Oh, but Brede would sell out anyhow, even at a loss; what was the good of a farm for him? He was home-sick for the village again, the easy gossiping life there, and the little shop--it suited him better than settling down here to work, and trying to forget the world outside. Could he ever forget the Christmas trees and parties, or the national feastings on Constitution Day, or the bazaars held in the meeting-rooms? He loved to talk with his kind, to exchange news and views, but who was there to talk with here? Inger up at Sellanraa had seemed to be one of his sort for a while, but then she had changed--there was no getting a word out of her now. And besides, she had been in prison; and for a man in his position--no, it would never do.
No, he had made a mistake in ever leaving the village; it was throwing himself away. He noted with envy that the Lensmand had got another assistant, and the doctor another man to drive for him; he had run away from the people who needed him, and now that he was no longer there, they managed without him. But the men who had taken his place--they were no earthly good, of course. Properly speaking, he, Brede, ought to be fetched back to the village in triumph!
Then there was Barbro--why had he backed up the idea of getting her to go as help to Sellanraa? Well, that was after talking over things with his wife. If all went well, it might mean a good future for the girl, perhaps a future of a sort for all of them. All very well to be housekeeper for two young clerks in Bergen, but who could say what she would get out of that in the long run? Barbro was a pretty girl, and liked to look well; there might be a better chance for her here, after all. For there were two sons at Sellanraa.
But when Brede saw that this plan would never come to anything, he hit on another. After all, there was no great catch in marrying into Inger's lot--Inger who had been in prison. And there were other lads to be thought of besides those two Sellanraa boys--there was Axel Ström, for instance. He had a farm and a hut of his own, he was a man who scraped and saved and little by little managed to get hold of a bit of live stock and such-like, but with no wife, and no woman to help him. "Well, I don't mind telling you, if you take Barbro, she'll be all the help you'll need," said Brede to him. "Look, here's her picture; you can see."
And after a week or so, came Barbro. Axel was in the midst of his haymaking, and had to do his mowing by day and haymaking by night, and all by himself--and then came Barbro! It was a godsend. Barbro soon showed she was not afraid of work; she washed clothes and cleaned things, cooked and milked and helped in the hayfield--helped to carry in the hay, she did. Axel determined to give her good wages, and not lose by it.
She was not merely a photograph of a fine lady here. Barbro was straight and thin, spoke somewhat hoarsely, showed sense and experience in various ways--she was not a child. Axel wondered what made her so thin and haggard in the face. "I'd know you by your looks," he said; "but you're not like the photograph."
"That's only the journey," she said, "and living in town air all that
time."
And indeed, she very soon grew plump and well-looking again. "Take my word for it," said Barbro, "it pulls you down a bit, a journey like that, and living in town like that." She hinted also at the temptations of life in Bergen--one had to be careful there. But while they sat talking, she begged him to take in a paper--a Bergen newspaper--so that she could read a bit and see the news of the world. She had got accustomed to reading, and theatres and music, and it was so dull in a place like this.
Axel was pleased with the results of his summer help, and took in a paper. He also bore with the frequent visits of the Brede family, who were constantly dropping in at his place and eating and drinking. He was anxious to show that he appreciated this servant-girl of his. And what could be nicer and homelier than when Barbro sat there of a Sunday evening twanging the strings of a guitar and singing a little with her hoarse voice? Axel, was touched by it all, by the pretty, strange songs, by the mere fact that some one really sat there singing on his poor half-baked farm.
True, in the course of the summer he learned to know other sides of Barbro's character, but on the whole, he was content. She had her fancies, and could answer hastily at times; was somewhat over-quick to answer back. That Saturday evening, for instance, when Axel himself had to go down to the village to get some things, it was wrong of Barbro to run away from the hut and the animals and leave the place to itself. They had a few words over that. And where had she been? Only to her home, to Breidablik, but still ... When Axel came back to the hut that night, Barbro was not there; he looked to the animals, got himself something to eat, and turned in. Towards morning Barbro came. "I only wanted to see what it was like to step on a wooden floor again," she said, somewhat scornfully. And Axel could find nothing much to say to that, seeing that he had as yet but a turf hut with a floor of beaten earth. He did say, however, that if it came to that, he could get a few planks himself, and no doubt but he'd have a house with a wooden floor himself in time! Barbro seemed penitent at that; she was not altogether unkindly. And for all it was Sunday, she went off at once to the woods and gathered fresh juniper twigs to spread on the earthen floor.
And then, seeing she was so fine-hearted and behaved so splendidly, what could Axel do but bring out the kerchief he had bought for her the evening before, though he had really thought of keeping it by a while, and getting something respectable out of her in return. And there! she was pleased with it, and tried it on at once--ay, she turned to him and asked if she didn't look nice in it. And yes, indeed she did; and she might put on his old fur cap if she liked, and she'd look nice in that! Barbro laughed at this and tried to say something really nice in return; she said: "I'd far rather go to church and communion in this kerchief than wear a hat. In Bergen, of course, we always wore hats--all except common servant-girls from the country."
Friends again, as nice as could be.
And when Axel brought out the newspaper he had fetched from the post office, Barbro sat down to read news of the world: of a burglary at a jeweller's shop in one Bergen street, and a quarrel between two gipsies in another; of a horrible find in the harbour--the dead body of a newborn child sewed up in an old shirt with the sleeves cut off. "I wonder who can have done it?" said Barbro. And she read the list of marketing prices too, as she always did.
So the summer passed.
Great changes at Sellanraa.
There was no knowing the place again, after what it had been at first: sawmill, cornmill, buildings of all sorts and kinds--the wilderness was peopled country now. And there was more to come. But Inger was perhaps the strangest of all; so altered she was, and good and clever again.
The great event of last year, when things had come to a head, was hardly enough in itself, perhaps, to change her careless ways; there was backsliding now and then, as when she found herself beginning to talk of the "Institute" again, and the cathedral at Trondhjem. Oh, innocent things enough; and she took off her ring, and let down that bold skirt of hers some inches. She was grown thoughtful, there was more quiet about the place, and visits were less frequent; the girls and women from the village came but rarely now, for Inger no longer cared to see them. No one can live in the depth of the wilds and have time for such foolishness. Happiness and nonsense are two different things.
In the wilds, each season has its wonders, but always, unchangingly, there is that immense heavy sound of heaven and earth, the sense of being surrounded on all sides, the darkness of the forest, the kindliness of the trees. All is heavy and soft, no thought is impossible there. North of Sellanraa there was a little tarn, a mere puddle, no bigger than an aquarium. There lived some tiny baby fish that never grew bigger, lived and died there and were no use at all--
Herregud
! no use on earth. One evening Inger stood there listening for the cowbells; all was dead about her, she heard nothing, and then came a song from the tarn. A little, little song, hardly there at all, almost lost. It was the tiny fishes' song.
* * * * *
They had this good fortune at Sellanraa, that every spring and autumn they could see the grey geese sailing in fleets above that wilderness, and hear their chatter up in the air--delirious talk it was. And as if the world stood still for a moment, till the train of them had passed. And the human souls beneath, did they not feel a weakness gliding through them now? They went to their work again, but drawing breath first; something had spoken to them, something from beyond.
Great marvels were about them at all times; in the winter were the stars; in winter often, too, the northern lights, a firmament of wings, a conflagration in the mansions of God. Now and then, not often; not commonly, but now and then, they heard the thunder. It came mostly in the autumn, and a dark and solemn thing it was for man and beast; the animals grazing near home would bunch together and stand waiting. Bowing their heads--what for? Waiting for the end? And man, what of man standing in the wilds with bowed head, waiting, when the thunder came? Waiting for what?
The spring--ay, with its haste and joy and madcap delight; but the autumn! It called up a fear of darkness, drove one to an evening prayer; there were visions about, and warnings on the air. Folks might go out one day in autumn seeking for something--the man for a piece of timber to his work, the woman after cattle that ran wild now after mushroom growths: they would come home with many secrets in their mind. Did they tread unexpectedly upon an ant, crushing its hind part fast to the path, so the fore part could not free itself again? Or step too near a white grouse nest, putting up a fluttering hissing mother to dash against them? Even the big cow-mushrooms are not altogether meaningless; not a mere white emptiness in the eye. The big mushroom does not flower, it does not move, but there is something overturning in the look of it; it is a monster, a thing like a lung standing there alive and naked--a lung without a body.
Inger grew despondent at last, the wilds oppressed her, she turned religious. How could she help it? No one can help it in the wilds; life there is not all earthly toil and worldliness; there is piety and the fear of death and rich superstition. Inger, maybe, felt that she had more reason than others to fear the judgment of Heaven, and it would not pass her by; she knew how God walked about in the evening time looking out over all His wilderness with fabulous eyes; ay, He would find her. There was not so much in her daily life wherein she could improve; true, she might bury her gold ring deep in the bottom of a clothes chest, and she could write to Eleseus and tell him to be converted too; after that, there was nothing more she could find beyond doing her work well and not sparing herself. Ay, one thing more; she could dress in humble things, only fastening a blue ribbon at her neck of Sundays. False, unnecessary poverty--but it was the expression of a kind of philosophy, self-humiliation, stoicism. The blue ribbon was not new; it had been cut from a cap little Leopoldine had grown out of; it was faded here and there, and, to tell the truth, a little dirty--Inger wore it now as a piece of modest finery on holy days. Ay, it may be that she went beyond reason, feigning to be poor, striving falsely to imitate the wretched who live in hovels; but even so--would her desert have been greater if that sorry finery had been her best? Leave her in peace; she has a right to peace!
She overdid things finely, and worked harder than she ought. There were two men on the place, but Inger took the chance when both were away at once, and set to work herself sawing wood; and where was the good of torturing and mortifying the flesh that way? She was so insignificant a creature, so little worth, her powers of so common a sort; her death or life would not be noticed in the land, in the State, only here in the wilds. Here, she was almost great--at any rate, the greatest; and she may well have thought herself worth all the chastening she ordered and endured. Her husband said:
"Sivert and I, we've been talking about this; we're not going to have you sawing wood, and wearing yourself out."
"I do it for conscience' sake," she answered.
Conscience! The word made Isak thoughtful once more. He was getting on in years, slow to think, but weighty when he did come to anything. Conscience must be something pretty strong if it could turn Inger all upside down like that. And however it might be, Inger's conversion made a change in him also; he caught it from her, grew tame, and given to pondering. Life was all heavy-like and stern that winter; he sought for loneliness, for a hiding-place. To save his own trees he had bought up a piece of the State forest near by, with some good timber, over toward the Swedish side, and he did the felling now alone, refusing all help. Sivert was ordered to stay at home and see that his mother did not work too much.
And so, in those short winter days, Isak went out to his work in the dark, and came home in the dark; it was not always there was a moon, or any stars, and at times his own track of the morning would be covered with snow by nightfall, so he was hard put to it to find his way. And one evening something happened.
He was nearing home; in the fine moonlight he could see Sellanraa there on the hillside, neat and clear of the forest, but small, undergroundish to look at, by reason of the snow banked high against the walls. He had more timber now, and it was to be a grand surprise for Inger and the children when they heard what use he would make of it--the wonderful building he had in mind. He sat down in the snow to rest a bit, not to seem worn out when he came home.
All is quiet around him, and God's blessing on this quiet and thoughtfulness, for it is nothing but good! Isak is a man at work on a clearing in the forest, and he looks out over the ground, reckoning what is to be cleared next turn; heaving aside great stones in his mind--Isak had a real talent for that work. There, he knows now, is a deep, bare patch on his ground; it is full of ore; there is always a metallic film over every puddle of water there--and now he will dig it out. He marks out squares with his eye, making his plans for all, speculating over all; they are to be made green and fruitful. Oh, but a piece of tilled soil was a great and good thing; it was like right and order to his mind, and a delight beyond....