H Is for Hawk (3 page)

Read H Is for Hawk Online

Authors: Helen Macdonald

Tags: #Birdwatching Guides, #Animals, #Personal Memoirs, #Nature, #Biography & Autobiography, #Birds

BOOK: H Is for Hawk
7.75Mb size Format: txt, pdf, ePub

Weeks passed. The season changed. The leaves came, the mornings filled with light, the swifts returned, screaming past my Cambridge house through the skies of early summer and I began to think I was doing fine.
Normal grief
, they call it. That’s what this was. An uneventful, slow climb back into life after loss.
It’ll be healed soon
. I still break into a wry smile thinking of how blithely I believed this, because I was so terribly wrong. Unseen need was motoring out through me. I was ravenous for material, for love, for anything to stop the loss, and my mind had no compunction in attempting to recruit anyone, anything, to assist. In June I fell in love, predictably and devastatingly, with a man who ran a mile when he worked out how broken I was. His disappearance rendered me practically insensible. Though I can’t even bring his face to mind now, and though I know not only why he ran, but know that in principle he could have been anyone, I still have a red dress that I will never wear again. That’s how it goes.

Then the world itself started to grieve. The skies broke and it rained and rained. The news was full of inundations and drowned cities; lost villages at the bottom of lakes; flash floods spilling over the M4 motorway to strand holiday traffic; kayaks on town streets in Berkshire; rising sea levels; the discovery that the English Channel was carved out by the bursting of a giant superlake millions of years ago. And the rain continued, burying the streets in half an inch of bubbling water, breaking shop canopies, making the River Cam a
café-au-lait
surge, thick with broken branches and sodden undergrowth. My city was apocalyptic. ‘I don’t see the weather as odd at all,’ I remember saying to a friend under a café awning while the rain struck the pavement behind our chairs with such violence that we sipped coffee in cold mist.

As the rain fell and the waters rose and I struggled to keep my head above them, something new began. I’d wake up frowning. I’d dreamed of hawks, again. I started dreaming of hawks all the time. Here’s another word:
raptor
, meaning ‘bird of prey’. From the Latin
raptor
, meaning ‘robber,’ from
rapere
, meaning ‘seize’. Rob. Seize. The hawks were goshawks, and one in particular. A few years earlier, I’d worked at a bird-of-prey centre right at the edge of England before it tips into Wales; a land of red earth, coal-workings, wet forest and wild goshawks. This one, an adult female, had hit a fence while hunting and knocked herself out. Someone had picked her up, unconscious, put her in a cardboard box and brought her to us. Was anything broken? Was she damaged? We congregated in a darkened room with the box on the table and the boss reached her gloved left hand inside. A short scuffle, and then out into the gloom, her grey crest raised and her barred chest feathers puffed up into a meringue of aggression and fear, came a huge old female goshawk. Old because her feet were gnarled and dusty, her eyes a deep, fiery orange, and she was
beautiful
. Beautiful like a granite cliff or a thundercloud. She completely filled the room. She had a massive back of sun-bleached grey feathers, was as muscled as a pit bull, and intimidating as hell, even to staff who spent their days tending eagles. So wild and spooky and reptilian. Carefully, we fanned her great, broad wings as she snaked her neck round to stare at us, unblinking. We ran our fingers along the narrow bones of her wings and shoulders to check nothing was broken, along bones light as pipes, hollow, each with cantilevered internal struts of bone like the inside of an aeroplane wing. We checked her collarbone, her thick, scaled legs and toes and inch-long black talons. Her vision seemed fine too: we held a finger in front of each hot eye in turn.
Snap, snap
, her beak went. Then she turned her head to stare right at me. Locked her eyes on mine down her curved black beak, black pupils fixed. Then, right then, it occurred to me that this goshawk was bigger than me and more important. And much, much older: a dinosaur pulled from the Forest of Dean. There was a distinct, prehistoric scent to her feathers; it caught in my nose, peppery, rusty as storm-rain.

Nothing was wrong with her at all. We took her outside and let her go. She opened her wings and in a second was gone. She disappeared over a hedge slantwise into nothing. It was as if she’d found a rent in the damp Gloucestershire air and slipped through it. That was the moment I kept replaying, over and over. That was the recurring dream. From then on, the hawk was inevitable.

3

Small worlds

I WAS TWELVE
years old when I first saw a trained goshawk.
Please, please, PLEASE!
I’d begged my parents. They let me go. Drove me there, even.
We’ll look after her
, the men said. They carried hawks on their fists: orange-eyed goshawks as remote and composed as statuary, with barred grey tails and breast feathers of vermiculated snow. I couldn’t speak. I wanted my parents to leave. But when their car pulled away I wanted to run after it. I was terrified. Not of the hawks: of the falconers. I’d never met men like these. They wore tweed and offered me snuff. They were clubbable men with battered Range Rovers and vowels that bespoke Eton and Oxford, and I was having the first uncomfortable inklings that while I wanted to be a falconer more than anything, it was possible I might not be
entirely
like these men; that they might view me as a curiosity rather than a kindred spirit. But I pushed my fears aside in favour of silence, because it was the first time I’d ever seen falconry in the field.
I’ll remember this day for ever
, I thought.
One day this will be me
.

We walked in dark winter light over fields furred with new wheat. Vast flocks of fieldfares netted the sky, turning it to something strangely like a sixteenth-century sleeve sewn with pearls. It was cold. My feet grew heavy with clay. And twenty minutes after we’d set out, it happened – the thing I expected, but for which I was entirely unprepared. A goshawk killed a pheasant. It was a short, brutal dive from an oak into a mess of wet hedge; a brief, muffled crash, sticks breaking, wings flapping, men running, and a dead bird placed reverently in a hawking bag. I stood some way off. Bit my lip. Felt emotions I hadn’t names for. For a while I didn’t want to look at the men and their hawks any more and my eyes slipped to the white panels of cut light in the branches behind them. Then I walked to the hedge where the hawk had made her kill. Peered inside. Deep in the muddled darkness six copper pheasant feathers glowed in a cradle of blackthorn. Reaching through the thorns I picked them free, one by one, tucked the hand that held them into my pocket, and cupped the feathers in my closed fist as if I were holding a moment tight inside itself. It was death I had seen. I wasn’t sure what it had made me feel.

But there was more to that day than my first sight of death. There was something else, and it also gave me pause. As the afternoon wore on, men started disappearing from our party. One by one their hawks had decided they wanted no more of proceedings, saw no good reason to return to their handlers, and instead sat in trees staring out over acres of fading pasture and wood, fluffed and implacable. At the end of the day we left with three fewer men and three fewer hawks, the former still waiting beneath their hawks’ respective branches. I knew goshawks were prone to sulk in trees: all the books had told me so. ‘No matter how tame and loveable,’
1
I’d read in Frank Illingworth’s
Falcons and Falconry
, ‘there are days when a goshawk displays a peculiar disposition. She is jumpy, fractious, unsociable. She may develop these symptoms of passing madness during an afternoon’s sport, and then the falconer is in for hours of annoyance.’

These men didn’t seem annoyed; fatalistic merely. They shrugged their waxed cotton shoulders, filled and lit pipes, waved the rest of us farewell. We trudged on into the gloom. There was something of the doomed polar expedition about it all, a kind of chivalric Edwardian vibe.
No, no, you go on. I’ll only slow you down
. The disposition of their hawks was peculiar. But it wasn’t unsociable. It was something much stranger. It seemed that the hawks couldn’t see us at all, that they’d slipped out of our world entirely and moved into another, wilder world from which humans had been utterly erased. These men knew they had vanished. Nothing could be done except wait. So we left them behind: three solitary figures staring up into trees in the winter dusk, mist thickening in the fields around them, each trusting that the world would later right itself and their hawk would return. And like the feathers in my pocket, their waiting also tugged at my faintly baffled heart.

I never forgot those silent, wayward goshawks. But when I became a falconer I never wanted to fly one. They unnerved me. They were things of death and difficulty: spooky, pale-eyed psychopaths that lived and killed in woodland thickets. Falcons were the raptors I loved: sharp-winged, bullet-heavy birds with dark eyes and an extraordinary ease in the air. I rejoiced in their aerial verve, their friendliness, their breathtaking stoops from a thousand feet, wind tearing through their wings with the sound of ripping canvas. They were as different from hawks as dogs are from cats. What’s more, they seemed
better
than hawks: my books all assured me that the peregrine falcon was the finest bird on earth. ‘She is noble in her nature’
2
wrote Captain Gilbert Blaine in 1936. ‘Of all living creatures she is the most perfect embodiment of power, speed and grace.’ It took me years to work out that this glorification of falcons was partly down to who got to fly them. You can fly a goshawk almost anywhere, because their hunting style is a quick dash from the fist after prey at close range, but to fly falcons properly you need space: grouse moors, partridge manors, huge expanses of open farmland, things not easy to come by unless you’re wealthy or well connected. ‘Among the cultured peoples,’
3
Blaine wrote, ‘the use and possession of the noble falcons were confined to the aristocracy, as an exclusive right and privilege.’

Compared to those aristocratic falconers, the
austringer
, the solitary trainer of goshawks and sparrowhawks, has had a pretty terrible press. ‘Do not house your graceless austringers in the falconers’ room,’
4
sniped the fourteenth-century Norman writer Gace de la Bigne. ‘They are cursed in scripture, for they hate company and go alone about their sport. When one sees an ill-formed man, with great big feet and long shapeless shanks, built like a trestle, hump-shouldered and skew-backed, and one wants to mock him, one says, “Look, what an austringer!”’ And as the austringer, so the hawk, even in books written six centuries later. ‘One cannot feel for a goshawk the same respect and admiration that one does for a peregrine,’
5
Blaine explained. ‘The names usually bestowed upon her are a sufficient index to her character. Such names as “Vampire”, “Jezebel”, “Swastika” or even “Mrs Glasse” aptly fit her, but would ill become a peregrine.’ Goshawks were ruffians: murderous, difficult to tame, sulky, fractious and foreign.
Bloodthirsty
, wrote nineteenth-century falconer Major Charles Hawkins Fisher, with patent disapproval.
Vile.
6
For years I was inclined to agree, because I kept having conversations that made me more certain than ever that I’d never train one. ‘You fly falcons?’ a falconer enquired of me once. ‘I prefer goshawks. You know where you are with a gos.’

‘Aren’t they a pain in the arse?’ I said, remembering all those hunched forms lodged high in wintry trees.

‘Not if you know the secret,’ he countered, leaning closer. There was a slight Jack Nicholson vibe to all this. I drew back, faintly alarmed. ‘It’s simple. If you want a well-behaved goshawk, you just have to do one thing. Give ’em the opportunity to kill things. Kill as much as possible.
Murder
sorts them out.’ And he grinned.

‘Right,’ I said. There was a pause, as if it wasn’t quite the right response. I tried again. ‘Thanks.’ And I was all,
Bloody hell! I’m sticking with falcons, thank you very much
. I’d never thought I’d train a goshawk. Ever. I’d never seen anything of myself reflected in their solitudinous, murderous eyes.
Not for me
, I’d thought, many times.
Nothing like me.
But the world had changed, and so had I.

It was the end of July and I’d convinced myself that I was pretty much back to normal. But the world around me was growing very strange indeed. The light that filled my house was deep and livid, half magnolia, half rainwater. Things sat in it, dark and very still. Sometimes I felt I was living in a house at the bottom of the sea. There were imperceptible pressures. Tapping water-pipes. I’d hear myself breathing and jump at the sound. Something else was there, something standing next to me that I couldn’t touch or see, a thing a fraction of a millimetre from my skin, something vastly
wrong
, making infinite the distance between me and all the familiar objects in my house. I ignored it.
I’m fine
, I told myself.
Fine
. And I walked and worked and made tea and cleaned the house and cooked and ate and wrote. But at night, as rain pricked points of orange light against the windows, I dreamed of the hawk slipping through wet air to somewhere else. I wanted to follow it.

I sat at my computer in my rain-lit study. I telephoned friends. I wrote emails. I found a hawk-breeder in Northern Ireland with one young goshawk left from that year’s brood. She was ten weeks old, half Czech, one-quarter Finnish, one-quarter German, and she was, for a goshawk, small. We arranged that I should drive to Scotland to pick her up. I thought that I would like to have a small goshawk. ‘Small’ was the only decision I made. I didn’t think for a second there was any choice in the matter of the hawk itself. The hawk had caught me. It was never the other way around.

Other books

The Lost Bird by Margaret Coel
True for You by Valentine, Marquita
Quantico by Greg Bear
BeyondAddiction by Desiree Holt
Remote Control by Jack Heath
Wrapped Up in a Beau by Angelita Gill
Druid's Daughter by Jean Hart Stewart
Feel by Karen-Anne Stewart
Wiser by Lexie Ray
Wicked Hunger by Delsheree Gladden