She had all the dancing, dining, and partying that she could absorb. If she had been a storycube heroine, it would have defined social success. And like a storycube heroine, she felt stifled by it all. She scolded herself for being selfish and silly, for remembering the feel of Ronnie's head in her lap—his cold, muddy, unconscious head in her lap—when she was dancing with Cas. She had expected to hear about Ronnie from George Mahoney, who gossiped freely about everyone, no matter which side of a political divide you or they were on, but George had disappeared from social functions at the same time as Ronnie. No one seemed to know where they were, and Raffa couldn't ask pointed questions without brows being raised and word getting back to her mother.
She was delighted, therefore, to get a call from George's father Kevil, who asked her to meet with him and Lord Thornbuckle. She had not been in the Council complex since the king's resignation. But she had grown up hearing about Kevil and Bunny, contemporaries of her parents, long before she had realized that they were important people. Now, as they settled her in a comfortable leather chair and offered her something to drink, she felt an odd combination of maturity and childishness. She was being admitted to adult councils in a way that made her feel even younger than she was.
"Ronnie and George went on a mission for us," Lord Thornbuckle said, after she had accepted coffee and refused thinly sliced nutbread. Raffa clenched her hand on the saucer and set it down before it shook and rattled the cup. Ronnie and George? They had sent those two out together?
"We thought they'd help each other," Kevil Mahoney said. Raffa held her tongue. No use arguing with a lawyer of that class. "It may have been a mistake," he admitted, after a short silence.
"We thought of asking another of their friends—someone from the Royal Aerospace Service—but things are rather . . . delicate at the moment."
"Delicate?"
The two men looked at each other. Raffa felt like screaming, but didn't. What good would it do?
"They've disappeared," Lord Thornbuckle said. "And we don't know whom we can trust, in the old administration. We don't know if the reason they've disappeared has something to do with their mission, with something else entirely, or with communications failures. There've been problems recently, as I'm sure you're aware."
Everyone was. The interruption of commercial transfers, even for so brief a period, had panicked the public.
"At the moment, we're dealing with a crisis—more than one, in fact, though you don't need to know all of them. We can't go. We need the information we sent them to get, and we need to know what happened to them. If we send more young men, especially those who've been in the military, it will be noticed in the wrong way."
"You want me to go." Neither of them met her eyes at first. Raffa felt her temper rising. This was ridiculous; they didn't live back on Old Earth, in prehistoric times. "You want me to find Ronnie or George, and you think whoever's up to mischief will believe I'm chasing after Ronnie because of romance."
"That was the idea," said Lord Thornbuckle.
"It's ridiculous," Raffa said. She let herself glare at him. "It's out of a storycube or something. Lovesick girl goes haring after handsome young man in need of rescue. What do you want me to do, wear a silver bodysuit and carry some impressive-looking weapon?" Even as she said it, she realized she would look stunning in a silver bodysuit, and she imagined herself carrying one of the rifles from the island. No. It was still ridiculous.
"People do," Kevil Mahoney said, peering at his fingertips as if they had microprint on them. "People
do
do ridiculous illogical things. Even for love."
Raffa felt herself going red. "Not me," she said. "I'm the sensible one." It sounded priggish, said like that in this quiet room. She opened her mouth to tell Lord Thornbuckle about the times she'd saved Brun from official retribution, and shut it again. That was the past, and didn't matter. "Where?" she asked, surprising herself.
"The Guerni Republic," Lord Thornbuckle said. "Some planet called Music."
"It would be," Raffa said. She felt trapped, on the one hand, and on the other there was a suspiciously happy flutter in her chest. Trapped? No . . . out from under Mother at last, and with a good cause. She was not going out there to be silly with Ronnie, of course not, but . . . "I'll go," she said, as ungraciously as possible, but also quickly. Before she thought about it. Because, underneath it all, she wanted to go. She wanted a chance to get away from her mother, away from everyone, and think. And she wanted to see Ronnie alone, very far away, and make up her own mind.
