Interpreter of Maladies (22 page)

In a week I had adjusted, more or less. I ate cornflakes and milk, morning and night, and bought some bananas for variety, slicing them into the bowl with the edge of my spoon. In addition I bought tea bags and a flask, which the salesman in Woolworth's referred to as a thermos (a flask, he informed me, was used to store whiskey, another thing I had never consumed). For the price of one cup of tea at a coffee shop, I filled the flask with boiling water on my way to work each morning, and brewed the four cups I drank in the course of a day. I bought a larger carton of milk, and learned to leave it on the shaded part of the windowsill, as I had seen another resident at the YMCA do. To pass the time in the evenings I read the
Boston Globe
downstairs, in a spacious room with stained-glass windows. I read every article and advertisement, so that I would grow familiar with things, and when my eyes grew tired I slept. Only I did not sleep well. Each night I had to keep the window wide open; it was the only source of air in the stifling room, and the noise was intolerable. I would lie on the cot with my fingers pressed into my ears, but when I drifted off to sleep my hands fell away, and the noise of the traffic would wake me up again. Pigeon feathers drifted onto the window-sill, and one evening, when I poured milk over my cornflakes, I saw that it had soured. Nevertheless I resolved to stay at the YMCA for six weeks, until my wife's passport and green card were ready. Once she arrived I would have to rent a proper apartment, and from time to time I studied the classified section of the newspaper, or stopped in at the housing office at MIT during my lunch break, to see what was available in my price range. It was in this manner that I discovered a room for immediate occupancy, in a house on a quiet street, the listing said, for eight dollars per week. I copied the number into my guidebook and dialed from a pay telephone, sorting through the coins with which I was still unfamiliar, smaller and lighter than shillings, heavier and brighter than
paisas.

"Who is speaking?" a woman demanded. Her voice was bold and clamorous.

"Yes, good afternoon, madame. I am calling about the room for rent."

"Harvard or Tech?"

"I beg your pardon?"

"Are you from Harvard or Tech?"

Gathering that Tech referred to the Massachusetts Institute of Technology, I replied, "I work at Dewey Library," adding tentatively, "at Tech."

"I only rent rooms to boys from Harvard or Tech!"

"Yes, madame."

I was given an address and an appointment for seven o'clock that evening. Thirty minutes before the hour I set out, my guidebook in my pocket, my breath fresh with Listerine. I turned down a street shaded with trees, perpendicular to Massachusetts Avenue. Stray blades of grass poked between the cracks of the footpath. In spite of the heat I wore a coat and a tie, regarding the event as I would any other interview; I had never lived in the home of a person who was not Indian. The house, surrounded by a chain-link fence, was off-white with dark brown trim. Unlike the stucco row house I'd lived in in London, this house, fully detached, was covered with wooden shingles, with a tangle of forsythia bushes plastered against the front and sides. When I pressed the calling bell, the woman with whom I had spoken on the phone hollered from what seemed to be just the other side of the door, "One minute, please!"

Several minutes later the door was opened by a tiny, extremely old woman. A mass of snowy hair was arranged like a small sack on top of her head. As I stepped into the house she sat down on a wooden bench positioned at the bottom of a narrow carpeted staircase. Once she was settled on the bench, in a small pool of light, she peered up at me with undivided attention. She wore a long black skirt that spread like a stiff
tent to the floor, and a starched white shirt edged with ruffles at the throat and cuffs. Her hands, folded together in her lap, had long pallid fingers, with swollen knuckles and tough yellow nails. Age had battered her features so that she almost resembled a man, with sharp, shrunken eyes and prominent creases on either side of her nose. Her lips, chapped and faded, had nearly disappeared, and her eyebrows were missing altogether. Nevertheless she looked fierce.

"Lock up!" she commanded. She shouted even though I stood only a few feet away. "Fasten the chain and firmly press that button on the knob! This is the first thing you shall do when you enter, is that clear?"

