Grumbles from the Grave (38 page)

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Authors: Robert A. Heinlein,Virginia Heinlein

Tags: #Authors; American - 20th century - Correspondence, #Correspondence, #Literary Collections, #Letters, #Heinlein; Robert A - Correspondence, #Science Fiction & Fantasy, #20th century, #Authors; American, #General, #Language Arts & Disciplines, #Science Fiction, #American, #Literary Criticism, #Science fiction - Authorship, #Biography & Autobiography, #Authorship

BOOK: Grumbles from the Grave
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December 22, 1966: Lurton Blassingame to Virginia Heinlein

. . . and to receive the
Grok
buttons. Might be news release to give additional stimulus to book.

April 15, 1967: Robert A. Heinlein to Lurton Blassingame

More about
Stranger

My brother Rex queried the shopkeeper from whom he had purchased several sorts of
Stranger
buttons, was told: "There are about a dozen different suppliers." He went on to say that one of them was a girl who was working her way through college making these buttons (no doubt other sorts than
Stranger
buttons).

This afternoon (now Sunday evening) a sculptor, ---- of Los Gatos, called on us—to show us a figure he had just completed in bronze of the death of the Martian named Smith. He asked permission to bring it over at once as he was taking it to his agent in San Francisco in negotiating a commission for an heroic-size crucifixion job for a church.

(---- is a successful sculptor, not a starving artist.) But [he] wanted me to see it first.

A young woman who came with him asked me where I had gotten the word
grok
—no, she had not read the book,
had not been able to lay hands on a copy
[my emphasis added] . . . but that she knew what it meant as "everybody uses it now."

January 26, 1967: Lurton Blassingame to Robert A. Heinlein

Checking on
Grok
magazine.

February 28, 1967: Lurton Blassingame to Robert A. Heinlein

In the 2/19 issue of the New
York Times Book Review
, there is an article you may want to see—"Where the Action Is." It mention(s)
Stranger
and
Grok.
Reference seems responsible for stirring Hollywood interest. Another call asking if
Stranger
rights available.

March 14, 1967: Lurton Blassingame to Robert A. Heinlein

Have two issues of
Grok.

April 28, 1968: Robert A. Heinlein to Lurton Blassingame

I enclose a clipping sent to me from Toronto—please return for my
Stranger
file. "Fair Use" of course—but that book
must
have made a wide impression if a telephone company in Canada makes this use of a neologism from it. (And when I think how Putnam continues to refuse to reissue a hardcover of it, I get so annoyed I need a Miltown. Damn it, they should at least arrange a Grosset and Dunlap reprint; I get regular inquiries about where to buy it in hardcover. He's missing a lot of library sales, too.)

May 23, 1968: Robert A. Heinlein to Lurton Blassingame

Since I sent you that Canadian telephone ad I have run into three more uses of
grok
—one in a short story in
Playboy
, simply as a part of dialog with no explanation, same for a poem, and a report of a shop in Florida: "We Grok Bookshop." Oh, well, while it doesn't pay royalties, it does interest me to see this neologism spread. But the darnedest thing so far is an announcement in the UCLA
Daily Bruin
concerning "Experimental College Classes—Spring 1968" with one course billed as "J. D. Salinger, Robt. Heinlein, Lawrence Ferlinghetti and Other Personal Gurus—"!!! And I'm such a square I don't even know who the third guru is. Nor does Ginny. However, I'm new to the guru business.

January 23, 1967: Robert A. Heinlein to Lurton Blassingame

Did I tell you that [Dr.] Jack Williamson is using
Stranger
as a study text in his class in SF at U of E. New Mexico? Quote: "I'm launching new courses in linguistics and modern grammar and another in the factual literature of science. . . . (in my SF class) and we are now reading
Stranger in a Strange Land.
I was a little afraid that some of my students might not be sufficiently sophisticated for it, but the response so far is good—some class members feel that it is more successful than Huxley's
Brave New World
, which we have just finished."

Did I mention in some other letter that Stanford now offers a course in SF? Apparently SF is beginning to be accepted as a respectable genre of serious literature. It is a pleasant feeling—but I have to keep reminding myself that seeing my name in print is nothing; it is seeing it on a check that counts. It is still the clown business; the object is to entertain the cash customer—I shall simply have to try harder than ever.

