Graveyard Plots (11 page)

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Authors: Bill Pronzini

Tags: #Mystery, #Mystery & Crime

BOOK: Graveyard Plots
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Once he got into it I couldn't see him, because he was in close to the woods at the edge of the slope. I couldn't see Billy Bob neither. The whistle sounded one final time, mournful, as the lights of the caboose disappeared, and a chill come to my neck and set there like a cold, dead hand. I closed my eyes and listened to the last singing of the wheels fade away.

It weren't long before I heard footfalls on the slope coming near, then the angry sound of a stranger's voice, but I kept my eyes shut until they walked up close and Billy Bob said, "Granpa." When I opened 'em the floater was standing three feet in front of me, white face shining in the moonlight—scared face, angry face, evil face.

"What the hell is this?" he said. "What you want with me?"

"Give me your gun, Billy Bob," I said.

He did it, and I held her tight and lifted the barrel. The ache in my stomach was so strong my knees felt weak and I could scarcely breathe. But my hand was steady.

The floater's eyes come wide open and he backed off a step. "Hey," he said, "hey, you can't—"

I shot him twice.

He fell over and rolled some and come up on his back. They wasn't no doubt he was dead, so I give the gun back to Billy Bob and he put it away in his belt. "All right, boy," I said.

Billy Bob nodded and went over and hoisted the dead floater onto his shoulder. I watched him trudge off toward the bog hollow, and in my mind I could hear the train whistle as she'd sounded from inside the tunnel. I thought again, as I had so many times, that it was the way my boy Rufus and Billy Bob's ma must have sounded that night in 1947, when the two floaters from the hobo jungle broke into their home and raped her and shot Rufus to death. She lived just long enough to tell us about the floaters, but they was never caught. So it was up to me, and then up to me and Billy Bob when he come of age.

Well, it ain't like it once was, and that saddens me. But they's still a few that ride the rails, still a few take it into their heads to jump off down there when the St. Louis freight slows coming through the Chigger Mountain tunnel.

Oh my yes, they'll
always
be a few for me and Billy Bob and the sweet fever inside us both.

PUTTING THE PIECES BACK
 

Y
ou wouldn't think a man could change completely in four months—but when Kaprelian saw Fred DeBeque come walking into the Drop Back Inn, he had living proof that it could happen. He was so startled, in fact, that he just stood there behind the plank and stared with his mouth hanging open.

It had been a rainy off-Monday exactly like this one the last time he'd seen DeBeque, and that night the guy had been about as low as you could get and carrying a load big enough for two. Now he was dressed in a nice tailored suit, looking sober and normal as though he'd never been through any heavy personal tragedy. Kaprelian felt this funny sense of flashback come over him, like the entire last seven months hadn't even existed.

He didn't much care for feelings like that, and he shook it off. Then he smiled kind of sadly as DeBeque walked over and took his old stool, the one he'd sat on every night for the three months after he had come home from work late one afternoon and found his wife bludgeoned to death.

Actually, Kaprelian was glad to see the change in him. He hadn't known DeBeque or DeBeque's wife very well before the murder; they were just people who lived in the neighborhood and dropped in once in a while for a drink. He'd liked them both though, and he'd gotten to know Fred pretty well afterward, while he was doing all that boozing. That was why the change surprised him as much as it did. He'd been sure DeBeque would turn into a Skid Row bum or a corpse, the way he put down the sauce; a man couldn't drink like that more than maybe a year without ending up one or the other.

The thing was, DeBeque and his wife really loved each other. He'd been crazy for her, worshipped the ground she walked on. Kaprelian had never loved anybody that way, so he couldn't really understand it. Anyhow, when she'd been murdered, DeBeque had gone all to pieces. Without her, he'd told Kaprelian a few times, he didn't want to go on living himself; but he didn't have the courage to kill himself either. Except with the bottle.

