Jemez Spring (30 page)

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Authors: Rudolfo Anaya

BOOK: Jemez Spring
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And Sonny did pray. With a deep breath he asked for guidance from the ancestors. No coyote warrior ever went into battle without asking for help. He did not pray to Santiago, El Matamoros, the blood-letting saint, instead he prayed to San Isidro and La Virgen.

This time you've gone too far, Sonny said, and moved without a sound toward Raven.

Raven placed one hand on his chin. I do what I have to do to gain ascendancy. Once done, the past can't be righted. Not even in the dreams you've learned to control. You see, the shaman is trained to help others. Seeking lost souls, he dares to enter the depths of Hades, the Mictlan of the Mesoamericans, Hell of the Christians, which by any other name are aspects of the psyche. Trained to help others, that's the key, Sonny. But you are not trained to help yourself. And so, I break the seventh seal, and leave you to wander for future eternities in this wasteland, a desert created by the genius of our kind. Here you will sense a time that does not flow, separated from those you love, never again to feel human touch or comfort.

He raised his carved sword, the scimitar that could slice the body of a man in two, create duality from the unity all men seek, for only by destroying wholeness could Raven win.

The question was, Did he have this power or was he bragging?

The soul cannot be erased from the memory of our kind, Sonny answered, and Raven clenched his teeth.

It can!

No, it returns and returns. So I will seek my daughters, he said with confidence.

They are illusions, Raven shouted.

I won't give up.

Your obsession is your death, Raven clearly pronounced.

Was obsession the ego's trap? Prajna had warned him he was too attached to the world, and it was the ego and its power, its desire for worldly goods, that tripped the man. But what of that dark residue beneath the ego, the anima who always visited Sonny, the feminine entity of every man's psyche, the strange and seductive woman of his dreams, analogous to the living flesh, Rita, her warm embrace, her breath hot on his neck, the warm ooze of her sex when they made love.

Was all this illusion? No, there had to be a reality that clothed itself in tree, stone, fish and fowl, and especially a reality that came in the body of the beloved. Else what's a life for?

The Zia Stone, Sonny said, making small talk as he inched ever closer to his dark brother.

It can't help you, Raven chuckled. Even if you had it in front of you, you couldn't read its message.

But there are old men in the pueblos who can, Sonny thought, tiring of the inaction, aware that he was a child of the desert and that in the desert death came quickly.

At least destroy the bomb, he said.

Raven laughed, that awful laugh that said:
You are so dumb. You haven't figured out a single line of the drama and you call yourself a detective!

Did you believe I would waste the plutonium pit on your sacred mountain? No, I'm giving it as a Christmas present to Al Qaeda. Let the terrorists do the dirty work. Let the masses think they're the enemy, when the real enemy is within. You know this.

You made a deal, Sonny said, resigned.

Of course I made a deal. It's in my nature, as well as yours. Human nature thrives by making deals. Evolution is adaptation. I will give the authorities the code. At the last moment, of course. High drama. The clock ticks down and I call the boys from the Los Alamos Labs. You see, I'm holding a press conference with the mayor and all the local politicians. Coverage by CNN. I'll blame today's favorite target, the terrorists. The Evil Empire boys. Blame Syria, Iran, Bin Laden, Al Qaeda, North Korea. People are so dumb. They believe the government's message, forgetting evil also lies inherent in the messenger. I love it. So, the cameras will shift from us to the scientists on the mountain as they punch in the code and the ticking goes dead. Cheers galore. I love it!

You're crazy—

I've told you never to say that! Raven shouted, jumping forward and trembling with rage, his face red with laser light, veins bulging along his neck, thunder flashing across the desert space, La Llorona's cry chilling the blood.

Humph, humph, hah, haah, heeee-eee. He laughed, struggling to control his own chaotic essence. You try to get me
mad
. Hatter mad. Doesn't work, Sonny, I am as old as you. I, too, share in the collective memory of the species, share in the protein code of every cell. Damn DNA! I am the building block of the species! Don't you get it? That's how complex I am. I can't be dismissed with a wave of
you're crazy
.

When the going gets tough, Sonny thought, it's coyote nature that must face Raven. Coyote howls and coyote bites.

