Hard-Luck Diggings: The Early Jack Vance, Volume One (53 page)

BOOK: Hard-Luck Diggings: The Early Jack Vance, Volume One
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“I see,” said Luke. “And do you frequently include interpolations into the day’s information?”

“Occasionally,” said Dodkin, “and sometimes, I’m glad to say, people more important than I share my views. Only three weeks ago I was delayed several minutes on my way between Claxton Abbey and Kittsville on Sublevel 30. I made a note of it, and last week I noticed that construction has commenced on a new eight-lane man-belt between the two points, a really magnificent and modern undertaking. A month ago I noticed a shameless group of girls daubed like savages with cosmetic. What a waste! I told myself, what vanity and folly! I hinted as much in a little message to the Under-File Clerk. I seem to be just one of the many with these views, for two days later a general order discouraging these petty vanities was issued by the Secretary of Education.”

“Interesting,” Luke muttered. “Interesting indeed. How do you include these ‘interpolations’ into the information?”

Dodkin hobbled nimbly to the monitoring machine, beckoned. “The output from the tanks comes through here. I print a bit on the typewriter and tuck it in where the Under-Clerk will see it.”

“Admirable,” sighed Luke. “A man with your intelligence should have ranked higher in the Status List.”

Dodkin shook his placid old head. “I don’t have the ambition nor the ability. I’m fit for just this simple job, and only barely. I’d take my pension tomorrow, only the Chief File Clerk asked me to stay on a bit until he could find a man to take my place. No one seems to like the quiet down here.”

“Perhaps you’ll have your pension sooner than you think,” said Luke.

 

 

Luke strolled along the glossy tube, ringed with alternate pale and dark refractions like a bull’s-eye. Ahead was motion, the glint of metal, the mutter of voices. The entire crew of Tunnel Gang No. 3 stood idle and restless.

Fedor Miskitman waved his arm with uncharacteristic vehemence. “Grogatch! At your post! You’ve held up the entire crew!” His heavy face was suffused with pink. “Four minutes already we’re behind schedule.”

Luke strolled closer.

“Hurry!” bellowed Miskitman. “What do you think this is, a blasted promenade?”

If anything Luke slackened his pace. Fedor Miskitman lowered his big bull-head, staring balefully. Luke halted in front of him.

“Where’s your shovel?” Fedor Miskitman asked.

“I don’t know,” said Luke. “I’m here on the job. It’s up to you to provide tools.”

Fedor Miskitman stared unbelievingly. “Didn’t you take it to the warehouse?”

“Yes,” said Luke. “I took it there. If you want it, go get it.”

Fedor Miskitman opened his mouth. He roared, “Get off the job!”

“Just as you like,” said Luke. “You’re the foreman.”

“Don’t come back!” bellowed Miskitman. “I’ll report you before the day is out. You won’t gain status from me, I tell you that!”

“‘Status’?” Luke laughed. “Go ahead. Cut me down to junior executive. Do you think I care? No. And I’ll tell you why. There’s going to be a change or two made. When things seem different to you, think of me.”

 

 

Luke Grogatch, Junior Executive, said good-by to the retiring custodian of the staging chamber. “Don’t thank me, not at all,” said Luke. “I’m here by my own doing. In fact—well, never mind all that. Go up-side, sit in the sun, enjoy the air.”

Finally Dodkin, in mingled joy and sorrow, hobbled for the last time down the musty passageway to the chattering man-belt.

Luke was alone in the staging chamber. Around his ears hummed the near-inaudible rush of information. From behind the wall came the sense of a million relays clicking, twitching, meshing; of cylinders and trace-tubes and memory-lanes whirring with activity. At the monitoring machine the output streamed forth on a reel of yellow tape. Nearby rested the typewriter.

Luke seated himself. His first interpolation…what should it be? Freedom for the Nonconformists? Tunnel-gang foremen to carry tools for the entire crew? A higher expense account for junior executives?

Luke rose to his feet and scratched his chin. Power…to be subtly applied. How should he use it? To secure rich perquisites for himself? Yes, of course, this he would accomplish, by devious means. And then—what? Luke thought of the billions of men and women living and working in the Organization. He looked at the typewriter. He could shape their lives, change their thoughts, disorganize the Organization. Was this wise? Or right? Or even amusing?

Luke sighed. In his mind’s eye he saw himself standing on a high terrace overlooking the city. Luke Grogatch, Chairman of the Board. Not impossible, quite feasible. A little at a time, the correct interpolations…Luke Grogatch, Chairman of the Board. Yes. This for a starter. But it was necessary to move cautiously, with great delicacy…

Luke seated himself at the typewriter and began to pick out his first interpolation.

 

Afterword to “Dodkin’s Job”

 

After my eyes went, my life became much simplified. Our travels became a thing of the past, apart from the occasional junket to a convention. I continued to write, although since longhand was obviously no longer possible, I learned to use a word processor. John modified computers with special keyboards I could feel my way around, and with what little eyesight I had left I could make out words on the monitor if they were big enough—enlarged to about ten words per screen! Eventually, however, I became totally blind and had to rely on the computer’s voice synthesizer to read back what I had written. I wrote most of
Lyonesse
this way, and everything after that—
Cadwal
,
Night Lamp
,
Ports of Call
and
Lurulu
. I have no way of knowing for certain, but I may well be the only writer who bypassed the typewriter completely, going straight from longhand to computer! Still, the computer was never a perfect solution for me and writing became an increasingly laborious process as the last ray of my eyesight went glimmering. I never considered dictating my novels to tape…After
Lurulu
I retired from writing fiction. Finishing
Lurulu
—which I like to call my “swansong”—was like going through triage…That guy who wrote all that junk for so many years—he seems like another person!

 

—Jack Vance

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