Inherit the Dead (2 page)

A taxi’s blaring horn brought him back to the moment in the middle of the street, but not for long.

I know you would never do anything bad, Daddy.

The look on his daughter’s face when she’d said that—bravery mixed with sadness mixed with confusion, trying to smile, to make
him
feel better.

You’re right, sweetheart. I wouldn’t. And I didn’t.

The taxi beeped again, the driver leaning out his window, “Get out of the street, asshole!”

Perry flipped him the finger as he dodged and jogged across the street then headed on to Park Avenue.

Could it be that the cold was a little less bitter here, the air sweeter? No dirty snow in the gutters. No ice on the perfectly clean sidewalks.

The rich,
thought Perry.

He took in the wide avenue lined with beautiful old apartment buildings and beautiful new ones. He made it only halfway across, stopped by traffic, on the center divider where there were tulips in spring and begonias in summer, trees all year round. The median was currently housing large Botero sculptures of bulky men and women, three or four to a block, bronze figures lightly dusted with last week’s
snow that gave them the look of huge Christmas ornaments. Perry noted one lone icicle hanging off the breast of a sculpted woman and wondered why the city needed sculptures of fat people in the middle of its ritziest avenue? Was it to make all the rich ladies, those social X-rays starving themselves to death, feel better, thinner? As if that were possible.

Perry flicked his finger at the icicle, watched it shatter. A woman beside him in a dark mink raised an eyebrow, or tried, her Botoxed mask as frozen as the ice. In a few months, he knew there would be other sculptures, then flowers, niceties few parts of the city could afford but apparently a requirement for this neighborhood.

Perry reconsidered what he had managed to glean from several hours on the Internet about Julia Drusilla. She was a socialite who was no longer very social, her name and face having disappeared from the society pages over the past few years. There’d been mention of her parents’ deaths a decade ago, and the fact that her father had made—and married—a fortune. Plus a few references to Julia Drusilla’s charitable giving. Beyond that, she remained a mystery. One he was about to confront.

Seven twenty Park was a limestone and sienna prewar building, solid and substantial-looking, with an arched entrance and canopied walkway. Huge urns with seasonal evergreens stood beside the double-door entrance. A doorman, red-nosed and with graying temples, white gloves, and a uniform so starched it could have stood on its own, opened the door while Perry attempted to smooth his own windblown hair into place. Suddenly everything about him felt wrong: his coat, his gloveless hands, his chewed cuticles, his old uniform dress shoes, which had surely lost their luster. Why hadn’t he polished them?

A few steps inside were small heaters warming the foyer so residents did not have to freeze while waiting for cars and drivers or
taxis, and right now Perry appreciated them. He rubbed his hands together while a second doorman, this one a young Latino, looked him up and down with something more than the usual doorman appraisal, though Perry wasn’t sure what, or why.

“May I help you, sir?”

“I’m here to see Julia Drusilla.”

Something ticked on the young man’s face, barely noticeable but Perry caught it.

“Your name?”

“Perry Christo. She’s expecting me.”

“One moment, sir.” The young doorman plucked the house phone off the wall. “Mrs. Drusilla—” Another tic, this one longer, eye blinking, corner of the mouth tipping up to meet it. “There is a Mr.—Excuse me, I’m sorry—”

“Christo.”

“A Mr. Christo here to see you.” The doorman nodded at Perry and offered a smile that actually seemed friendly. Then he angled his jaw toward a large lobby. “Just through there, sir.” He replaced the phone with an audible sigh.

Perry wondered if it was the job or Julia Drusilla that had caused the sigh along with the facial tics.

“The elevator is at the rear. That’s the top floor. Penthouse A.”

Perry crossed the large lobby, its centerpiece a huge display of calla lilies arranged in an even huger vase. The room was overheated, Perry going from cold to hot in a matter of seconds, the flora adding an exotic, jungle quality. Behind it, he caught his reflection in floor-to-ceiling mirrors flecked with gold. He attempted to smooth the wrinkles out of his trench then gave up, took it off, and folded it over his arm. It didn’t help. His shirt was wrinkled, too. He looked like a door-to-door salesman who’d come to the wrong door.

