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Authors: Alison Weir

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The Boleyns had arrived; they were what would soon become known as new men, those who had risen to prominence through wealth, wedlock, and ability. William Boleyn, who—like his father—had supported the House of York during the Wars of the Roses, was dubbed a Knight of the Bath at Richard III's coronation in July 1483, became a Justice of the Peace, and made an even more impressive marriage than his father, to Margaret Butler, who had been born sometime prior to 1465,
13
the younger daughter and co-heiress of Thomas Butler, 7th Earl of Ormond.
14

The Butlers were an ancient Anglo-Norman family, whose surname derived from the office of butler (an official who was responsible for the provisioning of wine), which their ancestor, Theobald Walter, had borne in the household of the future King John in 1185. They too were descended from Edward I, and had been earls of Ormond since 1329.
15
Thomas Butler was one of the wealthiest peers; he had inherited a fortune of £40,000 (£20 million), and was lord of no fewer than seventy-two manors in England. He sat in Parliament as the premier baron and served as English ambassador to the courts
of France and Burgundy. His wife was Anne, daughter and heiress of a rich knight, Sir Richard Hankeford.
16

Before he had come into his inheritance in 1477, Butler had been chronically short of money, and Sir William Boleyn and his mother had continually come to the rescue;
17
Butler repaid his debts with the hand of his daughter, and a dowry that would handsomely enrich the Boleyn family.

Lady Margaret Butler bore Sir William Boleyn eleven children, of whom there were four surviving sons: Thomas, James, William, and Edward. Thomas was the eldest,
18
being born in 1477,
19
when his mother was probably quite young, although perhaps not as young as twelve, as her mother's inquisition postmortem suggests. After Richard III, the last Plantagenet monarch, was killed at the Battle of Bosworth in 1485, the Boleyns prudently switched their allegiance to the new Tudor dynasty; in 1490, Sir William was appointed Sheriff of Kent, by which time he was probably dividing his time between Blickling and Hever. King Henry VII, the first Tudor sovereign, demonstrated his trust in him by making him responsible for keeping the peace in his locale, delivering prisoners to the assizes, and placing and guarding the beacons that would herald the approach of the King's enemies, giving William a commission of array against an invasion by the French, and appointing him Sheriff of Norfolk in 1501. The next year he was made the third of only four Barons of the Exchequer, who sat as judges in the Court of the Exchequer.
20

In 1497, Sir William Boleyn and his son Thomas, now twenty, fought for King Henry VII against the rebels of Cornwall, who had risen in protest against excessive taxation. Again and again the Boleyn family would demonstrate its solid loyalty to the Crown, and in so doing would win the notice and favor of the Tudor kings, Henry VII and Henry VIII, who valued “new men” who had risen to prominence through trade and the acquisition of wealth, as opposed to the older nobility, whose power, hitherto boosted by private armies, they strove to keep in check.

The detail in Thomas Boleyn's tomb brass suggests that some attempt was made to reflect his true appearance. It is the image of a dignified man with the long face, high cheekbones, and pointed chin
that were inherited by his daughter Anne and his grandson, Lord Hunsdon. He has strong features, wavy hair cut straight at chin level, and the hint of a close-cropped beard. His coat of arms, sporting three bulls' heads, while being a play on his name, also symbolized his valor, bravery, and generosity. In the case of the latter, it was little more than flattery.

Thomas was a gifted linguist, more fluent in French than any other courtier, and proficient at Latin;
21
he was also an expert jouster, and these were talents that would make him admired and useful at court. The celebrated humanist scholar Desiderius Erasmus, thought him “outstandingly learned,” and was to dedicate two books to him, one of which was a commentary on the Psalms, in which Thomas Boleyn had shown an interest.
22

Thomas was to prove a highly able and hardworking statesman and diplomat, and Henry VIII himself would say that there was no skilled negotiator to equal him.
23
He was adept at dealing with his royal master, whose liking for him seems never to have died. Yet although normally affable, even congenial, Thomas Boleyn could also be chillingly dispassionate, brusque, and even insolent, as he showed when on a crucial diplomatic mission to the Holy Roman Emperor in 1530; and when, during an embassy in Rome, the Pope—as was customary—offered his toe to be kissed, and Boleyn's spaniel bit it, Boleyn refused to kiss it because his dog had defiled it, and so compromised his good relations with the Vatican.

