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Authors: Margaret Atwood

Tags: #Literary, #Short Stories (Single Author), #Fiction

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BOOK: Good Bones and Simple Murders
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He said, I guess we’re safe.

5.

The Female Body has many uses. It’s been used as a door knocker, a bottle-opener, as a clock with a ticking belly, as something to hold up lampshades, as a nutcracker, just squeeze the brass legs together and out comes your nut. It bears torches, lifts victorious wreaths, grows copper wings and raises aloft a ring of neon stars; whole buildings rest on its marble heads.

It sells cars, beer, shaving lotion, cigarettes, hard liquor; it sells diet plans and diamonds, and desire in tiny crystal bottles. Is this the face that launched a thousand products? You bet it is, but don’t get any funny big ideas, honey, that smile is a dime a dozen.

It does not merely sell, it is sold. Money flows into this country or that country, flies in, practically crawls in, suitful after suitful, lured by all those hairless preteen legs. Listen, you want to reduce the national debt, don’t you? Aren’t you patriotic? That’s the spirit. That’s my girl.

She’s a natural resource, a renewable one luckily, because those things wear out so quickly. They don’t make ’em like they used to. Shoddy goods.

6.

One and one equals another one. Pleasure in the female is not a requirement. Pair-bonding is stronger in geese. We’re not talking about love, we’re talking about biology. That’s how we all got here, daughter.

Snails do it differently. They’re hermaphrodites, and work in threes.

7.

Each female body contains a female brain. Handy. Makes things work. Stick pins in it and you get amazing results. Old popular songs. Short circuits. Bad dreams.

Anyway: each of these brains has two halves. They’re joined together by a thick cord; neural pathways flow from one to the other, sparkles of electric
information washing to and fro. Like light on waves. Like a conversation. How does a woman know? She listens. She listens in.

The male brain, now, that’s a different matter. Only a thin connection. Space over here, time over there, music and arithmetic in their own sealed compartments. The right brain doesn’t know what the left brain is doing. Good for aiming though, for hitting the target when you pull the trigger. What’s the target? Who’s the target? Who cares? What matters is hitting it. That’s the male brain for you. Objective.

This is why men are so sad, why they feel so cut off, why they think of themselves as orphans cast adrift, footloose and stringless in the deep void. What void? she says. What are you talking about? The void of the Universe, he says, and she says Oh and looks out the window and tries to get a handle on it, but it’s no use, there’s too much going on, too many rustlings in the leaves, too many voices, so she says, Would you like a cheese sandwich, a piece of cake, a cup of tea? And he grinds his teeth because she doesn’t understand, and wanders off, not just alone but Alone, lost in the dark, lost in the skull, searching for the other half, the twin who could complete him.

Then it comes to him: he’s lost the Female Body! Look, it shines in the gloom, far ahead, a vision of wholeness, ripeness, like a giant melon, like an apple, like a metaphor for
breast
in a bad sex novel; it shines like a balloon, like a foggy noon, a watery moon, shimmering in its egg of light.

Catch it. Put it in a pumpkin, in a high tower, in a compound, in a chamber, in a house, in a room. Quick, stick a leash on it, a lock, a chain, some pain, settle it down, so it can never get away from you again.

COLD-
BLOODED

To my sisters, the Iridescent Ones, the Egg-Bearers, the Many-Faceted, greetings from the Planet of Moths.

At last we have succeeded in establishing contact with the creatures here who, in their ability to communicate, to live in colonies, and to construct technologies, most resemble us, although in these particulars they have not advanced above a rudimentary level.

During our first observation of these “blood creatures,” as we have termed them—after the colorful red liquid that is to be found inside their bodies, and that appears to be of great significance to them
in their poems, wars, and religious rituals—we supposed them incapable of speech, as those specimens we were able to examine entirely lacked the organs for it. They had no wing casings with which to stribulate—indeed they had no wings; they had no mandibles to click; and the chemical method was unknown to them, since they were devoid of antennae. “Smell,” for them, is a perfunctory affair, confined to a flattened and numbed appendage on the front of the head. But after a time, we discovered that the incoherent squeakings and gruntings that emerged from them, especially when pinched, were in fact a form of language, and after that we made rapid progress.

We soon ascertained that their planet, named by us the Planet of Moths after its most prolific and noteworthy genus, is called by these creatures
Earth
. They have some notion that their ancestors were created from this substance; or so it is claimed in many of their charming but irrational folktales.

