WHAT A SONG CAN DO
If I didn’t have music, I don’t know
if I could ever be truly happy.
Happiness is music to me. Like when
I am in Caleb’s room, playing
my guitar for him, watching him
close his eyes to listen and knowing
he understands what I am
singing. That is all I need
to make a room full of happiness—
two boys, one love, and a song.
I think the reason my parents wanted me
to play classical music was because
it didn’t have any words. They would keep me
as a sound, not a voice. But I had
other ideas. I blew off the recorder,
did not bow to the violin, benched the piano, saved
up for a guitar. Then I used it to write
love songs for boys, and sad songs for love.
I sang myself to find myself
in a language far from my parents’
expectations. I taught myself the strings,
the chords, the fretting. But I did not
have to teach myself the words.
They’d always been there, notes to myself,
waiting for the music to bring them out.
All I had to do was recognize the possible
music and the songs were everywhere.
It is not something I have control over,
no more than I can control the sights
that appear before my eyes. I will be staring off
in class, barely hearing the echo of
my teacher’s words, when suddenly
a verse will arrive free-form in my thoughts.
when I look out a window
I wish for you on the other side
even if you’re not there
I can see you in the clouds
As I transcribe the words in my notebook,
I can hear the sound of it in my head.
Many teachers have caught me strumming
an imaginary guitar, trying to find the chords
before they vanish with the next thought.
The first time I went out with Caleb,
this happened to me. We were talking
in the park, having a conversation that lasted
the afternoon and the evening,
finding all of our common coincidences,
baring some of our unfortunate quirks.
At one point he went to get us sodas,
leaving me with my thoughts and the trees.
I was elated to have found someone
who could be both interested and interesting.
My thoughts revealed themselves
in the terms of a song.
you could be
the leaf that never falls from the tree
you could be
the sun that never leaves the sky
this might be
the happy ending without the ending
this might be
a reason to try
When he returned to me, he had two bottles
in his hands, and I was making furious leaps
into my notebook, playing the ghost guitar
and singing solos to the birds around me.
I apologized, embarrassed to be caught
showing myself so early, but he said
it was charming, then asked me if I needed time
to finish my refrain. Perhaps it was because he said
something so perfect, or perhaps it was because
the song made me brave, but I asked him
if he wanted to hear it, and when he said yes,
I sang to him, accompanied only by
the guitar in my head and the beat
of my heart. When I was done, there was
a moment of absolute silence, and I felt
like the ground had been pulled out from under me
and I was about to fall far. But then the ground
came back, as he told me it was wonderful,
as he asked me to sing it to him again.
It is a sad fact of our present times
that it’s nearly impossible to turn on the radio
and hear a gay boy with a guitar.
Where are the indigo boys, to show me the way?
Caleb teases me, because while
he has a gay music collection—pop queens
and piano boys—I am, he insists, a closet
lesbian. So I play him some Dylan, some Joni,
some Nick Drake, and I tell him there is
room for me to sing about the two of us
tangled up in blue under a pink pink pink
pink moon. Music, like love,
cannot be defined, except
in the broadest of senses.
My father complains, my mother stays silent.
My father says it’s not the music he minds,
but that I play it so loud. They want me
to sing in the basement, but I can’t think
with the laundry and the cobwebs—
down there, all my songs begin to have
pipes. So I become a bedroom Cinderella
on a tighter deadline, allowed to sing loud
until the hour-hand tips the ten. Then I strum
softly, sing in a whisper.
I think they would like the songs better
if I left out the names, or changed
the pronouns.
No more danger.
Time’s a stranger.
When I’m in his arms.
In his arms.
He could break me.
But instead he wakes me.
When I’m in his arms.
In his arms.
I am not the first person
to avoid the second person.
But I am certainly the first person
to do it in my house.
I never thought I would end up with
someone who wasn’t possessed
by music in the same way I am.
I imagined a relationship of duets,
of you play me yours and I’ll
play you mine. Caleb doesn’t
even listen to the music I like. He dances
instead, frees himself that way
while I prefer the quieter corners,
the blank pages. Part of my music
is being alone, having that time
to shut down all the other noises
to hear the tune underneath.
Sometimes I retreat when he
wants me most. Sometimes
he wants me most when I
retreat. I will let the phone ring,
let the IM blink, and he will know
that I am there, not realizing I am
also in another place. I still sing him
songs before I am ready, sing him
back the moments he has missed.
as if to say,
this is where I was
when you couldn’t find me
.
