Read Growing Pains of a Hapless Househusband Online
Authors: Sam Holden
So I didn't do that.
Instead, I drained my glass and said, 'I think I should
go.'
'You don't want to stay for lunch? I got us some nice
pâté, you know the salmon one you like.'
'Got us'. There was something touchingly assumptive
about those two words, something very uxorious. It's the
little combinations of small words like that which I
expect you would miss if you were divorced. Her
thoughtfulness about the pâté seemed almost contrived,
an attempt to woo me. But the 'got us' suggested
a partnership, a very man-and-wifey partnership. Sally
and I must say it to each other the whole time, and I
never think about it. Why should I? I assume the 'us' in
my life. Everything is about 'us'.
'I mustn't,' I said. 'And I won't give you some bull
that I've got things to do. It's just that I don't think it's
fair on you if I stick around and drink wine and smoke
fags and have a jolly time. I want you to know that when
I walk out that door, it's me saying that I can't return
your love, and I can't place myself in situations in which
lovers might find themselves.'
'OK, you're beginning to sound a bit pompous now.'
'That was the idea.'
(It wasn't.)
'You'd better go before you get any worse.'
We then made our predictably awkward goodbyes.
So now what? A LOT to think about. Do I tell Sally? I
wish somebody could help me with this, but who?
Nigel? He'd only tell Clare, and then it would go
round everyone. Matt? He'd just laugh, and then say I
should poke her. No, I think I've just got to deal with
this one on my own. God knows how I'm going to sleep
tonight. All I can see when I close my eyes is Dom in
his nappy.
Tuesday 15 July
I've been immensely slack with my diary, and the reason
for this is simple. Hard bloody work. It's a bit of a shock
to the system, frankly. So what have I been up to? Well,
because I'm a management consultant at heart, I'm
going to bullet-point it:
And now we're going to go on holiday. I can't wait. With
all our massive
WonderHubby
wealth we've hired this
amazing villa in Chiantishire, and we're having a week
with just the four of us, and then the second week we're
being invaded by Nigel and Clare and all their mob. It's
going to be such fun – and, best of all worlds, Halet has
agreed to come and help look after the children during
the second week. I feel like a millionaire. Sally was
reluctant at first, thinking it would be an invasion of our
privacy, but I said that I was sure that Halet was enough
of a woman of the world to avert her eyes when drunken
thirtysomethings decide that skinny-dipping is just the
best fun in the world.
Monday 4 August
Holiday was exactly as I had hoped – see separate photo
diary for details. The children behaved and the adults
misbehaved, which is just as it should be. I now have a
tan, and I have restored all the weight lost for and
during the filming. What's more, thanks to Halet being
around, Sally and I managed to have lots of sex, which
made us feel like a couple again. If you don't get round
to having sex, or fall out of the habit, then you can end
up feeling like just good friends who are bringing up
children together. Highlight of the holiday was Nigel
appearing in a makeshift nappy after one drunken
supper, whereupon Clare ripped it off and chased him
round the garden until he fell into the pool. I think you
had to be there. I'm just glad the children weren't
awake.
Tuesday 5 August
Have just got back from London from seeing the final
edits of the programme. I'm both astonished and
appalled. Astonished, because they have truly made silk
purses out of sows' ears. Appalled, because the level of
deceit that the viewer is being exposed to is almost
criminal.
'Wouldn't it have been easier to just hire actors?' I
asked Dom. 'And then got them to sign non-disclosure
agreements?'
'We could have done, but I like to think that we make
quality programmes.'
'Ah.'
(I wondered what could possibly be inferior, but then
I don't have satellite TV.)
'And you can also just tell when actors are acting,' he
continued. 'Let's face it, the only actors we could afford
are ones that nobody would recognise, and there's
often a good reason why an actor is not recognised.'
'Because he's crap?'
'Exactamundo. So, cheaper to use real people, as we
don't have to pay them, and when they moan that the
editing has made them look bad, everybody ignores it
because people always moan about the editing.'
'Cunning.'
'Extremely.'
(The image of Dom in his nappy crossed my mind,
but I did my best to get rid of it.)
'What I find amazing,' I said, 'is that it actually looks
as if the Holden Childcare Programme really works.'
Dom chuckled.
'I know. Because let's face it, it's a bunch of bollocks,
isn't it?'
