights are expensive this time of year, and also full.” His voice has gone scolding. “It is just a few extra days.”

“Can you keep looking? See if any seats open up?”

“Certainly! Will do.”

I hang up and try to fight off the sense of impending doom. I’d thought the film would keep me here a few extra days, all of them in a hotel. Now I’m stuck. I remind myself that I don’t need to stay in Mumbai past the shoot. Nash and Tasha and Jules are going to Goa for a few days if they can cobble the cash together. Maybe I’ll go with them. Maybe I’ll even pay.

I send Jules a text:
Is Goa still a go?

She texts back:
Only if I don’t kill N&T. Last night unbearably loud. You are a traitor for deserting.

I look around my hotel room where last night it was unbearably quiet. I take a shot of the view from the balcony and send it to Jules.
It’s quiet here. And there’s room for two if you want to desert
, I write.

I like dessert
, she texts back.
Tell me where you are
.

A few hours later, there’s a knock at the door. I open it and Jules comes in. She admires the view and hops on the bed. She picks up the script from the coffee table.

“Want to run lines?” I ask. “There’s English translations.”

She smiles. “Sure.”

I show her where to start. She clears her throat and arranges her face. “And who do you think you are?” she asks in a haughty voice, her attempt, I think, to mimic Amisha.

“Sometimes I wonder,” I reply. “The name on my birth certificate reads Lars Von Gelder. But I know who
you
are, Heera Gopal. Heera, it means diamond, doesn’t it? And you glitter as brightly as your name.”

“I don’t care to discuss my name with you, Mr. Von Gelder.”

“Oh, so you know me after all?”

“I know all I care to.”

“Then you know I am the top exporter of diamonds in South Africa, so I know a thing or two about precious gems. I can see more with my naked eye than most jewelers can with a loupe. And looking at you, I can tell that you are a million carats. And flawless.”

“Word has it that you’re after my family’s diamond, Mr. Von Gelder.”

“Oh, I am, Miss Gopal. I am.” I pause for a beat. “But perhaps not the Shakti Diamond.”

At the end of the section, Jules puts down the script. “This is quite cheesy, Mr. Van Gelder.”

“It’s Von Gelder, actually.”

“Oh. Sorry. Mr.
Von
Gelder.”

“It’s very important, you know? Names,” I say.

“Oh, yeah? What’s Jules short for?”

“Juliana?” I try. “Like the Dutch queen?”

“Nope.” Jules stands up from her chair and walks toward me, smiling as she folds herself into my lap. Then she kisses me.

“Juliet,” I try.

She shakes her head, smiling as she unbuttons her shirt. “Not Juliet. But you’re welcome to be my Romeo tonight.”

T
he next morning, Jules leaves, back to Pune and the ashram with Nash and Tasha. We make vague plans to meet up in Goa the following week. I never do find out what Jules is short for.

I feel hungover even though we didn’t drink, and lonely even though I’m used to being on my own. I call Prateek to see what he’s doing this weekend, but he’s helping his mother at home today and tomorrow he is going to a big family dinner with his uncle. I spend the day wandering Juhu Beach. I watch a bunch of men play soccer on the sand and it all makes me miss the boys in Utrecht. And then all the missing congeals, and it’s Lulu I miss, and I know it must be displaced, my loneliness a heat-seeking missile, her the heat. Only I can’t seem to find a new source of heat. I don’t miss Jules at all.

• • •

• • •

By Sunday, I’m going stir-crazy. I decide to take a train out of the city, a day trip somewhere. I’ve just opened my guidebook to figure out where to go when my phone rings. I practically leap on it.

“Willem!” Mukesh’s jovial voice echoes through the line. I don’t think I’ve ever been happier to hear from him. “What are you doing today?”

“I’m just trying to suss that out. I was thinking of making a day trip to Khandala.”

“Khandala is very nice, but far for one day so you must leave early. If you like, I can arrange a driver for you another day. I have a different proposal for you. How about I take you around?”

“Really?”

“Yes. There are some very lovely temples in Mumbai, smaller temples tourists so rarely see. My wife and daughters are away, so I have the day free.”

I gratefully accept, and at noon, Mukesh picks me up in a small battered Ford and proceeds to speed me around Mumbai. We stop at three different temples, watching young men do yoga-like calisthenics, watching old Sadhus meditating in prayer. The third stop is a Jain temple, the acolytes all hold small brooms sweeping in front of them as they walk. “To brush any living creatures out of their way so not to inadvertently take a life,” Mukesh explains. “Such care for life,” he says. “Just like Mummy.”

