Authors: James Baldwin
creation yearns to re-create a time
when we were able to recognize a crime.
Alas,
my stricken kinsmen,
the party is over:
there have never been any white people,
anywhere: the trick was accomplished with mirrors –
look: where is your image now?
where your inheritance,
on what rock stands this pride?
Oh,
I counsel you,
leave History alone.
She is exhausted,
sitting, staring into her dressing-room mirror,
and wondering what rabbit, now,
to pull out of what hat,
and seriously considering retirement,
even though she knows her public
dare not let her go.
She must change.
Yes. History must change.
A slow, syncopated
relentless music begins
suggesting her re-entry,
transformed, virginal as she was,
in the Beginning, untouched,
as the Word was spoken,
before the rape which debased her
to be the whore of multitudes, or,
as one might say, before she became the Star,
whose name, above our title,
carries the Show, making History the patsy,
responsible for every flubbed line,
every missed cue, responsible for the life
and death, of all bright illusions
and dark delusions,
Lord, History is weary
of her unspeakable liaison with Time,
for Time and History
have never seen eye to eye:
Time laughs at History
and time and time and time again
Time traps History in a lie.
But we always, somehow, managed
to roar History back onstage
to take another bow,
to justify, to sanctify
the journey until now.
Time warned us to ask for our money back,
and disagreed with History
as concerns colours white and black.
Not only do we come from further back,
but the light of the Sun
marries all colours as one.
Kinsmen,
I have seen you betray your Saviour
(it is
you
who call Him Saviour)
so many times, and
I have spoken to Him about you,
behind your back.
Quite a lot has been going on
behind your back, and,
if your phone has not yet been disconnected,
it will soon begin to ring:
informing you, for example, that a whole generation,
in Africa, is about to die,
and a new generation is about to rise,
and will not need your bribes,
or your persuasions, any more:
nor your morality. Nor the plundered gold –
Ah! Kinsmen, if I could make you see
the crime is not what you have done to me!
It is you who are blind,
you, bowed down with chains,
you, whose children mock you, and seek another
master,
you, who cannot look man or woman or child in the
eye,
whose sleep is blank with terror,
for whom love died long ago,
somewhere between the airport and the safe-deposit
box,
the buying and selling of rising or falling stocks,
you, who miss Zanzibar and Madagascar and Kilimanjaro
and lions and tigers and elephants and zebras
and flying fish and crocodiles and alligators and
leopards
and crashing waterfalls and endless rivers,
flowers fresher than Eden, silence sweeter than the
grace of God,
passion at every turning, throbbing in the bush,
thicker, oh, than honey in the hive,
dripping
dripping
opening, welcoming, aching from toe to bottom
to spine,
sweet heaven on the line
to last forever, yes,
but, now,
rejoicing ends, man, a price remains to pay,
your innocence costs too much
and we can’t carry you on our books
or our backs, any longer: baby,
find another Eden, another apple tree,
somewhere, if you can,
and find some other natives, somewhere else,
to listen to you bellow
till you come, just like a man,
but we don’t need you,
are sick of being a fantasy to feed you,
and of being the principal accomplice to your
crime:
for, it is
your
crime, now, the cross to which you
cling,
your Alpha and Omega for everything.
Well (others have told you)
your clown’s grown weary, the puppet master
is bored speechless with this monotonous disaster,
and is long gone, does not belong to you,
any more than my woman, or my child,
ever belonged to you.
During this long travail
our ancestors spoke to us, and we listened,
and we tried to make you hear life in our song
but now it matters not at all to me
whether you know what I am talking about – or not:
I know why we are not blinded
by your brightness, are able to see you,
who cannot see us. I know
why we are still here.
Godspeed.
The niggers are calculating,
from day to day, life everlasting,
and wish you well:
but decline to imitate the Son of the Morning,
and rule in Hell.
(for Skip)
I believe, my brother,
that some are haunted by a song,
all day, and all the midnight long:
I’m going to tell
God
how you treated
Me:
one of these days.
Now, if that song tormented me,
I could have no choice but be
winter than a bleaching bone
of all the ways there are,
this must be the most dreadful
way to be alone.
White rejects light
while blackness drinks it in
becoming many colours
and stone holds heat
while grass smothers
and flowers die
and the sleeping snake
is hacked to pieces
while digesting his
(so to speak)
three-martini lunch.
Dread stalks our streets,
and our faces.
Many races
gather, again,
to despise and disperse
and destroy us:
nor can they any longer pretend
to be looking for a friend.
That dream was sold
when we were,
on the auction-block
of Manifest Destiny.
