Helter Skelter: The True Story of the Manson Murders (4 page)

The stillness now got to the officers. Everything was quiet, too quiet. The serenity itself became menacing. Those windows along the front of the house: behind any a killer could be waiting, watching.

Leaving DeRosa on the lawn, Whisenhunt and Burbridge went back toward the north end of the residence, looking for another way to get in. They’d be open targets if they entered the front door. They noticed that a screen had been removed from one of the front windows and was leaning up against the side of the building. Whisenhunt also observed a horizontal slit along the bottom of the screen. Suspecting this might have been where the killer or killers entered, they looked for another means of entry. They found a window open on the side. Looking in, they saw what appeared to be a newly painted room, devoid of furniture. They climbed in.

DeRosa waited until he saw them inside the house, then approached the front door. There was a patch of blood on the walk, between the hedges; several more on the right-hand corner of the porch; with still others just outside and to the left of the door and on the doorjamb itself. He didn’t see, or later didn’t recall, any footprints, though there were a number. The door being open, inward, DeRosa was on the porch before he noticed that something had been scrawled on its lower half.

Printed in what appeared to be blood were three letters:
PIG
.

Whisenhunt and Burbridge had finished checking out the kitchen and dining room when DeRosa entered the hallway. Turning left into the living room, he found his way partly blocked by the two blue steamer trunks. It appeared that they had been standing on end, then knocked over, as one was leaning against the other. DeRosa also observed, next to the trunks and on the floor, a pair of horn-rimmed glasses. Burbridge, who followed him into the room, noticed something else: on the carpet, to the left of the entrance, were two small pieces of wood. They looked like pieces of a broken gun grip.

They had arrived expecting two bodies, but had found three. They were now looking not for more death, but some explanation. A suspect. Clues.

The room was light and airy. Desk, chair, piano. Then something odd. In the center of the room, facing the fireplace, was a long couch. Draped over the back was a huge American flag.

Not until they were almost to the couch did they see what was on the other side.

She was young, blond, very pregnant. She lay on her left side, directly in front of the couch, her legs tucked up toward her stomach in a fetal position. She wore a flowered bra and matching bikini panties, but the pattern was almost indistinguishable because of the blood, which looked as if it had been smeared over her entire body. A white nylon rope was looped around her neck twice, one end extending over a rafter in the ceiling, the other leading across the floor to still another body, that of a man, which was about four feet away.

The rope was also looped twice around the man’s neck, the loose end going under his body, then extending several feet beyond. A bloody towel covered his face, hiding his features. He was short, about five feet six, and was lying on his right side, his hands bunched up near his head as if still warding off blows. His clothing—blue shirt, white pants with black vertical stripes, wide modish belt, black boots—was blood-drenched.

None of the officers thought about checking either body for a pulse. As with the body in the car and the pair on the lawn, it was so obviously unnecessary.

Although DeRosa, Whisenhunt, and Burbridge were patrolmen, not homicide detectives, each, at some time in the course of his duties, had seen death. But nothing like this. 10050 Cielo Drive was a human slaughterhouse.

Shaken, the officers fanned out to search the rest of the house. There was a loft above the living room. DeRosa climbed up the wooden ladder and nervously peeked over the top, but saw no one. A hallway connected the living room with the south end of the residence. There was blood in the hall in two places. To the left, just past one of the spots, was a bedroom, the door of which was open. The blankets and pillows were rumpled and clothing strewn about, as if someone—possibly the nightgown-clad woman on the lawn—had already undressed and gone to bed before the killer or killers appeared. Sitting atop the headboard of the bed, his legs hanging down, was a toy rabbit, ears cocked as if quizzically surveying the scene. There was no blood in this room, nor any evidence of a struggle.

Across the hall was the master bedroom. Its door was also open, as were the louvered doors at the far end of the room, beyond which could be seen the swimming pool.

This bed was larger and neater, the white spread turned back to reveal a gaily flowered top sheet and a white bottom sheet with a gold geometric pattern. In the center of the bed, rather than across the top, were two pillows, dividing the side that had been slept on from the side that hadn’t. Across the room, facing the bed, was a TV set, on each side of which was a handsome armoire. On top of one was a white bassinet.

Cautiously, adjoining doors were opened: dressing room, closet, bath, closet. Again no signs of a struggle. The telephone on the nightstand next to the bed was on the hook. Nothing overturned or upset.

However, there was blood on the inside left side of the louvered French door, suggesting that someone, again possibly the woman on the lawn, had run out this way, attempting to escape.

Stepping outside, the officers were momentarily blinded by the glare from the pool. Asin had mentioned a guest house behind the main residence. They spotted it now, or rather the corner of it, some sixty feet to the southeast, through the shrubbery.

Approaching it quietly, they heard the first sounds they had heard since coming onto the premises: the barking of a dog, and a male voice saying, “Shhh, be quiet.”

W
hisenhunt went to the right, around the back of the house. DeRosa turned left, proceeding around the front, Burbridge following as backup. Stepping onto the screened-in porch, DeRosa could see, in the living room, on a couch facing the front door, a youth of about eighteen. He was wearing pants but no shirt, and though he did not appear to be armed, this did not mean, DeRosa would later explain, that he didn’t have a weapon nearby.

Yelling “
Freeze!,
” DeRosa kicked in the front door.

Startled, the boy looked up to see one, then, moments later, three guns pointing directly at him. Christopher, Altobelli’s large Weimaraner, charged Whisenhunt, chomping the end of his shotgun. Whisenhunt slammed the porch door on his head, then held him trapped there until the youth called him off.

As to what then happened, there are contrary versions.

