If Chins Could Kill: Confessions of a B Movie Actor
Read If Chins Could Kill: Confessions of a B Movie Actor Online
Authors: Bruce Campbell
Tags: #Autobiography, #United States, #General, #Biography & Autobiography, #Biography, #Entertainment & Performing Arts - General, #Entertainment & Performing Arts, #Actors, #Performing Arts, #Entertainment & Performing Arts - Actors & Actresses, #1958-, #History & Criticism, #Film & Video, #Bruce, #Motion picture actors and actr, #Film & Video - History & Criticism, #Campbell, #Motion picture actors and actresses - United States, #Film & Video - General, #Motion picture actors and actresses
If Chins Could Kill
Confessions of a B Movie Actor
by Bruce Campbell
eVersion 3.0 -- click for Back Cover / Scan Notes
IF CHINS COULD KILL.
Copyright © 2002 by Bruce Campbell.
All rights reserved.
Printed in the United States of America.
No part of this book may be used or reproduced in any
manner whatsoever without written permission except in
the case of brief quotations embodied in critical
articles or reviews. For information, address St. Martin's
Press, 175 Fifth Avenue, New York, N.Y. 10010.
LA Weekly Books is a trademark of LA Weekly Media, Inc.
www.stmartins.com
Library of Congress Cataloging-in-Publication Data
Campbell, Bruce, 1958-
If chins could kill : confessions of a B movie actor / Bruce Campbell.
p. cm.
ISBN 0-312-24264-6 (hc)
ISBN 0-312-29145-0 (pbk)
1. Campbell, Bruce, 1958-.
2. Motion picture actors and actresses -- United States -- Biography.
I. Title.
PN2287.C244 A3 2001
791.43'028'092-dc21 2001018563
[B]
First St. Martin's Griffin Edition: August 2002
10 9 8 7 6 5 4 3 2 1
CONTENTS
Foreword by Ivan and Sam Raimi
2. I Beheld the Future, and the Future Was Play
3. The Assembly of Like-Minded Individuals
10. The Humble Beginning of the Humble Beginning
13. There's No Budget Like Low-Budget
14. Three Schmoes in Search of a Clue
17. What Else Have I Got to Do for the Next Six Weeks?
18. "On Your Marks, Get Set. . ."
20. The Quest for Moolah -- Part II
26. The Downside of the Upside
28. The First "Hollywood" Film
45. The Higher the Budget, the Lower the Part
51. What You Don't See Is What You Get
Addendum: Chins Across America, The Tour
FOREWORD
BY IVAN AND SAM RAIMI
EDITOR'S NOTE by Barry Neville
As an editor at St. Martin's Press, it is my responsibility to hire the author, edit the text and arrange for the book's introduction as based on the author's wishes. Mr. Campbell requested that brothers Ivan and Sam Raimi write the introduction for
If Chins Could Kill.
In September of 1999 I telephoned Mr. Ivan Raimi and conveyed Mr. Campbell's request. At first, he seemed rather impressed that such a large publishing house was handling Mr. Campbell's book and happily agreed.
Within the hour, I received a call from his "literary agent," who refused to give his name, but claimed he was negotiating on behalf of the brothers. Strangely, the caller ID feature on my telephone revealed the telephone number of this "agent" to be the same as that of Mr. Ivan Raimi. I will allow the reader to draw his or her own conclusions.
This "agent" said that the fee was three thousand dollars. He asked whether it would be possible for St. Martin's Press to cut the check today? I informed the "agent" that customarily there is no fee paid for introductions. Usually an autobiography's introduction is written as a gesture of friendship toward the author. The agent claimed that the three thousand dollars was the "discounted friendship fee."
After some discussion, St. Martin's Press issued a cashier's check in the amount of $280 made out, as requested, to Ivan Raimi. The check was cashed the same day.
Two weeks had passed and where was my introduction? I telephoned Ivan Raimi, who claimed there must have been a misunderstanding. Apparently, his "agent" had told him that the $280 check was just the "starter fee" and should be treated as such. He mentioned that if I wanted to meet him, "somewhere nice, for say, lunch and drinks," that could be arranged.
Instead, I thought it best that he and his brother, Sam, come down to my office to discuss the introduction. He said he was far too busy to be bothered with that. I suggested that if his time was at a premium, I could tape-record the meeting, capturing the Raimi brothers' thoughts about Mr. Campbell, and have a ghostwriter put the introduction together. In this way, I assured him, no real effort would be required from him or his brother. This aroused his interest. He agreed, upon the condition that the subject of fees not be discussed in front of his brother, Sam, as he had distaste for all matters of business.
On October 22, 1999, Ivan Raimi entered my office and what follows is a transcription of that meeting:
Barry: Hello, Mr. Raimi. Welcome to St. Martin's Press. I'm Barry Neville, Bruce's editor. We spoke on the phone.
Ivan Raimi: Hi. Yeah. This place is really nice. Speaking of which, you got a damn good-looking secretary out there. I mean when I dropped those papers and she had to bend down and --
Barry: Yes. Thank you. As mentioned, I've got the tape running...
Ivan Raimi: I mean that's the kind of woman... I'd drink her bath water --
Barry: -- We're tape-recording...
Ivan Raimi: Sure, play anything you want. Listen, Sam's coming up in a second ... so we should get this fee thing out of the way.
Barry: Fee? As in... "additional fee"?
Ivan Raimi: Fee. As in "fee structure." It's an ugly word, but I think we need to get it out of the way before Sam comes back. Or he'll walk.
Barry: But we paid the fee. The two hundred and eighty --
Ivan Raimi: Barry, you paid the starter fee. Good. Good for you. But now let's talk completion. You still owe us some kind of completion fee. And please, do it quick, before Sam gets here.
EDITOR'S NOTE ****
At that point I paid Ivan Raimi an additional $120 from my personal cash. Shortly thereafter, Sam Raimi entered the room.
Sam Raimi: The headlights weren't on.
Ivan Raimi: Really? Hey. This is that guy I was telling you about.
Barry: Hi, I'm Barry Neville, pleased to meet you. Bruce is very excited to have you aboard.
Sam Raimi: Bruce. Bruce. Bruce this. Bruce that.
Barry: We think our readers will really respond to this book. Kind of an insider's --
Sam Raimi: You want to know what I think, Barry? I think, your readers are tired of the same old drivel pushed on them, time after time. Tired of being force fed purée by half-artists. Your readers have teeth. For God's sake, let 'em chew.
Barry: What do you mean?
Sam Raimi: I mean let's tell a different story. The story of an ordinary man --
Ivan Raimi: An extraordinary man!
Sam Raimi: Either way. But the forces of mediocrity are against him. I'm talking the story of a guy who fights his way up
from
the B movies!
Barry: Who?
Sam Raimi: Not Who. The question is... "why?"!
Ivan Raimi: I like it. It's good! Barry, let's do it!
Barry: Well, it's really interesting... but the task at hand is the introduction to
If Chins Could Kill.
Sam Raimi: I see. And who, may I ask, is going to read this book? His illiterate fans? Barry, people get the wrong idea sometimes. See, Bruce is like a puppet.
My
puppet. I pull a string, he smiles. I pull another, and he runs through the woods and hits his head against the tree. And that's it. So tell me, Barry, whose story is more interesting? The puppet or the puppet master?
Barry: Well, we think that Bruce has developed quite a big following over the years. We believe this book has its own niche.
Sam Raimi: Uh-huh. Well, if there's such a big following, how come yer only paying my brother and I a hundred bucks to write the intro?
Barry: Guys, maybe this project isn't your cup of --
Ivan Raimi: Please, Barry, this is a
great
project, one that Sam and I both believe in and want to make special for you. Now, we agree to do the touch-up on Bruce's book, but don't expect --
Barry: "Touch-up"?
Ivan Raimi: What we in the film world call a "polish" -- but don't expect us to work for nothing, even if Bruce is our close friend -- 'cause that's like slappin' Bruce in the face.
Barry: But --
Sam Raimi: So what's this book about anyway?
Barry: Didn't you read it?
Ivan Raimi: Sure he read it. We both read it. It's got its own niche.
Barry: Gentlemen... the book does not need a polish. It needs an introduction. What I'd like to do now is to leave you alone, so that you might ruminate on your memories of Bruce. How you met, how you work together... I'll come back with a writer who will give some form to it, and put it in the context of a proper introduction.
Ivan Raimi: Why don't you send up some drinks and sandwiches. Something nice. And we'll start the creative process right away, Barry.
