Authors: Ralph Ellison
Tags: #Literary, #Classics, #Fiction, #African American, #General
"Oh, take it easy," I growled. "A man can ask a question, can't he?"
"You got your answer," he said, turning completely around on the stool. "So now I guess you ready to pull your knife."
"Knife?" I said, wanting to laugh. "Who said anything about a knife?"
"That's what you thinking about. Somebody say something you don't like and you kinda fellows pull your switch blades. So all right, go ahead and pull it. I'm as ready to die as I'm gon' ever be. Let's see you, go ahead!"
He reached for the sugar shaker now, and I stood there feeling suddenly that the old man before me was not Brother Maceo at all, but someone else disguised to confuse me. The glasses were working too well. He's a game old brother, I thought, but this'll never do.
I pointed toward his plate. "I asked you about the ribs," I said, "not your ribs. Who said anything about a knife?"
"Never mind that, just go on and pull it," he said.
"Let's see you. Or is you waiting for me to turn my back. All right, here it is, here's my back," he said, turning swiftly on the stool and around again, his arm set to throw the shaker. Customers were turning to look, were moving clear.
"What's the matter, Maceo?" someone said.
"Nothing I caint handle; this confidencing sonofabitch come in here bluffing --"
"You take it easy, old man," I said. "Don't let your mouth get your head in trouble," thinking, Why am I talking like this?
"You don't have to worry about that, sonofabitch, pull your switch blade!"
"Give it to him, Maceo, coolcrack the motherfouler!"
I marked the position of the voice by ear now, turning so that I could see Maceo, the agitator, and the customers blocking the door. Even the juke box had stopped and I could feel the danger mounting so swiftly that I moved without thinking, bounding over quickly and sweeping up a beer bottle, my body trembling.
"All right," I said, "if that's the way you want it, all right! The next one who talks out of turn gets this!"
Maceo moved and I feinted with the bottle, seeing him dodge, his arm set to throw and held only because I was crowding him; a dark old man in overalls and a gray long-billed cloth cap, who looked dreamlike through the green glasses.
"Throw it," I said. "Go on," overcome with the madness of the thing. Here I'd set out to test a disguise on a friend and now I was ready to beat him to his knees --not because I wanted to but because of place and circumstance. Okay, okay, it was absurd and yet real and dangerous and if he moved, I'd let him have it as brutally as possible. To protect myself I'd have to, or the drunks would gang me. Maceo was set, looking at me coldly, and suddenly I heard a voice boom out, "Ain't going to be no fighting in my joint!" It was Barrelhouse. "Put them things down y'all, they cost money."
"Hell, Barrelhouse, let 'em fight!"
"They can fight in the streets, not in here --Hey, y'all," he called "look over here . . ." I saw him now, leaning forward with a pistol in his huge fist, resting it steady upon the bar.
"Now put 'em down y'all," he said mournfully. "I done ask you to put my property
down."
Brother Maceo looked from me to Barrelhouse.
"Put it down, old man," I said, thinking, Why am I acting from pride when this is not really me?
"You put yourn down," he said.
"Both
of y'all put 'em down; and you, Rinehart," Barrelhouse said, gesturing at me with his pistol,
"you get out of my joint and stay out. We don't need your money in here." I started to protest, but he held up his palm.
"Now you all right with me, Rinehart, don't get me wrong. But I just can't stand trouble," Barrelhouse said.
Brother Maceo had replaced the shaker now and I put my bottle down and backed to the door.
"And Rine," Barrelhouse said, "don't go try to pull no pistol neither, 'cause this here one is loaded and I got a permit."
I backed to the door, my scalp prickling, watching them both.
"Next time don't ask no questions you don't want answered," Maceo called. "An' if you ever want to finish this argument I be right here."
I felt the outside air explode around me and I stood just beyond the door laughing with the sudden relief of the joke restored, looking back at the defiant old man in his long-billed cap and the confounded eyes of the crowd. Rinehart, Rinehart, I thought, what kind of man is Rinehart?
I was still chuckling when, in the next block, I waited for the traffic lights near a group of men who stood on the corner passing a bottle of cheap wine between them as they discussed Clifton's murder.
"What we need is some guns," one of them said. "An eye for an eye."
"Hell yes, machine guns. Pass me the sneakypete, Muckleroy."
"Wasn't for that Sullivan Law this here New York wouldn't be nothing but a shooting gallery," another man said.
"Here's the sneakypete, and don't try to find no home in that bottle."
"It's the only home I got, Muckleroy. You want to take that away from me?"
"Man, drink up and pass the damn bottle."
I started around them, hearing one of them say, "What you saying, Mr. Rinehart, how's your hammer hanging?"
Even up here, I thought, beginning to hurry. "Heavy, man," I said, knowing the answer to that one, "very heavy." They laughed.
"Well, it'll be lighter by morning."
