Heaven's Prisoners (32 page)

“You’re busted, sonofabitch! Down on your face!” I yelled.

But I should have known (and perhaps I already did) that a man who had lived on snakes and insects and crawled alone through elephant grass with an ‘03 Springfield to the edge of a Vietcong village would not allow himself to be taken by a small-town cop who was foolish enough to extend the game after one side had just lost badly.

One of his hands rested on the edge of the bedroom door. His eyes stared into mine, his face twisted with some brief thought, then his arm shot forward and slammed the door in my face. I grabbed the knob, turned it, pushed and threw my weight against the wood, but the spring lock was set solidly in the jamb.

Then I heard him jerk a drawer out on the floor and a second later I heard the clack of metal sliding back on metal. I leaped aside and tumbled over a chair just as the shotgun exploded a hole the size of a pie plate through the door. The buckshot blew splinters of wood all over the kitchen, raked the breakfast table clean of groceries, whanged off the stove and the pot heating on the burner. I was off balance, on my knees, pressed against the wall by the jamb, when he let off two more rounds at a different angle. I suspected the barrel was sawed off, because the pattern spread out like cannister, ripped through the wood as though it had been touched with a chain saw, and blew dishes into the air, water out of the pot, a half-gallon bottle of ketchup all over the far wall.

But when he ejected the spent casing and fired again, I gave him something to think about, too. I remained flat against the wall, bent my wrist backwards around the door-jamb, and let off two rounds flush against the wood. The recoil almost knocked the pistol from my hand, but a .45 hollow-point fired through one surface at a target farther beyond makes an awe-inspiring impression on the person who happens to be the target.

“You’ve had it, Romero. Throw it down. Cops’ll be all over the street in three minutes,” I said.

The room was hot and still. The air smelled heavily of cordite and an empty pot burning on the stove. I heard him snick two shells into the shotgun’s magazine and then heard his feet thundering up a wooden stairway. I stood quickly in front of the door, the .45 extended in both arms, and fired the whole clip at an upward angle into the bedroom. I chopped holes out of the wood that looked like a jack-o’-lantern’s mouth, and even among the explosions of smoke and flame and splintered lead and flying pieces of door I could hear and even glimpse the damage taking place inside the room: a mirror crashing to the floor, a wall lamp whipped into the air against its cord, a water pipe bursting inside a wall, a window erupting into the street.

The breech locked open, and I ripped the empty clip out of the handle, shoved in another one, slid the top round into the chamber, and kicked the shattered door loose from the jamb. By the side wall, safe from my angle of fire, was a stairway that pulled out of the ceiling by a rope. I pointed my .45 at the attic’s dark opening, my blood roaring in my ears.

The room was quiet. There was no movement upstairs. Particles of dust and threads of fiberboard floated in the light from the broken ceramic lamp that swung back and forth on its cord against the wall. Down the street I heard sirens.

I had every reason to believe that he was trapped—even though Victor Romero had survived Vietnam, thrived as a street dealer and pimp, gotten out from under federal custody after he probably killed the four people in the plane at Southwest Pass, escaped unhurt in the Toyota when I punched it full of holes with the .45, and managed in all probability to blow away Eddie Keats. It wasn’t a record to ignore.

For the first time I glanced through the side window and saw a flat, tarpapered roof outside. There were air vents on it from the laundry, a lighted neon sign, two peaked enclosures with small doors that probably housed ventilator fans, the rusted top of an iron ladder that dropped down to ground level.

Then I saw the boards at the edge of the attic entrance bend with his weight as he moved quietly toward the wall and a probable window that overlooked the roof. I raised the .45 and waited until one board eased back into place and the edges of the next one moved slightly out of the flat, geometric pattern that formed the ceiling, then I aimed just ahead of the spread between his two feet and began firing. I pulled the trigger five times, deliberately and with calculation, saving three shells in the clip, and let the recoil bring each round farther back from the point of his leading foot and the attic entrance.

I think he screamed at one point. But I can’t be sure. I didn’t really care, either. I’ve heard that scream before; it represents the failure of everything, particularly of hope and humanity. You hear it in your dreams; it replays itself even when they die silently.