Time is not money.
Time
is
time.
And the time has come, again,
to outwit and outlast
survive and surmount
the authors of the blasphemy
of our chains.
At least, we know a
man, when we see one,
a shackle, when we wear one,
or a chain, when we bear one,
a noose from a halter,
or a pit from an altar.
We, who have been blinded,
are not blind
and sense when not to
trust the mind.
Time is not money.
Time is time.
You made the money.
We made the rhyme.
Our children are.
Our children are.
Our children are:
which means that we must be
the pillar of cloud by day
and of fire by night:
the guiding star.
My beloved brother,
I know your walk
and love to hear you
talk that talk
while your furrowed brow
grows young with wonder,
like a small boy, staring at the thunder.
I see you, somehow,
about the age of ten,
determined to enter the world of men,
yet, not too far from your mother’s lap,
wearing your stunning
baseball cap.
Perhaps, then, around eleven,
wondering what to take as given,
and, not much later, going through
the agony bequeathed to you.
Then, spun around, then going under,
the small boy staring at the thunder.
Then, take it all
and use it well
this manhood, calculating
through this hell.
Who says better? Who knows more
than those who enter at that door
called back
for Black,
by Christians, who
raped your mother
and, then, lynched you,
seed from their loins,
flesh of their flesh,
bone of their bone:
what an interesting way
to be alone!
Time is not money:
time is time.
And a man is a man, my brother,
and a crime remains
a crime.
The time our fathers bought for us
resides in a place no man can reach
except he be prepared
to disintegrate himself into atoms,
into smashed fragments of bleaching bone,
which is, indeed, the great temptation
beckoning this disastrous nation.
It may, indeed, precisely, be
all that they claim as History.
Those who required, of us, a song,
know that their hour is not long.
Our children are
the morning star.
(for Y.S.)
In a strange house,
a strange bed
in a strange town,
a very strange me
is waiting for you.
Now
it is very early in the morning.
The silence is loud.
The baby is walking about
with his foaming bottle,
making strange sounds
and deciding, after all,
to be my friend.
You
arrive tonight.
How dull time is!
How empty – and yet,
since I am sitting here,
lying here,
walking up and down here,
waiting,
I see
that time’s cruel ability
to make one wait
is time’s reality.
I see your hair
which I call red.
I lie here in this bed.
Someone teased me once,
a friend of ours –
saying that I saw your hair red
because I was not thinking
of the hair on your head.
Someone also told me,
a long time ago:
my father said to me,
It is a terrible thing,
son,
to fall into the hands of the living God.
Now,
I know what he was saying.
I could not have seen red
before finding myself
in this strange, this waiting bed.
Nor had my naked eye suggested
that colour was created
by the light falling, now,
on me,
in this strange bed,
waiting
where no one has ever rested!
The streets, I observe,
are wintry.
It feels like snow.
Starlings circle in the sky,
conspiring,
together, and alone,
unspeakable journeys
into and out of the light.
I know
I will see you tonight.
And snow
may fall
enough to freeze our tongues
and scald our eyes.
We may never be found again!
Just as the birds above our heads
circling
are singing,
knowing
that, in what lies before them,
the always unknown passage,
wind, water, air,
the failing light
the falling night
the blinding sun
they must get the journey done.
Listen.
They have wings and voices
are making choices
are using what they have.
They are aware
that, on long journeys,
each bears the other,
whirring,
stirring
love occurring
in the middle of the terrifying air.
(for Berdis)
If the hope of giving
is to love the living,
the giver risks madness
in the act of giving.
Some such lesson I seemed to see
in the faces that surrounded me.
Needy and blind, unhopeful, unlifted,
what gift would give them the gift to be gifted?
The giver is no less adrift
than those who are clamouring for the gift.
If they cannot claim it, if it is not there,
if their empty fingers beat the empty air
and the giver goes down on his knees in prayer
knows that all of his giving has been for naught
and that nothing was ever what he thought
and turns in his guilty bed to stare
at the starving multitudes standing there
and rises from bed to curse at heaven,
he must yet understand that to whom much is given
much will be taken, and justly so:
I cannot tell how much I owe.
(for David)
Two black boots,
on the floor,
figuring out what the walking’s for.
Two black boots,
now, together,
learning the price of the stormy weather.
To say nothing of the wear and tear
on
the mother-fucking
leather.
The darkest hour
is just before the dawn,
and that, I see,
which does not guarantee
power to draw the next breath,
nor abolish the suspicion
that the brightest hour
we will ever see
occurs just before we cease
to be.