I locked the door as directed and examined the house. Next to the bench on which the woman sat was a small round table, its legs fully concealed, much like the woman's, by a skirt of lace. The table held a lamp, a transistor radio, a leather change purse with a silver clasp, and a telephone. A thick wooden cane coated with a layer of dust was propped against one side. There was a parlor to my right, lined with bookcases and filled with shabby claw-footed furniture. In the corner of the parlor I saw a grand piano with its top down, piled with papers. The piano's bench was missing; it seemed to be the one on which the woman was sitting. Somewhere in the house a clock chimed seven times.

"You're punctual!" the woman proclaimed. "I expect you shall be so with the rent!"

"I have a letter, madame." In my jacket pocket was a letter confirming my employment from MIT, which I had brought along to prove that I was indeed from Tech.

She stared at the letter, then handed it back to me carefully, gripping it with her fingers as if it were a dinner plate heaped with food instead of a sheet of paper. She did not wear glasses, and I wondered if she'd read a word of it. "The last boy was
always late! Still owes me eight dollars! Harvard boys aren't what they used to be! Only Harvard and Tech in this house! How's Tech, boy?"

"It is very well."

"You checked the lock?"

"Yes, madame."

She slapped the space beside her on the bench with one hand, and told me to sit down. For a moment she was silent. Then she intoned, as if she alone possessed this knowledge:

"There is an American flag on the moon!"

"Yes, madame." Until then I had not thought very much about the moon shot. It was in the newspaper, of course, article upon article. The astronauts had landed on the shores of the Sea of Tranquillity, I had read, traveling farther than anyone in the history of civilization. For a few hours they explored the moon's surface. They gathered rocks in their pockets, described their surroundings (a magnificent desolation, according to one astronaut), spoke by phone to the president, and planted a flag in lunar soil. The voyage was hailed as man's most awesome achievement. I had seen full-page photographs in the
Globe,
of the astronauts in their inflated costumes, and read about what certain people in Boston had been doing at the exact moment the astronauts landed, on a Sunday afternoon. A man said that he was operating a swan boat with a radio pressed to his ear; a woman had been baking rolls for her grandchildren.

The woman bellowed, "A flag on the moon, boy! I heard it on the radio! Isn't that splendid?"

"Yes, madame."

But she was not satisfied with my reply. Instead she commanded, "Say 'splendid'!"

I was both baffled and somewhat insulted by the request. It
reminded me of the way I was taught multiplication tables as a child, repeating after the master, sitting cross-legged, without shoes or pencils, on the floor of my one-room Tollygunge school. It also reminded me of my wedding, when I had repeated endless Sanskrit verses after the priest, verses I barely understood, which joined me to my wife. I said nothing.

"Say 'splendid'!" the woman bellowed once again.

"Splendid," I murmured. I had to repeat the word a second time at the top of my lungs, so she could hear. I am soft-spoken by nature and was especially reluctant to raise my voice to an elderly woman whom I had met only moments ago, but she did not appear to be offended. If anything the reply pleased her because her next command was:

"Go see the room!"

I rose from the bench and mounted the narrow carpeted staircase. There were five doors, two on either side of an equally narrow hallway, and one at the opposite end. Only one door was partly open. The room contained a twin bed under a sloping ceiling, a brown oval rug, a basin with an exposed pipe, and a chest of drawers. One door, painted white, led to a closet, another to a toilet and a tub. The walls were covered with gray and ivory striped paper. The window was open; net curtains stirred in the breeze. I lifted them away and inspected the view: a small back yard, with a few fruit trees and an empty clothesline. I was satisfied. From the bottom of the stairs I heard the woman demand, "What is your decision?"

When I returned to the foyer and told her, she picked up the leather change purse on the table, opened the clasp, fished about with her fingers, and produced a key on a thin wire hoop. She informed me that there was a kitchen at the back of the house, accessible through the parlor. I was welcome to use the stove as long as I left it as I found it. Sheets and towels were
provided, but keeping them clean was my own responsibility. The rent was due Friday mornings on the ledge above the piano keys. "And no lady visitors!"

"I am a married man, madame." It was the first time I had announced this fact to anyone.

But she had not heard. "No lady visitors!" she insisted. She introduced herself as Mrs. Croft.