He fell back through the attic opening and crashed on the floor by the foot of the ladder. He lay on his back, one leg bent under him, his eyes filled with black light, his mouth working for air. A round had cut off three fingers of his right hand. The hand trembled with shock on the floor, the knuckles rattling on the wood. There was a deep sucking wound in his chest, and the wet cloth of his shirt fluttered in the wound each time he tried to breathe. Outside, the street was filled with sirens and the revolving blue and red lights of emergency vehicles.

He was trying to speak. His mouth opened, his voice clicked in the back of his throat, and blood and saliva ran down his cheek into his black curls. I knelt by him, as a priest might, and turned my ear toward his face. I could smell his dried sweat, the oil in his hair.

“… did her,” he rasped.

“I can’t understand.”

He tried again, but he choked on the saliva in his throat. I turned his face to the side with my fingers so his mouth would drain.

His lips were bright red, and they formed a wet smile like a clown’s. Then the voice came out in a long whisper, smelling of bile and nicotine: “I did your wife, motherfucker.”

He was dead two minutes later when three uniformed cops came through the apartment door. A flattened round had caught him in the lower back, tunneled upward through his trunk, and torn a hole in his lung. The coroner told me that the spine had probably been severed and that he was paralyzed when he crashed down the ladder. After the paramedics had lifted him on a stretcher and taken him away, his blood left a pattern like horsetails on the wooden floor.

I spent the next half hour in the apartment answering questions asked by a young homicide lieutenant named Magelli. He was tired and his clothes were wilted with perspiration, but he was thorough and he didn’t cut corners. His brown eyes seemed sleepy and expressionless, but when he asked a question, they remained engaged with mine until the last word of my answer was out of my mouth, and only then did he write on his clipboard.

Finally he put a Lucky Strike in his mouth and looked around again at the litter in the kitchen and the buckshot holes in the walls. A drop of perspiration fell out of his hair and spotted the cigarette paper.

“You say this guy worked for Bubba Rocque?” he said.

“He did at one time.”

“I wish he’d made enough to buy an air conditioner.”

“Bubba has a way of dumping people after their function is over.”

“Well, you might have a little trouble about jurisdiction and not calling us when you made the guy, but I don’t think it’ll be serious. Nobody’s going to mourn his passing. Come down to the district and make a formal statement, then you’re free to go. Does any of his stuff help you out?”

In the other room the bed was covered with bagged articles of evidence and clothing and personal items taken by the scene investigator from the attic, kitchen, bedroom floor, dressers, and closets: Romero’s polyester suits, loud shirts, and colored silk handkerchiefs; the chrome-plated .45 that he had probably used to kill Eddie Keats; a twelve-gauge Remington sawed off at the pump, with a walnut stock that had been cut down, tapered, and sanded until it was almost the size of a pistol grip; the spent shell casings; a whole brick of high-grade reefer; a glass straw with traces of cocaine in it; an Italian stiletto that could cut paper as easily as a razor blade; a cigar box full of pornographic photographs; a bolt-action, scoped .30-06 rifle; a snapshot of him in uniform and two other marines with three Vietnamese bar girls in a nightclub; and finally a plastic bag of human ears, now withered and black, laced together on a GI dogtag chain.

His life had been used to till a garden of dark and poisonous flowers. But in all his memorabilia of cruelty and death, there wasn’t one piece of paper or article of evidence that would connect him with anyone outside his apartment.

“It looks like a dead end,” I said. “I should have called you all.”

“It might have come out the same way, Robicheaux. Except maybe with some of our people hurt. Look, if he’d gotten out on that roof, he’d be in Mississippi by now. You did the right thing.”

“When are you going to pick up his cousin?”

“Probably in the morning.”

“Are you going to charge him with harboring?”

“I’ll tell him that, but I don’t think we can make it stick. Take it easy. You did enough for one night. All this shit eventually gets ironed out one way or another. How do you feel?”

“All right.”

“I don’t believe you, but that’s all right,” he said, and put his unlit, sweat-spotted cigarette back in his shirt pocket. “Can I buy you a drink later?”

“No, thanks.”

