Authors: Danielle Steel
Carole was tall, though not as tall as her assistant. She was slim, lithe, with a still-beautiful figure. She worked out, but not enough to justify the way she looked. She had great genes, good bone structure, a body that defied her years, and a face that willingly lied about her age, and she had had no surgery to help it.
Carole Barber was just a beautiful woman. Her hair was still blond, she wore it long and straight, often tied back in a ponytail or in a bun. Hairdressers on the set had been having a ball with her silky blond hair since she was eighteen. Her eyes were enormous and green, her cheekbones high, her features delicate and perfect. She had the face and figure of a model, not just a star. And the way she carried herself spoke of confidence, poise, and grace. She wasn't arrogant, she was just comfortable in her own skin, and she moved with the elegance of a dancer. The studio that had signed her first had made her take ballet. She still moved like a dancer today, with perfect posture. She was a spectacular-looking woman, and rarely wore makeup. She had a simplicity of style that made her even more striking. Stevie had been in awe of her when she first came to work. Carole had only been thirty-five then, and now she was fifty, hard as that was to believe. She looked easily ten years younger than she was. Even though he'd been five years younger, Sean had always looked older than she did. He was handsome, but bald, and tended to put on weight. Carole still had the same figure she'd had at twenty. She was careful about what she ate, but mostly she was just lucky. She had been blessed by the gods at birth.
“I'm going to run some errands,” she told Stevie a few minutes later. She had put a white cashmere sweater around her shoulders, and was carrying a beige alligator bag she'd bought at Hermès. She had a fondness for simple but good clothes, especially if they were French. At fifty, there was something about Carole that reminded one of Grace Kelly at twenty. She had that same kind of elegant, aristocratic ease, although Carole seemed warmer. There was nothing austere about Carole, and considering who she was, and the fame she'd enjoyed for all of her adult life, she was surprisingly humble. Like everyone else, Stevie loved that about her. Carole was never full of herself.
“Anything you want me to do for you?” Stevie offered.
“Yeah, write the book while I'm out. I'll send it to my agent tomorrow.” She had lined up a literary agent, but had nothing to send her.
“Done.” Stevie grinned at her. “I'll man the fort here. You hit Rodeo.”
“I am
not
going to Rodeo,” Carole said primly. “I want to look at some new dining room chairs. I think the dining room needs a face-lift. Come to think of it, so do I, but I'm too chicken to get one. I don't want to wake up in the morning looking like someone else. It's taken me fifty years to get used to the face I have. I'd hate to turn it in.”
“You don't need one,” Stevie reassured her.
“Thanks, but I've seen the ravages of time in the mirror.”
“I have more wrinkles than you do,” Stevie said, and it was true. She had fine Irish skin that wasn't wearing as well as her employer's, much to her chagrin.
Five minutes later, Carole drove off in her station wagon. She had driven the same car for the last six years. Unlike other Hollywood stars, she had no need to be seen in a Rolls or a Bentley. Her station wagon was fine with her. The only jewelry she wore was a pair of diamond stud earrings and, when Sean was alive, her plain gold wedding band, which she had finally taken off that summer. Any thing more than that she considered unnecessary, and the producers borrowed for her when she had to appear to promote a film. In her private life, the most exotic piece of jewelry Carole wore was a simple gold watch. The most dazzling thing about Carole was herself.
She was back two hours later, while Stevie was eating a sandwich in the kitchen. There was an office nook for her, where she worked, and her main complaint was that it was much too close to the fridge, which she visited too often. She worked out at the gym every night to compensate for what she ate at work.
“Did you finish the book yet?” Carole asked as she walked in. She looked in much better spirits than when she left.
“Almost. I'm on the last chapter. Give me another half-hour, and I'll be all set. How were the chairs?”
“They were the wrong look for the table. The scale wasn't right. Unless I get a new table too.” She was looking for projects, and they both knew that she needed to go back to work, or write the book. Indolence wasn't her style. After a lifetime of working constantly, and now that Sean was gone, Carole needed something to do. “I decided to take your advice,” Carole said, sitting down at the kitchen table across from Stevie with a solemn look.
