Jonathan Strange and Mr Norrell (3 page)

"Ah, sir!" cried Mr Honeyfoot, suspecting that Mr Norrell was speaking of one of his books. "We hear marvellous things of your library. All the magicians in Yorkshire fell into fits of jealousy when they heard of the great number of books you had got!"

"Indeed?" said Mr Norrell coldly. "You surprise me. I had no idea my affairs were so commonly known . . . I expect it is Thorough good," he said thoughtfully, naming a man who sold books and curiosities in Coffee-yard in York. "Childermass has warned me several times that Thoroughgood is a chatterer."

Mr Honeyfoot did not quite understand this. If
he
had had such quantities of magical books he would have loved to talk of them, be complimented on them, and have them admired; and he could not believe that Mr Norrell was not the same. Meaning therefore to be kind and to set Mr Norrell at his ease (for he had taken it into his head that the gentleman was shy) he persisted: "Might I be permitted to express a wish, sir, that we might see your wonderful library?"

Mr Segundus was certain that Norrell would refuse, but instead Mr Norrell regarded them steadily for some moments (he had small blue eyes and seemed to peep out at them from some secret place inside himself) and then, almost graciously, he granted Mr Honeyfoot's request. Mr Honeyfoot was all gratitude, happy in the belief that he had pleased Mr Norrell as much as himself.

Mr Norrell led the other two gentlemen along a passage — a very ordinary passage, thought Mr Segundus, panelled and floored with well-polished oak, and smelling of beeswax; then there was a staircase, or perhaps only three or four steps; and then another passage where the air was somewhat colder and the floor was good York stone: all entirely unremarkable. (Unless the second passage had come before the staircase or steps? Or had there in truth been a staircase at all?) Mr Segundus was one of those happy gentlemen who can always say whether they face north or south, east or west. It was not a talent he took any particular pride in — it was as natural to him as knowing that his head still stood upon his shoulders — but in Mr Norrell's house his gift deserted him. He could never afterwards picture the sequence of passageways and rooms through which they had passed, nor quite decide how long they had taken to reach the library. And he could not tell the direction; it seemed to him as if Mr Norrell had discovered some fifth point of the compass — not east, nor south, nor west, nor north, but somewhere quite different and this was the direction in which he led them. Mr Honeyfoot, on the other hand, did not appear to notice any thing odd.

The library was perhaps a little smaller than the drawingroom they had just quitted. There was a noble fire in the hearth and all was comfort and quiet. Yet once again the light within the room did not seem to accord with the three tall twelve- paned windows, so that once again Mr Segundus was made uncomfortable by a persistent feeling that there ought to have been other candles in the room, other windows or another fire to account for the light. What windows there were looked out upon a wide expanse of dusky English rain so that Mr Segundus could not make out the view nor guess where in the house they stood.

The room was not empty; there was a man sitting at a table who rose as they entered, and whom Mr Norrell briefly declared to be Childermass, his man of business.

Mr Honeyfoot and Mr Segundus, being magicians themselves, had not needed to be told that the library of Hurtfew Abbey was dearer to its possessor than all his other riches; and they were not surprized to discover that Mr Norrell had constructed a beautiful jewel box to house his heart's treasure. The bookcases which lined the walls of the room were built of English woods and resembled Gothic arches laden with carvings. There were carvings of leaves (dried and twisted leaves, as if the season the artist had intended to represent were autumn), carvings of intertwining roots and branches, carvings of berries and ivy — all wonderfully done. But the wonder of the bookcases was nothing to the wonder of the books.

The first thing a student of magic learns is that there are books
bout
magic and books
of
magic. And the second thing he learns is that a perfectly respectable example of the former may be had for two or three guineas at a good bookseller, and that the value of the latter is above rubies.
⁵
The collection of the York society was reckoned very fine — almost remarkable; among its many volumes were five works written between 1550 and 1700 and which might reasonably be claimed as books of magic (though one was no more than a couple of ragged pages). Books of magic are rare and neither Mr Segundus nor Mr Honeyfoot had ever seen more than two or three in a private library. At Hurtfew all the walls were lined with bookshelves and all the shelves were filled with books. And the books were all, or almost all, old books; books of magic. Oh! to be sure many had clean modern bindings, but clearly these were volumes which Mr Norrell had had rebound (he favoured, it seemed, plain calf with the titles stamped in neat silver capitals). But many had bindings that were old, old, old, with crumbling spines and corners.

Mr Segundus glanced at the spines of the books on a nearby shelf; the first title he read was
How to putte Questiones to the Dark and understand its Answeres
.

"A foolish work," said Mr Norrell. Mr Segundus started — he had not known his host was so close by. Mr Norrell continued, "I would advise you not to waste a moment's thought upon it."

So Mr Segundus looked at the next book which was Belasis's
Instructions
.

"You know Belasis, I dare say?" asked Mr Norrell.

"Only by reputation, sir," said Mr Segundus, "I have often heard that he held the key to a good many things, but I have also heard — indeed all the authorities agree — that every copy of
The Instructions
was destroyed long ago. Yet now here it is! Why, sir, it is extraordinary! It is wonderful!"

"You expect a great deal of Belasis," remarked Norrell, "and once upon a time I was entirely of your mind. I remember that for many months I devoted eight hours out of every twenty-four to studying his work; a compliment, I may say, that I have never paid any other author. But ultimately he is disappointing. He is mystical where he ought to be intelligible — and intelligible where he ought to be obscure. There are some things which have no business being put into books for all the world to read. For myself I no longer have any very great opinion of Belasis."

"Here is a book I never even heard of, sir," said Mr Segundus, "
The Excellences of Christo-Judaic Magick
. What can you tell me of this?"

