Asimov denied being anything other than direct and clear in his writing, and that may apply to his personal life as well. Certainly he was open about his life, even on those matters that most people are most closed about: money and sex and, more important to Asimov, his writing. I asked him in our interview if his disclaimer of knowledge about the craft of writing wasn't a pose. Clearly, he had thought about it, I pointed out. He had criticized other people's stories in his teenage letters-to-the-editor days; he had noticed Clifford Simak's way of leaving space to indicate a break between scenes and, after having had it explained, had adopted it himself; he had even attended the Bread Loaf Writers' Conference a couple of times as a member of the faculty. Asimov responded that he did not deliberately set up a pose. He really thought he did not know much about writing, but, as he pointed out in
an afterword to the collection of essays about his work edited by Martin Greenberg and Joseph Olander titled
Asimov,
"without very much in the way of conscious thinking I manage to learn from what I read and what I hear."