“Right. Mummy is practically a Jain,” I say. “Or maybe she’s aiming to be the next Mother Teresa?”

Mukesh gives me a sympathetic look that makes me want to break something. “You know how I met Mummy, do you not?” he asks as we walk through a breezeway in the temple.

“I assume it had something to do with the fascinating world of air travel.” I’m being unfair to Mukesh, but such is the price for making himself her emissary.

He shakes his head. “That came later. I was with my own mummy who had the cancer.” He clucks his tongue. “She was having her treatments, tip-top doctor, but it was in the lungs, so not much to be done. We were coming from the specialist one day, waiting for a taxi, but Amma, that’s my mummy, was quite weak and dizzy and she fell on the street. Your mummy happened to be nearby and she rushed up to ask if she could help. I explained to her about Amma’s condition—it was terminal,” he lowers his voice to a whisper. “But your mummy told me about different things that could help, not to cure her, but to make the dizziness and the weakness better. And she came, every week, to my home, with her needles and her massages and it helped so much. When my amma’s time came, her journey to the next life was so much more peaceful. Thanks to your mummy.”

I see what he’s doing. Mukesh is attempting to interpret my mother to me much in the way Bram used to do when he’d explain why Yael seemed so gruff or distant. He was the one to quietly tell me stories about Saba, who, after the death of Yael’s mother, Naomi, came undone by one tragedy too many. He turned overprotective, paranoid, or more overprotective and paranoid, Bram said, not allowing Yael to do the simplest things—swim in a public pool, have a friend over—and forcing her to keep disaster preparation checklists for any kind of emergency. “She promised she would do everything differently,” he said. “So it would be different for you. So it wouldn’t be oppressive.”

As if there’s only one kind of oppressive.

• • •

• • •

After the temples, we have lunch. I’m feeling bad about how I acted toward Mukesh, so when he tells me he has something extra special he wants to show me—something very few tourists ever see—I paste on my smile and act excited. As we bump across Mumbai, the streets becomes more dense: bicycles, rickshaws, cars, donkey-pulled carts, cows, women with bundles on their heads, all converge onto choked streets that don’t seem built for such traffic. The buildings themselves suffer from the same syndrome; the mix of high-rises and shacks are all overflowing with rivers of people, sleeping on mats, hanging laundry on lines, cooking on small fires outside.

We turn down a dank narrow alley, shrouded somehow from the bright sunlight. Mukesh points to the row of young girls in tattered saris, standing. “Prostitutes,” he says.

At the end of the alley we stop. I look back at the prostitutes. Some are younger than me, and their eyes look blank, and it all makes me feel ashamed somehow. Mukesh points to a squat cement building with a name written on it in both swirly Hindi and block English. “Here we are,” he says.

I read the sign.
mitali
. It’s vaguely familiar.

“What is this?” I ask.

“Why, Mummy’s clinic, of course,” he says.

“Yael’s clinic?” I ask in alarm.

“Yes, I thought we might pay her a visit.”

“But, but . . .” I sputter for excuses. “It’s Sunday,” I finish, as if the day of the week is the problem.

“Sickness does not take a Sabbath.” Mukesh points to a small teashop on the corner. “I will wait for you there.” And then he’s gone.

I stand in front of the clinic for a minute. One of the prostitutes—she looks no older than thirteen—starts to walk toward me and I can’t stand the thought that she thinks I’m a client, so I shove open the door to the clinic. The door swings open, right onto an old woman crouched just inside. There are people everywhere, with homemade bandages, and listless babies, napping on pallets on the floor. They’re camped all up the cement stairs and all around the waiting room, giving new meaning to the term.

“Are you Willem?” From behind the glass partition a no-nonsense Indian woman in a lab coat is looking at me. Two seconds later, she opens the door to the waiting room. I feel all the eyes turn to me. The woman says something in Hindi or Marathi and there is much silent nodding, giving new meaning to the term
patient
, too.

“I’m Doctor Gupta,” she says, her voice brisk, efficient but warm. “I work with your mother. Let me go find her. Would you like some tea?”

“No thank you.” I have the sickening feeling that everyone else is in on a joke but me.

“Good, good. Wait here.”

She leads me to a small windowless room with a ripped gurney, and a rush of memory overtakes me. The last time I was in a hospital: Paris. The time before that: Amsterdam. Yael had called me at my dorm, very early that morning, telling me to come. Bram was sick.

I couldn’t understand the urgency. I’d seen him not a week before. He’d been a little off his game, a sore throat, but Yael was tending to him with her usual teas and tinctures. I had an exam that day. I asked if I could come after.

“Come now,” she said.

