Authors: Stephen King
Cheating. Cheating on my wife.
He tried to get this through his head, but it seemed both real and unreal at the same time. What seemed strongest was an unhappy sense of homesickness: an oldfashioned feeling of falling away. Audra would be up by now, making coffee, sitting at the kitchen table in her robe, perhaps studying lines, perhaps reading a Dick Francis novel.
His key rattled in the lock of room 311. If they had gone to Beverly's room on the fifth floor, they would have seen the message-light on her phone blinking; the TV-watching desk clerk would have given her a message to call her friend Kay in Chicago (after Kay's third frantic call, he had finally remembered to post the message), things might have taken a different course: the five of them might not have been fugitives from the Derry police when that day's light finally broke. But they went to hisâas things had perhaps been arranged.
The door opened. They were inside. She looked at him, eyes bright, cheeks flushed, her breast rising and falling rapidly. He took her in his arms and was overwhelmed by the feeling of
rightnessâthe
feeling of the circle between past and present closing with a triumphant seamlessness. He kicked the door shut clumsily with one foot and she laughed her warm breath into his mouth.
“My heartâ” she said, and put his hand on her left breast. He could feel it below that firm, almost maddening softness, racing like an engine.
“Your h-h-heartâ”
“My heart.”
They were on the bed, still dressed, kissing. Her hand slipped inside his shirt, then out again. She traced a finger down the row of buttons, paused at his waist . . . and then that same finger slipped
lower, tracing down the stony thickness of his cock. Muscles he hadn't been aware of jumped and fluttered in his groin. He broke the kiss and moved his body away from hers on the bed.
“Bill?”
“Got to stuh-stuh-stop for a m-m-minute,” he said. “Or else I'm going to shoot in my p-p-pants like a k-kid.”
She laughed again, softly, and looked at him. “Is it that? Or are you having second thoughts?”
“Second thoughts,” Bill said. “I a-a-always have those.”
“I don't. I hate him,” she said.
He looked at her, the smile fading.
“I didn't know it all the way to the top of my mind until two nights ago,” she said. “Oh, I knew itâsomewhereâall along, I guess. He hits and he hurts. I married him because . . . because my father always worried about me, I guess. No matter how hard I tried, he worried. And I guess I knew he'd approve of Tom. Because Tom always worried, too. He worried a
lot.
And as long as someone was worrying about me, I'd be safe. More than safe.
Real.”
She looked at him solemnly. Her blouse had pulled out of the waistband of her slacks, revealing a white stripe of stomach. He wanted to kiss it. “But it wasn't real. It was a nightmare. Being married to Tom was like going back into the nightmare. Why would a person do that, Bill? Why would a person go back into the nightmare of her own accord?”
Bill said, “The o-o-only reason I can f-figure is that p-people go back to f-f-find thems-s-selves.”
“The nightmare's here,” Bev said. “The nightmare is Derry. Tom looks small compared to that. I can see him better now. I loathe myself for the years I spent with him. . . . You don't know . . . the things he made me do, and oh, I was happy enough to do them, you know, because he worried about me. I'd cry . . . but sometimes there's too much shame. You know?”
“Don't,” he said quietly, and put his hand over hers. She held it tightly. Her eyes were overbright, but the tears didn't fall. “Everybody g-g-goofs it. But it's not an eh-eh-exam. You just go through it the b-b-best you can.”
“What I mean,” she said, “is that I'm not cheating on Tom, or trying to use you to get my own back on him, or anything like that. For me, it would be like something . . . sane and normal and sweet.
But I don't want to hurt you, Bill. Or trick you into something you'll be sorry for later.”
He thought about this, thought about it with a real and deep seriousness. But the odd little mnemonicâ
he thrusts his fists,
and so onâbegan to circle back, breaking into his thoughts. It had been a long day. Mike's call and the invitation to lunch at Jade of the Orient seemed a hundred years ago. So many stories since then. So many memories, like photographs from George's album.