"Say, look ahere, Mr. Rinehart, how about giving me a job?" one of them said, approaching me, and I waved and crossed the street, walking rapidly down Eighth toward the next bus stop. The shops and groceries were dark now, and children were running and yelling along the walks, dodging in and out among the adults. I walked, struck by the merging fluidity of forms seen through the lenses. Could this be the way the world appeared to Rinehart? All the dark-glass boys? "For now we see as through a glass darkly but then --but then --" I couldn't remember the rest. She was carrying a shopping bag and moved gingerly on her feet. Until she touched my arm I thought that she was talking to herself.
"I say, pardon me, son, look like you trying to pass on by me tonight. What's the final figger?"
"Figure? What figure?"
"Now you know what I mean," she said, her voice rising as she put her hands on her hips and looked forward. "I mean today's last number. Ain't you Rine the runner?"
"Rine the runner?"
"Yas, Rinehart the number man. Who you trying to fool?"
"But that's not my name, madame," I said, speaking as precisely as I could and stepping away from her. "You've made a mistake."
Her mouth fell wide. "You ain't? Well, why you look so much like him?" she said with hot doubt in her voice. "Now, ain't this here something. Let me get on home; if my dream come out, I'm-a have to go look that rascal up. And here I needs that money too."
"I hope you won," I said, straining to see her clearly, "and I hope he pays off."
"Thanks, son, but he'll pay off all right. I can see you ain't Rinehart now though. I'm sorry for stopping you."
"It's all right," I said.
"If I'd looked at your shoes I woulda known --"
"Why?"
" 'Cause Rine the runner is known for them knobtoed kind."
I watched her limp away, rocking like the Old Ship of Zion. No wonder everyone knows him, I thought, in that racket you have to get around. I was aware of my black-and-white shoes for the first time since the day of Clifton's shooting.
When the squad car veered close to the curb and rolled along slowly beside me I knew what was coming before the cop opened his mouth.
"That you, Rinehart, my man?" the cop who was not driving said. He was white. I could see the shield gleaming on his cap but the number was vague.
"Not this time, officer," I said.
"The hell you say; what're you trying to pull? Is this a holdout?"
"You're making a mistake," I said. "I'm not Rinehart." The car stopped, a flashlight beamed in my green-lensed eyes. He spat into the street. "Well, you better be by morning," he said, "and you better have our cut in the regular place. Who the hell you think you are?" he called as the car speeded up and away.
And before I could turn a crowd of men ran up from the corner pool hall. One of them carried an automatic in his hand.
"What were those sonsabitches trying to do to you, daddy?" he said.
"It was nothing, they thought I was someone else."
"Who'd they take you for?"
I looked at them --were they criminals or simply men who were worked up over the shooting?
"Some guy named Rinehart," I said.
"Rinehart
--Hey, y'all hear that?" snorted the fellow with the gun. "Rinehart! Them paddies must be going stone blind. Anybody can see you ain't Rinehart."
"But he do look like Rine," another man said, staring at me with his hands in his trousers pockets.
"Like hell he does."
"Hell, man, Rinehart would be driving that Cadillac this time of night. What the hell you talking about?"
"Listen, Jack," the fellow with the gun said, "don't let nobody make you act like Rinehart. You got to have a smooth tongue, a heartless heart and be ready to do anything. But if them paddies bother you agin, just let us know. We aim to stop some of this head-whupping they been doing."
"Sure," I said.
"Rinehart," he said again. "Ain't
that
a bitch?" They turned and went arguing back to the pool hall and I hurried out of the neighborhood. Having forgotten Hambro for the moment I walked east instead of west. I wanted to remove the glasses but decided against it. Ras's men might still be on the prowl.
It was quieter now. No one paid me any special attention, although the street was alive with pedestrians, all moiling along in the mysterious tint of green. Perhaps I'm out of his territory at last, I thought and began trying to place Rinehart in the scheme of things. He's been around all the while, but I have been looking in another direction. He was around and others like him, but I had looked past him until Clifton's death (or was it Ras?) had made me aware. What on earth was hiding behind the face of things? If dark glasses and a white hat could blot out my identity so quickly, who actually was who?
The perfume was exotic and seemed to roll up the walk behind me as I became aware of a woman strolling casually behind me.
"I've been waiting for you to recognize me, daddy," a voice said. "I've been waiting for you a long time."
It was a pleasant voice with a slightly husky edge and plenty of sleep in it.
"Don't you hear me, daddy?" she said. And I started to look around, hearing, "No, daddy, don't look back; my old man might be cold trailing me. Just walk along beside me while I tell you where to meet me. I swear I thought you'd never come. Will you be able to see me tonight?" She had moved close to me now and suddenly I felt a hand fumbling at my jacket pocket.
"All right, daddy, you don't have to jump evil on me, here it is; now will you see me?" I stopped dead, grabbing her hand and looking at her, an exotic girl even through the green glasses, looking at me with a smile that suddenly broke. "Rinehart,
daddy,
what's the matter?" So here it goes again, I thought, holding her tightly.
