Hearts In Atlantis (65 page)

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Authors: Stephen King

BOOK: Hearts In Atlantis
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Wheelock walks away, and Willie's thought—that he's glad to see him go—causes a rare smile to touch his face. It comes and goes like an errant ray of sunshine on a cloudy day.

1:40
P.M.

Three times he has banded the bills into rolls and dumped the change into the bottom of the case (this is really a storage function, and not an effort at concealment), now working completely by touch. He can no longer see the money, doesn't know a one from a hundred, but he senses he is having a very good day indeed. There is no pleasure in the knowledge, however. There's never much, pleasure is not what Blind Willie is about, but even the sense of accomplishment he might have felt on another day has been muted by his conversation with Officer Wheelock.

At quarter to twelve, a young woman with a pretty voice (to Blind Willie she sounds like Diana Ross) comes out of Saks and gives him a cup of hot coffee, as
she does most days at this time. At quarter past, another woman—this one not so young, and probably white—brings him a cup of steaming chicken noodle soup. He thanks them both. The white lady kisses his cheek with soft lips and wishes him the merriest of merry Christmases.

There is a counterbalancing side to the day, though; there almost always is. Around one o'clock a teenage boy with his unseen gang of buddies laughing and joking and skylarking all around him speaks out of the darkness to Blind Willie's left, says he is one ugly motherfuck, then asks if he wears those gloves because he burned his fingers off trying to read the waffle iron. He and his friends charge off, howling with laughter at this ancient jape. Fifteen minutes or so later someone kicks him, although that might have been an accident. Every time he bends over to the case, however, the case is right there. It is a city of hustlers, muggers, and thieves, but the case is right there, just as it has always been right there.

And through it all, he thinks about Wheelock.

The cop before Wheelock was easy; the one who comes when Wheelock either quits the force or gets moved out of Midtown may also be easy. Wheelock will shake, bake, or flake eventually, that's something else he learned in the bush, and in the meantime, he, Blind Willie, must bend like a reed in a windstorm. Except even the limberest reed breaks if the wind blows hard enough.

Wheelock wants more money, but that isn't what bothers the man in the dark glasses and the army coat; sooner or later they all want more money. When he started on this corner, he paid Officer Hanratty a
hundred and a quarter. Hanratty was a live-and-let-live type of guy who smelled of Old Spice and whiskey just like George Raymer, the neighborhood beat-cop of Willie Shearman's childhood, but easygoing Eric Hanratty'd still had Blind Willie up to two hundred a month by the time he retired in 1978. And the thing is—dig it, my brothers—Wheelock was angry this morning,
angry
, and Wheelock talked about having consulted a priest. These things worry him, but what worries him most of all is what Wheelock said about following him.
See what you do. Who you turn into. Garfield ain't your name. I'd bet dollars to doughnuts
.

It's a mistake to fuck with the truly penitential, Officer Wheelock
, Blind Willie thinks.
You'd be safer fucking with my wife than with my name, believe me. Safer by far
.

Wheelock could do it, though—what could be simpler than shadowing a blind man, or even one who can see little more than shadows? Simpler than watching him turn into some hotel and enter the public men's room? Watching him go into a stall as Blind Willie Garfield and come out as Willie Shearman? Suppose Wheelock was even able to backtrail him from Willie to Bill?

Thinking this brings back his morning jitters, his feeling of being a snake between skins. The fear that he has been photographed taking a bribe will hold Wheelock for awhile, but if he is angry enough, there is no predicting what he may do. And that is scary.

“God love you, soldier,” says a voice out of the darkness. “I wish I could do more.”

“Not necessary, sir,” Blind Willie says, but his mind is still on Jasper Wheelock, who smells of cheap
cologne and talked to a priest about the blind man with the sign, the blind man who is not, in Wheelock's opinion, blind at all. What had he said?
You're going to hell, see how many handouts you get down there
. “Have a very merry Christmas, sir, thank you for helping me.”

And the day goes on.

4:25
P.M.

His sight has started to re-surface—dim, distant, but there. It is his cue to pack up and go.