“Friends don't t-t-trick each o-other,” he said, and leaned toward her on the bed. Their lips touched and he began to unbutton her blouse. One of her hands went to the back of his neck and held him closer while the other first unzipped her slacks and then pushed them down. For a moment his hand was on her stomach, warm; then her panties were gone in a whisper; then he nudged and she guided.
As he entered her, she arched her back gently toward the thrust of his sex and muttered, “Be my friend . . . I love you, Bill.”
“I love you too,” he said, smiling against her bare shoulder. They began slowly and he felt sweat begin to flow out of his skin as she quickened beneath him. His consciousness began to drain downward, becoming focused more and more strongly on their connection. Her pores had opened, releasing a lovely musky odor.
Beverly felt her climax coming. She moved toward it, working for it, never doubting it would come. Her body suddenly stuttered and seemed to leap upward, not orgasming but reaching a plateau far above any she had reached with Tom or the two lovers she had had before Tom. She became aware that this wasn't going to be just a come; it was going to be a tactical nuke. She became a little afraid . . . but her body picked up the rhythm again. She felt Bill's long length stiffen against her, his whole body suddenly becoming as hard as the part of him inside herself, and at that same moment she climaxedâ
began
to climax; pleasure so great it was nearly agony spilled out of unsuspected floodgates, and she bit down on his shoulder to stifle her cries.
“Oh my God,” Bill gasped, and although she was never sure later, she believed he was crying. He pulled back and she thought he was going to withdraw from herâshe tried to prepare for that moment, which always brought a fleeting, inexplicable sense of loss and emptiness, something like a footprintâand then he thrust for
ward strongly again. Right away she had a second orgasm, something she hadn't known was possible for her, and the window of memory opened again and she saw birds, thousands of birds, descending onto every roofpeak and telephone line and RFD mailbox in Derry, spring birds against a white April sky, and there was pain mixed with pleasureâbut mostly it was low, as a white spring sky seems low. Low physical pain mixed with low physical pleasure and some crazy sense of affirmation. She had bled . . . she had . . . had . . .
“All
of you?” she cried suddenly, her eyes widening, stunned.
He did pull back and out of her this time, but in the sudden shock of the revelation, she barely felt him go.
“What? Beverly? A-Are you all râ”
“All of you? I made love to all of you?”
She saw shocked surprise on Bill's face, the drop of his jaw . . . and sudden understanding. But it was not her revelation; even in her own shock she saw that. It was his own.
“Weâ”
“Bill? What is it?”
“That was y-y-your way to get us o-out,” he said, and now his eyes blazed so brightly they frightened her. “Beverly, duh-duh-don't you
uh-understand?
That was
y-y-your way to get us out!
We all . . . but we were . . .” Suddenly he looked frightened, unsure.
“Do you remember the rest now?” she asked.
He shook his head slowly. “Not the spuh-spuh-specifics. But . . .” He looked at her, and she saw he was badly frightened. “What it really c-c-came down to was, we
wuh-wuh-wished
our way out. And I'm not sh-sure . . . Beverly, I'm not sure that grownups can do that.”
She looked at him without speaking for a long moment, then sat on the edge of the bed with no particular self-consciousness. Her body was smooth and lovely, the line of her backbone barely discernible in the dimness as she bent to take off the knee-high nylon stockings she had been wearing. Her hair was a sheaf coiled over one shoulder. He thought he would want her again before morning, and that feeling of guilt came again, tempered only by the shameful comfort of knowing that Audra was an ocean away.
Put another nickel in the juke-box,
he thought.
This tune is called “What She Don't Know Won't Hurt Her.” But it hurts some-where. In the spaces between people, maybe.
Beverly got up and turned the bed down. “Come to bed. We need sleep. Both of us.”
“A-A-All right.” Because that
was
right, that was a big ten-four. More than anything else he wanted to sleep . . . but not alone, not tonight. The latest shock was wearing offâtoo quickly, perhaps, but he felt so tired now, so used-up. Second-to-second reality had the quality of a dream, and in spite of his guilt he felt that this was a safe place. It would be possible to lie here for a little while, to sleep in her arms. He wanted her warmth and her friendliness. Both were sexually charged, but that could hurt neither of them now.
