Heris Serrano (115 page)

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Authors: Elizabeth Moon

Tags: #Science Fiction

BOOK: Heris Serrano
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"We used to use the whole eggs," someone said in her ear; she glanced around and saw that it was another of Ari's people. "But someone crashed into them one year, and the stench was so bad none of the other horses would go near the fence. Ruined the scoring, completely upset everyone. Now they have to weight the bottoms of them, but at least there's no stink."

 

Cecelia and the mare were safely over the first fence, and Heris decided to walk across the course to the water complex. Cecelia had said it would be a good place to watch.

 

Cecelia grinned into the wind. The mare had calmed down on the steeplechase, where she could run freely, and she met all the fences squarely, with the attitude of a horse that knows it can jump. Of course, most horses would jump on the steeplechase course, with its open grassy terrain and its clearly defined fences. The problems would come in the cross-country phase. During roads and tracks, Cecelia tried to feel out how the mare felt about different surfaces, about dark patches of shade and reflections from water. The mare didn't like sudden changes in light, but she would go on if supported by the rider. She paid no heed to the loose dog that suddenly yapped at her heels—a good omen because the crowds in the event course often had dogs, and at least one always got loose.

 

On the big course, Cecelia continued to feel her way into the mare's reflexes. So far, she was amazed at how easy it all seemed. Her own reflexes had come back as if the thirty years since her last big season had never been. They had cleared that first easy fence. The second fence was another straightforward, well-defined obstacle, made of the intertwined trunks of a stickass thicket. The mare flowed over it.

 

Now the course ran toward the ridge for which it was named, the grade gentle up to a scary but jumpable set of rails over a big ditch. The mare looked at the ditch, but jumped without real hesitation when Cecelia sat tight. Next came the Saurus Steps, a staircase arrangement that required the horse to bounce up a series of ledges, then take one stride and jump a drop fence. Here Cecelia thought the mare was going to run out of impulsion on the last bounce, and legged her hard into the stride at the top. The mare stretched and almost crashed the fence, but caught herself and landed without falling.

 

My mistake, Cecelia thought. Too much pushing, too much delight in being here again. But there was no time to reride it in her head; she was already entering the switchbacks that led to the ridgetop, with trappy obstacles at each turn. Two of them required a trot approach; the others could be cantered if the horse didn't pull too badly. The mare pulled like a tractor, fighting the down transitions, snaking her head. On the second trot fence, the mare charged straight ahead past the fence and ran out past the flag.

 

"Settle down," Cecelia said, as much to herself as to the mare. She was still pushing too hard, abusing the fragile, two-day relationship. The mare switched her tail and backed up, kicking out finally before Cecelia got her lined up for the jump. She jumped willingly once aimed straight at the fence, and didn't charge the next fence. "Finesse," Cecelia muttered. "It's easier if you don't fight the course." Or the rider, but it wouldn't help to tell the horse that. She had to convey that with her body, all the mare would understand.

 

Now they were on the ridge, headed back to the east, roughly parallel to the early part of the course but higher. Here the obstacles were built to take advantage of natural stone formations. Horses had to jump into depressions, leap back up and over the ridgeline, twisting and turning, changing leads and stride length between each obstacle.

 

Cecelia had always enjoyed this demanding part of the course. On a good day, it had a compelling, syncopated rhythm, very satisfying to mind and body. On a bad day it was a bone-jarring, breath-eating nightmare of near catastrophe. This mare continued her headstrong, stiff-sided refusal to bend left, but Cecelia kept her on course, regaining her own confidence with every successful jump. Perhaps she was out of practice, but—she hauled the mare around a stone pillar and got her lined up for the next—she could still handle a difficult horse on a difficult course. She felt more alive than she had in years. She knew the tapes would show a wide grin on her face.

 

The most dangerous part of the course lay downhill to the water complex. From above it could look all too inviting, a long sweep of green to the tiny red-and-white decorations at the water's edge, tempting horse and rider alike to set off down the slope at full speed. But on the way down were two punishing obstacles, a drop fence and a large bank with a ditch below. Cecelia had seen many a rider come to grief here; she had done it herself. She took a firm hold of the mare, and eased her over the drop fence.

