Authors: Mike Stoner
âThis country is too subtle,' says Jenny, and most of the class make a sound of agreement.
I nod. âMaybe.'
My stomach flutters. Sudden clarity from nowhere; in two days I fly home.
In two days I find out how crazy I am.
âWe will miss you, sir.' This is from Jenny again.
âWhy you going man?' asks Johnny. âYou not like Indonesian or Chinese pussy?'
Oohs and aahs of disgust and laughter mean I can't answer for a second.
âJohnny. Bad boy. You shouldn't say that. That, that rudeness is something you should change if you get the chance. At least only use it where it's suitable.'
I sit at my desk. Has it all really changed? I have new memories of old moments. My past is changing in my mind. But old memories, old moments are still there too. Two versions of everything. Old moments hiding under the rolling-in waves of new ones. Perhaps my mind has split down the middle. Perhaps I can't handle the truth anymore and my brain is making its own history. Drugs have done their work. Or perhaps time has bent or split, perhaps the moments have been changed. Laura doesn't visit anymore and the moments rolling and turning in my head tell me why. I'm just not sure if I should believe them. But in this world, where we have come to be, where things of minuscule intricacies and immense beauty exist together without true explanation or reason, why shouldn't I? Why shouldn't it be possible that previous time still exists, and therefore can still be acted on, changed and replanned? If I've been somewhere before, then when I revisit I take a different route, I might find that maybe the place has had a facelift, a paint job, an improvement. Surely that should be possible in all facets, dimensions and ways of life. If you strongly want to believe it is possible, then believe it. Believe it. Make it true.
Just listen to me; mad as a hatter.
âSo you don't like?'
âSorry. I, er, was just thinking of something.'
âVery good, very polite,' says Ferdi. His skill at sarcasm is coming along nicely. âI have had enough.
Have had.
That is present perfect tense. We use it to talk about the past when it is connected to the present. The past lessons to now have been bad and so is this one. I have had enough. I will complain and now I go.' He scoops his books up and stuffs them into his bag. âGoodbye and please return to your stupid country. You very bad teacher.'
We watch him leave in silence. When the door has closed there is a little more silence, then Johnny says something in Indonesian for the benefit of both native ethnicities in the room, but with the exclusion of mine.
âWhat did you say?'
âWhat is this on woman?' He points between his legs.
âI'm not falling for that.'
âNo. Not for sex, for insult.'
Several words go through my mind, but I hit on the one that I think is the equivalent to what he might want to say.
âTwat.' I say.
âHe is a twat,' says Johnny.
Laughter.
The class have their useful word of the week.
âTwat,' they all repeat.
âSo anyway, boss, why leave? Why leave us?'
âWhy? Because I just miss home. I need to go home. I'm scared of it, but I must go home.' I blink away my blurred vision. âI need to find out if the past is finished past or if it is still there, waiting.'
âWell then, you better go I guess. Good luck, man,' says Johnny, âgood luck.'
âAnd good luck to you too, Johnny. Good luck to all of you.'
âSee you then, Iqpal.'
â
Selamat
. Have a good journey home.' He has paused in squirting cleaner on the outside windows. âI think you happy now.'
âYou think?' I look at the traffic moving up and down the road. âI'll miss it. The colours and the smells, the
becaks
, the coffee and the heat.'
âNo. You miss this? No. Your country is paradise, I think.'
âParadise? I don't think so. This is closer to paradise.'
âNo. Here is poor and no money, disease and dirty and many problems. Your country I have seen on TV. It is paradise. Beautiful houses and women with white skin and you are all rich.'
âYou can't always believe the TV.'
âBut it must be better than here.' He idly rubs a patch of glass with his cloth and his voice quietens while the glass squeaks. âIt must be.'
âIqpal.' I squeeze his shoulder. I feel a little condescending doing it, but I want to touch him to show him some warmth. For some reason I feel his life will not be a good one. âTake care. I'll remember you.'
âYou also take care. Come and visit.'
âI will try. I want to.'
âAnd bring me present. Bring a watch. You have good watches in England I know. Beckham and Bond wear them. Bring me a watch.'
âI will. OK.
Selamat
, Iqpal.'
âSelamat.'
I walk away from him and English World school for the last time. I flag down a bicycle
becak
. As it pulls away I watch Iqpal, standing with a spray bottle in one hand and a cloth in the other. We watch each other until he disappears behind the wall of colours of the street.
âWhere you go, mister?' asks the pedalling taxi man.
âThe Medan School, please.'
âOK.' He pushes hard down on his pedals and we pick up speed. I look to the front as we swerve in and out of the traffic, my rider pushing other
becaks
away with his hands and feet as we move along under the heavy sky of yet another hot afternoon. In and out of the traffic. Hot, hot day. My eyes are dry from the dust and air. I close them. Just for a moment. My mind sees its chance and wanders, looking in the darkness, going to the furthest corners, digging about, turning over moments like playing cards, looking for the ace. Turn. Turn. Turnturnturnturn.