February 3, 1967: Robert A. Heinlein to Lurton Blassingame

Did I give you the impression that the principal interest in
Stranger
was from teenagers? It may be, but I hope not and do not think so. I might be forced to drink hemlock for "teaching that the worse is the better part and corrupting the youth of the land."
Stranger
is definitely an adult book, and the comments in it on both sex and religion are such that I think it would be imprudent to attempt any sort of publicity which attempts to tie this book with teenagers.

Lurton, I myself am not the least afraid of corrupting the teenagers of this country; it can't be done. They are far more sophisticated, as a group, than are their parents. They take up in junior high school smoking, drinking, fellatio, cunnilingus, and soixante-neuf, and move on to coition, marijuana, and goof balls during senior high school, then get the Pill and join the New Left when they enter college—or
at the very least are exposed to these things at these ages and sometimes earlier.
Plus LSD and other drugs if they wish. Shock them or corrupt them—impossible! If they refrain, it is voluntary, not because they haven't been exposed.

But their parents rarely know this—parents are always certain that it is the wild, beat crowd on the other side of town, not
their
little darlings! So, while I do not think
Stranger
can corrupt any reader, no matter how young—on the contrary I think it is a highly moral book—I think also that it would be impolitic to exploit it as a book for teenagers.

November 17, 1967: Robert A. Heinlein to Lurton Blassingame

I finally heard from the University of Wisconsin . . . This was the bid I heard about through ---- and concerning which I phoned you. I am about to turn it down—regretfully, since Oshkosh is so close by. But what they want me to do is lecture about
Stranger in a Strange Land.
I decided years ago
never
to discuss my own works on a platform . . . and I think the pragmatic reasons behind this decision apply especially strongly to
Stranger.
A writer looks pretty durn silly "explaining" his stories. He said what he had to say in the ms.—or should have.
Stranger
is a fairy tale; if it amuses the reader, he has received what he paid for. If he gets something more out of it, that's a free bonus. But I'm durned if I'll "explain" it.

(I wonder if John Barth ever "explains"
Giles Goat Boy?
If he does, I'll bet he has his forked tongue in both cheeks and intentionally leaves the listener more bemused than ever. I was much impressed and enormously amused by
Giles,
and now I want to obtain and read and keep all his other fictional works—now that I can afford things other than building materials. On the other hand, Barth's fiction is not for Ginny; she lives life in simple declarative sentences with no veiled allusions, and she wants her fiction the same way.)

I am turning down the bid from Cornell; I turned down one yesterday from U of California; and I am turning down as they come in numerous lesser bids mostly from high schools here and there. Quite aside from the nuisance of speaking in public, this is not a year when I want to cope extemporaneously with the questions period which usually follows a platform talk—undeclared wars, race riots, the drop-out generation, etc., are all matters I prefer not to deal with orally and in public; I find these matters extremely complex and am not sure of the wisdom of my opinions.

But I did find it expedient to accept an invitation for March 30 for the Monterey Bay Area Libraries Book Festival; librarians are a special category. I feel that I have to do it once, for the local libraries—then next time I can point out that I already have, and sorry, but this year I'm tied up. I waived their fee, however, as I prefer doing it free to accepting a small fee ($50)—so that I can continue to tell others that sure, I speak in public—but I'm a pro and my fees are horrendously high.

MANSON CASE

January 7, 1970: Virginia Heinlein to Lurton Blassingame

Some weeks ago, a fan letter came in from the jail in Independence, California. In a burst of generosity, Robert tried to do something about this girl who'd written him. It turned out that she was one of the Manson family. So if we're knifed in our beds like Sharon Tate, it's because of three letters from members of the family. Just tell the police. I'm leaving these notices everywhere I can, in hopes of preventing anything from happening.

PLAYBOY
INTERVIEW

January 16, 1970: Virginia Heinlein and Robert A. Heinlein to Lurton Blassingame

Will you also please tell Mr. [Hugh] Hefner that the
only
reason Robert agreed to be interviewed was
not publicity
for himself, but the offer of a forum to boost the space program. Publication of this interview in an early issue might have helped. As it is, the space program is in ruins, and Hefner is attempting to make something of what might have been by the use of
Stranger
and the Manson case. We will not go along with this. He has not bought himself a tame rabbit by that contribution to the Ed White Memorial Fund. He can take his [magazine] and stuff it, having first folded it until it is all corners. Under no condition will we make any public statement about the Manson case and
Stranger.
We consider Mr. Hefner's suggestion very much out of line and an invasion of our privacy. It is not a matter of
reluctance
to discuss Robert's work, but a downright refusal to do so, which has been a policy of his for a very long time.

November 10, 1970: Virginia Heinlein to Lurton Blassingame

Believe this if you can—
Stranger
is on the Women's Lib reading list!

May 4, 1971: Lurton Blassingame to Virginia Heinlein

Doesn't think anything can be done about the Valentine Smith company. Wishes they would put their letterhead and all press releases that they're using name "from the character created by Robert A. Heinlein in
Stranger in a Strange Land
."

Editor's Note: In 1971, a fan group that based many of its philosophies on Stranger in a Strange Land wrote to Heinlein asking permission to use material from the book. Permission was not granted. Later, a member of that group wrote to Heinlein asking why he was unsympathetic to its aims. Here is his reply.

January 20, 1972: Robert A. Heinlein to a Reader

Facts:

1. The last time I was present at any organized SF fandom meeting was at Seattle in 1961 plus a very brief appearance at Chicago in 1962 to accept the Hugo for
Stranger
—brief because I showed up at the last minute, having been busy at NASA Houston on some writing for the Gemini program.
Stranger
was published in 1961. If there were any "nests" or such by Labor Day 1962, I was unaware of them. My contact with organized fandom since that day has been zero.

2. Before 1962 my contact with organized fandom was slight. I went several times to meetings of the LASFS [Los Angeles Science Fiction Society] in 1939-40 and went to the convention in 1940 or '41. Check: 1941, at Denver, as I recall now that I was in the east at that time in 1940. After 1940 the next contact that I recall was (I believe) in 1958—a meeting in Newark—then again at Chicago in 1960, to receive a Hugo. I think that sums up the total of my contacts with organized fandom, although I may have forgotten some casual appearance, as the period spans thirty-three years and I kept no records on it. But I am
certain
that my last appearance at a meeting was ten years ago.

3. Contacts with individuals, fans of SF who may or may not have been part of organized fandom: There have been many of these, by letter, in my home, in other people's homes, or elsewhere. There have been more fan contacts in the past than in recent years, because of pressure of work and loss of time caused by illness. In many cases I do not know whether a stranger I have met (in person or by letter) is or is not a member of organized fandom. In some cases I've learned it later (too late!) through learning that a private letter of mine has been published in one of those fan magazines, or have found that casual, social remarks have been treated, without my consent or review, as an "interview" and published in a garbled form. . . .

4. As a result of the above we have become somewhat more cautious in recent years in our social contacts and in the letters we write, especially as the pressure from strangers has become much greater. I have to live behind a locked gate and with an unlisted phone to get any work done at all—and this is a hell of a note as my wife and I are by nature quite gregarious and social. Mrs. Heinlein usually answers and signs all of the mail, which tends to discourage the incipient "pen pals" who would, if allowed, take up all my time and leave none for writing. A rare exception, such as your letter, I answer myself. We necessarily find our social life among people who don't read science fiction.

5. All of the above adds up to this: There are very, very few people in organized fandom who know anything at all about me in the sense of knowing me personally or in being privy to my private opinions, tastes, or habits. My published works are widespread and anyone can read them. The public facts about my life are in several reference books in most public libraries. But a member of science fiction fandom is most unlikely to know any more about me than you do, and if he claims otherwise, he is almost certainly talking through his hat.

6. But I am repeatedly amazed at the number of people who claim to be "experts" on me. (One of them even wrote an entire book about me. I have never met him in my life.)

7. I have never expressed "antagonism" or hostility to "nests" or "water-brotherhoods." This is sheer fabrication. I would like to throw such a lie into the teeth of anyone saying so, if I knew who he was.

8. On the contrary, a number of "nests" have indeed gotten into contact with me. I have treated them with politeness. I have standing invitations to visit them. I think I am on good terms with every such organization which has taken the trouble to get into touch with me. If you have any specific data to the contrary, I would like to hear it, in detail. (But I have no way to deal with malicious allegations from faceless, nameless strangers.)

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