Grief Girl
Authors: Erin Vincent
Contents
To Adamâ
this book would not exist without you.
And in memory of Mum and Dad
T
O LOSE ONE PARENTâ¦MAY BE REGARDED AS A MISFORTUNE;
TO LOSE BOTH LOOKS LIKE CARELESSNESS.
âOscar Wilde,
The Importance of Being Earnest,
Act I
T
HANKS TO
â¦
Editor extraordinaire Wendy Loggia, who believed in this book when no one else did. Your talent, insights, warmth, and humor made it all so much better. Sara Crowe, my wonderful book-loving agent, who always goes above and beyond. Beverly Horowitz for her much-appreciated support and enthusiasm. Pam Bobowicz for asking all the right questions. Colleen Fellingham for giving it a polish. Angela Carlino for creating a book jacket I adore. The smashing Wade Lucas, my cheerleader and tireless promoter.
Connie, Steele, Theo, and Peter Nounnis, and Venise Damaskos for your love and memories. Julie Price for all the great letters, memories, encouragement, and renewed friendship. Teresa Eather for always being there and for reminding me of things I'd forgotten. Eric Kosse for singing on my answering machine, believing in me, and reading the book when it was 550 pages long.
Marilyn Castro, Sue Chae, Leonora Ribeiro, Francis Sticco, Amanda Youngman, and all my supporters at the bookstore.
Jan Lindstrom-Valerio, Donna Passannante, Miwa Messer, Heather Ryan, Dennis Wurst, and Jennifer Gardiner for being so encouraging. Danielle Assouline, my wise and talented young reader. The fabulous Kim Dower for her generosity, cherished friendship, and wisdom. The gorgeous Judith Nordhal, who always makes me feel like a million bucks. The wise and wonderful Suzanne Wickham-Beaird for sharing so much.
The Society of Children's Book Writers and Illustrators for helping make things possible.
Goddess of goddesses, Agapi Stassinopoulos, for leading me to Harvey Klinger.
Keith Apana, Monica Boggs, Angela Bottrell, Augusten Burroughs, Cherie Courtade, Martin Davison, Kim Delaney, Charles Duncombe Jr., Gigi Levangie, Claudia Harrington (SCBWI), Karen Hebert, Gavin Hignight, Allison Hunter, Toni Lawson, Seidy Lopez, Frederique Michel, Pete Panos, Patti Southern, Austin Storm, Ilka Trevillian, Ken Wilson, Seth Wimmer, and Sian and Nick Worth.
Joanne Steuer, I could not have edited my book without your wisdom and guidance. Thank you for helping me move forward.
Trent and Mayu Jackson for being happy for me. Toni and Kate Haroon for all the fun and laughter back there in Australia.
My gorgeous nieces, Shae, Bree, Michaella, Shelby, Cyan, and Linleyâ¦just because.
Raelene Roberts, my “adopted sister,” and her husband, Scot.
Bradley Knott, Leanna McNeil, and Melissa and Ross Kable for always being there for me and for cheering me on.
My “adopted” parents, Jill and Graham Knott. I could never have done this without your support and unconditional love through the years. Mum and Dad would be so happy to know I have you in my life. There are not enough words to thank you.
And finallyâ¦
My
Grief Girl
interviewer, transcriber, editor, masseur, cook, cleaner, cheerleader, shoulder to cry on, and most devoted husband in the universe, Adam “love of my life” Knott. You put so much love and hard work into this. This book is yours too. Thank you for making everything possible.
Boyâ¦How did I get so lucky?!
I've killed them. Killed them with my thoughts.
Why would I think such a thing?
Am I evil?
Was it a premonition? A daydream? A wish?
Can thinking something make it happen?
October 23, 1983
I
t's getting late and Mum and Dad aren't back yet. They said they'd be home before dark. So where are they?
I should be happy. Even though I'm fourteen, I've never been allowed to stay alone for more than a few hours, and tonight I've got the whole house to myself. I can blast my music, watch whatever I want on TV, raid the refrigerator. But something doesn't feel right.
This isn't like Mum. She's the kind of mother who'll call and tell me the car has broken down or she's caught up talking to someone, or that she and Dad have stopped for something to eat. She's the kind of mother who worries too much and calls too often.
Maybe I misunderstood. Maybe they said they'd be late?
No, I remember Mum walking over to me on the sofa at lunchtime, kissing me and saying they'd definitely be home before dark.
They were going to visit Nanny's grave in the country, dropping my little brother, Trent, off at Evelyn's house on the way.
So where are they? It's seven o'clock already.
I'll call Evelyn. She's Mum's best friend. “Hi, it's Erin. Have Mum and Dad come to pick up Trent?”
“Not yet. So I get some extra time with him. He's so sweet!”
“Good,” I say, distracted. “Um, Evelyn? I'm worried.”
But Evelyn tells me not to be. “They probably just got held up, Erin. I'll have them call you as soon as they get here.”
“Okay. Thanks.”
I hang up. Maybe I
am
overreacting. Mum says I'm a worrywart, but it's her fault. She's the one always going on about wanting to die before us kids. Now she's got me thinking the worst.