I honestly didn't know what to make of that, and I still
don't. The truth is I'm increasingly undecided about
the whole Holden Childcare Programme. Yes, yes, yes, I
know deep down that it's probably a load of – sorry, a
bunch of – bollocks, but at the same time I still think
there is something in it. There's no doubt that the way
we bring up our children is entirely haphazard, slapdash,
make-do, on the wing, random. None of us really
think it out and plan how we're going to do it. These
creatures arrive, and then we just muddle through from
day to day, and kid ourselves that we know what we're
doing and that we're completely in control.
The fact is, we're not. The children are in control.
Not in the sense that they're telling us what to do, but
because our lives are entirely based around them.
There's nothing wrong with that – in fact, it's just as it
should be – but isn't it ridiculous that we don't have a
system in place that enables us to be in command of
childcare in the same way as a good CEO is in command
of his company? It's not that I want my children to
behave like cowed employees, but I just want the whole
thing to run itself smoothly, and to have a programme
that enables that.
Hence the HCP. I think, besides all the management
speak, it really has potential. The only problem has
been the way it's been applied. I haven't done it
successfully at home, and with our six families the whole
thing had been hopeless, frankly. Utterly unscientific,
and completely chaotic. So much for the observer not
reacting with the system. I'm convinced that with at
least two or three of the families, a properly established
HCP might have yielded some results, perhaps even
positive ones.
I pretty much said all this to Dom, who nodded.
'Well, I'm glad you think that,' he said. 'Because
you're going to need to be saying that sort of stuff over
and over again for the next few months.'
'Really?'
'Oh yes. Have you not seen Emma yet about your
media schedule?'
'No.'
So I did. And when I saw her, I was amazed. She read
out a long list of magazines, newspapers, TV and radio
shows, some of which I had even heard of.
'You're very much in demand,' she said. 'And this is
before the preview DVDs go out. We're extremely
excited Sam. We think this could be bigger than
Make
'Em Work
!'
'
Make 'Em Work
?'
'Didn't you see it? It was our biggest hit. It was all
about getting your kids to do your job for a week. The
coalmining one was a hoot.'
'I must have been out or something.'
'Anyway, we think this is going to go far far bigger
than that.'
'Wow.'
'Wow indeed. Look – here's a provisional timetable.'
She passed me three sheets of A4.
'You'll see that the first interview is on Monday with
Julia Stocks on BBC9. Can you do that?'
'Course I can.'
'Great! Because from now on, these interviews are
your 100 per cent priority, OK? No excuses!'
'Who is Julia Stocks anyway?'
'You've never heard of her?'
'Nope.'
'She's an agony aunt-cum--shrink type. You must
know her – fat and annoying.'
'I tend not to mix with such people.'
Emma laughed.
'Anyway, she's one of the original feminists. I think
she was even there when Emilia Pankhurst chained
herself to that horse back in the 1960s.'
There were too many errors in that sentence to even
bother correcting, so I just let it go. Having worked
with TV people all these months, I'm used to the
staggeringly bad grip that they have on history, or
'facts' in general. In truth, TV people just don't care
about the truth. Truth is boring and static, and it
shouldn't be obeyed. There's nothing sexy about truth
whatsoever.
'Julia has this theory that the whole househusband
thing is a load of crap.'
'Does she now?'
'Oh yes! She told me on the phone that it was just a
myth put about by men in order to make it look as
though feminism had succeeded.'
'Sigh,' I said. 'Will these people never be happy?'
'Of course not! Take away their war, and you take
away their reason for living. But you must promise to
behave, do you understand? You must be nice to her, or
she'll tear you apart.'
'Hah! Tear me apart? Some old braless dungaree-wearer
with a crap haircut? Not a chance!'
'Hmm,' went Emma. 'You see, that's the old-fashioned
attitude that you need to keep hidden. And
please never admit you vote Conservative.'
'Why?'
'Because it's TV death.'
'Really?'
'Yes. Do you remember all those stars in the 1980s
who used to make pop records for Maggie at election
time?'
'No.'
'My point exactly. They're the same ones who also
said they were going to leave the country when Labour
got in, and somehow they never got round to it.'
'Interesting, but I don't see why being right wing is
TV death. After all, aren't most people in this country
pretty right wing?'
'Of course they are! But they're not Conservatives.
There's a huge difference. Being right wing is pretty
much OK, but being a Tory is a total no-no. Got that?'
'OK, OK, got it, but please don't tell me what to say
or think,' I said. 'I react very badly to it.'
'Perhaps we should cancel Julia,' said Emma as she
looked down the list.
'Certainly not!' I said. 'Bring her on! I shall answer
her questions sensibly and with the intelligence she and
her listeners deserve.'
Emma raised an eyebrow.
'I really think we should cancel.'
'I really think we shouldn't.'