"Ha!" cried Mr Norrell. "It dates from the seventeenth century, but I have no great opinion of it. Its author was a liar, a drunkard, an adulterer and a rogue. I am glad he has been so completely forgot."

It seemed that it was not only live magicians which Mr Norrell despised. He had taken the measure of all the dead ones too and found them wanting.

Mr Honeyfoot meanwhile, his hands in the air like a Methodist praising God, was walking rapidly from bookcase to bookcase; he could scarcely stop long enough to read the title of one book before his eye was caught by another on the other side of the room. "Oh, Mr Norrell!" he cried. "Such a quantity of books! Surely we shall find the answers to all our questions here!"

"I doubt it, sir," was Mr Norrell's dry reply.

The man of business gave a short laugh — laughter which was clearly directed at Mr Honeyfoot, yet Mr Norrell did not reprimand him either by look or word, and Mr Segundus wondered what sort of business it could be that Mr Norrell entrusted to this person. With his long hair as ragged as rain and as black as thunder, he would have looked quite at home upon a windswept moor, or lurking in some pitch-black alleyway, or perhaps in a novel by Mrs Radcliffe.

Mr Segundus took down
The Instructions
of Jacques Belasis and, despite Mr Norrell's poor opinion of it, instantly hit upon two extraordinary passages.
⁶
Then, conscious of time passing and of the queer, dark eye of the man of business upon him, he opened
The Excellences of Christo-Judaic Magick
. This was not (as he had supposed) a printed book, but a manuscript scribbled down very hurriedly upon the backs of all kinds of bits of paper, most of them old ale-house bills. Here Mr Segundus read of wonderful adventures. The seventeenth-century magician had used his scanty magic to battle against great and powerful enemies: battles which no human magician ought to have attempted. He had scribbled down the history of his patchwork victories just as those enemies were closing around him. The author had known very well that, as he wrote, time was running out for him and death was the best that he could hope for.

The room was becoming darker; the antique scrawl was growing dim on the page. Two footmen came into the room and, watched by the unbusinesslike man of business, lit candles, drew window curtains and heaped fresh coals upon the fire. Mr Segundus thought it best to remind Mr Honeyfoot that they had not yet explained to Mr Norrell the reason for their visit.

As they were leaving the library Mr Segundus noticed something he thought odd. A chair was drawn up to the fire and by the chair stood a little table. Upon the table lay the boards and leather bindings of a very old book, a pair of scissars and a strong, cruel- looking knife, such as a gardener might use for pruning. But the pages of the book were nowhere to be seen. Perhaps, thought Mr Segundus, he has sent it away to be bound anew. Yet the old binding still looked strong and why should Mr Norrell trouble himself to remove the pages and risk damaging them? A skilled bookbinder was the proper person to do such work.

When they were seated in the drawing-room again, Mr Honey- foot addressed Mr Norrell. "What I have seen here today, sir, convinces me that you are the best person to help us. Mr Segundus and I are of the opinion that modern magicians are on the wrong path; they waste their energies upon trifles. Do not you agree, sir?"

"Oh! certainly," said Mr Norrell.

"Our question," continued Mr Honeyfoot, "is why magic has fallen from its once-great state in our great nation. Our question is, sir, why is no more magic done in England?"

Mr Norrell's small blue eyes grew harder and brighter and his lips tightened as if he were seeking to suppress a great and secret delight within him. It was as if, thought Mr Segundus, he had waited a long time for someone to ask him this question and had had his answer ready for years. Mr Norrell said, "I cannot help you with your question, sir, for I do not understand it. It is a wrong question, sir. Magic is not ended in England. I myself am quite a tolerable practical magician."

1.
The History and Practice of English Magic
, by Jonathan Strange, vol. I, chap. 2, pub. John Murray, London, 1816.

2. More properly called
Aureate
or Golden Age magicians.

3.
A Complete Description of Dr Pale's fairy-servants, their Names, Histories, Characters nd the Services they performed for Him
by John Segundus, pub. by Thomas Burnham, Bookseller, Northampton, 1799.

4. Dr Martin Pale (1485—1567) was the son of a Warwick leather-tanner. He was the last of the
Aureate
or Golden Age magicians. Other magicians followed him (c.f. Gregory Absalom) but their reputations are debatable. Pale was certainly the last English magician to venture into Faerie.

5. Magicians, as we know from Jonathan Strange's maxim, will quarrel about any thing and many years and much learning has been applied to the vexed question of whether such and such a volume qualifies as a book of magic. But most laymen find they are served well enough by this simple rule: books written before magic ended in England are books of magic, books written later are books about magic. The principle, from which the layman's rule of thumb derives, is that a book of magic should be written by a practising magician, rather than a theoretical magician or a historian of magic. What could be more reasonable? And yet already we are in difficulties. The great masters of magic, those we term the Golden Age or
Aureate
magicians (Thomas Godbless, Ralph Stokesey, Catherine of Winchester, the Raven King) wrote little, or little has survived. It is probable that Thomas Godbless could not write. Stokesey learnt Latin at a little grammar school in his native Devonshire, but all that we know of him comes from other writers.

Magicians only applied themselves to writing books when magic was already in decline. Darkness was already approaching to quench the glory of English magic; those men we call the Silver Age or
Argentine
magicians (Thomas Lanchester, 1518—90; Jacques Belasis, 1526—1604; Nicholas Goubert, 1535—78; Gregory Absalom, 1507—99) were flickering candles in the twilight; they were scholars first and magicians second. Certainly they claimed to do magic, some even had a fairy-servant or two, but they seem to have accomplished very little in this way and some modern scholars have doubted whether they could do magic at all.