Hard-Boiled Wonderland and the End of the World (26 page)

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Authors: Haruki Murakami

Tags: #Fiction, #Literary, #Fantasy, #Contemporary, #Magical Realism

BOOK: Hard-Boiled Wonderland and the End of the World
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"What made your grandfather choose this for an escape route?"

"Because it links directly to the center of the INKling lair," she said, without hesitation.

"They themselves can't go near it. It's their sanctuary."

"Sanctuary?"

"I've never actually seen it myself, but that's what Grandfather called it. They worship a fish. A huge fish with no eyes," she told me, then flashed her light ahead. "Let's get going. We haven't got much time."

The cave ceiling was low; we had to crouch as we walked, banging our heads on stalactites. I thought I was in good shape, but now, bent low like this, each pitch of my hips stabbed an ice pick into my gut. Still, the pain had to be a hell of a lot better than wandering around here alone if I ever let her out of my sight.

The further we traveled in the darkness, the more I began to feel estranged from my body.

I couldn't see it, and after a while, you start to think the body is nothing but a hypothetical construct. Sure, I could feel my wound and the ground beneath the soles of my feet. But these were just kinesthesis and touch, primitive notions stemming from the premise of a body. These sensations could continue even after the body is gone. Like an amputee getting itchy toes.

Thoughts on the run, literally, as I chased after the chubby girl. Her pink skirt poked out from under the olive drab GI jacket. Her earrings sparkled, a pair of fireflies flitting about her. She never checked to see if I was following; she simply forged ahead, with girl scout intensity. She stopped only when she came to a fork in the path, where she pulled out the map and held it under the light. That was when I managed to catch up with her.

"Okay up there? We're on the right path?" I asked.

"For the time being at least," she replied.

"How can you tell?"

"I can tell we're on course because we are," she said authoritatively, shining her light at our feet. "See? Take a look."

I looked at the illuminated circle of ground. The pitted rock surface was gleaming with tiny bits of silver. I picked one up—a paperclip.

"See?" she said, snidely. "Grandfather passed this way. He knew we'd be following, so he left those as trail markers."

"Got it," I said, put in my place. "Fifteen minutes gone. Let's hurry," she pressed. There were more forks in the path ahead. But each time, scattered paperclips showed us the way. There were also boreholes in the passage floor. These had been marked on the map, spots where we had to walk with care, with flashlights trained on the ground.

The path wormed left and right but kept going further and further down. There were no steep inclines, only a steady, even descent. Five minutes later, we came to a large chamber. We knew this from the change in the air and the sound of our footsteps.

She took out the map to check our location. I shone my light all around. The room was circular in shape; the ceiling formed a dome. The curved walls were smooth and slick, clearly the work of… human hands? In the very center of the floor was a shallow cavity one meter in diameter, filled with an unidentifiable slime. A tincture of something was in the air, not overpowering, but it left a disagreeable acid gumminess in your mouth.

"This seems to be the approach to the sanctuary," she said. "That means we're safe from INKlings. For the time being."

"Great, but how do we get out of here?" "Leave that up to Grandfather. He'll have a way."

On either side of the sanctuary entrance was an intricate relief. Two fishes in a circle, each with the other's tail in its mouth. Their heads swelled into aeroplane cowlings, and where their eyes should have been, two long tendril-like feelers sprouted out. Their mouths were much too large for the rest of their bodies, slit back almost to the gills, beneath which were fleshy organs resembling severed animal limbs. On each of these appendages were three claws. Claws? The dorsal fins were shaped like tongues of flames, the scales rasped out like thorns.

"Mythical creatures? Do you suppose they actually exist?" I asked her.

"Who knows?" she said, picking up some paperclips. "Quick, let's go in."

I ran my light over the carving one more time before following her through the entrance.

It was nothing short of amazing that the INKlings could render such detail in absolute darkness. Okay, they could see in the dark, but this vision of theirs was otherworldly.

And now they were probably watching our every move.

