Hide And Seek (2 page)

The landscaped areas comprised long grass and an abundance of weeds, while children’s tarmacadamed playgrounds had become bombsites, shrapnel glass awaiting a tripped knee or stumbling hand. Most of the terraces boasted boarded-up windows, ruptured drainpipes pouring out teeming rainwater onto the ground, marshy front gardens with broken fences and missing gates. He had the idea that on a sunny day the place would seem even more depressing.

Yet nearby, a matter of a few hundred yards or so, some developer had started building private apartments. The hoarding above the site proclaimed this a LUXURY DEVELOPMENT, and gave its address as MUIR VILLAGE. Rebus wasn’t fooled, but wondered how many young buyers would be. This was Pilmuir, and always would be. This was the dumping ground.

There was no mistaking the house he wanted. Two police cars and an ambulance were already there, parked next to a burnt-out Ford Cortina. But even if there hadn’t been this sideshow, Rebus would have known the house. Yes, it had its boarded-up windows, like its neighbours on either side, but it also had an open door, opening into the darkness of its interior. And on a day like this, would any house have its door flung wide open were it not for the corpse inside, and the superstitious dread of the living who were incarcerated with it?

Unable to park as close to this door as he would have liked, Rebus cursed under his breath and pushed open the car door, throwing his raincoat over his head as he made to dash through the stiletto shower. Something fell from his pocket onto the verge. Scrap paper, but he picked it up anyway, screwing it into his pocket as he ran. The path to the open door was cracked and slick with weeds, and he almost slipped and fell, but reached the threshold intact, shaking the water from him, awaiting the welcoming committee.

‘Detective Inspector Rebus,’ said Rebus by way of introduction.

‘In here, sir.’

‘I’ll be there in a minute.’

The head disappeared again, and Rebus looked around the hall. Tatters of wallpaper were the only mementoes of what had once been a home. There was an overpowering fragrance of damp plaster, rotting wood. And behind all that, a sense of this being more of a cave than a house, a crude form of shelter, temporary, unloved.

As he moved further into the house, passing the bare stairwell, darkness embraced him. Boards had been hammered into all the window-frames, shutting out light. The intention, he supposed, had been to shut out squatters, but Edinburgh’s army of homeless was too great and too wise. They had crept in through the fabric of the place. They had made it their den. And one of their number had died here.

The room he entered was surprisingly large, but with a low ceiling. Two constables held thick rubber torches out to illuminate the scene, casting moving shadows over the plasterboard walls. The effect was of a Caravaggio painting, a centre of light surrounded by degrees of murkiness. Two large candles had burnt down to the shapes of fried eggs against the bare floorboards, and between them lay the body, legs together, arms outstretched. A cross without the nails, naked from the waist up. Near the body stood a glass jar, which had once contained something as innocent as instant coffee, but now held a selection of disposable syringes. Putting the fix into crucifixion, Rebus thought with a guilty smile.

The police doctor, a gaunt and unhappy creature, was kneeling next to the body as though about to offer the last rites. A photographer stood by the far wall, trying to find a reading on his light meter. Rebus moved in towards the corpse, standing over the doctor.

‘Give us a torch,’ he said, his hand commanding one from the nearest constable. He shone this down across the body, starting at the bare feet, the bedenimed legs, a skinny torso, ribcage showing through the pallid skin. Then up to the neck and face. Mouth open, eyes closed. Sweat looked to have dried on the forehead and in the hair. But wait.... Wasn’t that moisture around the mouth, on the lips? A drop of water suddenly fell from nowhere into the open mouth. Rebus, startled, expected the man to swallow, to lick his parched lips and return to life. He did not.

‘Leak in the roof,’ the doctor explained, without looking up from his work. Rebus shone the torch against the ceiling, and saw the damp patch which was the source of the drip. Unnerving all the same.

‘Sorry I took so long to get here,’ he said, trying to keep his voice level. ‘So what’s the verdict?’

‘Overdose,’ the doctor said blandly. ‘Heroin.’ He shook a tiny polythene envelope at Rebus. ‘The contents of this sachet, if I’m not mistaken. There’s another full one in his right hand.’ Rebus shone his torch towards where a lifeless hand was half clutching a small packet of white powder.

‘Fair enough,’ he said. ‘I thought everyone chased the dragon these days instead of injecting.’

The doctor looked up at him at last.

‘That’s a very naive view, Inspector. Go talk to the Royal Infirmary. They’ll tell you how many intravenous abusers there are in Edinburgh. It probably runs into hundreds. That’s why we’re the AIDS capital of Britain.’

‘Aye, we take pride in our records, don’t we? Heart disease, false teeth, and now AIDS.’

The doctor smiled. ‘Something you might be interested in,’ he said. ‘There’s bruising on the body. Not very distinct in this light, but it’s there.’

Rebus squatted down and shone the torch over the torso again. Yes, there was bruising all right. A lot of bruising.

‘Mainly to the ribs,’ the doctor continued. ‘But also some to the face.’

‘Maybe he fell,’ Rebus suggested.

‘Maybe,’ said the doctor.

‘Sir?’ This from one of the constables, his eyes and voice keen. Rebus turned to him.

‘Yes, son?’

‘Come and look at this.’