Traveling alone on a major liner was not an adventure, she told herself firmly. It was nothing like Brun's mad dash across space, working in the depths of livestock freighters and what all. She didn't want that, anyway. She ate exquisitely prepared meals in the first-class dining room, worked out in the first-class gymnasium, flirted appropriately with the younger stewards, and pushed away the occasional desire to measure herself against Brun.
She pored over the tourist information on the Guerni Republic. Her Aunt Marta's holdings included small interests in several Guernesi corporations, inherited through marriage a couple of generations back. Raffa was surprised to find that one of them had its corporate headquarters on Music—handy, but odd. She'd thought it manufactured something used in agriculture—and Lord Thornbuckle had said that planet specialized in medicine. But the headquarters were on the tourist cube as "an example of post-modern business architecture, vaguely reminiscent of the Jal-Oplin style favored in the Cartlandt System two millennia ago." The visual showed an elaborate fountain surrounded by vast staircases that seemed to exist just to create interesting shadows.
Raffa peered at it several ways, and gave up. It didn't really matter what it looked like. She could reasonably visit, as the near relative of a stockholder from the Familias. She composed a short message, and put it in the mail queue. Then she called up the language tutor for another session of Guernesi. She had always enjoyed learning new languages, and Guernesi seemed fairly close to one she'd studied before, the "native" language of Casopayne.
Raffa settled into her rooms at the hotel her travel agent had recommended. She found the Guernesi accent captivating rather than confusing, and her shipboard study had made her comfortable with many routine phrases. She had no idea where Ronnie and George would be staying, but it shouldn't be too hard to find out. The Travelers' Directory listed visitors by homeworld.
The Familias Regnant section had more names than she had expected—and for a moment she let herself wonder what Venezia Glendower-Morreline se Vahtigos was doing there; that redoubtable old lady should have been driving her numerous family crazy at the annual plastic arts festival on Goucault, where she insisted on exhibiting her own creations. Raffa had been at school with one of her nieces, who had had to display a particularly hideous vase and a mask that looked like dripping wax in order to pacify the family artiste. She hadn't thought about Ottala Morreline for a couple of years, at least—she'd wondered at the time if living with her aunt's artwork had warped her mind. But never mind—where was Ronnie?
She found his name, finally, listed as "traveling" rather than at a fixed address. Communications could be left with the Travelers' Directory, the listing said. Great. Ronnie and George had run off somewhere for a little unauthorized fun, and she had no idea when they'd be back. She felt angry, and was annoyed with herself. They didn't know she was coming; it wasn't deliberate. Perhaps a good meal would help. She called up the hotel directory, and decided on the smallest of the dining rooms, described as "quiet, intimate, and refined, yet casual."
The Guernesi definition of quiet, intimate, refined, and casual had tables set into mirrored alcoves. Each alcove was divided from the main room by an arch of greenery from which graceful sprays of fragrant orchids swayed. Once ensconced in her alcove, Raffa discovered that the mirrors reflected only the greenery and the delicate curves of the chandelier . . . not the diners. She glanced casually into other alcoves, just to check—and wondered briefly how the mirrors worked.
She had worked her way through most of her meal, when someone passed in a flamboyant trail of scarlet ruffles that caught her eye. A tall, black-haired woman whose walk expressed absolute confidence in her ability to attract attention. The red dress left the elegant line of her back to no one's imagination, and a drip of diamonds down her spine only emphasized its perfection. Two men in formal dress followed her, one tall, with a mane of red hair, and the other short and stout. Raffa leaned forward, excited despite herself. It had to be Madame Maran, who had toured in the Familias Regnant, though she lived here. Raffa fiddled with the table controls, cut off the sound damping for her alcove so that she could hear the open center of the room.
"Madame—" she heard someone—probably the waiter—say.