“What advice?” Stevie could no longer remember what she'd said.
“About taking a trip. I need to get out of here. I'll take my computer with me. Maybe sitting in a hotel room, I can get a fresh start on the book. I don't even like what I've got so far.”
“I do. The first two chapters are good. You just need to build on that and keep going. Like climbing a mountain. Don't look down or stop until you reach the top.” It was good advice.
“Maybe. I'll see. Anyway, I need to clear my head,” she said with a sigh. “Book me a flight to Paris for the day after tomorrow. I don't have anything to do here, and Thanksgiving isn't for another three and a half weeks. I might as well get my ass out of here before the kids come home for that. It's the perfect time.” She had thought about it all the way home and made up her mind. She felt better now.
Stevie nodded and refrained from further comment. She was convinced it would do her good to get away, particularly to a place she loved.
“I think I'm ready to go back,” Carole said softly, with a pensive look. “You can get me a room at the Ritz. Sean hated it, but I love it.”
“How long do you want to stay?”
“I don't know. Why don't you book the room for two weeks, so I have it. I thought I'd use Paris as a base. I actually do want to go to Prague, and I've never been to Budapest either. I want to wander around a little, and see how I feel when I'm there. I'm free as a bird, I might as well take advantage of it. Maybe I'll get inspired if I see something new. If I want to come home earlier, I can. And I'll stop in London and see Chloe for a couple of days on the way home. If it's close enough to Thanksgiving, maybe she'll want to fly back with me. That might be fun. And Anthony's coming out for Thanksgiving too, so I don't need to stop in New York on the way back.” She always tried to see her kids when she went anywhere, if they had the time and she did. But this trip was for her.
Stevie smiled at her, as she jotted down a note to herself with the details. “It'll be fun to go to Paris. I haven't been since you closed the house. That was fourteen years ago.” Carole looked slightly embarrassed then. She hadn't made herself clear.
“I hate to be a shit. I love it when we travel together. But I want to do this one on my own. I don't know why, but I just think I need to get into my own head. If I take you with me, I'd rather talk to you than dig into myself. I'm looking for something, and I'm not even sure what it is. Me, I think.” She had a deep conviction that the answers to her future, and the book, were buried in the past. She wanted to go back now to dig up everything she had left behind and tried to forget long ago.
Stevie looked surprised, but smiled at her employer. “That's fine. I just worry about you when you travel alone.” Carole didn't do that often and Stevie didn't love the idea.
“I worry too,” Carole confessed, “and I'm lazy as hell. You've spoiled me. I hate dealing with porters and ordering my own tea. But maybe it'll do me good. And how hard can life be at the Ritz?”
“What if you go to Eastern Europe? Do you want someone with you there? I could hire someone for you in Paris, through security at the Ritz.” There had been threats over the years, though nothing recent. People recognized her in almost every country. And even if they didn't, she was a beautiful woman traveling alone. And what if she got sick? Carole brought out the mother in Stevie every time. She loved taking care of her and shielding her from real life. It was her mission in life and her job.
“I don't need security. I'll be fine. And even if they recognize me, so what? As Katharine Hepburn used to say, I'll just keep my head down, and avoid eye contact.” They were both still surprised at how often that worked. When Carole didn't make eye contact with people on the street, they recognized her far less. It was an old Hollywood trick, although it didn't always work. But more often than not it did.
“I can always fly over if you change your mind,” Stevie offered, and Carole smiled. She knew that her assistant wasn't angling for a trip. Stevie was just concerned about her, which touched Carole's heart. Stevie was the perfect personal assistant in every way, always striving to make Carole's life easier and anticipate problems before they could occur.
“I promise I'll call if I run into trouble, get lonely, or feel weird,” Carole assured her. “Who knows, I may decide to come home after a few days. It's kind of fun to just go, and not have any set plans.” She had been on a million trips to promote movies, or on location when she made them. It was rare for her to just take off like this, but Stevie thought it was a good idea, even if it was unusual for her.