My wife's name was Mala. The marriage had been arranged by my older brother and his wife. I regarded the proposition with neither objection nor enthusiasm. It was a duty expected of me, as it was expected of every man. She was the daughter of a schoolteacher in Beleghata. I was told that she could cook, knit, embroider, sketch landscapes, and recite poems by Tagore, but these talents could not make up for the fact that she did not possess a fair complexion, and so a string of men had rejected her to her face. She was twenty-seven, an age when her parents had begun to fear that she would never marry, and so they were willing to ship their only child halfway across the world in order to save her from spinsterhood.

For five nights we shared a bed. Each of those nights, after applying cold cream and braiding her hair, which she tied up at the end with a black cotton string, she turned from me and wept; she missed her parents. Although I would be leaving the country in a few days, custom dictated that she was now a part of my household, and for the next six weeks she was to live with my brother and his wife, cooking, cleaning, serving tea and sweets to guests. I did nothing to console her. I lay on my own side of the bed, reading my guidebook by flashlight and anticipating my journey. At times I thought of the tiny room on the other side of the wall which had belonged to my mother. Now the room was practically empty; the wooden
pallet on which she'd once slept was piled with trunks and old bedding. Nearly six years ago, before leaving for London, I had watched her die on that bed, had found her playing with her excrement in her final days. Before we cremated her I had cleaned each of her fingernails with a hairpin, and then, because my brother could not bear it, I had assumed the role of eldest son, and had touched the flame to her temple, to release her tormented soul to heaven.

The next morning I moved into the room in Mrs. Croft's house. When I unlocked the door I saw that she was sitting on the piano bench, on the same side as the previous evening. She wore the same black skirt, the same starched white blouse, and had her hands folded together the same way in her lap. She looked so much the same that I wondered if she'd spent the whole night on the bench. I put my suitcase upstairs, filled my flask with boiling water in the kitchen, and headed off to work. That evening when I came home from the university, she was still there.

"Sit down, boy!" She slapped the space beside her.

I perched beside her on the bench. I had a bag of groceries with me—more milk, more cornflakes, and more bananas, for my inspection of the kitchen earlier in the day had revealed no spare pots, pans, or cooking utensils. There were only two saucepans in the refrigerator, both containing some orange broth, and a copper kettle on the stove.

"Good evening, madame."

She asked me if I had checked the lock. I told her I had.

For a moment she was silent. Then suddenly she declared, with the equal measures of disbelief and delight as the night before, "There's an American flag on the moon, boy!"

"Yes, madame."

"A flag on the moon! Isn't that splendid?"

I nodded, dreading what I knew was coming. "Yes, madame."

"Say 'splendid'!"

This time I paused, looking to either side in case anyone were there to overhear me, though I knew perfectly well that the house was empty. I felt like an idiot. But it was a small enough thing to ask. "Splendid!" I cried out.

Within days it became our routine. In the mornings when I left for the library Mrs. Croft was either hidden away in her bedroom, on the other side of the staircase, or she was sitting on the bench, oblivious to my presence, listening to the news or classical music on the radio. But each evening when I returned the same thing happened: she slapped the bench, ordered me to sit down, declared that there was a flag on the moon, and declared that it was splendid. I said it was splendid, too, and then we sat in silence. As awkward as it was, and as endless as it felt to me then, the nightly encounter lasted only about ten minutes; inevitably she would drift off to sleep, her head falling abruptly toward her chest, leaving me free to retire to my room. By then, of course, there was no flag standing on the moon. The astronauts, I had read in the paper, had seen it fall before they flew back to Earth. But I did not have the heart to tell her.

Friday morning, when my first week's rent was due, I went to the piano in the parlor to place my money on the ledge. The piano keys were dull and discolored. When I pressed one, it made no sound at all. I had put eight one-dollar bills in an envelope and written Mrs. Croft's name on the front of it. I was not in the habit of leaving money unmarked and unattended. From where I stood I could see the profile of her
tent-shaped skirt. She was sitting on the bench, listening to the radio. It seemed unnecessary to make her get up and walk all the way to the piano. I never saw her walking about, and assumed, from the cane always propped against the round table at her side, that she did so with difficulty. When I approached the bench she peered up at me and demanded: