I, Lucifer: Finally, the Other Side of the Story (24 page)

You know, I'm going to miss you lot, when you're gone. I'm
going to miss our ... our thing, our working relationship.
I'm going to miss you listening to me, seeing sense, taking
my advice. I'm going to miss your candour (the inner candour, I mean, the one that's camouflaged by all that external
duplicity, omission and pretence). I'm going to miss your
self-love, your sense of humour, your crippling weakness for
doing what makes you feel good. Makes you feel good initially, I mean. Soon, now, it'll be gone, all gone. What'll I do
with myself when you're gone?

And thanks to this incarnate sojourn, I'm going to
miss ... damn, man, I'm gonna miss handshakes, ya know?
The honest comfort of flesh and blood. This flesh and blood,
it's honest, isn't it? It tells the truth, doesn't it? The wind in
your hair, rain on your face, sun-warmth between your
shoulder-blades - perception's straight-up. Kissing.
Stretching. Blowing off. Forget Rene: the senses don't lie,
not about the big things, not about what it's like to be here.

I took a break from the script and went to Church. St
Paul's. Call it a hunch, an intuition, an inkling, something
pulled me there. (The dreams are knocking me out, by the way. Repeatedly, I'm trapped in tiny, vast spaces. I )oes that
make sense to you? 1)o you dream paradoxes? Woke up this
morning, couldn't even face Buck's Fizz. Harriet's suggested
I see a doctor. Harriet's suggested I see a shrink. Pot, kettle
and black, Harriet, I thought, pot, kettle and fucking black.
The film - the film's racing along. Harriet hasn't left the bed
for two days. She sits cross-legged amid the pillows talking
on the phone, moving money, telling lies, having things
brought to her, half-consuming them, having them taken
away. I've told her: slow down, you'll make yourself ill. You
think she takes any notice of me? Trent was miffed about the
no-sequel nature of the project. He's been depressed since I
pointed out that there was no scope for a prequel, either.
Meanwhile, I'm anxious about the third act ...)

St Paul's. Well if you're going to do it, do it large. It still
takes me a while to get to places, and this afternoon's jaunt
to the cathedral was no exception, what with London's
oven-baked asphalt and disreputable trees, what with its brew
of stinks and perfumes, what with the wide-angle sunlight
and the stratosphere's ghostly cirrus. I was straight, too, more
or less, if you don't count the coke-hangover and three
Lucifer Risings I took to knock it on the head. Admittedly
there's a more or less permanent residue of chemicals and
booze around Gunn's cowering brain these days, but, you
know, relatively, I was sharp.

Which was just as well. Given who turned up.

I only just got out of Gunn's carcass in time. Up in the
Whispering Gallery, under the great, ribbed belly of the
dome, I couldn't shake it, that sense of being watched that
had been troubling me since ... I don't know. A while.
However long it had been smouldering, it caught fire up
there among the scurrying sibilants. Dangerous, too, what
with Gunn's fear of heights kicking in without warning, what with me swaying, precariously at the gallery's rail. The
presence - for there was no mistaking it by then - coalesced
just before the rising tide of tinnitus which announced it
would have sent me literally and metaphorically over the
edge. With a nauseous wrench (think of a femur being
pulled from its groin) I tore myself from Gunn's body, which,
not surprisingly, collapsed, buttocks-first, into that indecorous sitting position adopted by abandoned cloth dollies.

`And the great dragon was cast out, that old serpent, called
the Devil, and Satan,' Michael droned, with a kind of rich
boredom, `which deceiveth the whole world: he was cast out
into the earth, and his angels were cast out with him ... hasatan, have you forgotten, my friend?'

Pain? Well, you could say that. Can't tell you what it cost
me to keep it together, up there in the dome's shadow, with
you dear things scuttling like roaches below. Corporeally, I
would have talked of deep internal haemorrhaging. I would
have talked of head trauma. I would have talked of the
immediate need for intensive care. Leaving the body was bad
enough - the dreadful reunion with my default angelic rage
and pain - but to be forced into it so suddenly and to have
him to deal with ... Well. I mean be fair.

Not that I let on, obviously, no more than he did, and I
can assure you niy presence was no cakewalk for him, either.

`Michael,' I said. `Dear old thing. It's been simply ages.'

I wondered, peripherally, how on earth this bit of the
material world could contain us without radical signs of
stress - I half-expected the dome to split or implode - until
I realised what should have been obvious: Divine dispensation. It was, after all, St Paul's Cathedral. Sometimes I'm so
slow.

`You're afraid,' he said, quietly.

I smiled. `It's extraordinary,' I said, `how much you chaps consider it your duty to tell me that. I had Gabriel at it the
other day. I wonder why you think it's so important?
Sceptics, I dare say, would mutter of wishful thinking.'

He returned the smile. 'His advice to the mortals, you
know,' he said, 'that they should love their enemies, I pity
them that they should require such instruction.'

`Have you seen The Empire Strikes Back?' I asked him.

'Because for us it is natural to love our enemies in proportion to their proximity to ourselves. We're so very alike,
satan. We're so very close to one another.'

It did rankle a wee bit, the `satan' with small s. Means just
,one who obstructs'. Not the name-calling itself, but his not
being able to rise above it. He's mighty fond of his own
name, needless to say, which he translates at parties as `who
is like God'. I wonder the Old Bugger lets him get away
with it, since the correct - and far less flattering - translation,
is a rhetorical question: `Who is like God?' Used to piss him
off no end in the old days. Every time someone said, `Er,
Michael?' I used to cut in straight away with, `Me.'

'So near and yet so far,' I said. 'How are things in the
bowing-and-scraping business? I'm thinking Bob Hoskins
for you in the movie, by the way. How does that sit with
you? I'm sure you could talk me into Joe Pesci.'

Between you and me, I really was in the most excruciating discomfort. I glanced down at the gallery, where Gunn's
impersonation of a passed-out wino or junkie had attracted
the attention of two small children, who, ignored by their
whispering parents, were tearing up the tinfoil wrappers of
their Kit-Kats and dropping the pieces into Gunn's hair. I
wondered, glumly, what would happen when the security
guard was called.

'You've surprised us,' he said. He's never quite grasped
that conversation isn't actually the other person making some unattended-to noises while you think of the next bit of your
monologue.

`Oh I have have I? What were you thinking? Harrison
Ford?'

`With the shortness of your attention span, we thought
you'd be at middle-aged melancholy by now. And yet you've
managed to ... hold yourself, more or less, at adolescent
egotism.'

`Don't underrate adolescent egotism, old stick. With adolescent egotism and a lot of money one can pretty much rule
the world - redundant, obviously, when one already does
rule the world.'

Oh I felt awful, I did. You know how it is when you come
home trenchantly, comprehensively, authentically drunk, turn
the light out, lie down, and feel the waltzer room's nauseating
spin? Yes? Well this was galaxies worse than that.

`I realise this might sound rude, my dear, but why are you
here, exactly, umm?'

`To help you,' he said.

Had I a face, just then, it would have been no mean trick
to have kept it straight. `Aha?' I said. `Um-hm? Yah?'

`Have you not, of late, Lucifer -'

`Look why don't you spit it out, there's a good chap, eh?
Then perhaps we can get on digging our respective scenes.
In case it escaped your attention, I had come for a quiet halfhour in Church.'

`You came because you were called.'

`Oh dear this is really so uncivilized. I had hoped - you
know, from you, Michael, I had hoped for a certain standard
of -'

`You're afraid.' He said it this time with the air of someone
genuinely in possession of a mighty truth. If he hadn't continued, I'm not sure I wouldn't have begun Apocalypse there and then. `You're afraid of what you most desire. You desire
that of which you're most afraid. Think on this, brother.'

`I'll be sure to.'

`Think on it.'

`I'll be sure to.'

To give him his due, he didn't have the look of a gloater.
Nor, to give him further credit, did he stick around for vacuous chit-chat.

`I'll see you soon, Lucifer,' he said.

`Not if I see you first, Michael,' I replied.

Didn't fancy the walk back to the Ritz after that. I cellphoned Harriet and she sent Parker - whose real name is
Nigel - round with the Rolls. We've bonded, Nigel and I.
Got chatting one small-hours whisk through the city
(Harriet passed out on the back seat) and I recognized him
as one of my own. I needed him now like you need an
escapist film when there's an exam to revise for.

`The point,' I said, as I collapsed into the Rolls's generous
rear, and the upholstery gave its welcoming gasp, `is that in
calling it multiculturalism or diversity or ebony and ivory or
we are the fucking world or whatever, they're missing something much more fundamental. They're missing the
deliberate eradication of one race by another. For which, in
the twentieth century, we've got a word: genocide. It seems
to me, Nigel, that your concern - and thank fuck you're not
alone in this - your fiercely and rightly felt concern is to stop
the genocide that is happening in this country right here and
right now.'

`You all right, boss?' Nigel said, with a blue-eyed glance in
the rear-view. `You look a bit peaky.' (A homely idiom,
Nigel's, though peppered with the Party for the Preservation
of British Nationalism's staples : Rights, Decent People, Honour, Difference, the White Race, Patriotism,
Homeland, Relocation.)

`What does it say about a Christian country, Nigel,' I
continued, pocket-patting for Silk Cut and Zippo, `that its
churches - its churches - can be sold to Muslims and converted into mosques? I mean correct me if I'm wrong, you
know, correct me if my history's faulty here - but wasn't
there, some years back, a little operation known as the
Crusades? Was that an academic exercise, then, was it? Eh?'
(I put a bit of bark in to my rhetorical questions for Nigel. It
gets him going. It delights him, actually, though he experiences the delight as political disgust.) `Do you know, Nigel,
that in parts of Britain now, children under ten years old -
Christian children, this is, English, Christian children - are
being forced to study the Koran? You know, you tell people
this stuff, they think you're making it up.'

`Tories have got a coon Lord.'

`I know, Nigel, I know. You know, when I think of
the ... the ...'

I faltered. (So long since I've seen Michael. New Time
hadn't changed him. Still the over-earnestness, the show-offy
angelic physique, the irritating air of privy intelligence. No
doubt he believes there's a great deal he knows that I don't.
He's welcome to it. There is, after all, something I know that
he doesn't ...) `When I think of the role this country of
yours used to play on the global stage,' I went on, `when I
think of the notion that the sun never set on the British
Empire, when I think of this country bringing the light of
civilization to dark places, bringing technology, learning,
industry, imports and exports - you know, educating the less
intelligent nations on how to make use of natural resources -
sometimes resources they didn't even know they had,
Nigel - when I think of that, in the light of the cultural and linguistic genocide now being encouraged in your schools,
churches, hospitals, legal system ... I think of that and I
wonder: Is this how the countries of Empire repay their
erstwhile sovereign?'

Your country. I've softened Nigel's initial suspicions: told
him I'm half Italian. Don't live here. Passing through. And a
member of the PPNI (Partita per la Preservazione di
Nazionalismo Italiano), the fictional guinea equivalent of the
PPBN. If I say things like `erstwhile sovereign' I usually
regret it, since Nigel's own vocabulary needs very little room
to stretch its legs - but that's me again, you know, Baroque.
Got to do it with knobs on. Honestly, sometimes I'm my
own worst enemy.

`It's the fucking newsreaders piss me off,' Nigel said, as we
swung into Trafalgar Square. `Sanjit fucking this and
Mustapha fucking that. There's a fucking Paki doing the
weather on BBCI

West End facades, a troupe of rattling pigeons, the lights
turning green. `Nigel,' I said, `there are going to have to be
some significant changes in the world. Changes are long,
long overdue . .