Grave Secret

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Authors: Charlaine Harris

BOOK: Grave Secret
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Table of Contents
 
 
Ace Books by Charlaine Harris
 
The Sookie Stackhouse Novels
DEAD UNTIL DARK
LIVING DEAD IN DALLAS
CLUB DEAD
DEAD TO THE WORLD
DEAD AS A DOORNAIL
DEFINITELY DEAD
ALL TOGETHER DEAD
FROM DEAD TO WORSE
DEAD AND GONE
 
MANY BLOODY RETURNS
edited by Charlaine Harris and Toni L. P. Kelner
WOLFSBANE AND MISTLETOE
edited by Charlaine Harris and Toni L. P. Kelner
 
 
Berkley Prime Crime Books by Charlaine Harris
 
SWEET AND DEADLY
A SECRET RAGE
 
The Harper Connelly Mysteries
GRAVE SIGHT
GRAVE SURPRISE
AN ICE COLD GRAVE
GRAVE SECRET
 
The Lily Bard Mysteries
SHAKESPEARE’S LANDLORD
SHAKESPEARE’S CHAMPION
SHAKESPEARE’S CHRISTMAS
SHAKESPEARE’S TROLLOP
SHAKESPEARE’S COUNSELOR
 
The Aurora Teagarden Mysteries
REAL MURDERS
A BONE TO PICK
THREE BEDROOMS, ONE CORPSE
THE JULIUS HOUSE
DEAD OVER HEELS
A FOOL AND HIS HONEY
LAST SCENE ALIVE
POPPY DONE TO DEATH
THE BERKLEY PUBLISHING GROUP
Published by the Penguin Group
Penguin Group (USA) Inc.
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York 10014, USA
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.)
Penguin Books Ltd., 80 Strand, London WC2R 0RL, England
Penguin Group Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd.) Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty. Ltd.)
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Penguin Books (South Africa) (Pty.) Ltd., 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa
 
Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England
 
This book is an original publication of The Berkley Publishing Group.
 
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.
 
Copyright © 2009 by Charlaine Harris, Inc.
 
All rights reserved.
No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions.
BERKLEY® PRIME CRIME and the PRIME CRIME logo are trademarks of Penguin Group (USA) Inc.
 
 
Library of Congress Cataloging-in-Publication Data
 
Harris, Charlaine.
eISBN : 978-1-101-14951-5
1. Connelly, Harper (Fictitious character)—Fiction. 2. Lang, Tolliver (Fictitious character)—Fiction. 3. Family secrets—Fiction. I. Title.
PS3558.A6427G’.54—dc22 2009022195
 
 

http://us.penguingroup.com

To my son Patrick, simply because I think he’s great.
ACKNOWLEDGMENTS
 
 
 
 
My thanks to Ivan Van Laningham, Kerry Hammond, Ashley McConnell, Mary Fitzsimons, Gina and her anonymous friend, Beth Groundwater, my assistant and friend Paula Woldan, Nancy Hayes (my Gun Angel), and Dr. Ed Uthman, a college crony, for their assistance in getting the details right. Any mistakes are my own, as much as I would love to blame someone else.
One