Then "Esarah, I
still
think—" and the privacy screen of the other alcove covered the rest. No matter. She had seen the famous diva hardly an arm's length away. She would check the entertainment listings. Perhaps there would be a performance while she was here. She hoped it would be
Gertrude and Lida
, but she would happily listen to Maran sing a grocery list.
She glanced around the tables she could see. And there he was.
The last person she had expected to see was the Familias' former king, but there he sat, spooning up the cold fish soup as if he were at home back on Castle Rock. Raffa blinked and looked down at her own meal. It couldn't be the king. Former king. Former chair of the Grand Council. Wherever he was, he wouldn't be here in the Guerni Republic. Rumor had it that his wife had moved out after his resignation, and returned to her family's estates. Everyone had said he was "helping with administrative matters."
She blinked, but the shape of his face, his way of holding the spoon, did not change. He paused, pressed his hands to his temples a moment, in a gesture she had known from childhood. It had to be the king. It could not be the king.
She lingered over dessert, sneaking furtive glances at the man now placidly working his way through some kind of meat wrapped in pastry. It still looked like the king. Her parents' age, or a little older, but that was hard to tell after a rejuv or so. He held himself like someone used to being served. Anyone would, who stayed in this hotel, and ate in this dining room. He ate quickly, neatly, and refused dessert with a gesture. When he rose, and turned to leave, Raffa looked down, wondered why she didn't smile and greet him.
It was the king. It could not be the king. She would go to bed and think about it tomorrow.
The next morning, the Directory reported no response from Ronnie or George. Raffa delivered the samples Lord Thornbuckle had given her to the Neurosciences Institute. Then she took a tour of the city's botanic gardens, and discovered that the orchids in the hotel dining room were only one of 5,492 species cultivated on Music. The guide explained more about orchids than anyone on the tour wanted to know, and seemed to think tourists were responsible for the unwanted information. "And
how
many species have been adapted for the production of neuroactive chemicals?" the guide said at the end. No one could answer, and the guide pouted. Raffa looked at the available tours for that afternoon, and decided to work on her Guernesi language cubes.
Traveling alone with the intent to have no adventures continued to be more boring than Raffa had expected. After three days of sensible sightseeing and language practice, with no word from Ronnie and George, she was ready for a change. She was used to having someone to keep out of trouble, which also meant someone to talk to. She had seen the ex-king, and she had no one to tell. Her growing facility with the Guernesi language allowed her to make small talk with hotel employees and tour guides, but she missed the late-night discussions of the day's events. Even her mother, she thought, would be preferable to this empty room with its bland blue, gray, and beige color scheme. It didn't make her feel rested and sleepy; it made her feel like going out to find some color and excitement.
Color and excitement, as the tourist brochures made clear, could be found in the Old City, which was actually newer than the New City, but had been rebuilt to look older. Raffa had found this sort of reasoning on other planets, where war or economic clearances had suggested the profitability of nostalgia. She headed for the Old City, after a discussion with the concierge, who agreed that it was safe at this early hour of the evening.
The New City became the Old City at a dramatic arch. Beyond, the street itself narrowed, but expanded in irregular bays to each side, marked off by changes in paving, colorful plants in decorative tubs, and even the occasional row of formally clipped trees.
Most of the color and excitement aimed at tourists involved displays of Guernesi dancing to music from antique instruments. Raffa wandered into several courtyards, where male dancers in full-sleeved shirts, tight trousers, and boots whirled and stamped, and the musicians plucked the strings of melon-bellied wooden instruments. But this wasn't what she had in mind, she realized. She didn't want to be one of the young women tourists ogling the dancers. Nor did she want to join the tourists in other courtyards ogling buxom female dancers in low-cut blouses and ruffles. From somewhere down the street, a curl of brass slid through the pervasive strumming and lured her on. She almost recognized the melody, but with the competition of clattering boots and the occasional ritual shout "Hey-YA" she couldn't put a name to it.