 

Below it, the mare picked up speed. She wanted to charge at the bank, fly off the top. Cecelia wrestled her down to a rough trot, paused briefly at the top and thought she had the mare ready for the slide and jump below. Suddenly the mare swung sideways on the steep slope, reared, plunged, and fell, rolling over into the ditch. Cecelia flung herself off on the upslope side as the mare went down.

 

"You idiot," she said, without heat. She meant both of them. This finished the round as far as scores went. Completion was the best she could hope for now, and one more refusal would eliminate them. She knew this debacle would be featured on the annual cube; she could imagine the commentator's remarks about her age. At least she hadn't been wearing a camera herself.

 

The mare lay upside down for a moment, legs thrashing, then heaved herself over and up, clambering out of the muck with more power than grace. She seemed unhurt as Cecelia led her away from the course and checked her legs. Cecelia looked at the saddle, now well-greased with mud, and accepted a leg up into the slippery mess with the resignation of experience. The mare was sound; the best thing to do was keep going and finish the course.

 

If she could. The water complex was next, offering a serious challenge even to riders with dry saddles and steerable horses. Cecelia decided on the straight route, mostly because the mare's mistakes had all been steering problems. With that in mind, she eased the mare around the one sharp turn on the approach, and legged her at the first fence. The mare jumped clean, sailing into the water with the enthusiasm of youth and a tremendous splash. She cantered gaily through the stream, leapt out the far side, and over the bounce, as if she'd been doing it all her life.

 

On the far side of the water complex, the course made a circuit of a large open area, with obstacles spaced along it, rewarding horses that liked to gallop on. Here the mare had no problems, attacking one jump after another with undiminished verve. Cecelia put the problems behind her and enjoyed the ride. This was what she loved; this was what she had dreamed of, in those months of blind paralysis. The warm, live, powerful body beneath her, the thudding hooves, the wind in her face, the vivid colors, the way her body moved with the horse, pumping her own breath in and out. Even the sharp bite of fear that made the successful jumps individual spurts of relief and delight.

 

At the finish, the mare galloped through the posts with her ears still forward and her legs intact. Cecelia felt that if she'd had mobile ears, hers would have been forward too.

 

"Sorry about the problems," she said to Ari, when she dismounted. "I think I was too rough with her on the stairsteps, and that's why she fought with me later." She didn't really want to talk about it; Ari, after a few perfunctory questions, seemed to realize that and led the mare away. Cecelia wanted to be alone to savor the feelings, the joy that thrust so deep it hurt. She was back where she belonged; she could still do it. Common sense be damned; she didn't have to give it up yet.

 

Heris, familiar with the cubes of Cecelia's great rides of the past, couldn't help thinking that this had been a disaster. The horse had refused one fence; the horse had fallen upside down in a ditch, and Cecelia was lucky not to have been squashed underneath. Mud from the fall caked Cecelia's breeches.

 

"Not too shabby," was Cecelia's comment on her own ride. "The mare and I needed more time together." She caught sight of herself in the mirror. "Whoosh! What a mess. I've got to get cleaned up. An old friend asked me to dinner."

 

"But tomorrow—"

 

"Tomorrow's just the jumping, and she's going to be a pain to truck around that course. We'll probably have a few rails down. But it's worth it—I can't tell you how much fun it's been." Fun. Heris opened her mouth and shut it again. Her memory reminded her that she had once thought foxhunting was stupid, and had found it fun herself. Maybe this was fun, if you were good enough. She wasn't, and she told herself she never intended to be.

 

The next morning, Heris was back in the stands, this time with a cushion she'd brought. Since competitors rode in reverse order of standings, Cecelia's show jumping round came early. Most of the horses with more faults had not completed the course and would not be jumping. Heris watched the mare shift and stamp as Cecelia checked the girth and mounted. The horse showed no signs of the previous day's efforts; her bright bay coat gleamed, clean of the mud from the ditch.