She stuffs a slice of her pizza into my mouth. All cheese. As she pulls it out a long string of it flops onto my chin.
âMessy.' She leans across and sucks it off.
âYou realise the nearest sea is going to be eight hundred miles away?' We watch the small curls of water on a gentle sea lap at the stones. Moonlight making them silver.
âYep.' She moves the pizza box off my lap and lies down, resting her head there.
âYou know I love you, don't you.' She picks up my hand and lays it on her soft hair. âStroke, please.'
âI do.'
âYou love me.'
âI do.'
âYou know there's a world out there?'
âI do.'
The sea hisses with the rhythm of a slow high-hat as it plays on the beach.
âI don't want anyone else. Ever.' She nestles her head against my crotch. âNever ever.'
âWhere is this leading?'
âI want to be me for a year.'
âYou're always you.' Something squeezes the pieces around my heart.
âI know. But I just want to be me. As an experiment. Just me. And be somewhere where I know no one and see how I do. Just me. On my own. Without help.'
My hand slows and pauses in its stroking. The feeling is creeping up my throat, tightening on my neck.
âA year. Not even that. Nine months. I'll be back in nine months and then I'll find you and shag your brains out and ask you to marry me and have kids and die happy.' She kisses my thigh through my jeans. âBut to do that, I want to be a sole explorer. I want to make my own opinions about things. I want a little last time as a single cell, before I divide into a double cell. I'm not splitting up with you. I just don't want to talk to you for nine months, or see you, or any of my friends or family. I want to survive on my own, just to prove I can.'
âNot splitting up with me?'
âNope.'
âBut no contact after you get on the bus tomorrow?'
âNope.'
âOne phone call. Let me know you arrived safely.'
âOK. One phone call.'
âNine months? That's too long.'
âNo it's not. You can't count time, remember. It's just a human way of labelling something beyond them. Look at cats as a cute, cuddly example. They don't have days or months or years. They just are, without restriction.'
âCats, huh? I guess I have never seen one with a watch.'
âExactly. And you could use that lump of moments and go somewhere. Why don't you do some alone time somewhere new?'
âWhy don't I?'
There's a question: why don't I? Why don't I?
Whyâ¦
The
becak
bumps over a kerb.
What is that memory? What is that moment? Is it a moment? Is it a lie? What is it? I must keep this hope. I must. Because if it is a lie, a brainwashing put there by black magic and drugs, then I am mad. And that is the end of me. Or ifâ¦
IF
Teddy has helped me find a new path back to be in the right moment, then life is wondrous, the world is always inexplicable, and I am an overjoyed, jubilant man.
IF
âHere is school.' He stops pedalling and we freewheel to a stop in the dusty road. A thin powdery haze rises up around my feet.
Naomi is sitting on a bench outside. Her face turned towards the sun, puffing thoughtfully on a cigarette. She doesn't see me getting out of the
becak
.
I pay the rider and walk to her, pulling my cigarettes out of my pocket.
Try not to question the moment or my sanity. Just go with it. You're doing fine.
Sitting on the bench next to her, I light my cigarette and watch her while she still looks skyward. She is a good-looking girl who just wanted to show me around. She didn't deserve my attack, my bitterness at everything.
âI'm sorry.'
Her shoulders twitch and she turns her head quickly to me.
âShit. You made me jump.'
âSorry for that too.' My toes are white with dust.
âAfter all these months you finally come to apologise?'
âPretty much. Yes.'
âWell, you can eff off.' She squashes her cigarette under her foot. âToo late.'
âWait, Naomi. Really. You didn't deserve what I said. I've been a little crazy of late.'
âI was good to you. Nice to you. And you were an asshole to me for no reason.' She is standing, her face screwed up with anger. âYou upset me and since then I've had to avoid you and that group of misfits from your school. I was embarrassed, angry and annoyed that I let you get away with it.'
âI'm a tosser. I was a tosser.' I stand too and try to move my face into her vision so she can see I mean it. âI'm leaving in two days and I just wanted you to know I feel bad about it.'
âWell, too late. Have a good journey and don't come back. Brit prick.'
She takes wide steps around me and heads up the path to her school.
I wasn't expecting that. Apology not accepted. Probably quite rightly not. But it hurts. As I flag another
becak
, I feel a knot in my gut that I know will be there for a while, as a reminder to think twice before going selfish and âdon't give a shit'. Just because I might not give a shit, doesn't mean everyone else doesn't. Everyone else might give a very big shit.
COCKROACH HOCKEY
T
he
guards let me into the house and close the door behind me. I slide my shoes off and look around the room. At first I think no one is there, the kitchen area is clean and there is just a bowl of ripe-smelling fruit sitting on the long worktop. The TV is off, giving Mr Beckham a break, and I can hear no splashing from the pool. New furniture poses by the TV: two big leather armchairs, one with its back to me. I wander into the room and reach for a mangosteen in the bowl.