Although hardworking and diligent, Thomas Boleyn's besetting vices—by all accounts—were selfishness and avarice; “he could not risk the temptation of money.”
24
It was to be said of him that “he would sooner act from interest than from any other motive,”
25
and never was that more apparent than when he showed himself willing to participate in the destruction of two of his children in order to protect himself and salvage his own position and career.

Following in the tradition of his father and grandfather, Thomas Boleyn made a great marriage to Lady Elizabeth Howard, the eldest daughter of Thomas Howard, Earl of Surrey. Surrey was the son of John Howard, Duke of Norfolk, who had been killed at the Battle of
Bosworth fighting on the wrong side for Richard III. Henry VII had declared the title forfeit and cast the heir into prison, but Thomas Howard gradually recovered royal favor and prospered, with the earldom of Surrey being returned to him just four years later, in 1489, and the dukedom of Norfolk in 1514. Had the Howard fortunes not suffered such a reverse, Master Thomas Boleyn might not have gained such a prize as a Howard bride, even though he was the heir to an impressive landed inheritance and the families were on good terms. Elizabeth was a brilliant match for him, and marriage to her made this ambitious esquire brother-in-law to the sister of the Queen of England, for Elizabeth's brother, another Thomas Howard (who succeeded his father as the third Duke of Norfolk in 1524), had, in 1495, married Edward IV's daughter, Anne Plantagenet; Anne's sister Elizabeth was Henry VII's queen and the mother of the future Henry VIII.

The young Elizabeth Howard was very pretty—in his verses dedicated “To My Lady Elizabeth Howard,” the court poet John Skelton compared her to the mythical Trojan beauty Cressida, whose looks far outshone those of the radiant Polyxena, youngest daughter of Priam, King of Troy, and sister of Troilus, whom Cressida was to betray:

To be your remembrancer, Madam, I am bound:
Like unto Irene maidenly of porte [bearing],
Of virtue and cunning the well and perfect ground,
Whom Dame Nature, as well I may report,
Hath freshly enbeautied with many a goodly sort
Of womanly features: whose flourishing tender age
Is lusty to look on, pleasant, demure and sage.

Goodly Cressida, fairer than Polyxena,
For to envy Pandarus' appetite:
Troilus, I vow, if that he had you seen,
In you he would have set his whole delight:
Of all your beauty I suffice not to write,
But, as I said, your flourishing tender age
Is lusty to look on, pleasant, demure and sage.

In comparing Elizabeth with the artist Irene, the gifted daughter and pupil of the Greek painter Cratinus (to whom Boccaccio refers in his book
Famous Women)
, Skelton is perhaps implying that she had some artistic talent herself.

In the poem in which these verses appear, “The Garland of the Laurel” (1523), Skelton describes a visit he made to Sheriff Hutton Castle as the guest of Elizabeth's father, Thomas Howard, Earl of Surrey. In the course of it, the countess, Elizabeth Tylney, was so impressed with Skelton's poetry that, at her behest, her daughters, Lady Elizabeth and Lady Muriel, with some other ladies—Lady Anne Dacre of the South, Mistress Margery Wentworth (who would marry Sir John Seymour and become the mother of Henry VIII's third wife, Jane Seymour), and Margaret Brewes, the wife of Sir Philip Tylney (Surrey's auditor and steward of Framlingham Castle)—made for him a laureate's garland of silk, gold, and pearls in honor of his talent. No one could then have dreamed that two of these young ladies would give birth to future queens of England.

“The Garland of the Laurel” is in part an allegorical poem, but its references to the noble ladies at Sheriff Hutton, Skelton's “court of fame,” are authentic. In 1523, when the final version was written, Elizabeth Howard (whose parents had wed in 1472 and who must have been at least twelve by
c
. 1498) would have been aged between thirty-seven and fifty-one, far too old in those days to be lauded a beauty. Internal evidence in the poem suggests that it had been originally composed around 1495.
26
It has credibly been suggested that the poem commemorates a pageant that was staged at Sheriff Hutton around May that year, in which Skelton's “goodly garland” was presented to him. His verses give an illuminating glimpse into the kind of life that Elizabeth Howard led as a young girl growing up in an aristocratic and cultivated household.