"I'm not Rinehart, Miss," I said. "And for the first time tonight I'm truly sorry."
"But Bliss, daddy --Rinehart! You're not trying to put your baby down --Daddy, what did I do?"
She seized my arm and we were poised face to face in the middle of the walk. And suddenly she screamed, "Oooooooh! You really aren't! And me trying to give you his money. Get away from me, you dumb John. Get away from me!"
I backed off. Her face was distorted as she stamped her high heels and screamed. Behind me I heard someone say, "Hey, what was that?" followed by the sound of running feet as I shot off and around the corner away from her screams. That lovely girl, I thought, that lovely girl. Several blocks away I stopped, out of breath. And both pleased and angry. How stupid could people be? Was everyone suddenly nuts? I looked about me. It was a bright street, the walks full of people. I stood at the curb trying to breathe. Up the street a sign with a cross glowed above the walk:
HOLY WAY STATION
BEHOLD THE LIVING GOD
The letters glowed dark green and I wondered if it were from the lenses or the actual color of the neon tubes. A couple of drunks stumbled past. I headed for Hambro's, passing a man sitting on the curb with his head bent over his knees. Cars passed. I went on. Two solemn-faced children came passing out handbills which first I refused, then went back and took. After all, I had to know what was going on in the community. I took the bill and stepped close to the street light, reading. Behold the Invisible
Thy will be done O Lord!
I See all, Know all. Tell all, Cure all.
You shall see the unknown wonders.
--REV. B. P. RINEHART,
Spiritual Technologist.
The old is ever new
Way Stations in New Orleans, the home of mystery,
Birmingham, New York, Chicago, Detroit and L. A.
No Problem too Hard for God.
Come to the Way Station.
BEHOLD THE INVISIBLE!
Attend our services, prayer meetings Thrice weekly
Join us in the NEW REVELATION of the OLD TIME RELIGION!
BEHOLD THE SEEN UNSEEN
BEHOLD THE INVISIBLE
YE WHO ARE WEARY COME HOME!
I DO WHAT YOU WANT DONE! DON'T WAIT!
I dropped the leaflet into the gutter and moved on. I walked slowly, my breath still coming hard.
Could it be?
Soon I reached the sign. It hung above a store that had been converted into a church, and I stepped into the shallow lobby and wiped my face with a handkerchief. Behind me I heard the rise and fall of an old-fashioned prayer such as I hadn't heard since leaving the campus; and then only when visiting country preachers were asked to pray. The voice rose and fell in a rhythmical, dreamlike recital-part enumeration of earthly trials undergone by the congregation, part rapt display of vocal virtuosity, part appeal to God. I was still wiping my face and squinting at crude Biblical scenes painted on the windows when two old ladies came up to me.
"Even', Rever'n Rinehart," one of them said. "How's our dear pastor this warm evening?" Oh, no, I thought, but perhaps agreeing will cause less trouble than denying, and I said, "Good evening, sisters," muffling my voice with my handkerchief and catching the odor of the girl's perfume from my hand.
"This here's Sister Harris, Rever'n. She come to join our little band."
"God bless you, Sister Harris," I said, taking her extended hand.
"You know, Rever'n, I once heard you preach years ago. You was just a lil' ole twelve-year-old boy, back in Virginia. And here I come North and find you, praise God, still preaching the gospel, doing the Lord's work. Still preaching the ole time religion here in this wicked city --"
"Er, Sister Harris," the other sister said, "we better get on in and find our seats. Besides, the pastor's kind of got things to do. Though you are here a little early, aren't you, Rever'n?"
"Yes," I said, dabbing my mouth with my handkerchief. They were motherly old women of the southern type and I suddenly felt a nameless despair. I wanted to tell them that Rinehart was a fraud, but now there came a shout from inside the church and I heard a burst of music.
"Just lissen to it, Sister Harris. That's the new kind of guitar music I told you Rever'n Rinehart got for us. Ain't it heavenly?"
"Praise God," Sister Harris said. "Praise God!"
"Excuse us, Rever'n, I have to see Sister Judkins about the money she collected for the building fund. And, Rever'n, last night I sold ten recordings of your inspiring sermon. Even sold one to the white lady I work for."
"Bless you," I found myself saying in a voice heavy with despair, "bless you, bless you." Then the door opened and I looked past their heads into a small crowded room of men and women sitting in folding chairs, to the front where a slender woman in a rusty black robe played passionate boogie-woogie on an upright piano along with a young man wearing a skull cap who struck righteous riffs from an electric guitar which was connected to an amplifier that hung from the ceiling above a gleaming white and gold pulpit. A man in an elegant red cardinal's robe and a high lace collar stood resting against an enormous Bible and now began to lead a hard-driving hymn which the congregation shouted in the unknown tongue. And back and high on the wall above him there arched the words in letters of gold: