Guardians of The Flame: To Home And Ehvenor (The Guardians of the Flame #06-07) (11 page)

BOOK: Guardians of The Flame: To Home And Ehvenor (The Guardians of the Flame #06-07)
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Tennetty ducked inside. I wished that she would talk things over before she did them; these sorts of things can be death traps.

But she came out laughing—not just giggling, but laughing
hard
, one hand holding her stomach. I thought she was going to drop the shotgun. "Yeah," she managed to wheeze out, in between gales of laughter, "they've got a . . . cow in there. And a goat, and I think there's some, some chickens in the cellar."

Ahira and Andrea were over with the family, trying to calm them down. I sort of got the impression that having a bunch of strangers with guns around wasn't either normal or comfortable for them.

On the other hand, when she turns on her smile, Andrea can charm bark off a tree.

"Greetings, all," she said. "We're just here to look into your wolf problem. The baron sent us."

"Old or new?" the woman asked, suspicious of us, if not of the notion of the nobility looking into predators.

"New," she said. "Baron Cullinane. We work for him. Tennetty, Daherrin, Worelt, and Lotana," she said, indicating us in turn.

I'd had a moment of nervousness. Andrea's always had an unfortunate tendency to honesty, and four of us have gotten fairly famous through the Eren regions. That can be handy, but more often it's a problem: more than a few idiots would like to see what holding onto the former Empress of Holtun-Bieme would get them. (Dead is what it would get them, I hope. But maybe they don't know that. Or maybe they don't care what I hope.) And lots of folks would like to find out if they're better with a shortsword than One-Eyed Tennetty or faster with a knife than Walter Slovotsky. (Yes, there are both; but you'll understand that I'd prefer not to demonstrate that.)

Andy's instincts were right on the money: she had picked out false names for the three of us, but not for Tennetty. Tennetty was fairly famous in her own right—women warriors weren't common, particularly one-eyed ones—and giving her a false name might be a clue that the rest of us were traveling under false colors.

The man ducked his head. "Begging your pardon, but—"

His wife shook her head, quickly. "No."

"I saw them," he insisted.

"How many?"

"Half a dozen, perhaps more. Wolves, yes, but . . ."

"But what?"

"There was something else," he said.

Andy's gentle smile broadened. I think she was trying to look reassuring, but she came off as amused. "And what might that be?"

He gripped at the air in front of him. "It looks like a wolf, just like a wolf, but it isn't." The words came fast, as though stumbling out. "I saw; I know. It isn't. It is larger, it moves strange, it isn't a wolf, it just looked like one."

I gave it a try. "What do you mean, it wasn't a wolf, but just looked like one?"

His fingers twitched in frustration. "It didn't
move
right. It bends in the wrong parts."

"A wolf that bends in the wrong places," Tennetty said. "Doesn't sound like a major problem to me." Tennetty dismissed them with a gesture; they filed back into the hut, although we could feel their eyes on us.

"It was a day and a half ago," Ahira said,
sotto voce.
"Wolves can cover a lot of territory in a day and a half. If they want to."

I wish I'd taken that zoology class. What was the dynamic of pack wolves? Did they have a territory, or—

Andrea knelt next to a pile of turds, one hand in her wizard's bag.

"Hang on a moment," I said, irritated. "I don't—"

"If you can come up with a better way to find them than with a location spell, Walter," she said, "then let's get to it."

"I'm a fairly good tracker," I admitted. Traditionally, it's the job of the nobility to protect the peasants, whether it's from invading raiders or wandering wolves. We weren't the local nobility, not really, but we were sitting in for him.

"Not good enough." Tennetty shook her head. "In a few days, if they're holed up and not on the move, you should be able to find them. In the meantime, not only do they fatten themselves on the local cattle, but we have to sleep during the heat of the day and hunt through the night."

"On the other hand, Andrea's supposed to keep her use of magic to a minimum. It's not healthy—"

"—for you to be talking about me in the third person," Andy said, her smile wide, but not particularly pleasant.

Ahira held up a hand. "We are all tired. But let's think it through." He ticked it off on blunt fingers. "We've got no problem with having wolves around, as long as they know enough to stay away from people. These don't." He added a finger. "They aren't going after cattle because other game is scarce: it isn't. They have a taste for beef, and aren't frightened enough of humans. So they have to go. It's cool in the woods—we'll duck off the road into the woods and pitch the sleeping tarp, everybody gets some rest, and then a hot meal, and then we hunt late in the afternoon."

He frowned. "With the location spell."

* * *

No point in putting it off any longer. The horses were saddled, the guns loaded and lashed into place. My bow was only half-strung, slung over my chest, two dozen widebladed hunting arrows stuck into the quiver on my back. (Yes, stuck—you don't want the arrows falling out if you take a fall.) A flask of Eareven healing draught was strapped to my left calf—my scabbard kept banging into it.

My hand was sweaty where it gripped the boar spear. It's the best hand-to-hand hunting weapon ever invented: six feet of shaft, grip points wound with leather and brass, topped by a long, fist-wide blade. About two feet back of the blade was the crosspiece. The classic crosspiece is just that: a piece of brass intended to hold whatever you've just stabbed at arm's length. Some genius—no, not one of us; we don't have the patent on genius—had modified it into kind of a U-shaped staple, points sharp, but unbarbed. The result looked like a trident with a glandular condition.

Tennetty held four of the horses. They stood prancing, waiting, while Andy, in a ring of torches, crouched over the wolf shit. There was something in her expression that took me way back.

Once, a long time ago, I saw a little corgi who had just been hit by a car, about half a block from the vet's. My brother Steve and I were walking home from school and just came in at the end of it. Dr. MacDonald, a comically rotund little man, came running, a black bag like a real doctor's in his hand. He knelt over the little dog.

I don't remember much about the dog itself—I looked away.

But I do remember the look in Dr. Mac's face as he loaded the syringe: not only a kind of sedate compassion, but a raging unhurried competence. I misread it, and I grabbed for Steve's arm. "He's going to be able to save it."

Steve shook his head. "No. He's going to make the dog stop hurting."

There was that same something in Andrea's face as she silently knelt on the dust, oddments of bone and beak and feather spread out in front of her in the shape of a run-over bird.

With medical precision, she cleaned the ball of her left thumb, then pricked it with the razor point of a knife she had borrowed from Tennetty, letting one, two, three fat drops of blood well up, then fall into the dirt and the wolf turds.

The fire flared higher as she spoke, first in a quiet mumble, the volume growing steadily as her voice became clearer, uttering words that could only be heard but never remembered, smooth sibilants that vanished on the ear and in the mind. The torches flickered higher as she screamed out the vanishing syllables.

For a moment, just a moment, I thought that nothing would happen. There's a part of me that doesn't really believe in magic.

But then a feather twitched, and a piece of bone began to vibrate, and the twitching feather was joined by a white, ghostly one, as was the bone, and then another and another. Bits of feather and bone, both real and pale simulacrums, assembled themselves into bird, and flapped into the air.

Ahira and Tennetty were already on their horses, the butts of their spears resting in their stirrups.

Andrea rose, her face pale and sweaty in the firelight. "Quickly, now," she said, her voice a husky hiss. "The bird will try to keep itself halfway between me and the wolf. Let us hurry."

We cantered off toward the setting sun.

* * *

Just to show you what an asshole a kid from New Jersey can be, I used to think that riding a cantering horse was sort of like driving a fast car. Yes, I thought, you have to worry about bumping into stuff, but physically demanding, nah. Except on the horse.

Well, a lot I knew.

We clopped down roads, cut across fields—yes, careless of the damage to crops, but conscious of the damage a pack of wolves can do to the local livestock—avoiding cutting through the woods.

Ahead, the bird fluttered, barely visible, constantly slowing, but always flying just a little too fast, just a little too far for us to ease up on the horses. Riding a fast-moving horse is hard.

Yes, my mare would jump over a drainage ditch, but I had to hang on to her back as she leaped the ditch, and landing was every bit as hard on me as it would have been if I was doing the jumping. Not to mention the way the saddle of the usually-cantering and sometimes-galloping horse kept threatening to slam the base of my spine into the base of my skull.

I was about to call a halt, using as my excuse that I didn't think the horses could take it, when the bird stopped at the edge of a field, perched itself neatly on a gnarled limb, then dissolved into a shower of feathers and bones.

I looked over at Andrea.

She nodded; the spell had dissolved because we were close, not because it had run out of magic.

The woods blocked out the setting sun, loomed dark and menacing.

Ahira was already on the ground, his boar spear in his hand. He planted it solidly in the ground, then picked up his crossbow, quickly cocking it and slipping in a bolt.

"Tennetty, keep your spear ready, but get your rifles and bow out. Andrea, shotgun on the half-cock—"

I slipped from my saddle and started to string my bow.

Ahira shook his head. "Nope; Walter, you work your way around and drive them toward us." He tossed me a pair of grenades.

I chuckled bravely as I stowed the grenades in my vest. Well, it was supposed to be a brave chuckle, but it sounded forced to me; I just hope the others weren't quite as perceptive.

"And what if they decide to run toward me instead of you?"

He chuckled back. "Then I'd suggest you climb a tree. Quickly."

* * *

Skulking through the woods is partly art, but mainly craft.

It doesn't matter who or what you are: if you try to walk on the floor of a forest—twigs, dry leaves, and God-knows-what-else underfoot—you will make noise. The trick is to stick to hard-packed dirt, to flat rock and green grass. This can get a bit complicated when you're also being damn sure to stay within dashing range of a tree.

I circled around downwind of where the wolf pack should have been, making more noise than I would have liked, but not enough to carry very far. The idea was to spook them after all, and drive them in the direction of my friends.

Nice thing to do to your friends, eh?

Well, it was Ahira's idea, not mine. And it shouldn't be a problem—that's what the guns and the bow were for. Not that that was my problem, not now. My problem was keeping myself alive and unbit while I located the pack.

Hmm. If I were running a wolf pack, I'd have posted scouts some distance away from the body of the group. It would be an interesting mathematical problem—the farther away the circle of watchers, the more warning they could give, but the more of them you'd need. Probably susceptible to some sort of minimax solution, or game theory analysis, but I don't guess that wolves do either.

The other way, of course, would be—either instead of or in addition to posting scouts—to have some roaming watchmen making regular tours.

I don't know whether it was a hidden watchman or a roamer I'd missed that jumped me. With barely a rustling of leaves and twigs, two hundred pounds of coarse fur and awful stink lunged out of the dark brush for me, teeth unerringly aimed at my leg.

—Which wasn't there. Emma Slovotsky's baby boy doesn't wait around to get bitten by a wolf.

I danced out of his way and kicked him as he passed—it didn't hurt him, but it made his lunge carry him past me.

By the time he had spun around, I was already up the nearest tree, chinning myself on a thick branch, my stomach left somewhere behind me on the ground.

As I clambered the rest of the way to the branch, shouts and shots echoed off in the distance, but they seemed less important than the way the wolf scrabbled at the bark of the tree as he tried to get at me.

He howled once, then went silent—he didn't snarl, didn't growl. The silence was more frightening than snarling would have been. The way he crouched down in preparation for a leap was even worse.

I know I'm supposed to be completely cool and calm at all times, but it's only in the job description—it has nothing to do with reality. My fingers trembled as I pulled a grenade out of my vest, and tried to strike the fuse on the patch of roughness on its side. From the shots and shouts off in the distance, it sounded like the other part of the fight had already taken off, but it still made sense to scare any remaining wolves in their direction.

Meanwhile, my new friend was eyeing me silently, in between leaps up the side of the tree that brought his awful yellow teeth within inches of my ankles. I thought about trying to pull myself up so I could stand on the branch instead of sitting on it, and decided that I could too easily lose my balance trying. I thought about kicking at his face, but I only thought about it.

It took three strikes until the grenade's fuse sputtered into life, and I pitched it hard in what I hoped was the direction of the pack, and then turned to deal with the lone wolf.

I wish I could report that I did something clever or heroic, but all I did was pull one of my brace of pistols, and cock it. The next time he gathered himself for a leap it gave me a stable enough target to aim at, and I gently squeezed the trigger. Shooting down is supposed to be hard, but that's only when you're shooting out and down—you tend to compensate for the distance to the target instead of the horizontal component of the distance.

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