The youth, who identified himself as William Garretson, the caretaker, would later state that the officers knocked him down, handcuffed him, yanked him to his feet, dragged him outside onto the lawn, then knocked him down again.

DeRosa would later be asked, re Garretson:

Q.
“Did he fall or stumble to the floor at any time?”

 

A.
“He may have; I don’t recall whether he did or not.”

 

Q.
“Did you direct him to lay on the ground outside?”

 

A.
“I directed him, yes, to lay on the ground, yes.”

 

Q.
“Did you help him to the ground?”

 

A.
“No, he went down on his own.”

 

Garretson kept asking, “What’s the matter? What’s the matter?” One of the officers replied, “We’ll show you!” and, pulling him to his feet, DeRosa and Burbridge escorted him back along the path toward the main house.

Whisenhunt remained behind, looking for weapons and bloodstained clothing. Though he found neither, he did notice many small details of the scene. One at the time seemed so insignificant that he forgot it until later questioning brought it back to mind. There was a stereo next to the couch. It had been off when they entered the room. Looking at the controls, Whisenhunt noticed that the volume setting was between 4 and 5.

Garretson, meantime, had been led past the two bodies on the lawn. It was indicative of the condition of the first, the young woman, that he mistakenly identified her as Mrs. Chapman, the Negro maid. As for the man, he identified him as “the young Polanski.” If, as Chapman and Asin had said, Polanski was in Europe, this made no sense. What the officers couldn’t know was that Garretson believed Voytek Frykowski to be Roman Polanski’s younger brother. Garretson failed completely when it came to identifying the young man in the Rambler.
*

At some point, no one recalls exactly when, Garretson was informed of his rights and told that he was under arrest for murder. Asked about his activities the previous night, he said that although he had remained up all night, writing letters and listening to records, he had neither heard nor seen anything. His highly unlikely alibi, his “vague, unrealistic” replies, and his confused identification of the bodies led the arresting officers to conclude that the suspect was lying.

Five murders—four of them probably occurring less than a hundred feet away—and he had heard nothing?

E
scorting Garretson down the driveway, DeRosa located the gate-control mechanism on the pole inside the gate. He noticed that there was blood on the button.

The logical inference was that someone, quite possibly the killer, had pressed the button to get out, in so doing very likely leaving a fingerprint.

Officer DeRosa, who was charged with securing and protecting the scene until investigating officers arrived, now pressed the button himself, successfully opening the gate but also creating a superimposure that obliterated any print that may have been there.

Later DeRosa would be questioned regarding this:

Q.
“Was there some reason why you placed your finger on the bloody button that operated the gate?”

 

A.
“So that I could go through the gate.”

 

Q.
“And that was intentionally done?”

 

A.
“I had to get out of there.”

 

It was 9:40. DeRosa called in, reporting five deaths and a suspect in custody. While Burbridge remained behind at the residence, awaiting the arrival of the investigating officers, DeRosa and Whisenhunt drove Garretson to the West Los Angeles police station for questioning. Another officer took Mrs. Chapman there also, but she was so hysterical she had to be driven to the UCLA Medical Center and given sedation.

In response to DeRosa’s call, four West Los Angeles detectives were dispatched to the scene. Lieutenant R. C. Madlock, Lieutenant J. J. Gregoire, Sergeant F. Gravante, and Sergeant T. L. Rogers would all arrive within the next hour. By the time the last pulled up, the first reporters were already outside the gate.

Monitoring the police radio bands, they had picked up the report of five deaths. It was hot and dry in Los Angeles, and fire was a constant concern, especially in the hills, where within minutes lives and property could vanish in an inferno. Someone apparently presumed the five people had been killed in a fire. Jay Sebring’s name must have been mentioned in one of the police calls, because a reporter phoned his residence and asked his butler, Amos Russell, if he knew anything about “the deaths by fire.” Russell called John Madden, president of Sebring International, and told him about the call. Madden was concerned: neither he nor Sebring’s secretary had heard from the hair stylist since late the previous afternoon. Madden placed a call to Sharon Tate’s mother in San Francisco. Sharon’s father, a colonel in Army Intelligence, was stationed at nearby Fort Baker and Mrs. Tate was visiting him. No, she hadn’t heard from Sharon. Or Jay, who was due in San Francisco sometime that same day.

Prior to her marriage to Roman Polanski, Sharon Tate had lived with Jay Sebring. Though thrown over for the Polish film director, Sebring had remained friends with Sharon’s parents, as well as Sharon and Roman, and whenever he was in San Francisco he usually called Colonel Tate.

When Madden hung up, Mrs. Tate called Sharon’s number. The phone rang and rang, but there was no answer.

I
t was quiet inside the house. Though anyone who called got a ringing signal, the phones were still out. Officer Joe Granado, a forensic chemist with SID, the Scientific Investigation Division of LAPD, was already at work, having arrived about 10
A.M
. It was Granado’s job to take samples from wherever there appeared to be blood. Usually, on a murder case, Granado would be done in an hour or two. Not today. Not at 10050 Cielo Drive.

M
rs. Tate called Sandy Tennant, a close friend of Sharon’s and the wife of William Tennant, Roman Polanski’s business manager. No, neither she nor Bill had heard from Sharon since late the previous afternoon. At that time Sharon had said that she, Gibby (Abigail Folger), and Voytek (Frykowski) were staying in that night. Jay had said he’d be dropping over later, and she invited Sandy to join them. No party was planned, just a quiet evening at home. Sandy, just over the chicken pox, had declined. Like Mrs. Tate, she had tried to call Sharon that morning but had received no answer.