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Authors: Joel Selvin

Tags: #History & Criticism, #Music

Here Comes the Night (64 page)

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Newman, Ralph. “The George Goldner Story as Told by Sam Goldner,” parts 1–2.
Goldmine
(1974).

O’Haire, Patrick. “‘September Song’ for Tin Pan Alley.”
New York Daily News
(September 15, 1974).

Patrick, Mick, and Rob Hughes.
The Bert Berns Story, Vol 1: Twist and Shout 1960–1964
CD booklet liner notes. Ace Records (2008).

Patrick, Mick.
The Bert Berns Story, Vol. 2: Mr. Success 1964–1967
CD booklet liner notes. Ace Records (2010).

Perez-Pena, Richard. “Here’s Who First Asked Rock’s Big Question.”
The New York Times
(September 19, 1992).

Quaglieri, Al.
Hang On Sloopy: The Best of the McCoys
CD booklet liner notes. Legacy/Epic Records (1995).

———.
I Want Candy: The Best of the Strangeloves
CD booklet liner notes. Legacy/Epic Records (1995).

Redmond, Michael, and Steven West.
The Best of the Chantels
CD booklet liner notes. Rhino Records (1990).

———.
The Best of the Cleftones
CD booklet liner notes. Rhino Records (1990).

Reif, Rita. “Tin Pan Alley in Distress.”
The New York Times
(April 11, 1976).

Rolontz, Bob. “Atlantic Records: Home of the Blues.”
Music Business
(October 17, 1964).

———. “Double in Brass: Indie Promo Men Get New Status.”
Billboard
(January 12, 1963).

———. “The Drifters: 10 Years at the Top.”
Music Business
(February 13, 1965).

Rudman, Kal. “David & Bacharach Profile” part 1.
Billboard
(August 8, 1964).

———. “David & Bacharach Profile” part 2.
Billboard
(August 15, 1964).

Rutledge, Jeff. Unpublished transcript of interview with Morris Levy (n.d.).

Scherman, Tony. “Paul Griffin and the Musicians of Brill Building Pop.”
Goldmine
(September 3, 1993).

———. “The Record Man.”
Goldmine
(September 3, 1993).

Tosches, Nick. “Hipsters and Hoodlums.”
Vanity Fair
(December 2000).

Traum, Happy. “Van Morrison: The Interview.”
Rolling Stone
(July 9, 1970).

Trillin, Calvin. “You Don’t Ask, You Don’t Get.”
The New Yorker
(February 25, 1991).

Trow, George W. S., Jr. “Eclectic, Reminiscent, Amused, Fickle, Perverse” part 1.
The New Yorker
(May 29, 1978), and June 5, 1978.

———. “Eclectic, Reminiscent, Amused, Fickle, Perverse” part 2.
The New Yorker
(June 5, 1978).

U.S. House of Representatives, Special Subcommittee on Legislature Oversight of the Committee on Interstate and Foreign Commerce. Testimony of George Goldner, Alan Freed. (1960).

Velie, Lester. “Suckers in Paradise.”
Saturday Evening Post
(March 28, 1953).

Vera, Billy, and Randy Poe, et al.
Rockin’ & Driftin’—The Drifters Box
CD box set liner notes. Rhino Records (1996).

Wenner, Jann. “Phil Spector: The
Rolling Stone
Interview.”
Rolling Stone
(November 1, 1969).

Wexler, Jerry. “Personal Recollection: Clyde McPhatter & the Drifters Years.”
Rolling Stone
(July 20, 1972).

Wexler, Mark S. “Phil Spector, Freaky Genius of Rock, Is Alive If Not Well and Searching for Gold Once More.”
People
(September 22, 1975).

Williams, Richard. “In Pop, the Nearest Equivalent to Hitchcock Might Be Phil Spector.”
Melody Maker
(November 27, 1976).

———. “Phil Spector.”
Let It Rock
(October 1972).

Wilson, Earl. “Alan Freed Telling All.”
New York Post
(November 25, 1959).

———. “They Work for a Song.”
Liberty
(October 16, 1943).

INDEX

Page references for photographs appear in italics.

77 Sunset Strip
,
75

1619 Broadway.
See
Brill Building

1650 Broadway (NY),
3
,
61–79
,
98
,
111
,
118
,
120
,
128
,
129
,
133
,
155
,
157
,
171
,
186
,
205
,
210
,
227
,
229
,
263
,
289
,
305
,
306
,
365

1812
Overture
(Tchaikovsky),
92

A

ABC-Paramount Records,
126
,
135
,
136
,
264
,
285
,
286
,
297
,
315

ABC-TV,
53
,
57
,
264

Aberbach, Jean,
86–87
,
88
,
89
,
104
,
121
,
123–124
,
243
; Hill & Range,
37
,
86–87
,
104
,
121
,
123
,
124
,
125
,
130
,
131
,
132
,
136
,
156
,
188
,
243
,
256

Aberbach, Julian,
123–124
,
243
; Hill & Range,
37
,
86–87
,
104
,
121
,
123
,
124
,
125
,
130
,
131
,
132
,
136
,
156
,
188
,
243
,
256

Abramson, Herb,
26–27
,
29
,
30
,
31
,
32
,
33
,
35
,
46
,
81
,
82
,
90
,
91
,
243

Abramson, Miriam,
27
,
35
,
80
,
81
,
243

Ackerman, Paul,
139

Adams, Faye,
32

Adams, Lee:
All American
,
150
;
Bye Bye Birdie
,
150

Adelberg, Joel.
See
Barry, Jeff

Adler, Lou,
340

Ad Libs,
295

Adorable (Ram),
83
,
84

AFO Productions,
168
,
278
,
286

African Voodoo (Morales),
18

Afro-Cuban music,
1
,
13
,
15
,
70
,
102
,
105
,
152
,
156
,
198
,
231
,
241
,
324
,
325

Aladdin Records,
103

Albaniquito (Puente),
14

Aldon Music,
7
,
62
,
111
,
128–133
,
150
,
169
,
184–186
,
281
,
302

Aldrich, Robert:
What Ever Happened to Baby Jane?
,
167

Alexander, Arthur,
312

All American
(Adams, Strouse),
150

Allegro Studio,
75
,
228

Allen, Steve,
76

Alley Oop (Frazier),
101

Alma Dance Studio,
13
.
See also
Palladium Ballroom

Altham, Keith,
284

American Bandstand
,
53
,
54
,
63
,
113
,
223
,
239
,
271
,
292

American Society of Composers, Authors, and Publishers (ASCAP),
123
,
159

Ames Brothers,
64
,
79
,
97
,
113
,
158

Ammons, Albert,
31–32
; Mecca Flat Blues,
32

Ammons, Gene,
176

Amos ‘n’ Andy
,
126
,
313

A&M Records,
341

Anastasia, Albert,
322

Anderson, Melvin: I Wonder Why,
99

Andrea Doria
,
85

Angels,
265
,
266–267
,
304

Animals,
8
,
246
,
247
,
249
,
283
,
314

BOOK: Here Comes the Night
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