In Space No One Can Hear You Scream (32 page)

BOOK: In Space No One Can Hear You Scream
5.8Mb size Format: txt, pdf, ePub
ads

Still, it would seem,
I live, after an eternity of darkness and madness in the flier, of death and winter in the world outside. During that time, I have not written in the log; and I know not what obscure impulse prompts me to resume a practice so irrational and futile.

I think it is the sun, passing in a higher and longer arc above the dead landscape, that has called me back from the utterness of despair. The snow has melted from the rocks, forming little rills and pools of water; and strange plant-buds are protruding from the sandy soil. They lift and swell visibly as I watch them. I am beyond hope, beyond life, in a weird vacuum; but I see these things as a condemned captive sees the stirring of spring from his cell. They rouse in me an emotion whose very name I had forgotten.

* * *

My food-supply is getting low,
and the reserve of compressed air is even lower. I am afraid to calculate how much longer it will last. I have tried to break the neo-crystal ports with a large monkey-wrench for hammer; but the blows, owing partly to my own weightlessness, are futile as the tapping of a feather. Anyway, in all likelihood, the outside air would be too thin for human respiration.

The walking-stick people have re-appeared before the flier. I feel sure, from their lesser height, their brighter coloring, and the immature development of certain members, that they all represent a new generation. None of my former visitors have survived the winter; but somehow, the new ones seem to regard the
Selenite
and me with the same curiosity and reverence that were shown by their elders. They, too, have begun to bring gifts of insubstantial-looking fruit; and they strew filmy blossoms below the por . . . I wonder how they propagate themselves, and how knowledge is transmitted from one generation to another. . . .

* * *

The flat,
lichenous vines are mounting on the rocks, are clambering over the hull of the
Selenite
. The young walking-sticks gather daily to worship me—they make those enigmatic signs which I have never understood, and they move in swift gyrations about the vessel, as in the measures of a hieratic dance. . . . I, the lost and doomed, have been the god of two generations. No doubt they will still worship me when I am dead. I think the air is almost gone—I am more light-headed than usual today, and there is a queer constriction in my throat and chest. . . .

Perhaps I am a little delirious, and have begun to imagine things; but I have just perceived an odd phenomenon, hitherto unnoted. I don’t know what it is. A thin, columnar mist, moving and writhing like a serpent, with opal colors that change momently, has appeared among the rocks and is approaching the vessel. It seems like a live thing—like a vaporous entity; and somehow, it is poisonous and inimical. It glides forward, rearing above the throng of
phasmidae
, who have all prostrated themselves as if in fear. I see it more clearly now: it is half-transparent, with a web of grey threads among its changing colors; and it is putting forth a long, wavering tentacle.

It is some rare life-form, unknown to earthly science; and I cannot even surmise its nature and attributes. Perhaps it is the only one of its kind on the asteroid. No doubt it has just discovered the presence of the
Selenite
, and has been drawn by curiosity, like the walking-stick people.

The tentacle has touched the hull—it has reached the port behind which I stand, pencilling these words. The grey threads in the tentacle glow as if with sudden fire. My God
—it is coming through the neo-crystal lens—

Sandkings

George R.R. Martin

Pets can enrich a person’s life, but this person, and his life, needed more enriching than any pet should be expected to accomplish. And the sort of pets he kept weren’t the warm and fuzzy kind, but then neither was he. His new acquisition was a very exotic type of creature from another planet, with high entertainment value. Maybe he should have considered the possibility that the entertainment might become mutual . . .

If the name of George R.R. Martin is unfamiliar to you, I’ll assume that you’ve spent the last decade or longer in the Foreign Legion, doing research in Antarctica, or were abducted as a child by aliens who just now dropped you off at the corner of Main Street and Loopy Lane.
Time
magazine selected him in 2011 as one of the “100 Most Influential People in the World.” His award-winning high fantasy series, collectively titled A Song of Fire and Ice, which began with
A Game of Thrones
and has continued through four more novels, with two more planned,
owns
the
New York Times
best seller list, and has spun off art books, board games, video games, and a popular HBO TV series. He has won five Hugo Awards, two Nebula Awards, five
Locus
Awards, a Quill Award, a Bram Stoker Award, and the World Fantasy Convention’s Life Achievement Award. He created (and frequently contributed to) the long-running and popular Wild Cards series, presently totaling 23 volumes. Martin has long had an interest in horror—his early Hugo-winner, “A Song for Lya,” can be read as an ambiguous horror story—and wrote the novels
Fevre Dream
(described as Bram Stoker meets Mark Twain) and
The Armageddon Rag
, a horror story set in the rock music culture of the sixties and eighties. And of course, there’s the story you’re about to read, which won both the Hugo and Nebula Awards. But first make sure your skimmer is in working order . . .