He stripped off his socks and shirt and got in next to her. She pressed against him, her breasts warm, her long legs cool. Bill held her, aware of the differencesâher body was longer than Audra's, and fuller at the breast and the hip. But it was a welcome body.
It should have been Ben with you, dear,
he thought drowsily.
I think that was the way it was really supposed to be. Why wasn't it Ben?
Because it was you then and it's you now, that's all. Because what goes around always comes around. I think Bob Dylan said that . . . or maybe it was Ronald Reagan. And maybe it's me now because Ben's the one who's supposed to see the lady home.
Beverly wriggled against him, not in a sexual way (although, even as he fled toward sleep, she felt him stir again against her leg and was glad), but only wanting his warmth. She was already half-asleep herself. Her happiness here with him, after all these years, was real. She knew that because of its bitter undertaste. There was tonight, and perhaps there would be another time for them tomorrow morning. Then they would go down in the sewers as they had before, and they would find their It. The circle would close ever tighter, their present lives would merge smoothly with their own childhoods; they would become like creatures on some crazy Moebius strip.
Either that, or they would die down there.
She turned over. He slipped an arm between her side and her arm and cupped one breast gently. She did not have to lie awake, wondering if the hand might suddenly clamp down in a hard pinch.
Her thoughts began to break up as sleep slid into her. As always, she saw brilliant wildflower patterns as she crossed overâmasses and masses of them nodding brightly under a blue sky. These faded and
there was a falling sensationâthe sort of sensation that had sometimes snapped her awake and sweating as a child, a scream on the other side of her face. Childhood dreams of falling, she had read in her college psychology text, were common.
But she didn't snap back this time; she could feel the warm and comforting weight of Bill's arm, his hand cradling her breast. She thought that if she was falling, at least she wasn't falling alone.
Then she touched down and was running: this dream, whatever it was, moved fast. She ran after it, pursuing sleep, silence, maybe just time. The years moved fast. The years ran. If you turned around and ran after your own childhood, you had to really let out your stride and bust your buns. Twenty-nine, the year she had streaked her hair
(faster).
Twenty-two, the year she had fallen in love with a football player named Greg Mallory who had damn near raped her after a fraternity party
(faster, faster).
Sixteen, getting drunk with two of her girlfriends on the Bluebird Hill Overlook in Portland. Fourteen . . . twelve . . .
. . . faster, faster, faster . . .
She ran into sleep, chasing twelve, catching it, running through the barrier of memory that It had cast over all of them (it tasted like cold fog in her laboring dreamlungs), running back into her eleventh year, running, running like hell, running to beat the devil, looking back now, looking back
The Barrens/12:40
P.M.
over her shoulder for any sign of them as she slipped and scrambled her way down the embankment. No sign, at least not yet. She had “really fetched it to him,” as her father sometimes said . . . and just thinking of her father brought another wave of guilt and despondency washing over her.
She looked under the rickety bridge, hoping to see Silver heeled over on his side, but Silver was gone. There was a cache of toy guns which they no longer bothered to take home, and that was all. She started down the path, looked back . . . and there they were, Belch
and Victor supporting Henry between them, standing on the edge of the embankment like Indian sentries in a Randolph Scott movie. Henry was horribly pale. He pointed at her. Victor and Belch began to help him down the slope. Dirt and gravel spilled from beneath their heels.
Beverly looked at them for a long moment, almost hypnotized. Then she turned and sprinted through the trickle of brook-water that ran out from under the bridge, ignoring Ben's stepping-stones, her sneakers spraying out flat sheets of water. She ran down the path, the breath hot in her throat. She could feel the muscles in her legs trembling. She didn't have much left now. The clubhouse. If she could get there, she might still be safe.
She ran along the path, branches whipping even more color into her cheeks, one striking her eye and making it water. She cut to the right, blundered through tangles of underbrush, and came out into the clearing. Both the camouflaged trapdoor and the slit window stood open; rock n roll drifted up. At the sound of her approach, Ben Hanscom popped up. He had a box of Junior Mints in one hand and an Archie comic book in the other.