ALL
right,” said the straw-haired woman in the denim jacket. “Do your thing.” Her accent made the words sound more like “Dew yore thang.” Her hawklike face was eager, the anticipatory look of someone who is ready to taste an unknown food.
We were standing on a windswept field some miles south of the interstate that runs between Texarkana and Dallas. A car zoomed by on the narrow two-lane blacktop. It was the only other car I’d seen since I’d followed Lizzie Joyce’s gleaming black Chevy Kodiak pickup out to the Pioneer Rest Cemetery, which lay outside the tiny town of Clear Creek.
When our little handful of people fell silent, the whistle of the wind scouring the rolling hill was the only sound in the landscape.
There wasn’t a fence around the little cemetery. It had been cleared, but not recently. This was an old cemetery, as Texas cemeteries go, established when the live oak in the middle of the graveyard had been only a small tree. A flock of birds was cackling in the oak’s branches. Since we were in north Texas, there was grass, but in February it wasn’t green. Though the temperature was in the fifties today, the wind was colder than I’d counted on. I zipped up my jacket. I noticed that Lizzie Joyce wasn’t wearing one.
The people who lived hereabouts were tough and pragmatic, including the thirtyish blonde who’d invited me here. She was lean and muscular, and she must have tugged up her jeans by greasing her legs. I couldn’t imagine how she mounted a horse. But her boots were well-worn, and so was her hat, and if I’d read her belt buckle correctly, she was the previous year’s countywide barrel-riding champion. Lizzie Joyce was the real deal.
She also had more money in her bank account than I would ever earn in my life. The diamonds on her hand flashed in the bright sunlight as she waved toward the piece of ground dedicated to the dead. Ms. Joyce wanted me to get the show on the road.
I prepared to dew mah thang. Since Lizzie was paying me big bucks for this, she wanted to get the most out of it. She’d invited her little entourage, which consisted of her boyfriend, her younger sister, and her brother, who looked as though he’d rather be anywhere else but in Pioneer Rest Cemetery.
My brother was leaning against our car, and he wasn’t going to stir. Until I’d done my job, Tolliver wouldn’t pay attention to anything but me.
I still thought of him as my brother, though I was trying to catch myself when I called him that out loud. We had a much different relationship, now.
We’d met the Joyces that morning for the first time. We’d driven down the long, winding driveway leading between wide, fenced-in fields, following the excellent directions Lizzie had sent to our laptop.
The house at the end of the driveway was very large and very beautiful, but it wasn’t pretentious. It was a house for people who worked hard. The Latina who’d answered the door had been wearing nice pants and a blouse, not any kind of uniform, and she’d referred to her boss as “Lizzie,” not “Ms. Joyce.” Since every day on a ranch or farm is a working day, I hadn’t been surprised to see that the big house felt pretty empty, and the only glimpses I caught of other people had been distant ones. As the housekeeper led us through the house, I’d seen a Jeep coming up one of the tracks that ran between the huge fields at the rear of the house.
Lizzie Joyce and her sister, Kate, had been waiting in the gun room. I was sure they called it the den or the family room, or something else to indicate it was where they gathered to watch television and play board games, or whatever really rich people did with their evenings when they lived way the hell out in the sticks. But to me, it was the gun room. There were weapons and animal heads all over, and the décor was supposed to imply this was a rustic hunting lodge. Since the house had been built by the Joyce grandfather, it reflected his taste, I guessed, but they could have changed it if they’d objected. He’d been dead for a while.
Lizzie Joyce looked like the pictures I’d seen of her, but the impression was strictly practical. She was a working woman. Her sister, Kate, called Katie, was a scaled-down version of her big sister: shorter, younger, less seasoned. But she seemed just as confident and hard. Maybe being brought up with gobs of money did that to you.
The gun room had a wall of French doors leading out onto a wide brick porch. There were urns that would be filled with flowers in the spring, but it wasn’t time yet. The temperatures still dipped below freezing sometimes at night. I noticed that the Joyces had left their rocking chairs outside during the winter, and I wondered what it would be like to sit out on the roofed brick porch in the morning in the summer, drinking coffee and looking out over all that land.
The Jeep came to a stop at the foot of the gentle slope leading up to the back porch, and two men climbed out and came in.
“Harper, this is the manager of RJ Ranch, Chip Moseley. And this is our brother, Drexell.”
Tolliver and I shook hands with the men.
The manager was rugged, weathered, and skeptical, green eyed and brown haired, and he was as ready to leave as the brother. Both of them were only here because Lizzie wanted them to be. Chip Moseley gave Lizzie a casual kiss on the cheek, and I realized he was her man as well as her manager. That might be awkward.
The brother, Drexell, was the youngest of the Joyces and the most anonymous looking. Lizzie and Katie both had a certain hawk-nosed flamboyance, but Drexell’s round face was still a bit babyish. He didn’t meet my eyes as his sisters had.
I had a niggling feeling that I’d seen both men somewhere before. Since the huge Joyce ranch wasn’t too far from Texarkana, and I’d grown up there, it wasn’t beyond the realm of possibility that I’d met Chip and Drexell—but the last thing I wanted to do was bring up my previous life. I hadn’t always been the mysterious woman who could find bodies because she’d been fried by lightning.
“I’m so glad you could find time to come here,” Lizzie said.
“My sister likes to collect the unusual,” Katie told Tolliver. She definitely had her eye on him.

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