SANDKINGS

George R.R. Martin

Simon Kress lived alone in a sprawling manor house among the dry, rocky hills fifty kilometers from the city. So, when he was called away unexpectedly on business, he had no neighbors he could conveniently impose on to take his pets. The carrion hawk was no problem; it roosted in the unused belfry and customarily fed itself anyway. The shambler Kress simply shooed outside and left to fend for itself; the little monster would gorge on slugs and birds and rockjocks. But the fish tank, stocked with genuine Earth piranha, posed a difficulty. Kress finally just threw a haunch of beef into the huge tank. The piranha could always eat each other if he were detained longer than expected. They’d done it before. It amused him.

Unfortunately, he was detained
much
longer than expected this time. When he finally returned, all the fish were dead. So was the carrion hawk. The shambler had climbed up to the belfry and eaten it. Simon Kress was vexed.

The next day he flew his skimmer to Asgard, a journey of some two hundred kilometers. Asgard was Baldur’s largest city and boasted the oldest and largest starport as well. Kress liked to impress his friends with animals that were unusual, entertaining, and expensive; Asgard was the place to buy them.

This time, though, he had poor luck. Xenopets had closed its doors; t’Etherane the Petseller tried to foist another carrion hawk off on him; and Strange Waters offered nothing more exotic than piranha, glow-sharks, and spider squids. Kress had had all those; he wanted something new.

Near dusk, he found himself walking down the Rainbow Boulevard, looking for places he had not patronized before. So close to the starport, the street was lined by importers’ marts. The big corporate emporiums had impressive long windows, where rare and costly alien artifacts reposed on felt cushions against dark drapes that made the interiors of the stores a mystery. Between them were the junk shops—narrow, nasty little places whose display areas were crammed with all manner of off-world bric-a-brac. Kress tried both kinds of shop, with equal dissatisfaction.

Then he came across a store that was different.

It was quite close to the port. Kress had never been there before. The shop occupied a small, single-story building of moderate size, set between a euphoria bar and a temple-brothel of the Secret Sisterhood. Down this far, the Rainbow Boulevard grew tacky. The shop itself was unusual. Arresting.

The windows were full of mist; now a pale red, now the gray of true fog, now sparkling and golden. The mist swirled and eddied and glowed faintly from within. Kress glimpsed objects in the window—machines, pieces of art, other things he could not recognize—but he could not get a good look at any of them. The mists flowed sensuously around them, displaying a bit of first one thing and then another, then cloaking all. It was intriguing.

As he watched, the mist began to form letters. One word at a time. Kress stood and read:

WO. AND. SHADE. IMPORTERS.

ARTIFACTS. ART. LIFEFORMS. AND. MISC.

The letters stopped. Through the fog, Kress saw something moving. That was enough for him, that and the word “Lifeforms” in the advertisement. He swept his walking cloak over his shoulder and entered the store.

Inside, Kress felt disoriented. The interior seemed vast, much larger than he would have guessed from the relatively modest frontage. It was dimly lit, peaceful. The ceiling was a starscape, complete with spiral nebulae, very dark and realistic, very nice. The counters all shone faintly, the better to display the merchandise within. The aisles were carpeted with ground fog. In places, it came almost to his knees and swirled about his feet as he walked.

“Can I help you?”

She seemed almost to have risen from the fog. Tall and gaunt and pale, she wore a practical gray jumpsuit and a strange little cap that rested well back on her head.

“Are you Wo or Shade?” Kress asked. “Or only sales help?”

“Jala Wo, ready to serve you,” she replied. “Shade does not see customers. We have no sales help.”

“You have quite a large establishment,” Kress said. “Odd that I have never heard of you before.”

“We have only just opened this shop on Baldur,” the woman said. “We have franchises on a number of other worlds, however. What can I sell you? Art, perhaps? You have the look of a collector. We have some fine Nor T’alush crystal carvings.”

“No,” Simon Kress said. “I own all the crystal carvings I desire. I came to see about a pet.”

“A lifeform?”

“Yes.”

“Alien?”

“Of course.”

“We have a mimic in stock. From Celia’s World. A clever little simian. Not only will it learn to speak, but eventually it will mimic your voice, inflections, gestures, even facial expressions.”