He kneels, back ramrod-stiff, and lays his cane behind the case again. He bands the last of the bills, dumps them and the last coins into the bottom of the case, then puts the baseball glove and the tinsel-decorated sign inside. He latches the case and stands up, holding his cane in the other hand. Now the case is heavy, dragging at his arm with the dead weight of all that well-meant metal. There is a heavy rattling crunch as the coins avalanche into a new position, and then they are as still as ore plugged deep in the ground.

He sets off down Fifth, dangling the case at the end of his left arm like an anchor (after all these years he's used to the weight of it, could carry it much farther than he'll need to this afternoon, if circumstances demanded), holding the cane in his right hand and tapping it delicately on the paving in front of him. The cane is magic, opening a pocket of empty space before him on the crowded, jostling sidewalk in a teardrop-shaped wave. By the time he gets to Fifth and Forty-third, he can actually see this space. He can
also see the
DON'T WALK
sign at Forty-second stop flashing and hold solid, but he keeps walking anyway, letting a well-dressed man with long hair and gold chains reach out and grasp his shoulder to stop him.

“Watch it, my man,” the longhair says. “Traffic's on the way.”

“Thank you, sir,” Blind Willie says.

“Don't mention it—merry Christmas.”

Blind Willie crosses, passes the lions standing sentry at the Public Library, and goes down two more blocks, where he turns toward Sixth Avenue. No one accosts him; no one has loitered, watching him collect all day long, and then followed, waiting for the opportunity to bag the case and run (not that many thieves
could
run with it, not
this
case). Once, back in the summer of '79, two or three young guys, maybe black (he couldn't say for sure; they
sounded
black, but his vision had been slow returning that day, it was always slower in warm weather, when the days stayed bright longer), had accosted him and begun talking to him in a way he didn't quite like. It wasn't like the kids this afternoon, with their jokes about reading the waffle iron and what does a
Playboy
centerfold look like in Braille. It was softer than that, and in some weird fashion almost kind—questions about how much he took in by St. Pat's back there, and would he perchance be generous enough to make a contribution to something called the Polo Recreational League, and did he want a little protection getting to his bus stop or train station or whatever. One, perhaps a budding sexologist, had asked if he liked a little young pussy once in awhile. “It pep you up,” the voice on his left said softly, almost longingly. “Yessir, you must believe
that
shit.”

He had felt the way he imagined a mouse must feel when the cat is just pawing at it, claws not out yet, curious about what the mouse will do, and how fast it can run, and what sorts of noises it will make as its terror grows. Blind Willie had not been terrified, however. Scared, yes indeed, you could fairly say he had been scared, but he has not been out-and-out terrified since his last week in the green, the week that had begun in the A Shau Valley and ended in Dong Ha, the week the Viet Cong had harried them steadily west at what was not quite a full retreat, at the same time pinching them on both sides, driving them like cattle down a chute, always yelling from the trees, sometimes laughing from the jungle, sometimes shooting, sometimes screaming in the night. The little men who ain't there, Sullivan called them. There is nothing like them here, and his blindest day in Manhattan is not as dark as those nights after they lost the Captain. Knowing this had been his advantage and those young fellows' mistake. He had simply raised his voice, speaking as a man might speak to a large room filled with old friends. “Say!” he had exclaimed to the shadowy phantoms drifting slowly around him on the sidewalk. “Say, does anyone see a policeman? I believe these young fellows here mean to take me off.” And that did it, easy as pulling a segment from a peeled orange; the young fellows bracketing him were suddenly gone like a cool breeze.

He only wishes he could solve the problem of Officer Wheelock that easily.

4:40
P.M.

The Sheraton Gotham, at Fortieth and Broadway, is one of the largest first-class hotels in the world, and in the cave of its lobby thousands of people school back and forth beneath the gigantic chandelier. They chase their pleasures here and dig their treasures there, oblivious to the Christmas music flowing from the speakers, to the chatter from three different restaurants and five bars, to the scenic elevators sliding up and down in their notched shafts like pistons powering some exotic glass engine . . . and to the blind man who taps among them, working his way toward a sarcophagal public men's room almost the size of a subway station. He walks with the sticker on the case turned inward now, and he is as anonymous as a blind man can be. In this city, that's very anonymous.

