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Beeks, Graydon: ‘“Exit, Pursued by a bear” – The Haymarket Opera Orchestra and Handel's arrival in England',
H-J
1996/1997
Bertoni, Giulio: ‘Giuseppe Riva e l'opera italiana a Londra',
Giornale storico della Letteratura italiana
89 (1923)
Best, Terence: ‘Handel's Chamber Music: Sources, Chronology and Authenticity'
EM
13 (1985)
Best, Terence: ‘Handel's Solo Sonatas'
M & L
58 (1977)
Best, Terence: ‘Keyboard Arrangements of Handel's Opera Arias 1717–1724'
H-J
1992
Bianconi, Lorenzo:
I libretti italiani di Georg Friedrich Handel e loro fonti
(Florence 1992)
Biba, Otto & Wyn Jones, David (eds):
Studies in Music History presented to
H.C. Robbins Landon on his Seventieth Birthday
(London 1996)
Blainville, M. de:
Travels through Holland, Germany, Switzerland and other parts of Europe; but especially Italy
(3 vols., London 1743)
Brett, Philip & Wood, Elizabeth:
Queering the Pitch
(New York 1994)
Brewster, Dorothy:
Aaron Hill
(New York 1913)
Bucholz, R.O.:
The Augustan Court: Queen Anne and the Decline of Court Culture (Stanford 1993)
Burney, Charles:
A General History of Music from the Earliest Ages to the Present Period
(4 vols. 1176–89) ed. Frank Mercer (2 vols., London 1935)
Burrows, Donald:
Handel
(Master Musicians Series, Oxford, 1994)
Burrows, Donald: ‘Handel and ‘Alexander's Feast',
MT
123 (1982)
Burrows, Donald:
Handel and the English Chapel Royal
(Oxford 2005)
Burrows, Donald: ‘Handel & The Foundling Hospital',
M & L
58 (1977)
Burrows, Donald:
Handel: ‘Messiah'
(Cambridge, 1991)
Burrows, Donald: ‘Handel's “As Pants the Hart”
MT
126 (1985)
Burrows, Donald: Handel's London Theatre Orchestra
EM
13 (1985)
Burrows, Donald ed.:
The Cambridge Companion to Handel
(Cambridge 1997)
Burrows, Donald: ‘The “Carmelite” Antiphons of Handel and Caldara',
H-J
2000
Burrows, Donald & Hume, Robert, ‘King George I, the Haymarket Opera Company and the Water Music',
EM
19
Burrows, Donald & Dunhill, Rosemary:
Music and Theatre in Handel's World: The Family Papers of James Harris 1732–1780
(Oxford 2002)
Cannon, Beekman C.:
Johann Mattheson, Spectator in Music
(Yale 1947)
Cesa, G.U. Pagani:
Discorso sopra Il Siroe
(Nice 1785)
Chisholm, Duncan: ‘Handel's “Lucio Cornelio Silla”, its Problems and Context',
EM
14 (1986)
Coxe, William:
Anecdotes of George Frederick Handel and John Christopher Smith
(London 1799)
Dacier, Emile:
Marie Sallé 1707–1756, d'après des documents inédits
(Paris 1909)
Dean, Winton:
Handel's Dramatic Oratorios and Masques
(London 1959)
Dean, Winton & Knapp, John Merrill:
Handel's Operas 1704–1726
(Oxford 1987)
Dean, Winton:
Handel's Operas 1726–1741
(Woodbridge 2006)
Dean, Winton: ‘Charles Jennens's Marginalia to Mainwaring's
Life of Handel
',
M&L
53 (1972)
Dean, Winton: ‘A French Traveller's View of Handel's Operas',
M&L
55 (1974)
Delany, Mary:
The Autobiography and Correspondence of Mary Granville, Mrs
Delany
, ed. Augusta, Lady Llanover (6 vols, London 1861)
Derr, Ellwood: ‘Handel's Procedures for Composing with Materials from Telemann's “Harmonischer Gottes-Dienst” in “Solomon”',
Göttinger Händel-Beiträge
1 (1984)
Deutsch, Otto Erich:
Handel: A Documentary Biography
(London 1955)
Dixon, Graham: ‘Handel's Music for the Carmelites: A Study in Liturgy and Some Observations on Performance',
EM
15 (1987)
Dorris, George E.:
Paolo Rolli and the Italian Circle in London 1715–1744
(The Hague 1967)
Dreyhaupt, Johann Christoph von:
Pagus Neletici et Nudzici
(Halle 1755)
Eisen, Walter and Margret:
Handel-Handbuch
(4 vols., Leipzig 1978–1985)
Evers, Stefan: ‘Zur Pathographie Handels',
H-J
1994/1995
Feltz, Almut: ‘G.F. Händels Entlehnungen aus der “Grossen Passion” von C.H. Graun – ein Beitrag zu Händels Kompositionsweise in der mitte der 1730er Jahre',
H-J
1989
Fiske, Roger:
English Theatre Music in the Eighteenth Century
(Oxford 1973)
Fortune, Nigel (ed.):
Music and Theatre: Essays in honour of Winton Dean
(Cambridge 1987)
Franchi, Saverio ed.: ‘Percorsi dell'Oratorio Romano, da “Historia Sacra” a melodrama spirituale. Atti della Giornata di Studi',
Viterbo 11
settembre 1999 (Rome 2002)
Friedlaender, Ernst: ‘Einger archivalische Nachrichten uber Georg Friedr. Händel und Seine Familie'
Mitteilungen für die Berlin Mozart-Gemeinde
vol. 2 no.13 (Berlin 1902)
Frosch, William A.: ‘Handel's Illness of 1737',
H-J
1994/1995
Gianturco, Carolyn: ‘“Il trionfo del Tempo e del Disinganno”: Four Case-Studies in Determining Italian Poetic-Musical Genres',
Journal of the Royal Musical Association
119 (1994)
Gibson, Elizabeth: ‘Owen Swiney and the Italian Opera in London',
MT
125 (1984)
Gibson, Elizabeth:
The Royal Academy of Music (1719–28): the Institution and its Directors
(New York & London 1989)
Goleeke, Thomas: ‘“These Labours past”: Handel's look to the Future',
Göttinger Händel-Beiträge
6 (1996)
Gregg, Edward:
Queen Anne
(London 1980)
Gress, Johannes: ‘Handel in Dresden 1719'
H-J
1963
Gudger, William D.: ‘Handel's Last Compositions and his Borrowings from Habermann',
Current Musicology
23 (1997)
Hall, J.S.: ‘Handel among the Carmelites',
Dublin Review
233 (1959)
Hall, J.S.: ‘The Problem of Handel's Latin Church Music',
MT
197 (1959)
Hatton, Ragnhild:
George I, Elector and King
(London 1978)
Hawkins, John:
A General History of the Science and Practice of Music
(5 vols. London 1776, reprinted 2 vols. London 1853)
Heriot, Angus:
The Castrati in Opera
(2nd edn. London 1960)
Hicks, Anthony: ‘Handel's Music for “Comus”', MT 117 (1976)
Hodgkinson, Terence: ‘Handel at Vauxhall',
Victoria & Albert Museum Bulleti/4(1965)
Hogwood, Christopher:
Handel
(Revised edn. London 2007)
Hogwood, Christopher & Luckett, Richard:
Music in Eighteenth-Century England: Essays in Honour of Charles Cudworth
(Cambridge 1983)
Hughes, Alison Meyric & Kisch, Martin Royalton: ‘Handel's Art Collection',
Apollo
146 (1997)
Hume, Robert D.: ‘Handel and Opera Management in London in the 1730s',
M&L
67 (1986)
Hunter, David: ‘Bragging on “Rinaldo”: Ten Ways Writers Have Trumpeted Handel's Coming To Britain',
Gottinger Handel-Beitrage
10 (2204)
Hunter, David: ‘Miraculous Recovery? Handel's Illnessses, the Narrative Tradition of Heroic Strength and the Oratorio Turn',
Eighteenth-Century Music
3/2 (2006)
Hunter, David: ‘Patronizing Handel, Inventing Audiences',
EM
28 (2001)
Hutchings, Arthur:
The Baroque Concerto
(London 1959)
Jacobsen, Roswitha: ‘Der Hof von Sachsen-Weissenfels und das kulturelle Verdienst seiner Herzoge',
Mitteldeutsches Jahrbuch für Kultur und Geschichte
3 (1996)
Johnson, Joan:
Excellent Cassandra: the Life and Times of the Duchess of Chandos
(London 1981)
Johnstone, H. Diack: ‘Handel and his bellows-blower (Maurice Greene)',
Gottinger Handel-Beitrage
7 (1998)
Keynes, Milo: ‘Handel and his Illnesses',
MT
123 (1982)
Kimbell, David: ‘The Libretto of Handel's “Teseo”',
M&L
48 (1963)
King, Richard G: ‘Handel's Travels in the Netherlands',
M&L
72 (1991)
King, Richard G: ‘Two New Letters from Princess Amelia',
H-J
1994/1995
Kirkendale, Ursula: ‘Handel with Ruspoli: New Documents from the Archivio Segreto Vaticano, December 1706 to December 1708',
Studi musicali
32 (2003)
Kirkendale, Ursula: ‘The Ruspoli Documents on Handel',
Journal of the American Musicological Society
20 (1967)
Klenz, W.:
Giovanni Maria Bononcini of Modena: a Chapter in Baroque Instrumental Music
(Durham, North Carolina 1962)
Landau, Marcus:
Rom, Wien, Neapel, wahrend des spanischen Erbfolgekrieges
(Leipzig 1885)
Larsen, Jens Peter:
Handel's ‘Messiah': Origins, Composition, Sources
(London 1957)
Lindgren, Lowell: ‘Ariosti's London Years',
ML
62 (1981)
Lindgren, Lowell: ‘The Three Great Noises “Fatal to the Interests of Bononcini”',
M&L
61 (1977)
Lindgren, Lowell: ‘Parisian Patronage of Performers from the Royal Academy of Musick (1719–28)',
M&L
58 (1975)
Lindgren, Lowell: ‘La carriera di Gaetano Berenstadt, contralto evirato (ca.1690–1735)',
Rivista italiana di musicologia
19 (1984)
Lindgren, Lowell: ‘The Accomplishments of the Learned and Ingenious Nicola Francesco Haym (1678–1729)',
Studi musicali
16 (1987)
Lindgren, Lowell: ‘Musicians and Librettists in the Correspondence of Gio. Giacomo Zamboni',
RMA Research Chronicle
24 (London, 1991)
Lindgren, Lowell & Timms, Colin: ‘The Correspondence of Agostino Steffani and Giuseppe Riva 1720–1728 and Related Correspondence with J.P.F von Schonborn and S.B. Pallavicini',
RMA Research Chronicle
36 (2003)
Luckett, Richard:
Handel's ‘Messiah': A Celebration
, London, 1992 Mainwaring, John:
Memoirs of the Life of the Late George Frederic Handel
(London 1760)
Marpurg, F.W.:
Historisch-Kritische Beyträge zur Aufnahme der Musik
(Berlin 1754)
Marx, Hans Joachim: ‘Die Hamburger Oper zur Zeit des jungen Händel',
H-J
1990
Marx, Hans Joachim: ‘Händels Concerti a Due Cori (HWV 332–334) und ihre kompositionsgeschichtlichen Grundlagen',
H-J
1996/1997
McCleave, Sarah: ‘Dancing at the English Opera: Marie Salle's Letter to the Duchess of Richmond',
Journal for the Society for Dance Research
17 (1999)
McGeary, Thomas: ‘Handel, Prince Frederick and the Opera of the Nobility Reconsidered',
Göttinger Händel-Beiträge
7 (1998)
Milhous, Judith & Hume, Robert D.: ‘A Prompt Copy of Handel's “Radamisto”',
MT
127 (1989)
Milhous, Judith & Hume, Robert D: ‘Heidegger and the Management of the Haymarket Opera, 1713– 17',
EM
27 (1999)
Milhous, Judith & Hume, Robert D.: ‘New Light on Handel and The Royal Academy of Music in 1720',
Theatre Journal
35/2 (1983)
Milhous, Judith & Hume, Robert D.: ‘Handel's Opera Finances in 1732–3',
MT
125 (1984)
Milhous, Judith & Hume, Robert D.: ‘The Charter for the Royal Academy of Music',
ML
67 (1986)
Milhous, Judith & Hume, Robert D.: ‘The Haymarket Opera in 1711',
EM
17 (1989)
Montalto, Lina:
Un mecenate in Roma barrocca
(Florence 1955)
Ness, Robert: ‘“The Dunciad” and Italian opera in England',
Eighteenth-Century Studies
20 (1986–1987)
Nichols, John:
Literary Anecdotes of the 18th Century
(London 1812)
Olszewski, Edward J.: ‘The Enlightened Patronage of Cardinal Pietro Ottoboni (1667–1740)',
Artibus et Historiae
23 (2002)
Percival, John, Ist Earl of Egmont: ‘Diary of Viscount Percival, afterwards First Earl of Egmont',
Historical MSS Commission
(London 1920)
Piechocki, Werner: ‘Die Familie Händel in der Stadt Halle', H-J 1990
Pirrotta, Nino & Ziino, Agostino (eds):
Handel e gli Scarlatti a Roma
(Florence 1987)
Powers, Harold S.: ‘Il Serse trasformato',
Musical Quarterly
47 (1961), 48 (1962)
Riepe, Juliane: ‘Kirchenmusik im Rom der Zeit Handels: Institutionen, Auftraggeber, Anlasse, Einige Anmerkungen',
H-J
2000
Roberts, John H.: ‘German Chorales in Handel's English works',
H-J
1996/1997
Roberts, John H.: ‘Handel and Gasparini: the “Ernelinda” Borrowings',
H-J
2003
Roberts, John H.: ‘Handel's Borrowings from Telemann: an Inventory',
Göttinger Händel-Beiträge
1 (1984)
Roberts, John H.: ‘Keiser and Handel at the Hamburg Opera',
H-J
1990
Roberts, John H.: ‘The Story of Handel's “Imeneo”',
H-J
2001
Robinson, Michael F.: ‘Porpora's Operas for London',
Soundings
2 (1971–2)
Rolli, Paolo Antonio:
Marziale in Albion
(Florence 1776)

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