My dog? he asked.

The little mutt hasn't fallen asleep, Raven replied. But she has to. Half a dog's life is to sleep, perchance to dream—

Here he let out a robust explosion of laughter that echoed to the ceiling. You get it? Perchance to dream, and in that dream of your dog's sleep, I will enter like the assassin I am. You'll be helpless, Sonny. They minute she dreams your image, I strike. Do you understand? The soul is the image of your life's eternity. Killing it will be the end of you, I guarantee.

And this? Sonny asked. What's this for?

This is a game. I wanted you to see what our so-called civilization has come to. Virtual reality. You're on the way out, Sonny. Future anthropologists will find the machines, but they won't find a trace of the makers or those who went to the movies. They won't find Diogenes. You see, my dear boy, we are images in the movie of life. We are projections who strut and fret our hour upon the stage, and then are heard no more. The light will go out, Sonny, the movie will end. You will disappear into a void far beyond virtual reality.

Now! the old man said.

It was time to toss down the gauntlet. His trump.

Tamara knows, he said.

Raven's eyebrows knitted in a scowl. The tramp. She knows nothing!

She knows your plan!

Raven cocked his head. Have you talked to her?

No, but I'm on my way.

Damn her! Raven cursed, shaking violently. She has the hots for you! She'll give you any secret to get in your pants!

Sonny pressed the point. Maybe in your sleep you've confessed to her, a word here, a word there, and you let slip the way for me to find you in my dream. Find my daughters.

Your obsession will kill you, Raven screeched. Your soul is already dissolving in the river of memory!

My river is the Rio Grande, Sonny replied. And you're as much afraid of dissolution as anyone.

No, no, Raven protested. There is no river that can erase my energy. You know that.

Let's put it to the test, Sonny challenged. Let's meet there.

Raven grew interested. And make an end of the game, he said.

Sonny shrugged. Why not? I win or you win.

Sonny was suggesting the denouement. Not the OK-Corral shootout, but a duel to the end on the banks of the holy river, the muddy Nile, Prajna's Ganges, China's Yangtze, actually New Mexico's Rio Grande, which was always too thin to plow and too thick to drink.

By the Barelas Bridge, Raven said.

Done, Sonny agreed.

By now he had circled in on the unsuspecting Raven, using his wily dialogue to lull Raven into false security, and he was close enough to lunge forward and rip the Zia medallion from Raven's neck.

Ah-ha! Sonny cried, holding up the prize.

Oh-no! Raven countered, his grin as big as a watermelon slice. He signaled, a light of one of the laser projectors died instantly, and the Zia medallion disappeared from Sonny's fingers. Sonny was left holding thin air.

I see you believe in illusions, Raven scoffed.

Of course Sonny believed in illusions. He and Rita liked to take in a Saturday-night movie once in a while, or rent a video and watch it at her place, where after a long and tiring day at Rita's Cocina a beer and a good movie was a prelude to making love. Movies as foreplay.

I honor the art of image making, Sonny replied, looking at his empty fingers. The image is holy. But you and the producers of illusion have taken our myths and made them vulgar.

Vulgar is as vulgar does, Raven said, pointing at the hundreds of moviegoers ready to enter the movie in which they could participate. $Millions$ $Millions$ The masses are so bored with their ordinary lives they flock to the screen. Hollywood offers psychic relief for the lumpen. Our producers offer escape from reality, and the masses lap it up. Look!

He flashed a signal and created a new dimension, a time-space so distanced from human conception that it became the archetypal Armageddon, the end of the world, Ezekiel's vision, a scene so murderous it drove fear into those who watched, terrifying the moviegoers and sending them screaming and scurrying for the exits.

Another light went out, the light that embodied Raven, and he disappeared with a Tra-la-la. The river at 6:00.

Sonny exited, leaving the now-bare stage, walking hurriedly through the lobby and into the bright sunlight of the pleasant March afternoon.

He squinted, blinded as he was, and had not yet cleared his vision when someone grabbed him by the collar and slammed him against the wall. He felt a hunting knife prick just beneath his ribcage.

A furious Bear pressed his face against Sonny's.

