Grace (5 page)

6
/ FLASH

Conyers, Georgia, 1846

T
HE LAST THING
I remember is Hazel telling me, “Run!” And I ran with all my soul, I did.

Then walked some.

Rested beside a stream and drank water. Ate some stale bread Hazel gave me. And when the bread was gone the second day, I used Hazel's fire poker to kill again. But I prayed over that coon. Prayed over it with my Bible, started a fire the way Hazel taught me to. Roasted it, ate it, slept 'til daylight and ran again. 'Til nightfall, I did. Three more days this way. Three more days with Hazel's voice in my head telling me, don't stop. “Go north,” she said. So I kept on, under the cover of rainwet leaves and gray clouds.

By nightfall on the fourth day, I found that North Star. But by then, I was too tired for it to matter. Had been climbing up and over and up and over, the backs of my arms were sore and my muscles were burnt to cinder.

The rain had started again, was overflowing, making the ground a stream of cold. I was slipping over rocks, walking more than running, catching myself from falling. I tied big green leafs around my bleeding bare feet but still felt every grounded thistle like a blade.

Rain kept pelting my face. Was soft tickles at first, then turned to hard pinpricks from hitting the same spot again and again.

I stumbled into a road, soaking wet, turning myself this way and that way. The light of two buggy lamps showered me and the sign in the road next to me. It read: Conyers, Georgia.

The buggy's horses were coming my way, snorting, their hooves pounding. That's when I threw myself off the road.

Now, I don't know how long I been in this room.

Or how I got here.

Or who put me in these dry clothes.

Or why I feel full. I don't remember eating after that second night.

My whole body hurts and my eyes is swole shut. I cain't see. Puss and blood is squeezing around 'em, pushing my eyeballs out, slicing pain behind 'em. Whoever got me here put piles of sheets on top of me making it hard to move.

The sheets bend and make a space under my neck between my chest and chin like a roof's peak, where hot is puffing out and blowing steam over my face. A wet rag is sagging down from my forehead to my mouth, almost dry from fever, rubbing the thin skin on my top lip raw.

Shivers send my teeth chattering. My jaw is sore and my ear holes are plugged like they brimming wit water, muffling noises outside of me.

My imaginings got me thinking that some man's standing above me with a knife, ready to cut me up 'cause he know I cain't move. For a hour, I been facing the spot where I think he is but he ain't killed me yet.

Throw-up's racing to my mouth, bitter, 'cause I'm thinking 'bout Momma killed. I swallow it back down, breathe slow, keep it from coming again.

Lord, I miss Hazel.

T
HE SCENT OF
a woman is on me like lavender and sugar. Must be a negro 'cause she clean. But somebody oughta tell her she wasting her time trying to save me 'cause I think God mean for me to die here.

My eyelids is lighting up red so I reckon God's coming for me now. I peel 'em open, peek through to see God, but it ain't Him, just an open window above me burning my eyes with light and dust.

I close 'em, don't deserve to see the light no how, gon' accept my punishment, stop getting better. Sleep.

I
BEEN UP
a long time today.

Tears for Momma and Hazel's keeping my eyes from burning.

The musk of tobacca smoke is in my hair. Must be what yellowed the wallpaper, turned its tiny pink flowers brown. I been catching a corner of the paper wit my fingernail, flicking it up and down, give me something to do 'til I die.

I reckon I got in this room yesterday or the day before cause the moon outside the window ain't changed much since the last time I seen it. The round of it looks like Mama Dean's spinning wheel, hanging in the sky, stuck on nothin.

The clouds are stretched across the moonlit sky like ready-to-spin cotton across a dark tabletop—pulled apart, kneaded back together, its different little pieces tangled into one. Mama Dean once told me, “We're all like this spinning cotton. A God-made thang. Blended together the pieces are strong. Apart, the wind gets them, blows them away, makes them dirty before they have a chance to make something beautiful.” I reckon I'm like that cotton, blown-away dirty.

I can move an arm now. Can almos' touch the bed next to me. I ain't on a bed, though. What I'm on is something hard but dressed like a bed, with a pillow under my head and these heavy covers. I reckon it's a trunk cause I can feel a big latch on the side. It reminds me of the door knocker Hazel made for me. She'd carved a woodpecker from pine and
put a string through its beak and a separate piece of wood so when you pulled the string, the bird would peck the wood. She said, “See, ain't all knockin bad.”

My neck's sore from my jaw ache but I can move my head, can see the pattern on my sheets—more yellow flowers. I cross my eyes to fix 'em on the dry, gray stain below my chin. I take a big sniff of it but it don't smell like nothin. It's clean.

Across the room, a white chair stands in front of a vanity, a shawl with red feathers hangs lazy down its middle. The vanity holds perfume bottles, two drankin glasses and a washbasin. Wax is sliding down a lit candlestick there, too. Its holder got a pattern etched in it like Hazel's fire poker got. It brings my tears back 'cause I don't know where I lost hers.

I'll wait. Let Him take me peaceful.

T
HE KNOCKIN SOUND
woke me up but it ain't Momma and it ain't this trunk.

A white woman is on the bed in front of me with a man.

There ain't a wall, nothin between us.

She's on all fours, looking at the ceiling, grunting. Her face is a schoolteacher's but her act is a slave.

Her blonde hair is spiraled to her wrists and rocking back and forth. The naked man behind her is pushing, into her, cupping her tits with his hands now, rubbing her nipples with his fingertips. It's making me shamed to see so I close my eyes.

The man say, “Is she watching us, Cynthia?”

“Frank, just finish.”

“I'm just saying. If she was, it would be sorta nice.”

“
That
would be extra.”

T
HE DOOR ACROSS
the room swings open and pushes a gust of wind over me, bringing men and their voices near to my bed. Their hot-whis-kied breaths rain moist on my cheek. I keep my eyes shut. Pretend I'm dead. Let their funk, spit, and sighs blanket me. I won't move.

“You sure she out of it?” one of 'em say. “I ain't had one of these black whores in years.”

“You think Cynthia mind?” another one say. “If we just . . .”

“She'd be making money, wouldn't she?”

The blood's pumping fast to my head now, my face is swelling, lips tight, eyelids sealing from swell, cain't open 'em if I wanted.

I hear a woman's voice: “You think that black bitch is better than me? Hell, I'm good enough for the both of yous.”

“That sho' looks nice, Cynthia,” one say.

My blood keeps rising. Everything go black.

T
HIS MORNING, A
woman's humming a peaceful song and dancing nice with a little boy. He's barely tall as her armpit, standing on her shoes.

I ain't never seen hair so red.

She say, “I love you, Johnny.”

I
MUSTA BEEN
sleeping good 'cause she changed my clothes and gave me a new pillow stuffed with mint.

The boy's gone.

A man's there in the boy's place, sitting on the corner of the bed with his back turned to me. His red neck looks like not-done meat with white lines creased deep and jagged across it. His grayish hair is lined with a razor's edge above his neck. I see him in the mirror smiling and when he laugh, his shoulders bounce. When he ain't laughing, his teeth poke out
his mouth like a egg halfway out a chicken. He covers his mouth with one hand to hide it, lets his buckteeth wet his palm. When he pulls his hand away, he stretches his lips over 'em to cover.