Rebus was only too glad of the excuse to move away from the doctor and his patient. The constable was leading him to the far wall, shining his torch against it as he went. Suddenly, Rebus saw why.

On the wall was a drawing. A five-pointed star, encompassed by two concentric circles, the largest of them some five feet in diameter. The whole had been well drawn, the lines of the star straight, the circles almost exact. The rest of the wall was bare.

‘What do you think, sir?’ asked the constable.

‘Well, it’s not just your usual graffiti, that’s for sure.’

‘Witchcraft?’

‘Or astrology. A lot of druggies go in for all sorts of mysticism and hoodoo. It goes with the territory.’

‘The candles....’

‘Let’s not jump to conclusions, son. You’ll never make CID that way. Tell me, why are we all carrying torches?’

‘Because the electric’s been cut off.’

‘Right. Ergo, the need for candles.’

‘If you say so, sir.’

‘I do say so, son. Who found the body?’

‘I did, sir. There was a telephone call, female, anonymous, probably one of the other squatters. They seem to have cleared out in a hurry.’

‘So there was nobody else here when you arrived?’

‘No, sir.’

‘Any idea yet who he is?’ Rebus nodded the torch towards the corpse.

‘No, sir. And the other houses are all squats, too, so I doubt we’ll get anything out of them.’

‘On the contrary. If anyone knows the identity of the deceased, they’re the very people. Take your friend and knock on a few doors. But be casual, make sure they don’t think you’re about to evict them or anything.’

‘Yes, sir.’ The constable seemed dubious about the whole venture. For one thing, he was sure to get an amount of hassle. For another, it was still raining hard.

‘On you go,’ Rebus chided, but gently. The constable shuffled off, collecting his companion on the way.

Rebus approached the photographer.

‘You’re taking a lot of snaps,’ he said.

‘I need to in this light, to make sure at least a few come out.’

‘Bit quick off the mark in getting here, weren’t you?’

‘Superintendent Watson’s orders. He wants pictures of any drugs-related incidents. Part of his campaign.’

‘That’s a bit gruesome, isn’t it?’ Rebus knew the new Chief Superintendent, had met him. Full of social awareness and community involvement. Full of good ideas, and lacking only the manpower to implement them. Rebus had an idea.

‘Listen, while you’re here, take one or two of that far wall, will you?’

‘No problem.’

‘Thanks.’ Rebus turned to the doctor. ‘How soon will we know what’s in that full packet?’

‘Later on today, maybe tomorrow morning at the latest.’

Rebus nodded to himself. What was his interest? Maybe it was the dreariness of the day, or the atmosphere in this house, or the positioning of the body. All he knew was that he felt something. And if it turned out to be just a damp ache in his bones, well, fair enough. He left the room and made a tour of the rest of the house.

The real horror was in the bathroom.

The toilet must have blocked up weeks before. A plunger lay on the floor, so some cursory attempt had been made to unblock it, but to no avail. Instead, the small, splattered sink had become a urinal, while the bath had become a dumping ground for solids, upon which crawled a dozen large and jet-black flies. The bath had also become a skip, filled with bags of refuse, bits of wood.... Rebus didn’t stick around, pulling the door tight shut behind him. He didn’t envy the council workmen who would eventually have to come and fight the good fight against all this decay.

One bedroom was completely empty, but the other boasted a sleeping bag, damp from the drips coming through the roof. Some kind of identity had been imposed upon the room by the pinning of pictures to its walls. Up close, he noticed that these were original photographs, and that they comprised a sort of portfolio. Certainly they were well taken, even to Rebus’s untrained eye. A few were of Edinburgh Castle on damp, misty days. It looked particularly bleak. Others showed it in bright sunshine. It still looked bleak. One or two were of a girl, age indeterminate. She was posing, but grinning broadly, not taking the event seriously.

Next to the sleeping bag was a bin-liner half filled with clothes, and next to this a small pile of dog-eared paperbacks: Harlan Ellison, Clive Barker, Ramsey Camp-bell. Science fiction and horror. Rebus left the books where they were and went back downstairs.

‘All finished,’ the photographer said. ‘I’ll get those photos to you tomorrow.’

‘Thanks.’

‘I also do portrait work, by the way. A nice family group for the grandparents? Sons and daughters? Here, I’ll give you my card.’

Rebus accepted the card and pulled his raincoat back on, heading out to the car. He didn’t like photographs, especially of himself. It wasn’t just that he photographed badly. No, there was more to it than that.

The sneaking suspicion that photographs really could steal your soul.

He still saw Gill once or twice a week of course, at meetings and in the station-house, as well as at scenes of crimes. Especially now that he had been elevated to her rank.

Detective Inspector John Rebus.

Well, it had taken long enough, hadn’t it? And it was a long, hard case, full of personal suffering, which had brought the promotion. He was sure of that.

He was sure, too, that he wouldn’t be seeing Rian again. Not after last night’s dinner party, not after the fairly unsuccessful bout of lovemaking.
Yet another
unsuccessful bout. It had struck him, lying next to Rian, that her eyes were almost identical to Inspector Gill Templer’s. A surrogate? Surely he was too old for that.

‘Getting old, John,’ he said to himself.

Certainly he was getting hungry, and there was a pub just past the next set of traffic lights. What the hell, he was entitled to a lunch break.