Maybe I should do my tapestry to take my mind off things. I've just learned embroidery, and I'm surprising Mum with a tapestry for Christmas. I know it's kind of geeky, but I can't help it. I love how the picture emerges with each stitch. When it comes to her birthday and Christmas, Mum always says, “Just make me something, darling.” But I never do.
My sister, Tracy, rolled her eyes when she found out. “You're such a dork. Why do you have to sit around reading all the time? And now tapestry? You're hopeless.” Tracy is four years older than I am. We're very different. She says I'm the biggest nerd there is. But I wish she were here now. She's been at her best friend's house all day; they were going clubbing tonight.
It's officially dark. I can see all the neighborhood lights on through our sheer green and cream striped curtains. I probably should get up and turn some lights on besides the reading lamp next to me, but I can't move. I don't know why, I just can't. It's like I'm stuck on the living room sofa.
Just keep stitching and stop it with the stupid thoughts.
I figure if I'm here doing this for Mum, she'll be all right, it will keep her safe. I won't look up. I won't even raise my head. I'll position myself so I can't even see the mirrors behind Dad's bar or the black hole that was the dining room half an hour ago or the kitchen with the echo of the humming fridge making it all seem even emptier. I've never noticed that hum before. Why is it that things sound louder in the dark?
It's eight o'clock. Why haven't my parents called? They should have been home hours ago. Where are they? Where could they be? What if something bad has happened to them? What if they've been in a car accident? What ifâ
The phone's ringing. Thank God.
“Mum?”
“Erin! Is this Erin Vincent?” asks a woman's voice I don't recognize.
My stomach sinks. It's not Mum. I'd better get this woman off quick in case my parents try to call.
“There's been an accident. Your parents have been in an accident!” the woman cries.
I hold the phone tight, trying to process what she's saying. “What? Who is this?”
“Don't worry. I'm a nurseâI'm here with them. Your dad told me to call you.”
“I don't understand. What about Mum? What's going on?”
“The ambulance just left, it's on the way to Liverpool Hospital.”
“But you said you were a nurse,” I say, confused.
“Aren't you there now?”
“I'm here at the side of the road. I just happened to drive past.”
“Please! What's happened? What's going on? Who are you?” I beg.
“Look, that's all I know. I'm sorry. Call Liverpool Hospital.”
“Wait! Don't hang up.”
She's hung up! You can't say that and just hang up!
This isn't happening. This isn't happening. This isn't happening.
It was just a prank call. That's it. But how did that woman get our number, and how did she know Mum and Dad aren't home? How did she know my name?
Oh no. God, no! Please, God, no.
My heart's pounding so hard and fast I feel like it's becoming dislodged from my chest. The threads holding it in place have broken and it's just bouncing around in there.
What do I do?
I pray.
Please, God. Don't let them be dead. I'm begging you. I'll do anything. I'll sing hymns and hand out pamphlets at the mall, I'll watch religious TV. I'll keep you constantly in my thoughts. Just let them have broken legs or arms or something. I know I had that terrible thought last week, but that was just a stupid orphan daydream. Don't all kids think stuff like that?
It's quiet and dark, but I don't want to put the lights on. My eyes have adjusted and I can see all around me, but it's like someone turned the brightness down on the TV. I'm standing between the dining room and the kitchen. In this light, Mum's expensive wood dining table and maroon-velvet-cushioned chairs look like something out of an old English movie. The copper hood above the stove belongs in the servants' kitchen, where they pluck chickens and stir pots of stew over an open fire.
I need to move. I can't stand still.
I'm walking around the house in circles, around and around and around, faster and faster, until each room becomes a blur. They're dead. Mum's dead. No, what am I saying? She can't be.
She made my lunch today.
I've got to call the hospital. Breathe deeply and think straight. Be strong.
I wish I knew where Tracy was. She's at a nightclub, but which one? Probably better I don't know. Why make her panic too?
These stupid flimsy phone book pages won't turn quickly enough. I'm scared to dial the number but I know I have to. Okay, it's ringing. They're not dead, they're not dead, they'reâ
“Good evening, Liverpool Hospital,” a man answers.
“Ohâ¦so this is Liverpool Hospital?” I say, my voice shaky.
“Yes.”
“Um, how do I find out if someone's been taken there recently? Tonight, I mean.”
“I'll put you through.”
“They're okay, they're okay, they're okay,” I chant.
“Admissions,” says a chirpy voice.
“Hello, I need to find out about two people taken there tonight.”
“Names?”
“RonaldandBeverlyVincent.”
“You'll need to talk a bit slower,” she says. “What are their names?”
“Vincent, Ronaldâ¦and Beverly Vincent.”
Just saying their names makes me want to cry, but I'm not going to.
“Hang on. I'll check.”
Please, God. Please.
She's going to come back with good news.
She's back. “There's no one been admitted by those names.”
“Are you sure? I was told they were going there.”
“I'm positive. They're not here.”