There was another reason why he couldn't kill himself, DeBeque said, and that was because he wanted to see the murderer punished and the police hadn't yet caught him. They'd sniffed around DeBeque himself at first, but he had an alibi and, anyway, all his and her friends told them how much the two of them were in love. So then, even though nobody had seen any suspicious types in the neighborhood the day it happened, the cops had worked around with the theory that it was either a junkie who'd forced his way into the DeBeque apartment or a sneak thief that she'd surprised. The place had been ransacked and there was some jewelry and mad money missing. Her skull had been crushed with a lamp, and the cops figured she had tried to put up a fight.

So DeBeque kept coming to the Drop Back Inn every night and getting drunk and waiting for the cops to find his wife's killer. After three months went by, they still hadn't found the guy. The way it looked to Kaprelian then—and so far that was the way it had turned out—they never would. The last night he'd seen DeBeque, Fred had admitted that same thing for the first time and then he had walked out into the rain and vanished. Until just now.

Kaprelian said, "Fred, it's good to see you. I been wondering what happened to you, you disappeared so sudden four months ago."

"I guess you never expected I'd show up again, did you, Harry?"

"You want the truth, I sure didn't. But you really look great. Where you been all this time?"

"Putting the pieces back together again," DeBeque said. "Finding new meaning in life."

Kaprelian nodded. "You know, I thought you were headed for Skid Row or an early grave, you don't mind my saying so."

"No, I don't mind. You're absolutely right, Harry."

"Well—can I get you a drink?"

"Ginger ale," DeBeque said. "I'm off alcohol now."

Kaprelian was even more surprised. There are some guys, some drinkers, you don't ever figure
can
quit, and that was how DeBeque had struck him at the tag end of those three bad months. He said, "Me being a bar owner, I shouldn't say this, but I'm glad to hear that too. If there's one thing I learned after twenty years in this business, you can't drown your troubles or your sorrows in the juice. I seen hundreds try and not one succeed."

"You tried to tell me that a dozen times, as I recall," DeBeque said. "Fortunately, I realized you were right in time to do something about it."

Kaprelian scooped ice into a glass and filled it with ginger ale from the automatic hand dispenser. When he set the glass on the bar, one of the two workers down at the other end—the only other customers in the place—called to him for another beer. He drew it and took it down and then came back to lean on the bar in front of DeBeque.

"So where'd you go after you left four months ago?" he asked. "I mean, did you stay here in the city or what? I know you moved out of the neighborhood."

"No, I didn't stay here." DeBeque sipped his ginger ale. "It's funny the way insights come to a man, Harry—and funny how long it takes sometimes. I spent three months not caring about anything, drinking myself to death, drowning in self-pity; then one morning I just woke up knowing I couldn't go on that way any longer. I wasn't sure why, but I knew I had to straighten myself out. I went upstate and dried out in a rented cabin in the mountains. The rest
of the insight came there: I knew why I'd stopped drinking, what it was I had to do."

"What was that, Fred?"

"Find the man who murdered Karen."

Kaprelian had been listening with rapt attention. What DeBeque had turned into wasn't a bum or a corpse but the kind of comeback hero you see in television crime dramas and don't believe for a minute. When you heard it like this, though, in real life and straight from the gut, you knew it had to be the truth—and it made you feel good.

Still, it wasn't the most sensible decision DeBeque could have reached, not in real life, and Kaprelian said, "I don't know, Fred, if the cops couldn't find the guy—"

DeBeque nodded. "I went through all the objections myself," he said, "but I knew I still had to try. So I came back here to the city and I started looking. I spent a lot of time in the Tenderloin bars, and I got to know a few street people, got in with them, was more or less accepted by them. After a while I started asking questions and getting answers."

"You mean," Kaprelian said, astonished, "you actually got a line on the guy who did it—"

Smiling, DeBeque said, "No. All the answers I got were negative. No, Harry, I learned absolutely nothing—except that the police were wrong about the man who killed Karen. He wasn't a junkie or a sneak thief or a street criminal of any kind."

"Then who was he?"

"Someone who knew her, someone she trusted. Someone she would let in the apartment."

"Makes sense, I guess," Kaprelian said. "You have any idea who this someone could be?"

"Not at first. But after I did some discreet investigating, after I visited the neighborhood again a few times, it all came together like the answer to a mathematical equation. There was only one person it could be."

"Who?" Kaprelian asked.

"The mailman."

"
The mailman?
"

"Of course. Think about it, Harry. Who else would have easy access to our apartment? Who else could even be
seen
entering the apartment by neighbors without them thinking anything of it, or even remembering it later? The mailman."

"Well, what did you do?"

"I found out his name and I went to see him one night last week. I confronted him with knowledge of his guilt. He denied it, naturally; he kept right on denying it to the end."

"The end?"

"When I killed him," DeBeque said.

Kaprelian's neck went cold. "Killed him? Fred, you can't be serious! You didn't actually
kill
him—"

"Don't sound so shocked," DeBeque said. "What else could I do? I had no evidence, I couldn't take him to the police. But neither could I allow him to get away with what he'd done to Karen. You understand that, don't you? I had no choice. I took out the gun I'd picked up in a pawnshop, and I shot him with it—right through the heart."

"Jeez," Kaprelian said. "Jeez."

DeBeque stopped smiling then and frowned down into his ginger ale; he was silent, kind of moody all of a sudden. Kaprelian became aware of how quiet it was and flipped on the TV. While he was doing that the two workers got up from their stools at the other end of the bar, waved at him, and went on out.

DeBeque said suddenly, "Only then I realized he couldn't have been the one."

Kaprelian turned from the TV. "What?"

"It couldn't have been the mailman," DeBeque said. "He was left-handed, and the police established that the killer was probably right-handed. Something about the angle of the blow that killed Karen. So I started thinking who else it could have been, and then I knew: the grocery delivery boy. Except we used two groceries, two delivery boys, and it turned out both of them were right-handed. I talked to the first and I was sure he was the one. I shot him. Then I knew I'd been wrong, it was the other one. I shot him too."

"Hey," Kaprelian said. "Hey, Fred, what're you
saying
?"

"But it wasn't the delivery boys either." DeBeque's eyes were very bright. "Who, then? Somebody else from the neighborhood, and it came to me, I knew who it had to be."

Kaprelian still didn't quite grasp what he was hearing. It was all coming too fast. "Who?" he said.

"You," DeBeque said, and it wasn't until he pulled the gun that Kaprelian finally understood what was happening, what DeBeque had
really
turned into after those three grieving, alcoholic months. Only by then it was too late.

The last thing he heard was voices on the television—a crime drama, one of those where the guy's wife is murdered and he goes out and finds the real killer and ends up a hero in time for the last commercial . . .

SMUGGLER'S ISLAND
 

T
he first I heard that somebody had bought Smuggler's Island was late on a cold, foggy morning in May. Handy Manners and Davey and I had just brought the
Jennie Too
into the Camaroon Bay wharf, loaded with the day's limit in salmon—silvers mostly, with a few big kings—and Handy had gone inside the processing shed at Bay Fisheries to call for the tally clerk and the portable scales. I was helping Davey hoist up the hatch covers, and I was thinking that he handled himself fine on the boat and what a shame it'd be if he decided eventually that he didn't want to go into commercial fishing as his livelihood. A man likes to see his only son take up his chosen profession. But Davey was always talking about traveling around Europe, seeing some of the world, maybe finding a career he liked better than fishing. Well, he was only nineteen. Decisions don't come quick or easy at that age.

Anyhow, we were working on the hatch covers when I heard somebody call my name. I glanced up, and Pa and Abner Frawley were coming toward us from down-wharf, where the café was. I was a little surprised to see Pa out on a day like this; he usually stayed home with Jennie when it was overcast and windy because the fog and cold air aggravated his lumbago.

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