The elevator had more heat, more gold, and more mirrors, but
Perry didn’t need another look to confirm that his wool sports jacket looked tatty, his out-of-date tie too wide.

The elevator deposited him into an equally overheated hallway leading to only two apartments—one to the east and one to the west. The door to the west apartment, directly opposite, was still adorned with a Christmas wreath and had a brand-new sisal doormat. The door to the east apartment, at the far end of the hallway, was bare, and there was no welcome mat.

Perry pressed the bell. There was a low chime from somewhere inside the apartment, and then the door opened and Julia Drusilla stood there, backlit, a dark skeleton.

“Come in,” she said, her voice a rasping whisper.

Perry closed the door behind him. In contrast to the stuffy lobby and hallway, the penthouse was not heated. It actually felt air-conditioned, with cool breezes issuing from invisible ducts that fluttered his hair and made him shiver.

Julia Drusilla, elegant in a sleeveless white tunic, was already moving down her hallway into a living room large enough to house five or six of his entire Yorkville apartment, her bare feet soundless on black marble floors that reflected nothing and gave the place the look of an endless pit. The ceilings were high, the furniture low and surprisingly spare—white couches, small slate tables. But the most impressive part of the apartment was the view behind the glass, which ran the entire length of the living room and the terrace beyond. He caught a glimpse of a terrace dotted with evergreens and what looked like fragments of sculpture, a larger-than-life-size marble foot, half a toga-clad torso. Beyond that, the spires of Manhattan apartments, a swath of Central Park, and low-hanging clouds in an endless gray sky.

“You have a magnificent view,” said Perry, taking a few steps closer.

Julia Drusilla turned her head toward the glass then back at Perry. Her pale gray eyes caught the light, startling and beautiful, but with something hard and impenetrable behind them. “I suppose,” she said. “But one gets used to such things. I rarely notice.”

“The sculpture—That foot . . . ”

“There are a few others you can’t see unless you go out there, and more at my homes in Palm Beach and Aspen, though I rarely go to either anymore.” She sighed, a bony, perfectly manicured hand at her throat. “They’re all Roman, late empire. The early and mid period are impossible to find; the museums have greedily scooped them up. But I’m happy with the sculptures I have. They remind me that people die but culture lives on.”

“Can I borrow that for my tombstone?”

Julia Drusilla peered at him, her gray eyes narrowed. “Is that a joke?”

“Sorry,” said Perry. “Not a very good one.

“No,” she said, with a flicker of anger before she gazed back at the terrace. “You may go out there, if you’d like, to see the sculptures. I never do. I’m not a fan of heights.”

“Then why—”

“Live in a penthouse on the twenty-fourth floor?” She smiled for a half second, translucent skin tugging away from large, capped teeth. “It was my husband’s—my ex-husband’s idea—and I got used to it, but . . . ” She seemed lost for a moment then focused on Perry. “You’re not what I expected.”

“That bad, huh?”

“Another joke?”

“ ’Fraid so.”

Julia Drusilla frowned. “You’re younger and better looking. I imagined a private detective would be some sort of tough guy with a greasy little mustache and bad shoes.”

Perry looked down at his old police dress shoes. They’d been good years back but not so good now, though they’d apparently passed some small test.

He glanced up and past Julia at a large abstract painting. “Pollock?”

“Yes,” she said, and cast a reappraising eye at him. “You really aren’t the typical private detective, are you?”

“My mother was an artist. Well, sort of.”

“How nice for you,” she said, brittle edging on bitter. “Mine was . . . ” She shook her head and looked back at the painting. “I bought it at auction, at Sotheby’s, just last week.”

“Oh yes, I read about the sale.” Perry couldn’t remember the exact price, but it had been newsworthy. Front page. It had set a record for a Jackson Pollock painting, something astronomical, in the millions; the buyer’s name undisclosed.

“You’re a very observant man.”

“It’s my job.”

“Good,” she said, giving him another look, this one impossible to read. “Would you care for something, Detective, coffee or tea?”

“If you have coffee, sure. I can’t seem to shake the chill.”

“Oh. It’s the air-conditioning. The illness raises my temperature, so I keep it on all the time. I’m afraid I hardly feel it.” She waved a hand at her face as if to cool it further. “You don’t mind, do you?”