At the hospital, Yael had stood in the corner while three doctors—the traditional kind, with stethoscopes and guarded expressions—surrounded me in a grim little circle and explained to me that Bram had contracted a rare strain of strep that had sent his body into septic shock. His kidneys had already failed and now his liver was going, too. They were doing everything they could, putting him on dialysis and pumping him full of the most powerful antibiotics, but so far, nothing had been effective. I should brace myself for the worst.

“I don’t understand,” I said.

Neither did they, really. All they could say was, “It’s one of those one-in-a-million cases.” Such comforting odds, except when you were the one.

It was like finding out the world was made of gossamer and could be so easily ripped apart. To be so solely at the mercy of fate. Even with all Bram’s talk of accidents, it seemed inconceivable.

I looked to Yael, mighty Yael, to intervene, to swoop in, to take care of Bram like she always had. But she just shrank into that corner, not saying a word.

“Do something, goddammit!”
I screamed at her.
“You have to do something.”

But she didn’t. Couldn’t. And two days later, Bram was gone.

• • •

• • •

“Willem.”

I turn around and there’s Yael. I always think she’s so frightening, but she’s actually tiny, barely reaching my shoulder.

“You’re crying,” she says.

I reach out and touch my face and I find it wet with tears. I’m mortified to be doing this. In front of her. I turn away. I want to run. Out of this clinic. Out of India. Forget the shoot. Forget the flight delay. Buy a new ticket. It doesn’t have to be back to Amsterdam. Anywhere that’s not here.

I feel her hands on me, turning me back around. “Willem?” she asks. “Tell me why you’re lost.”

It’s shocking to hear her words, my words. That she remembered.

But how can I answer her? How can I answer when I’ve been nothing but lost these last three years? So much more than I ever anticipated. I keep thinking of another one of the stories Bram used to tell, a horror story really, about when Yael was a girl. She was ten and Saba had taken her camping in the desert. Just the two of them. As the sun started to set, Saba said he’d be right back, and then left her alone with one of those disaster preparation checklists that he was always having her make. Yael, terrified, but capable because of those very disaster preparation checklists, made a fire, made dinner, made camp, fended. When Saba showed up the next day, she screamed at him,
How could you leave me alone?
And Saba had said,
I wasn’t leaving you alone. I was watching the whole time. I was preparing you.

Why didn’t she prepare me? Why didn’t she teach me about the universal law of equilibrium before I had to find it out for myself? Maybe then I wouldn’t miss everything so much.

“I miss . . .” I start to say, but I can’t get the words out.

“You miss Bram,” she says.

And yes, of course I do. I miss my father. I miss my grandfather. I miss my home. And I miss my mother. But the thing is, for almost three years, I managed not to miss any of them. And then I spent that one day with that one girl. One day. One day of watching the rise and fall of her sleep under the rolling clouds in that park and feeling so peaceful that I fell asleep myself. One day of being under her protection—I can still feel the grasp of her hand as we flew through the streets after she threw the book at the skinheads, her grip so strong that it felt like we were one person, not two. One day of being the beneficiary of her strange generosity—the barge ride, the watch, that honesty, her willingness to show fear, her willingness to show courage. It was like she gave me her whole self, and somehow as a result, I gave her more of myself than I even realized there was to give. But then she was gone. And only after I’d been filled up by her, by that day, did I understand how empty I really was.

Yael watches me a moment longer. “Who else do you miss?” she asks, like she already knows the answer.

“I don’t know,” I say, and for a minute she looks frustrated, like I’m keeping it from her, but that’s not it, and I don’t want to keep things from her anymore. So I clarify. “I don’t know her name.”

Yael looks up, surprised, and not. “Whose name?”

“Lulu.”

“Isn’t
that
her name?”

So I tell my mother. About finding this girl, this strange and nameless girl, whom I showed nothing but who saw everything. I tell her how since losing her, I have felt bereft. And the relief at telling my mother this is almost as profound as the relief of finding Lulu was.

When I finish telling Yael the story about that day in Paris, I look at her. And I’m shocked all over again because she’s doing something I’ve only seen her do in the kitchen while cutting onions.

My mother is crying.

“Why are
you
crying?” I ask her, now crying again myself.

“Because it sounds just like how I met Bram,” she says, laughing on a sob.

Of course it does. I’ve thought about that every single day since I met Lulu. Wondered if that’s not why I’m stuck on her. Because the story is so much like Yael and Bram’s.

“Except for one thing,” I say.

“What’s that?” she asks, swiping at her eyes.

The most important detail. And you’d think I would’ve known better, having heard Bram’s story so many times.

“You give the girl your address.”