“Well, all right, then. We’ll seal this place, and you can follow us on down to the district.” His sleepy brown eyes smiled at me. “What are you looking at?”

The breakfast table was an old round one with a hard rubber top. Among the streaks of canned food that had been blown off the table by Romero’s shotgun blast was a pattern of dried rings that looked as if they had been left there by the wet impressions of glasses or cups. Except one set of rings was larger than the other, and they were both on the same side of the table. The rings were gray and felt crusty under my fingertips.

“What’s the deal?” he said.

I wet my fingertip, wiped up part of the residue, and touched it to my tongue.

“What’s it taste like to you?” I said.

“Are you kidding? A guy who collected human ears. I wouldn’t drink out of his water tap.”

“Come on, it’s important.”

I wet my finger and did it again. He raised his eyebrows, touched a finger to one of the gray rings, then licked it. He made a face.

“Lemon or lime juice or something,” he said. “Is this how you guys do it out in the parishes? We use the lab for this sort of stuff. Remind me to buy some Listerine on the way home.”

He waited. When I didn’t speak, the attention sharpened in his face.

“What’s it mean?” he said.

“Probably nothing.”

“On no, we don’t play it that way here, my friend. The game is show-and-tell.”

“It doesn’t mean anything. I messed up tonight.”

He took the cigarette back out of his pocket and lit it. He blew the smoke out and tapped his finger in the air at me.

“You’re giving me a bad feeling, Robicheaux. Who’d you say he confessed to killing before he died?”

“A girl in New Iberia.”

“You knew her?”

“It’s a small town.”

“You knew her personally?”

“Yes.”

He chewed on the corner of his lips and looked at me with veiled eyes.

“Don’t make me revise my estimation of you,” he said. “I think you need to go back to New Iberia tonight. And maybe stay there, unless we call you. New Orleans is a lousy place in the summer, anyway. We’re clear about this, aren’t we?”

“Sure.”

“That’s good. I aim for simplicity in my work. Clarity of line, you might call it.”

He was quiet, his eyes studying me in the kitchen light. His face softened.

“Forget what I said. You look a hundred years old,” he said. “Stay over in a motel tonight and give us your statement in the morning.”

“That’s all right. I’d better be on my way. Thank you for your courtesy,” I said, and walked out into the darkness and the wind that blew over the tops of the oak trees. The night sky was full of heat lightning, like the flicker of artillery beyond a distant horizon.

Three hours later I was halfway across the Atchafalaya basin. My eyes burned with fatigue, and the center line on the highway seemed to drift back and forth under my left front tire. When I thumped across the metal bridge spanning the Atchafalaya River, the truck felt airborne under me.

My system craved for a drink: four inches of Jim Beam straight up, with a sweating Jax draft on the side, an amber-gold rush that could light my soul for hours and even let me pretend that the serpentarium was closed forever. On both sides of the road were canals and bayous and wind-dimpled bays and islands of willows and gray cypresses that were almost luminous in the moonlight. In the wind and the hum of the truck’s engine and tires, I thought I could hear John Fogarty singing:

Don’t come ‘round tonight,
It’s bound to take your life,
A bad moon’s on the rise.
I hear hurricanes a-blowing,
I know the end is coming soon.
I feel the river overflowing,
I can hear the voice of rage and ruin.

I pulled into a truck stop and bought two hamburgers and a pint of coffee to go. But as I continued down the road, the bread and meat were as dry and tasteless in my mouth as confetti, and I folded the hamburgers in the grease-stained sack and drank the coffee with the nervous energy of a man swallowing whiskey out of a cup with the morning’s first light.

Romero was evil. I had no doubt about that. But I had killed people before, in war and as a member of the New Orleans police department, and I know what it does to you. Like the hunter, you feel an adrenaline surge of pleasure at having usurped the province of God. The person who says otherwise is lying. But the emotional attitude you form later varies greatly among individuals. Some will keep their remorse alive and feed it as they would a living gargoyle, to assure themselves of their own humanity; others will justify it in the name of a hundred causes, and they’ll reach back in moments of their own inadequacy and failure and touch again those flaming shapes that somehow made their impoverished lives historically significant.