Hannibal Rising (20 page)

Lady Murasaki reclined in her fragrant bath. She had four gardenias floating in the water, and several oranges. Her mother’s favorite kimono was embroidered with gardenias. It was cinders now. Remembering, she made a wavelet that rearranged the blossoms. It was her mother who understood when she married Robert Lecter. Her father’s occasional letters from Japan still carried a chill. Instead of a pressed flower or fragrant herb, his most recent note contained a blackened twig from Hiroshima.

Was that the doorbell? She smiled, thinking “Hannibal,” and reached for her kimono. But he always called or sent a note before he came, and rang before he used his key. No key in the lock now, just the bell again.

She left the bath and wrapped herself hurriedly in the cotton robe. Her eye at the peephole.
Popil
. Popil in the peephole.

Lady Murasaki had enjoyed occasional lunches with Popil. The first one, at Le Pré Catelan in the Bois de Boulogne, was rather stiff, but the others were at Chez Paul near his work and they were easier and more relaxed. He sent dinner invitations as well, always by note, one accompanied by a haiku with excessive seasonal references. She had declined the dinners, also in writing.

She unbolted the door. Her hair was gathered up and she was gloriously barefoot.

“Inspector.”

“Forgive me for coming unannounced, I tried to call.”

“I heard the telephone.”

“From your bath, I think.”

“Come in.”

Following his eyes, she saw him account at once for the weapons in place before the armor: the tanto dagger, the short sword, the long sword, the war axe.

“Hannibal?”

“He is not here.”

Being attractive, Lady Murasaki was a still hunter. She stood with her back to the mantle, her hands in her sleeves, and let the game come to her. Popil’s instinct was to move, to flush game.

He stood behind a divan, touched the cloth. “I have to find him. When did you last see him?”

“How many days is it? Five. What is wrong?”

Popil stood near the armor. He rubbed the lacquered surface of a chest. “Do you know where he is?”

“No.”

“Did he indicate where he might be going?”

Indicate
. Lady Murasaki watched Popil. Now the tips of his ears were flushed. He was moving and asking and touching things. He liked alternate textures, touching something smooth, then something with a nap. She’d seen it at the table too. Rough then smooth. Like the top and bottom of the tongue. She knew she could electrify him with that image and divert blood from his brain.

Popil went around a potted plant. When he peered
at her through the foliage, she smiled at him and disrupted his rhythm.

“He is at an outing, I am not sure where.”

“Yes, an outing,” Popil said. “An outing hunting war criminals, I think.”

He looked into her face. “I’m sorry, but I have to show you this.” Popil put on the tea table a fuzzy picture, still damp and curling from the Thermo-Fax at the Soviet embassy. It showed Dortlich’s head on the stump and police standing around it with two Alsatians and a hound. Another photo of Dortlich was from a Soviet police ID card. “He was found in the forest Hannibal’s family owned before the war. I know Hannibal was nearby—he crossed the Polish border the day before.”

“Why must it be Hannibal? This man must have many enemies, you said he was a war criminal.”

Popil pushed forward the ID photo. “This is how he looked in life.” Popil took a sketch from his portfolio, the first of a series. “This is how Hannibal drew him and put the drawing on the wall of his room.” Half the face in the sketch was dissected, the other half clearly Dortlich.

“You were not in his room by invitation.”

Popil was suddenly angry. “Your pet snake has killed a man. Probably not the first, as you would know better than I. Here are others,” he said, putting down sketches. “This was in his room, and this and this and this. That face is from the Nuremberg Trials, I remember it. They are fugitives and now they will kill him if they can.”

“And the Soviet police?”

“They are inquiring quietly in France. A Nazi like Dortlich on the People’s Police is an embarrassment to the Soviets. They have his file now from Stasi in the GDR.”

“If they catch Hannibal—”

“If they catch him in the East, they’ll just shoot him. If he gets out, they might let the case wither and die if he keeps his mouth shut.”

“Would you let it wither and die?”

“If he strikes in France he’ll go to prison. He could lose his head.” Popil stopped moving. His shoulders slumped.

Popil put his hands in his pockets.

Lady Murasaki took her hands out of her sleeves.

“You would be deported,” he said. “I would be unhappy. I like to see you.”