 

The jump course required not only jumping ability but a level of steering that this mare hadn't attained. Heris could see that Cecelia was trying to give the mare the easiest route through the maze, with sweeping turns that set her up at a good distance from the next obstacle. The mare resisted, trying to cut the round corners and charge at any fence that caught her eye. That she went over the fences in the right order seemed a minor miracle; the large one was that she didn't fall or crack Cecelia's head against either of the large trees in the ring. She still had two fences down, one of them in a scatter of rails that made Heris wince—she could almost feel the bruises on her own shins.

 

By the end of the day's performances, Heris understood a bit more about the sport, but she had no intention of risking her own neck that way. People who craved that much danger should be firefighters, or some other job that accomplished something worthwhile to balance the danger. Cecelia was flushed and happy, eager to talk now about today's winner (someone she'd known as a junior competitor) and the number of Rejuvenants competing. Of the five top placings, three were Rejuvenants.

 

"Does that mean you'll go back to competition—if other Rejuvenants are doing it?"

 

"I might," Cecelia said. "I'm not sure. Pedar—my friend that I went out with last night—wants to talk to me about Rejuvenant politics." She made a face, then grinned. "I'll listen to him—but I can't think of myself as a person whose interests have changed just because I'm going to live longer."

 

"Perhaps not," Heris said. "But if three of the top five riders are Rejuvenants, where does that leave the youngsters just starting? Experience counts." She was sure Cecelia would compete again; she was far too happy to give it up. She couldn't help wondering what that would mean for her and the
Sweet Delight
.

 

"And some Rejuvenants don't place," Cecelia said, laughing. "I certainly didn't." But she looked thoughtful.

 

Cecelia had recognized the face but at first had not known whether this was Pedar himself, a son, or a grandson. The long, bony, dark-skinned face looked all of thirty. Had Pedar taken rejuvenation? How many times? He wore a full-sleeved white shirt with lace at the collar over tight gray trousers . . . he had always, she recalled, favored a romantic image. He had been the first man she knew to wear earrings . . . though now he wore three small platinum ones, in place of the great gold pirate hoop of his flamboyant youth.

 

"My dear Cecelia," he said, holding her hand a long moment. "You look . . . lovely."

 

"I look fortyish," Cecelia said, with some asperity. "And I was never lovely."

 

"You were, but you didn't like to hear it," he said. "And yes, I'm Pedar himself." He tilted his head; his rings flashed in his ear. "I notice you aren't wearing any—are you trying to pass?"

 

"Pass?" Now she was completely bewildered.

 

"As your apparent age, I meant. Perhaps you are planning to compete seriously again, and—"

 

Rage tore through her. "I am
not
trying to be anything but myself. I never did."

 

"Sorry," he said. "I seem to have hit a sore point. It's just that you aren't wearing any earrings—"

 

"I don't follow fads in jewelry," Cecelia said, biting each word off. "I prefer quality." She glared, but he didn't flinch. Of course, he hadn't flinched much when they were both in their twenties and she'd glared at him. Now, he shook his head, and chuckled. She had always liked his chuckle; for some reason it made her feel safe.

 

"Forgive me," he said. "I should not laugh, but it is so like you to be unaware of the code. You're right, Cecelia: you never paid attention to fads, or tried to be anything but what you are. Let me explain." Without waiting for her reaction, he went on. "Those of us who've experienced the Ramhoff-Inikin rejuvenation process several times found that we were confusing some of the people we'd always known. Even within the family we might be taken for our own descendants. We didn't want to wear large signs saying 'I am Pedar Orrigiemos, the original,' or anything like that. We wanted some discreet signal, and—" he touched the rings in his left ear, "—this is what we use."

 

"Earrings?" Cecelia asked. It seemed a silly choice. She tried to remember how many earrings she'd seen lately, and whether Lorenza had worn them.

 

Pedar laughed. "They aren't just earrings. The first serial rejuvenations were all done under special license, with very close monitoring. They wore implanted platinum/ceramic disks encoded with all the necessary medical information, from their baseline data to the dosages. Someone—I forget who—objected to the disk, and asked if it could be made more decorative. Next thing you know—rings. Now we use them to indicate how many rejuvenations we've had, which is a clue—though not really precise—to our full age."

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