“Where is he?”

“I don't know—” Sonny managed, and felt the knife press deeper into his flesh.

“Where is he?” Bear repeated, his full-blown rage smothering Sonny, the knife ready to pierce straight into the liver, as Jesus had once been pierced, allowing the blood to flow, creating in that horrendous act a new river, one the Roman soldiers had no way of knowing would flow into the future.

The enraged Bear was too strong to push away, the knife too sharp to evade. Coyote sense might get him out of the jam, not brute strength.

“The sonofabitch killed Naomi!”

“Let me handle Raven—”

“I'll do it my way! First Raven, then Augie! Where are they?”

“Ease up …”

Bear, breathing like a wounded animal, pulled back a fraction.

“No tricks, Sonny, no tricks or I swear I'll cut you open!”

“Augie's going to get his, sooner or later. You've got to let me take care of Raven.”

“Because of his witchcraft? Because he can fly? I'm not afraid of that. I'll get him or die trying. Where is he?”

The crowd around them pressed forward, thinking this was part of the movie, or a staged act to incite them further: foreplay. These big men were gladiators, the Indian obviously had the upper hand, and now they had to choose if Sonny lived or died. “Kill him!” some jeered, thumbs down. Others shouted, “Give him a weapon to defend himself!”

“I don't know,” Sonny replied. “I lost his trail …”

“I just left her … held her in my arms. The sonofabitch didn't have to kill her. I blame myself for letting her go. She was afraid of him, needed to get out of town, she said. He led her along, told her about the big scheme to siphon Indian water rights. They needed her out of the way.”

“I'm sorry,” was all Sonny could say.

Sorry for the killing going on in the world. Sorry for Naomi. She was Snake Woman, one whose earth energy was aligned with a deep wisdom, for as has been told in many stories, wisdom did not rain from the sky but came from the earth. The snake did not tempt Eve; it came to deliver her and the man from the bondage of ignorance, a whispered message that they should disobey the lesser god.

Hadn't Moses lifted up the healing serpent? And wasn't the wisdom of the serpent written in all the ophidian mysteries, imaged even onto the cross?

“Oh God, she's dead … never told her story.”

“She said to tell you she loved you.”

Bear nodded. Tears filled his eyes. “We grew up in the pueblo. I was in love with her from the time we were kids. But she had to find her way.”

“Take Naomi home. Leave Raven to me.”

Bear pulled away. “You do it your way, I'll do it mine,” he said, turning and disappearing into the crowd, which booed and jeered him for not killing Sonny.

A young woman stepped up and placed her tepid fingers on the spot of blood on Sonny's shirt.

“You're real,” she gasped, drawing back.

“Yes.”

“We thought it was part of the movie. He could have killed you.”

Sonny nodded. A slight push and the hunting knife would have pierced heart or liver. In seconds Sonny's blood would have run in the gutters of the Alburquerque streets, mixing with the beer and trash of the boisterous crowd.

Private investigators dying in the streets was for the movies, not for Sonny. I want to die at home, he thought, comfortable in my old age, on a soft bed surrounded by images of the saints, my father and mother's pictures, candles lit and copal incense burning, with Rita holding my hand as I totter off into a heaven where I will have many books to read, and wise people with whom to discuss the meaning of life. Not on the street.

“I'm sorry,” the young woman said, wiping her finger on her midriff where hung a ring, gold emblazoned with the Zia sign. She went back to the waiting line.

The sylph, Sonny thought, come to the movies.

He pushed through the crowd, holding his left side, punctured by the knife, tired now, limping from the pain in his ankle, which Raven had kicked. He didn't look like much of a hero as he hurried up Central, rushing because the sun had already started on its downward spiral and in three hours it would be behind Mount Taylor, the western sacred mountain.

And there was a lot still to be done if Sonny was to find the daughters he had seen in Raven's movie.

Aren't you convinced by now, it was an illusion? the old man said, hurrying after Sonny.

Because the medallion disappeared?

Yes! the old man said forcefully, trying to get through to Sonny's coyote spirit, where he might understand survival, and the truth of survival.

How can I deny I saw my daughters? Sonny spat out.

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