Authors: Gerry Canavan
Souvenir
(Jane Rosenthal): apocalyptic futurity in,
18
; climate change themes in,
146
,
150
â
51
; as travel narrative,
146
â
47
,
150
Soylent Green
(Richard Fleischer),
3
,
10
,
40
,
107
space exploration/colonization themes: closed ecological economy theme,
6
â
9
; Earth-centrism in,
254
; Golden Age “space empire” literature,
7
; NASA Earth photographic images,
7
; shared universe in Asimov,
7
Spaceship Earth image: arks compared with,
109
; closed economy as theory for,
6
â
9
; Cold War and,
104
; commons resource system,
106
,
109
; lifeboat ethics,
18
,
103
,
109
â
11
; NASA Earth photographic images,
8
â
9
; scarcity discourse and, x; as science fiction,
17
â
18
; Spaceship Beagle carrying capacity,
102
; wasteland as open-economy space,
111
.
See also
scarcity
;
sustainability
speculative fiction,
ix
,
155
â
56
Spinoza, Baruch de,
208
â
11
,
219
Stapledon, Olaf: evolutionary SF by,
42
â
43
; evolution ethics in,
43
; on “human chauvinism” in golden age works,
78
. Works:
Last and First Men
,
37
,
42
â
43
steampunk movement,
15
Stern, Michael,
87
Stevenson, Adlai E.,
104
Stewart, George R.,
51
. See also
Earth Abides
Stillman, Peter,
56
Stone, Christopher,
89
â
90
,
249
Strand, Clark,
204n15
sustainability: anti-sustainability backlash in
The Man Who Awoke
,
44
; Darwinian evolutionary model for,
43
; neoliberal capitalism and,
184
â
85
; permaculture,
14
â
16
,
21n38
; sustainability themes in SF,
xi
,
43
â
44
.
See also
scarcity
;
Spaceship Earth image
Suvin, Darko: on cognitive estrangement,
xi
,
62
,
181
,
196
â
97
; on human transformation,
14
; on pastoralism in Simak,
48
; on political ecology in Le Guin,
56
â
60
,
67
,
72
Suzuki, David,
193
Szeman, Imre,
12
Tansley, A. G. (“Tansley Manifesto”),
30
â
32
tar sands oil extraction,
192
Taylor, Alan,
83
Taylor, Gordon Rattary,
40
technology: anti-ecological effects of,
251
â
52
; decayed technology in Bacigalupi's “Pump Six,”
180
,
187
â
88
; dystopian stage in
The Man Who Awoke
,
44
; future technology in
The Ice People
,
134
;
The Genocides
as shift in view of,
87
; human characterization in SF and,
144
; invention of cell phones,
ix
â
x
; 1960s anti-technological New Wave,
80
; scientific overreach in
Island of Dr. Moreau
,
25
; SF-reality gap narrowing,
ix
â
x
; steampunk movement and,
15
; technological world in
Avatar
,
219
â
222
; utopian mastery of nature in
Men Like Gods
,
34
â
35
.
See also
robots
Thompson, Flora,
254
time and temporality: ancient ruins as projected future,
11
â
12
; Cold War catastrophic future,
159
; cyclical history in
WALL-E
,
15
â
16
; future as ironic present in
Soylent Green
,
10
; future-fictional uchronias,
116
; futureology in
Sea and Summer
,
120
â
21
; futuristic style in ecological writing,
192
â
93
; nonsustainability as robbing the future,
250
â
51
; radical potential of doom,
12
â
13
; re-lived futurity in
Girlfriend in a Coma
,
161
â
66
; temporality of climate change,
4
â
5
; utopia as historical other,
14
totalitarianism,
3
transformation of humanity: apocalyptic transformation,
169
â
73
; post-consumerism in
Daybreakers
,
13
â
14
; post-imperial Other in
Avatar
,
13
,
19
.
See also
human beings
Tsiolkovsky, Konstantin,
254
Turner, Frederick Jackson,
6
Turner, George: career,
117
; futureology in
Sea and Summer
,
120
â
21
;
Sea and Summer
overview,
117
â
20
; on SF political/moral efficacy,
116
. Works:
Beloved Son
,
117
;
Down There in Darkness
,
117
; “The Fittest,”
117
;
And Now Time Doth Waste Me
,
117
;
The Sea and Summer
(
Drowning Towers
, U.S. title),
116
â
21
utopia: animal utopia in
City
,
47
; Arcadian-Utopian dialectic,
1
â
3
,
16
; Australia in utopian fiction,
115
â
16
; cognitive estrangement and,
xi
,
62
; critical utopian tradition,
179
; historical otherness and,
14
; Le Guin non-capitalist utopias,
56
,
59
; planetary awareness and,
207
â
8
; as political desire,
60
â
61
; religious utopia,
255
â
56
; science faction as anti-utopian,
202
â
3
; utopian possibility in Kim Stanley Robinson,
246
â
47
; utopian world in
Men Like Gods
,
32
; world reduction in,
61
,
62
â
73
; yin utopianism,
62
â
68
,
72
.
See also
ecotopia
Vacca, Roberto,
40
Vance, Jack,
253
Van Vogt, A. E.,
78
Veiras, Denis,
115
Venter, Eben,
150
Vietnam War,
88
virtual space,
9
Wagar, W. Warren,
49
Walton, Robyn,
116
War of the Worlds, The
(H. G. Wells): overview,
26
â
30
; advanced extraterrestrials in,
25
â
26
,
34
; apocalyptic theme in,
48
â
49
; as “first contact” narrative,
77
waste spaces,
11
,
31
,
49
,
51
,
107
,
111
.
See also
dystopian fiction
;
eco-catastrophe narratives
;
pollution
Weiner, Norbert,
x
Weinstone, Ann,
229
Weisman, Alan (
The World Without Us)
,
193
â
200
,
203n4
Wells, H. G.: apocalyptic theme in,
48
â
49
; biotic invasion in,
83
; ecological ideas in,
25
; evolution ethics in,
43
; optimism-pessimism dialectic in,
25
; pessimistic tradition in,
81
. Works:
Anticipations
,
25
;
The Food of the Gods
,
48
â
49
,
83
;
The Island of Doctor Moreau
,
25
,
48
â
49
;
Men
Like Gods
,
17
,
25
,
32
â
34
,
37
;
A Modern Utopia
,
25
;
The Time Machine
,
2
,
25
,
48
â
49
;
The War of the Worlds
, see main heading;
When the Sleeper Wakes
,
43
Whedon, Joss,
5
White, Hayden,
243
White, Lynn,
91
Whitehead, Alfred North,
211
,
219
Williams, William Appleman,
82
Winterson, Jeanette,
127
â
28
,
131
Wolf, Eric,
78
Wolfe, Gary K.,
49
Wonder Stories
,
42
. See also
Man Who Awoke, The
Wood, Felicity,
144
Woolf, Virginia,
144
Word for World Is Forest, The
(Ursula K. Le Guin),
17
,
60
,
67
World Without Us, The
(Alan Weisman),
193
â
200
,
203n4
Wylie, Philip,
40
Zardoz
,
40
Zermelo, Ernst,
217
Zhuangzi (Chuang Tzu),
66
,
68
,
70
Ziegler, Rob,
41
Žižek, Slavoj,
12
,
182
â
83
,
200
â
203
,
204n27
,
205n23
,
205n29
,
212
Zoo City
(Lauren Beukes),
143
ZPG
: Zero Population Growth (activist group),
100