Still
, he thinks as he enters one of the stalls and takes off his jacket, turning it inside-out as he does so,
how is it that in all these years no one has
ever
followed me? No one has
ever
noticed that the blind man who goes in and the sighted man who comes out are the same size, and carrying the same case?

Well, in New York, hardly anyone notices anything that isn't his or her own business—in their own way, they are all as blind as Blind Willie. Out of their offices, flooding down the sidewalks, thronging in the subway stations and cheap restaurants, there is something both repulsive and sad about them; they are like nests of moles turned up by a farmer's harrow. He has seen this blindness over and over again, and he knows that it is one reason for his success . . . but
surely not the only reason. They are not
all
moles, and he has been rolling the dice for a long time now. He takes precautions, of course he does, many of them, but there are still those moments (like now, sitting here with his pants down, unscrewing the white cane and stowing it back in his case) when he would be easy to catch, easy to rob, easy to expose. Wheelock is right about the
Post;
they would love him. They would hang him higher than Haman. They would never understand, never even
want
to understand, or hear his side of it.
What
side? And why has none of this ever happened?

Because of God, he believes. Because God is good. God is hard but God is good. He cannot bring himself to confess, but God seems to understand. Atonement and penance take time, but he has been given time. God has gone with him every step of the way.

In the stall, still between identities, he closes his eyes and prays—first giving his thanks, then making a request for guidance, then giving more thanks. He finishes as he always does, in a whisper only he and God can hear: “If I die in a combat zone, bag me up and ship me home. If I die in a state of sin, close Your eyes and take me in. Yeah. Amen.”

He leaves the stall, leaves the bathroom, leaves the echoing confusion of the Sheraton Gotham, and no one walks up to him and says, “Excuse me, sir, but weren't you just blind?” No one looks at him twice as he walks out into the street, carrying the bulky case as if it weighed twenty pounds instead of a hundred. God takes care of him.

It has started to snow. He walks slowly through it,
Willie Shearman again now, switching the case frequently from hand to hand, just one more tired guy at the end of the day. He continues to think about his inexplicable success as he goes. There's a verse from the Book of Matthew which he has committed to memory.
They be blind leaders of the blind
, it goes.
And if the blind lead the blind, both shall fall into the ditch
. Then there's the old saw that says in the kingdom of the blind, the one-eyed man is king. Is
he
the one-eyed man? God aside, has that been the
practical
secret of his success all these years?

Perhaps so, perhaps not. In any case, he
has
been protected . . . and in no case does he believe he can put God aside. God is in the picture. God marked him in 1960, when he first helped Harry Doolin tease Carol and then helped Harry beat her. That occasion of sin has never left his mind. What happened in the grove of trees near Field B stands for everything else. He even has Bobby Garfield's glove to help him remember. Willie doesn't know where Bobby is these days and doesn't care. He kept track of Carol as long as he could, but Bobby doesn't matter. Bobby ceased to matter when he helped her. Willie saw him help her. He didn't dare come out and help her himself—he was afraid of what Harry might do to him, afraid of all the kids Harry might tell, afraid of being marked—but
Bobby
dared. Bobby helped her then, Bobby punished Harry Doolin later that summer, and by doing these things (probably just for doing the first of them), Bobby got well, Bobby got over. He did what Willie didn't dare to do, he rolled with it and got over, got well, and now Willie has to do all the rest. And that's a lot to do. Sorry is a full-time job and more. Why,
even with three of him working at it, he can barely keep up.

Still, he can't say he lives in regret. Sometimes he thinks of the good thief, the one who joined Christ in Paradise that very night. Friday afternoon you're bleeding on Golgotha's stony hill; Friday night you're having tea and crumpets with the King. Sometimes someone kicks him, sometimes someone pushes him, sometimes he worries about being taken off. So what? Doesn't he stand for all those who can only stand in the shadows, watching while the damage is done? Doesn't he beg for them? Didn't he take Bobby's Alvin Dark–model baseball glove for them in 1960? He did. Gobless him, he did. And now they put their money in it as he stands eyeless outside the cathedral. He begs for them.

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