The approach to the sanctuary sloped gradually upward, the ceiling at the same time rising progressively higher until finally it soared out of the flashlight's illumination.

"From here on, we climb the mountain," she said. "Not a real mountain, anyway. More like a hill. But to them, it's a mountain. That's what Grandfather said. It's the only documented subterranean mountain, a sacred mountain."

"Then we're defiling it."

"Not at all. The reverse. The mountain was filthy from the beginning. This place is a Pandora's box sealed over by the earth's crust. Filth was concentrated here. And we're going to pass right through the center of it."

"You make it sound like hell."

"You said it."

"I don't think I'm ready for this."

"Oh come on, you've got to believe," said my pink cheerleader. "Think of nice things, people you loved, your childhood, your dreams, music, stuff like that. Don't worry, be happy."

"Is Ben Johnson happy enough?" I asked.

"Ben Johnson?"

"He played in those great old John Ford movies, riding the most beautiful horses."

"You really are one of a kind," she laughed. "I really like you."

"Thanks," I said, "but I can't play any musical instruments."

As she had forecast, the path began to get steeper, until finally we were scaling a rock face. But my thoughts were on my happy-time hero. Ben Johnson on horseback. Ben Johnson in
Fort Defiance
and
She Wore a Yellow Ribbon
and
Wagonmaster
and
Rio
Grande
. Ben Johnson on the prairie, sun burning down, blue sky streaked with clouds.

Ben Johnson and a herd of buffalo in a canyon, womenfolk wiping hands on gingham aprons as they lean out the door. Ben Johnson by the river, light shimmering in the dry heat, cowboys singing. The camera dollies, and there's Ben Johnson, riding across the landscape, swift as an arrow, our hero forever in frame.

As I gripped the rocks and tested for foothold, it was Ben Johnson on his horse that sustained me. The pain in my gut all but subsided. Maybe
he
was the signal to put physical pain out of mind.

We continued scaling the mountain in the dark. You couldn't hold your flashlight and still use your hands to climb, so I stuffed my flashlight in my jeans, she strapped hers up across her back. Which meant we saw nothing. Her flashlight beam bounced on her hip, veering off uselessly into space. And all I saw by mine were mute rock surfaces going up, up, up.

From time to time she called out to make sure I kept pace. "You okay?" she'd say. "Just a little more."

Then, a while later, it was "Why don't we sing something?"

"Sing what?" I wanted to know.

"Anything, anything at all."

"I don't sing in dark places."

"Aw, c'mon."

Okay, then, what the hell. So I sang the Russian folksong I learned in elementary school:
Snow is falling all night long

Hey-ey! Pechka, ho! Fire is burning very strong

Hey-ey! Pechka, ho! Old dreams bursting into song

Hey-ey! Pechka, ho!

I didn't know any more of the lyrics, so I made some up: Everyone's gathered around the fire—the
pechka
—when a knock comes at the door and Father goes to inquire, and there's a reindeer standing on wounded feet, saying, "I'm hungry, give me something to eat"; so they feed it canned peaches. In the end everyone's sitting around the stove, singing along.

"Wonderful. You sing just fine," she said. "Sorry I can't applaud, but I've got my hands full."

We cleared the bluff and reached a flat area. Catching our breath, we panned our flashlights around. The plateau was vast; the tabletop-slick surface spread in all directions. She crouched and picked up another half dozen paperclips.

"How far can your grandfather have gone?" I asked.

"Not much farther. He's mentioned this plateau many times."

"You mean to say your grandfather's come here out of choice?"

"Of course. Grandfather had to cover this terrain in order to draw up his subterranean map. He knows everything about this place."

"He surveyed it all by himself?"

"Certainly," she said. "Grandfather likes to operate alone. It's not that he doesn't like people or can't trust them; it's just that nobody can keep up with him."

"I can believe it," I said. "But tell me, what's the low-down on this plateau?"

"This mountain is where the INKlings first lived. They dug holes into the rock face and lived together inside. The area we're standing on now is where religious ceremonies were held. It's supposed to be the dwelling place of their gods, where they made living sacrifices to them."