The sound of my voice means
I have returned to him, ready
for a different kind of duet,
that delicate, serendipitous pairing
of listened and sung. He accepts that,
and wants more.
black ink
falls on the blue lines
spelling out silences
harboring words
you think
my love’s not the true kind
unanswering questions
do not disturb
but I’m not leaving you
when I leave you
I’m not forgetting
that we’re getting somewhere
I’m just trying
to figure my part of this
my place in the world
with you standing there
with you standing there…
Our local coffee hangout decides to throw
a weekly open mic night. I decide to go
as a member of the audience, unsure
about playing in a town that knows me
unwell. A local band snarls through
three songs, then a girl from my school
recites poems from a long black book.
I realize I can do this, that I want to be heard,
that it’s possible I have something to say.
Word spreads, and all the next week,
my friends tell me to do it, convince me
they’ll be there next time. And that is perhaps
the most surprising thing, to feel such support
for this secretive calling. So I sign my name
to the roster, and Caleb makes fliers
on his computer. He slips them into lockers
and strangers from school tell me they’ll be there.
Sometimes I’ve skipped study hall and
practiced in the abandoned stairwell by
the auditorium. Now I’m seeing how many
people have overheard. They have listened in.
I practice past my curfew, past midnight,
into dreamtime. In a moment of weakness,
to fend them off from laying down the law, I tell
my parents I have a gig coming up, as if
they would be proud of me singing in public.
My mother, polite, says it sounds nice.
My father tells me it had better not interfere
with my homework. I tell him it won’t,
in a voice that’s so ready to leave.
Doors do not slam, but they do not stay open
as I sneak music into the house, as I whisper
my longings to the furniture, my fears
to the ceiling, my hopes to the line of
hallway light that goes off beneath my door.
silent night
stay with me
hold me tight
then set me free
daylight will
blind me still
the child’s dream
not what it seemed
we search for safer passage
we pray our eyes adjust
we cling to all that’s offered
we do what we must
storm outside
thunder warns
deepest fears
since we were born
take me now
show me how
to fight the dark
to find a spark
you are my spark
Who is the
you
? Sometimes when I’m writing
I don’t know. I am singing out to the stranger
of my songs.
On Friday, Caleb won’t take no for an answer.
We are going out to the club he loves, the one
I’ve always managed to avoid. He wants to dance,
and he wants me to dance with him. I can’t
say no. Even though I dread it, even though
it’s not my thing, I will do it for him, because
he has done so much for me. He asks me what
I’m going to wear, and I tell him I was planning
on wearing what I wore to school. He laughs
and tells me to go home and put on something
a little more clubby. For him, this means tighter.
For me, this means darker jeans. When I go home
to change, I don’t pick up my guitar, because
I know if I do, I might never leave it.
It’s under-18 night at the Continental,
which means there’s no drinking,
except for the few hours beforehand.
I carry a small notebook in my back pocket,
although I can’t see the music coming to me
here. It is too loud. A singer-songwriter
nightmare. Speakers blasting the
thump-thunk-thump
of a dance floor mainstay, while the singer belts
the same three lines over and over and over again.
I love this song
! Caleb cries, pulling me into
the flashing lights. He looks hot, and everyone else
seems to be noticing. I am lost. It feels like the music
is being imposed on me. I struggle to sway while
Caleb soars. This is his place. This is the liberation
he’s found. And there is something beautiful about it,
this closed room where boys slide up to boys
and they find a rhythm that defies everything outside.
The music elevates them, takes their cares away
and gives them only one care in return—this movement,
this heat, these lights that turn them into a neon crowd
feverish in their release, comfortable in their bodies
as they leave them in the synthesized rush.
I observe this without feeling a part of it.
Caleb holds me and pulls me into him and I feel
nothing but the ways my body can’t move,
the songs inside that are being drowned out
in this rush. Caleb asks
what’s wrong
and I say
nothing
and keep trying until Caleb senses it again,
says
what’s wrong
and this time I know what’s
implied—that the something that’s wrong
is me. I tell him I need some water, and when I go
he does not follow.
I get some water and stand on the sidelines.
I watch him and don’t recognize him
as the boy I have felt love for. He is joyous
in his movements, holding and groping and swaying
in time with his new partner. And I know it’s not
that he likes this other boy, I know it’s just part of