“Cute,” said Kress. “And common. I have no use for either, Wo. I want something exotic. Unusual. And not cute. I detest cute animals. At the moment I own a shambler. Imported from Cotho, at no mean expense. From time to time I feed him a litter of unwanted kittens. That is what I think of
cute.
Do I make myself understood?”

Wo smiled enigmatically. “Have you ever owned an animal that worshipped you?” she asked.

Kress grinned. “Oh, now and again. But I don’t require worship, Wo. Just entertainment.”

“You misunderstood me,” Wo said, still wearing her strange smile. “I meant worship literally.”

“What are you talking about?”

“I think I have just the thing for you,” Wo said. “Follow me.”

She led Kress between the radiant counters and down a long, fog-shrouded aisle beneath false starlight. They passed through a wall of mist into another section of the store, and stopped before a large plastic tank. An aquarium, thought Kress.

Wo beckoned. He stepped closer and saw that he was wrong. It was a terrarium. Within lay a miniature desert about two meters square. Pale and bleached scarlet by wan red light. Rocks: basalt and quartz and granite. In each corner of the tank stood a castle.

Kress blinked, and peered, and corrected himself; actually only three castles stood. The fourth leaned; a crumbled, broken ruin. The other three were crude but intact, carved of stone and sand. Over their battlements and through their rounded porticoes, tiny creatures climbed and scrambled. Kress pressed his face against the plastic. “Insects?” he asked.

“No,” Wo replied. “A much more complex lifeform. More intelligent as well. Considerably smarter than your shambler. They are called sandkings.”

“Insects,” Kress said, drawing back from the tank. “I don’t care how complex they are.” He frowned. “And kindly don’t try to gull me with this talk of intelligence. These things are far too small to have anything but the most rudimentary brains.”

“They share hive minds,” Wo said. “Castle minds, in this case. There are only three organisms in the tank, actually. The fourth died. You see how her castle has fallen.”

Kress looked back at the tank. “Hive minds, eh? Interesting.” He frowned again. “Still, it is only an oversized ant farm. I’d hoped for something better.”

“They fight wars.”

“Wars? Hmmm.” Kress looked again.

“Note the colors, if you will,” Wo told him. She pointed to the creatures that swarmed over the nearest castle. One was scrabbling at the tank wall. Kress studied it. It still looked like an insect to his eyes. Barely as long as his fingernail, six-limbed, with six tiny eyes set all around its body. A wicked set of mandibles clacked visibly, while two long, fine antennae wove patterns in the air. Antennae, mandibles, eyes, and legs were sooty black, but the dominant color was the burnt orange of its armor plating. “It’s an insect,” Kress repeated.

“It is not an insect,” Wo insisted calmly. “The armored exo-skeleton is shed when the sandking grows larger.
If
it grows larger. In a tank this size, it won’t.” She took Kress by the elbow and led him around the tank to the next castle. “Look at the colors here.”

He did. They were different. Here the sandkings had bright red armor; antennae, mandibles, eyes, and legs were yellow. Kress glanced across the tank. The denizens of the third live castle were off-white, with red trim. “Hmmm,” he said.

“They war, as I said,” Wo told him. “They even have truces and alliances. It was an alliance that destroyed the fourth castle in this tank. The blacks were getting too numerous, so the others joined forces to destroy them.”

Kress remained unconvinced. “Amusing, no doubt. But insects fight wars too.”

“Insects do not worship,” Wo said.

“Eh?”

Wo smiled and pointed at the castle. Kress stared. A face had been carved into the wall of the highest tower. He recognized it. It was Jala Wo’s face. “How . . . ?”

“I projected a hologram of my face into the tank, kept it there for a few days. The face of god, you see? I feed them; I am always close. The sandkings have a rudimentary psionic sense. Proximity telepathy. They sense me, and worship me by using my face to decorate their buildings. All the castles have them, see.” They did.

On the castle, the face of Jala Wo was serene and peaceful, and very lifelike. Kress marveled at the workmanship. “How do they do it?”

“The foremost legs double as arms. They even have fingers of a sort; three small, flexible tendrils. And they cooperate well, both in building and in battle. Remember, all the mobiles of one color share a single mind.”

“Tell me more,” Kress said.

Wo smiled. “The maw lives in the castle. Maw is my name for her. A pun, if you will; the thing is mother and stomach both. Female, large as your fist, immobile. Actually, sandking is a bit of a misnomer. The mobiles are peasants and warriors, the real ruler is a queen. But that analogy is faulty as well. Considered as a whole, each castle is a single hermaphroditic creature.”

“What do they eat?”