"You mean those gruesome clawed fish?"

"According to Grandfather, the fish are supposed to have led the INKlings' ancestors here." She trained her light at our feet and showed me a shallow trough carved into the ground. The trough led straight off into the darkness. "If you follow this trough, you get to the ancient altar. It's the holiest spot in this sanctuary. No INKling would go near it. That's probably where Grandfather is, safe and sound-removed."

We followed the trough. It soon got deeper, the path descending steadily, the walls to either side rising higher and higher. The walls seemed ready to close in and crush us flat any second, but nothing moved. Only the queer squishing rhythm of our rubber boots echoed between the walls. I looked up time and again as I walked.

It was the urge to look up at the sky. But of course there was no sun nor moon nor stars overhead. Darkness hung heavy over me. Each breath I took, each wet footstep, everything wanted to slide like mud to the ground.

I lifted my left hand and pressed on the light of my digital wristwatch. Two-twenty-one.

It was midnight when we headed underground, so only a little over two hours had passed.

We continued walking down, down the narrow trench, mouths clamped tight.

I could no longer tell if my eyes were open or shut. The only thing impinging on my senses at this point was the echo of footsteps. The freakish terrain and air and darkness distorted what reached my ears. I tried to impose a verbal meaning on the sounds, but they would not conform to any words I knew. It was an unfamiliar language, a string of tones and inflections that could not be accommodated within the range of Japanese syllables. In French or German—or English perhaps—it might approximate this:
Even

through

be

shopped

degreed

well
Still, when I actually pronounced the words, they were far from the sounds of those footsteps. A more accurate transcription would have been:

Efgven

gthouv

bge

shpevg

egvele

wgevl
Finnish? Yet another gap in my linguistic abilities. If pressed to give a meaning, I might have said something like, "A Farmer met the aged Devil on the road." Just my impression, of course.

I kept trying to puzzle together various words and phrases as I walked. I pictured her pink jogging shoes, right heel onto ground, center of gravity shifting to tiptoe, then just before lifting away, left heel onto ground. An endless repetition. Time was getting slower, the clock spring running down, the hands hardly advancing.

Efgven

gthouv

bge

shpevg

egvele

wgevl Efgven

gthouv

bge

shpevg
— 
egvele

wgevl Efgven

gthouv

bge

The aged Devil sat on a rock by the side of a Finnish country road. The Devil was ten thousand, maybe twenty thousand years old, and very tired. He was covered in dust. His whiskers were wilting.
Whither be ye gang in sich 'aste
? the Devil called out to a Farmer.

Done broke me ploughshare and must to fixe it
, the Farmer replied.
Not to hurrie
, said the Devil,
the sunne still playes o'er head on highe, wherefore be ye scurrying? Sit ye doun
and 'eare m' tale
. The Farmer knew no good could come of passing time with the Devil, but seeing him so utterly haggard, the Farmer—

Something struck my cheek. Something flat, fleshy, not too hard. But what? I tried to think, and it struck my cheek again. I raised my hand to brush it away, to no avail. An unpleasant glare was swimming in my face. I opened my eyes, which until then I hadn't even noticed were closed. It was her flashlight on me, her hand slapping me.

"Stop it," I shouted. "It's too bright. It hurts."

"You can't fall asleep here like this! Get up! Get up!" she screamed back.

"Get up? What are you talking about?"

I switched on my flashlight and shone it around me. I was on the ground, back against a wall, dripping wet. I had dozed off without knowing it.

I slowly raised myself to my feet.

"What happened? One minute I'm keeping pace, the next I'm asleep. I have no recollection of sitting down or going to sleep."

"That's the trap," she said. "They'll do anything to make us fall asleep."

"They?"

"Whoever or whatever it is that lives in this mountain. Gods, evil spirits, I don't know— 
them
. They set up interference."

I shook my head.

"Everything got so hazy. Your shoes were making those sounds and…"

"My shoes?"

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