“No,” he said, stifling a shiver.

“So, coffee . . . ” she said, a bewildered look entering her eyes. “Actually, I’m afraid my maid doesn’t come in until ten, and I’m lost without her.”

“No then—please don’t. I’m fine.”

“I don’t drink it myself. How about tea? I think I can boil water.”

Next thing Perry knew he was on one of the low sofas, balancing a cup of something herbal and lemony on his knee; Julia Drusilla was
sitting opposite, bony fingers tapping against a china cup that looked almost, though not quite, as fragile as she was.

“That portrait, the one above your—”

“My father,” she said.

“An impressive-looking man.”

“Yes. He died some years ago, along with my mother, in a tragic accident.”

“I’m sorry.”

“Don’t be. I hate it when people apologize for things that have nothing to do with them.”

“I wasn’t taking responsibility, merely expressing—”

She waved his explanation away. “I don’t have time for niceties, Detective. I’m not a well woman.”

“So you said.”

“Did I?”

“Yes. But you look . . . fine.”

“I look like death and know it.” She made a noise in the back of her nose. “You should have seen me when I was young. I was beautiful once. Can you believe that?”

“You’re still a beautiful woman,” he said, and it was true, though the beauty had ossified.

“And you’re a liar, but a charming one. Though you must always be truthful with me.”

“I usually am.”

“Except when you are flattering an older woman or trying to save someone the pain of bad news?”

“A little of both,” said Perry.

“Well, don’t
ever
lie to
me
. Not
ever
. I have been lied to enough in my life, and I won’t tolerate it.” Her gray eyes had gone cold and steely, her mouth set tight. Perry noticed her hands had balled into fists, as if getting ready to strike.

“I don’t care much for lies or liars myself.

“Good,” she said, the harsh glint of metal in her eyes giving way to something a bit less threatening, though Perry hadn’t missed it. “Then we understand each other.”

“Indeed.” Perry nodded, though he allowed his stare to mimic just a bit of her rigidity before changing the subject. “So, your daughter. She disappeared from where, exactly?”

“From her father’s Montauk home. According to Norman, he has not seen her for almost two weeks.” Julia Drusilla was now up and pacing.

“I’ll need the exact time of her disappearance.”

“You can get that from Norman. I imagine you will want to speak to him.”

“Yes. And your husband didn’t call the police, didn’t report your daughter missing?”

“No. He called
me
. Which was the right thing to do.” Her voice took on strength.

“Tell me more about your daughter. Anything that will help me find her.” Perry plucked a pad and pen from his pocket.

“Well, Angelina, Angel, has been living with her father, my ex-husband, since our divorce.”

“Your husband got custody?” Perry tried to keep the surprise out of his voice. A father getting custody was a big deal; he knew that from experience.

“Not exactly. We determined together—my husband and I—what was better for Angel. Ours was not one of those acrimonious divorces. Angel’s happiness was all that mattered.” She ran one of her long fingers along the edge of her too-sharp jaw. “You’re not married, are you, Detective?”

“No.”

“Divorced?”

“Yes.”

“Children?”

“I have a daughter,” he said, wondering how this had become an interview, one he was on the wrong side of. “She lives with her mother.”

“Of course she does. Always the way, isn’t it? Well, almost always.” She stopped pacing and sagged into one of the low couches just opposite, as if the conversation was suddenly too much for her.

Perry wondered if she was acting. Everything about her seemed theatrical.

“How old was Angel when you and your husband divorced?”

“Does that matter?”

“Maybe. I’m not sure yet.”

“Fourteen. She was such a headstrong girl at the time. Of course she always was, but particularly then. Perhaps the divorce was somewhat to blame: the strain and—”

“I thought you said the divorce was amicable?”

“But I did not say it was easy. And teenagers can be difficult.”

Perry nodded, though he’d give anything to have his teenage daughter around twenty-four/seven, difficult or not.

“We considered boarding school, and in retrospect I think it would have been a better choice for her.”

“Why’s that?”

“Because Norman is far too lenient. He spoils Angel. And he has problems.”

“Such as?”

She sighed. “They’re under control now.”