Is that good or bad? Another dial tone. She's hung up.
Please, God, don't let them be dead.
Where are they? Mum, Dad, come home.
I need to get out of here. Maybe someone else will know what to do. I'll call Auntie Connie, our neighbor. She's not really my aunt, but on my street all the kids call the adults Auntie and Uncle. It would feel strange to call them anything else. Mr. and Mrs. just aren't enough.
Auntie Connie, Uncle Steele, and their kids, Theo, Venise, and Peter, are our closest friends in the neighborhood. They're Greek. Going to their house is like visiting a country within a country, a little bit of Greece just up the road. Having meals there is like going to a Greek restaurant (not that I've ever been to one). We eat with the TV tuned to the
Greek Variety Hour.
Lots of flashing lights and Greek singers and dancers. Venise, Theo, and Peter hate it. I love it.
My hands feel clammy on the phone. Stupid phone.
Theo answers. He's a couple of years older than I am. He's the nicest boy I know. Last year I had the biggest crush on him, but I'm over it now. I tell him what's happened. I'm crying. He tells me his parents are out but that I can come over and wait with him.
I turn off the reading light. Dad will be angry if I leave a light on. I get my keys and lock the front door.
It's a hot and windy Australian summer night. The kind of night in horror movies where bad things happen. But nothing bad would happen on our happy street. It's a cul-de-sac, with lots of kids. We skateboard, have water balloon fights, and ride go-carts down the hill. There's hardly ever traffic, so we never have to worry about being run over in the street, which is a big relief for Mum.
We live in Beverly Hills, thirty minutes from the center of Sydney. It's nothing like the Beverly Hills in America that I see on TV. My Beverly Hills has no rich people. My Beverly Hills has redbrick houses, eucalyptus trees, and Toyotas, not Porsches. I'm going to make it to the real Beverly Hills one day and become a movie star. But in the meantime, the other kids and I perform on the back of Dad's work truck, parked in the street outside our house. We live at number six, which is a lucky number, Mum says.
Please let us be lucky tonight.
        Â
I walk up the hill to Theo's and ring the doorbell, and I hear him running down the stairs. He opens the door and the light almost blinds me. Their place is always so bright.
Theo has a strange look on his face. Like he's scared too, or maybe just annoyed. I suppose he had better things to do tonight than comfort me. It's good not to be on my own anymore. We go upstairs to his room and begin to call the hospital every ten minutes. We take turns.
“No, sorry, no one by those names here.”
The whole top floor is Theo's domain. His bedroom is off the games room, which has a mirrored bar, a TV, a sound system, and a pool table. Theo, Venise, and I always have so much fun up here. But not tonight.
With every call I'm getting more and more desperate. How can you go missing from an accident to a hospital? It's like my parents have fallen off the face of the earth. Maybe there was no accident. No, no one would be sick enough to play a joke like that, would they?
We call and wait, call and wait.
“Mum and Dad will be home soon,” Theo says. He means his. We both know mine might never be home again.
Stop thinking that, Erin!
We call and wait. Call and wait.
“How long has it been?” I ask Theo.
“You've been here for about an hour, I think.”
This is driving me crazy. I've got to take my mind off it or I'll give myself a heart attack. That'd be great. We find Mum and Dad are okay with just a few bruises, and I'm dead from the panic of it all.
I've got to think good thoughts, think good thoughts.
There's the sound of a car.
Is it Mum and Dad? Mine, not his? We look out the window. It's his. Venise is with them, and little Peter is asleep in Uncle Steele's arms. We run downstairs and tell them what I'm doing here.
They put Peter straight to bed and take over.
“Don't worry, Erin, I'm sure everything's just fine,” Auntie Connie reassures me, and for the first time tonight I feel like maybe it's not going to be that bad.
“Just sit on the sofa, Erin. We'll take care of it,” Uncle Steele says with a smile.
So here I sit staring at the pool table while they make phone calls. Venise is with me, but we say nothing. I'm not moving, but everything inside is. I'm moving without moving.
Uncle Steele's just closed the door to Theo's room. What does that mean?
I can hear murmuring. Do they know something? Are Mum and Dad finally at the hospital or are they on their way home? I don't want to know. What if it's something I don't want to hear? I don't want to wait anymore, but while I wait, nothing's changed. They're both still alive and everything's fine. What if I've waited all this time to hear something awful?
They've found them. I can tell. Auntie Connie just made a terrible
Aaahhhh!
sound behind the door. She's moaning and trying to muffle it. A kind of moan I've never heard before.
No, no, no!
Take it back, God. Take it back. Turn the clock back. Don't let it be.
I want to run but I can't move. I lift my feet off the floor. Don't ask me why, because I don't understand it myself. I just don't want my feet on the floor. They open the door. Auntie Connie looks pale. She's speaking to Theo in Greek and Uncle Steele is walking toward me. He kneels where my feet were.
“They're at the hospital. Your dad is in critical condition,” he says with his hands on my knees.
“And Mum?” I ask, wanting, and not wanting, him to tell me.
He just looks at me and I know.
And I run.