“I'll keep my cell phone on so you can call me, even at night or at the gym. I can always hop the next plane,” Stevie promised, although Carole was conscientious about not calling her at night. She had kept firm boundaries over the years, which went both ways. She respected Stevie's private life, and when Carole had one, Stevie respected hers. It had made working together that much better over the years. “I'll call the airline and the Ritz,” Stevie said, finishing her sandwich, and going to put the plate in the dishwasher. Carole had long since reduced her housekeeping staff to one woman, who came in the mornings five days a week. With Sean and the kids gone, she didn't need or want much help. She rummaged in the refrigerator herself and no longer had a cook. And she preferred driving herself. She enjoyed living like a normal person without all the trappings of a star.
“I'll start packing,” Carole said as she left the kitchen. Two hours later she was finished. She was taking very little. Some slacks, some jeans, one skirt, sweaters, comfortable shoes to walk in, and one pair of high heels. She packed one jacket and a raincoat, and took out a warm hooded wool coat to wear on the plane. The most important thing she was taking was her laptop. She needed very little else, and maybe she wouldn't even use that, if nothing came to her while on the trip.
She had just finished closing her suitcase, when Stevie walked into her bedroom to tell her that the reservations had been made. She was on a flight to Paris in two days, and the Ritz had a suite for her on the Vendôme side of the building. Stevie said she would drive her to the airport. Carole was all set for her odyssey to find herself, in Paris, or wherever else she went. Whatever other cities she decided to travel to, she could make the reservations once she was in Europe. Carole was excited now at the thought of going. It was going to be wonderful being in Paris after all these years.
She wanted to walk past her old house near the rue Jacob, on the Left Bank, and pay homage to the two and a half years she had spent there. It seemed like a lifetime ago. She had been younger than Stevie when she left Paris. Her son, Anthony, who was eleven then, had been delighted to come back to the States. Chloe had been seven and was sad to leave Paris and her friends there. She had spoken perfect French. They had been eight and four when they first went there, when Carole was making a movie in Paris. The film had taken eight months, and they had stayed on for two years after that. It seemed like a big chunk of time then, especially in young lives, and even to her. And now she was going back, on a pilgrimage of sorts. She had no idea what she'd find there, or how she'd feel. But she was ready. She could hardly wait to leave. She realized now that it was an important step in writing the book. Maybe going back would free her, and open the doors that were sealed so tightly. Sit ting at her computer in Bel-Air, she couldn't pry them open. But maybe there the doors would swing wide open on their own. It was what she hoped.
Just knowing that she was going to Paris, Carole was able to write that night. She sat at her computer for hours after Stevie left, and was back at it the next morning when she arrived.
She dictated some letters, paid her bills, and did a last few errands. By the time she left for the airport the next day, Carole was ready. She chatted animatedly with Stevie on the way to the airport, remembering last details, of what to tell the gardener, some things she'd ordered that would arrive while she was away.
“What do I tell the kids, if they call?” Stevie asked as they reached the airport, and she took Carole's bag out of the station wagon. She was traveling light, so she could manage more easily on her own.
“Just tell them I'm away,” Carole said easily.
“In Paris?” Stevie was ever discreet, and only told people, even her children, what Carole told her she could say.
“That's fine. It's not a secret. I'll probably call them at some point myself. I'll call Chloe before I go to London at the end. I want to see what I decide to do first.” She loved the feeling of freedom she had, traveling on her own, and making decisions about her destinations day by day. It was rare for her to be that spontaneous, and do whatever she wished. It seemed like a real gift.
“Don't forget to tell me what you're doing,” Stevie chided. “I worry about you.” Probably more than her kids did, who were sometimes less aware, although they loved her. Stevie was almost maternal toward her at times. She knew the vulnerable side of Carole that others didn't see, the frail side, the one that hurt. To others, Carole showed tranquillity and strength, which wasn't always the case underneath.
“I'll e-mail you when I get to the Ritz. Don't worry if you don't hear from me after that. If I go to Prague or Vienna or somewhere, I'll probably leave my computer in Paris. I don't want to bother with a lot of e-mail while I'm away. Sometimes it's fun to just write on legal pads. The change might do me good. I'll call if I need help.”