“Do you live by your eyes alone, Inspector?”

“Does Hannibal? You would do anything for him, wouldn’t you?”

She started to say something, some qualifier to protect herself, and then she just said “Yes,” and waited.

“Help him. Help me. Pascal.” She had never said his first name before.

“Send him to me.”

THE RIVER ESSONNE, smooth and dark, slid past the warehouse and beneath the black houseboat moored to a quay near Vert le Petit. Its low cabins were curtained. Telephone and power lines ran to the boat. The leaves of the container garden were wet and shiny.

The ventilators were open on the deck. A shriek came out of one of them. A woman’s face appeared at one of the lower portholes, agonized, cheek pressed against the glass, and then a thick hand pushed the face away and jerked the curtain closed. No one saw.

A light mist made halos around the lights on the quay but directly overhead a few stars shone through. They were too weak and watery to read.

Up on the road, a guard at the gate shined his light into the van marked
Café de L’Este
and,
recognizing Petras Kolnas, waved him into the barbed-wire parking compound.

Kolnas walked quickly through the warehouse, where a workman was painting out the markings on appliance crates stenciled U.S. POST EXCHANGE, NEUILLY. The warehouse was jammed with boxes and Kolnas weaved through them to come out onto the quay.

A guard sat beside the boat’s gangway at a table made from a wooden box. He was eating a sausage with his pocketknife and smoking at the same time. He wiped his hands on his handkerchief to perform a pat-down, then recognized Kolnas and sent him past with a jerk of his head.

Kolnas did not meet often with the others, having a life of his own. He went about his restaurant kitchen with his bowl, sampling everything, and he had gained weight since the war.

Zigmas Milko, lean as ever, let him into the cabin.

Vladis Grutas was on a leather settee getting a pedicure from a woman with a bruise on her cheek. She looked cowed and was too old to sell. Grutas looked up with the pleasant, open expression that was often a sign of temper. The boat captain played cards at a chart table with a boulder-bellied thug named Mueller, late of the SS Dirlewanger Brigade, whose prison tattoos covered the back of his neck and his hands and continued up his sleeves out of sight. When Grutas turned his pale eyes on the players, they folded the cards and left the cabin.

Kolnas did not waste time on greetings.

“Dortlich’s dog tag was jammed in his teeth. Good German stainless steel, didn’t melt, didn’t burn. The boy will have yours too, and mine and Milko’s, and Grentz’s.”

“You told Dortlich to search the lodge four years ago,” Milko said.

“Poked around with his picnic fork, lazy bastard,” Grutas said. He pushed the woman away with his foot, never looking at her, and she hurried out of the cabin.

“Where is he, this poison little boy who kills Dortlich?” Milko said.

Kolnas shrugged. “A student in Paris. I don’t know how he got the visa. He used it going in. No information on him coming out. They don’t know where he is.”

“What if he goes to the police?” Kolnas said.

“With what?” Grutas said. “Baby memories, child nightmares, old dog tags?”

“Dortlich could have told him how he telephones me to get in touch with you,” Kolnas said.

Grutas shrugged. “The boy will try to be a nuisance.”

Milko snorted. “A
nuisance?
I would say he was nuisance enough to Dortlich. Killing Dortlich could not have been easy; he probably shot him in the back.”

“Ivanov owes me,” Grutas said. “Soviet Embassy security will point out little Hannibal, and we will do the rest. So Kolnas will not worry.”

Muffled cries and the sound of blows came from elsewhere in the boat. The men paid no attention.

“Taking over from Dortlich will be Svenka,” Kolnas said, to show he was not worrying.

“Do we want him?” Milko said.

Kolnas shrugged. “We have to have him. Svenka worked with Dortlich two years. He has our items. He’s the only link we have left to the pictures. He sees the deportees, he can mark the decent-looking ones for DPC Bremerhaven. We can get them from there.”

Frightened by the Pleven Plan’s potential for rearming Germany Joseph Stalin was purging Eastern Europe with mass deportations. The jammed trains ran weekly to death in the labor camps in Siberia, and to misery in refugee camps in the West. The desperate deportees provided Grutas with a rich supply of women and boys. He stood behind his merchandise. His morphine was German medical-grade. He supplied AC/DC converters for the black-market appliances, and made any mental adjustments his human merchandise required in order to perform.

Grutas was pensive. “Was this Svenka at the front?” They did not believe anyone innocent of the Eastern Front could be truly practical.

Kolnas shrugged. “He sounds young on the telephone. Dortlich had some arrangements.”

“We’ll bring everything out now. It’s too soon to sell, but we need to get it out. When is he calling again?”

“Friday.”

“Tell him to do it now.”

“He’ll want out. He’ll want papers.”

“We can get him to Rome. I don’t know if we want him here. Promise him whatever, you know?”

“The art is hot,” Kolnas said.

“Go back to your restaurant, Kolnas. Keep feeding the
flics
for free and they will keep tearing up your traffic tickets. Bring some profiteroles next time you come down here to bleat.”

“He’s all right,” Grutas told Milko, when Kolnas was gone.

“I hope so,” Milko said. “I don’t want to run a restaurant.”

“Dieter! Where is Dieter?” Grutas pounded on a cabin door on the lower deck, and shoved it open.

Two frightened young women were sitting on their bunks, each chained by a wrist to the pipe frame of the bunk. Dieter, twenty-five, held one of them by a fistful of her hair.

“You bruise their faces, split their lip, the money goes down,” Grutas said. “And that one is mine for now.”

Dieter released the woman’s hair and rummaged in the manifold contents of his pockets for a key. “Eva!”

The older woman came into the cabin and stood close to the wall.

“Clean that one up and Mueller will take her to the house,” Dieter said.

Grutas and Milko walked through the warehouse to the car. In a special area bound off by a rope were crates marked HOUSEHOLD. Grutas spotted among the appliances a British refrigerator.

“Milko, do you know why the English drink warm beer? Because they have Lucas refrigerators. Not for my house. I want Kelvinator, Frigidaire, Magnavox, Curtis-Mathis. I want all made in America.” Grutas raised the cover of an upright piano and played a few notes. “This is a whorehouse piano. I don’t want it. Kolnas found me a Bösendorfer. The best. Pick it up in Paris, Milko … when you do the other thing.”

KNOWING HE WOULD not come to her until he was scrubbed and groomed, she waited in his room. He had never invited her there, and she did not poke around. She looked at the drawings on the walls, the medical illustrations that filled one half of the room. She stretched out on his bed in the perfect order of the Japanese half beneath the eaves. On a small shelf facing the bed was a framed picture covered by a silk cloth embroidered with night herons. Lying on her side Lady Murasaki reached over and lifted the silk. It covered a beautiful drawing of her naked in the bath at the chateau, in pencil and chalk and tinted with pastel. The drawing was signed with the chop for Eternity in Eight Strokes and the Japanese symbols in the grass style, and not strictly correct, for “water flowers.”

She looked at it for a long time, and then she covered it and closed her eyes, a poem of Yosano Akiko running in her head:

Shortly after daylight on the second day she heard footsteps on the stairs. A key in the lock, and Hannibal stood there, scruffy and tired, his pack hanging from his hand.

Lady Murasaki was standing.

“Hannibal, I need to hear your heart,” she said. “Robert’s heart went silent. Your heart stopped in my dreams.” She went to him and put her ear against his chest. “You smell of smoke and blood.”

“You smell of jasmine and green tea. You smell of peace.”

“Do you have wounds?”

“No.”

Her face was against the scorched dog tags hanging around Hannibal’s neck. She took them out of his shirt.

“Did you take these from the dead?”

“What dead would that be?”

“The Soviet police know who you are. Inspector Popil came to see me. If you go directly to him he will help you.”

“These men are not dead. They are very much alive.”

“Are they in France? Then give them to Inspector Popil.”

“Give them to the French police? Why?” He shook his head. “Tomorrow is Sunday—do I have that right?”

“Yes, Sunday.”

“Come with me tomorrow. I’ll pick you up. I want you to look at a beast with me and tell me he should fear the French police.”

“Inspector Popil—”

“When you see Inspector Popil, tell him I have some mail for him.” Hannibal’s head was nodding.

“Where do you bathe?”

“The hazard shower in the lab,” he said. “I’m going down there now.”