“The mobiles eat pap—predigested food obtained inside the castle. They get it from the maw after she has worked on it for several days. Their stomachs can’t handle anything else, so if the maw dies, they soon die as well. The maw . . . the maw eats anything. You’ll have no special expense there. Table scraps will do excellently.”

“Live food?” Kress asked.

Wo shrugged. “Each maw eats mobiles from the other castles, yes.”

“I am intrigued,” he admitted. “If only they weren’t so small.”

“Yours can be larger. These sandkings are small because their tank is small. They seem to limit their growth to fit available space. If I moved these to a larger tank, they’d start growing again.”

“Hmmmm. My piranha tank is twice this size, and vacant. It could be cleaned out, filled with sand . . .”

“Wo and Shade would take care of the installation. It would be our pleasure.”

“Of course,” said Kress, “I would expect four intact castles.”

“Certainly,” Wo said.

They began to haggle about the price.

Three days later, Jala Wo arrived at Simon Kress’ estate, with dormant sandkings and a work crew to take charge of the installation. Wo’s assistants were aliens unlike any Kress was familiar with—squat, broad bipeds with four arms and bulging, multifaceted eyes. Their skin was thick and leathery, twisted into horns and spines and protrusions at odd spots upon their bodies. But they were very strong, and good workers. Wo ordered them about in a musical tongue that Kress had never heard.

In a day it was done. They moved his piranha tank to the center of his spacious living room, arranged couches on either side of it for better viewing, scrubbed it clean, and filled it two-thirds of the way up with sand and rock. Then they installed a special lighting system, both to provide the dim red illumination the sandkings preferred and to project holographic images into the tank. On top they mounted a sturdy plastic cover, with a feeder mechanism built in. “This way you can feed your sandkings without removing the top of the tank,” Wo explained. “You would not want to take any chances on the mobiles escaping.”

The cover also included climate control devices, to condense just the right amount of moisture from the air. “You want it dry, but not too dry,” Wo said.

Finally one of the four-armed workers climbed into the tank and dug deep pits in the four corners. One of his companions handed the dormant maws over to him, removing them one by one from their frosted cryonic traveling cases. They were nothing to look at. Kress decided they resembled nothing so much as a mottled, half-spoiled chunk of raw meat. With a mouth.

The alien buried them, one in each corner of the tank. Then they sealed it all up and took their leave.

“The heat will bring the maws out of dormancy,” Wo said. “In less than a week, mobiles will begin to hatch and burrow to the surface. Be certain to give them plenty of food. They will need all their strength until they are well established. I would estimate that you will have castles rising in about three weeks.”

“And my face? When will they carve my face?”

“Turn on the hologram after about a month,” she advised him. “And be patient. If you have any questions, please call. Wo and Shade are at your service.” She bowed and left.

Kress wandered back to the tank and lit a joystick. The desert was still and empty. He drummed his fingers impatiently against the plastic, and frowned.

On the fourth day, Kress thought he glimpsed motion beneath the sand, subtle subterranean stirrings.

On the fifth day, he saw his first mobile, a lone white.

On the sixth day, he counted a dozen of them, whites and reds and blacks. The oranges were tardy. He cycled through a bowl of half-decayed table scraps. The mobiles sensed it at once, rushed to it, and began to drag pieces back to their respective corners. Each color group was very organized. They did not fight. Kress was a bit disappointed, but he decided to give them time.

The oranges made their appearance on the eighth day. By then the other sandkings had begun to carry small stones and erect crude fortifications. They still did not war. At the moment they were only half the size of those he had seen at Wo and Shade’s, but Kress thought they were growing rapidly.

The castles began to rise midway through the second week. Organized battalions of mobiles dragged heavy chunks of sandstone and granite to their corners, where other mobiles were pushing sand into place with mandibles and tendrils. Kress had purchased a pair of magnifying goggles so he could watch them work, wherever they might go in the tank. He wandered around and around the tall plastic walls, observing. It was fascinating. The castles were a bit plainer than Kress would have liked, but he had an idea about that. The next day he cycled through some obsidian and flakes of colored glass along with the food. Within hours, they had been incorporated into the castle walls.

BOOK: In Space No One Can Hear You Scream
5.8Mb size Format: txt, pdf, ePub
ads

Other books

Deadly Devotion by Sandra Orchard
Spring Perfection by DuBois, Leslie
Kidnap and Ransom by Gagnon, Michelle
The Caper of the Crown Jewels by Elizabeth Singer Hunt
The Chalk Circle Man by Fred Vargas
One Hundred Years of Solitude by Gabriel García Márquez, Gregory Rabassa
Body Lock by Kimmie Easley
Norwegian by Night by Miller, Derek B.