In 1523, when Skelton published his poem, it was probably much in its original form, with a few later additions. But by then his compliment to Elizabeth Howard may have acquired a sting to its tail, as we will see in the next chapter.

———

Thomas Boleyn's union with Elizabeth Howard may have been socially prestigious, but it was certainly not lucrative. Given that her father had to buy back his lands from the King, Elizabeth's dowry cannot have been great, and she proved a fruitful wife, which stretched Thomas Boleyn's resources to the limit. In July 1536, in a letter to Henry VIII's Principal Secretary, Thomas Cromwell, he recalled: “When I married I had only £50 [nearly £25,000] a year to live on for me and my wife, as long as my father lived, and yet she brought me every year a child.”
27
By this reckoning, Elizabeth was producing children annually at least up to 1505. This early struggle to make ends meet may have been responsible for Thomas Boleyn's notorious avariciousness in later years.

Only four of the children survived infancy: “Thomas Bullayne,” whose grave in Penshurst Church, Kent, is marked by a cross and the date 1520, Mary, Anne, and George. Of the rest, we know only the name of one son, Henry, whose resting place is marked by a small brass adjacent to his father's tomb in Hever church; he probably died young. There may well have been others whose names have not come down to us. This constant childbearing renders dubious claims that Elizabeth Howard was a lady-in-waiting to Queen Elizabeth of York, who died in 1503,
28
unless of course she had held that post prior to her marriage, but there is no evidence for this.

Scholars have long disputed which of the surviving daughters was the oldest, some insisting that it was probably Anne,
29
but there survives good evidence that it was Mary.
30
Mary's grandson, George Carey, 2nd Baron Hunsdon,
31
in a letter to Thomas Cecil, Lord Burghley, dated October 6, 1597, was to argue that he ought to be granted the earldom of Ormond in right of his grandmother, stating that “my grandmother was the eldest daughter and sole heir” of Thomas Boleyn, Earl of Wiltshire and Ormond—and he was in a position to know the truth. He also asserted that Mary “sued her livery [pressed her claim], as by the record of the same doth and may appear,” although that record does not survive. Had she been successful, she and her husband, William Stafford, would have become Earl and Countess of Ormond, but that was never likely, because,
with Thomas Boleyn's other heirs attaindered, half of his inheritance had gone to the Crown, which had an equal claim to the earldom.

But George Carey had been reared in the hope that it would be restored. “My late lord father,” he wrote (referring to Henry Carey, 1st Lord Hunsdon, Mary's son), “as resolved by the opinion of heralds and lawyers, ever assured me that a right and title was to descend on me to the earldom of Ormond, which, if he had lived to this Parliament, he meant to have challenged … In that Sir Thomas Boleyn was created Viscount Rochford and Earl of Ormond to him and his heirs general [i.e., both male and female], Earl of Wiltshire to him and his heirs male
32
by whose death without issue male the earldom of Wiltshire was extinguished, but the earldom of Ormond, he surviving his other children before that time attaindered, he in right left to his eldest daughter Mary, who had issue Henry, and Henry myself.”

George Carey was working on the assumption that, as the heir of Mary, the elder sister, he had a better right to the earldom than Elizabeth I herself, whom he admitted to be co-heir to it in right of her mother, “Anne, the
youngest
daughter of Sir Thomas Boleyn, Earl of Ormond.” But, he concluded, “admit now an equality of descent, then is it to be considered whether my Grandmother, being the eldest daughter, ought not to have the whole dignity?”
33

With Queen Elizabeth's rights to her executed mother's confiscated property having been restored to her by Parliament early in her reign, George Carey, the most loyal of subjects, would hardly have considered claiming a peerage that, by his reckoning, would have been the Queen's by right, had she been the elder daughter. In the event, though, Carey never presented his petition to Elizabeth. Probably he was advised not to pursue the matter, for since the restitution of Elizabeth's rights, Mary Boleyn could now be regarded only as a co-heir to the earldom, not the sole heir;
34
legally, at this date, it did not matter which sister was the elder. And anyway, the earldom had reverted to the Butlers on Thomas Boleyn's death in 1539.

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