In an attempt to establish common ground, we asked them at what season they mated with and then devoured their males. Imagine our embarrassment when we discovered that those individuals with whom we were conversing
were
males! (It is very hard to tell the difference, as their males are not diminutive, as ours are, but if anything bigger. Also, lacking natural beauty—brilliantly patterned carapaces, diaphanous wings, luminescent eyes, and the like—they
attempt to imitate our kind by placing upon their bodies various multicolored draperies, which conceal their generative parts.)

We apologized for our faux pas, and inquired as to their own sexual practices. Picture our nausea and disgust when we discovered that it is the male, not the egg-bearer, which is the most prized among them! Abnormal as this will seem to you, my sisters, their leaders are for the most part male; which may account for their state of relative barbarism. Another peculiarity which must be noted is that, although they frequently kill them in many other ways, they rarely devour their females after procreation. This is a waste of protein; but then, they are a wasteful people.

We hastily abandoned this painful subject.

Next we asked them when they pupated. Here again, as in the case of “clothing”—the draperies we have mentioned—we uncovered a fumbling attempt at imitation of our kind. At some indeterminate point in their life cycles, they cause themselves to be placed in artificial stone or wooden cocoons, or chrysalises. They have an idea that they will someday emerge from these in an altered state, which they symbolize with carvings of themselves with wings. However, we did not observe that any had actually done so.

It is as well to mention at this juncture that in
addition to the many species of moths for which it is justly famous among us, the Planet of Moths abounds in thousands of varieties of creatures which resemble our own distant ancestors. It seems that one of our previous attempts at colonization—an attempt so distant that our record of it is lost—must have borne fruit. However, these beings, although numerous and ingenious, are small in size and primitive in their social organization, and attempts to communicate with them were not—or have not been, so far—very successful. The blood creatures are hostile towards them, and employ against them many poisonous sprays, traps, and so forth, in addition to a sinister manual device termed a “fly swatter.” It is agonizing indeed to watch one of these instruments of torture and death being wielded by the large and frenzied against the small and helpless; but the rules of diplomacy forbid our intervention. (Luckily the blood creatures cannot understand what we say to one another about them in our own language.)

But despite all the machinery of destruction that is aimed at them, our distant relatives are more than holding their own. They feed on the crops and herd animals and even on the flesh of the blood creatures; they live in their homes, devour their clothes, hide and flourish in the very cracks of their floors. When the blood creatures have succeeded at last in over-breeding themselves, as it seems their intention to do,
or in exterminating one another, rest assured that our kind, already superior in both numbers and adaptability, will be poised to achieve the ascendency that is ours by natural right.

This will not happen tomorrow, but it will happen. As you know, my sisters, we have long been a patient race.

LIKING
MEN

It’s time to like men again. Where shall we begin?

I have a personal preference for the backs of necks, because of the word
nape
, so lightly furred; which is different from the word
scruff
. But for most of us, especially the beginners, it’s best to start with the feet and work up. To begin with the head and all it contains would be too suddenly painful. Then there’s the navel, birth dimple, where we fell from the stem, something we have in common; you could look at it and say,
He also is mortal
. But it may be too close for comfort to those belts and zippers which cause you such distress, and comfort is what you want. He’s a carnivore, you’re a vegetarian. That’s what you have to get over.

The feet then. I give you the feet, pinkly toed and innocuous. Unfortunately you think of socks, lying on the floor, waiting to be picked up and washed. Quickly add shoes. Better? The socks are now contained, and presumably clean.

You contemplate the shoes, shined but not too much—you don’t want this man to be either a messy slob or prissy—and you begin to relax. Shoes, kind and civilized, not black but a decent shade of brown. No raucous two-tones, no elevator heels. The shoes dance, with the feet in them, neatly, adroitly, you enjoy this, you think of Fred Astaire, you’re beginning to like men. You think of kissing those feet, slowly, after a good scrubbing of course; the feet expand their toes, squirm with pleasure. You like to give pleasure. You run your tongue along the sole and the feet moan.

Cheered up, you start fooling around.
Footgear
, you think. Golf shoes, grassy and fatherly, white sneakers for playing tennis in, agile and sweet, quick as rabbits. Workboots, solid and trustworthy. A good man is hard to find but they do exist, you know it now. Someone who can run a chainsaw without cutting off his leg. What a relief. Checks and plaids, laconic, a little Scottish. Rubber boots, for wading out to the barn in the rain in order to save the baby calf. Power, quiet and sane. Knowing what to do, doing it well. Sexy.

But rubber boots aren’t the only kind. You don’t
want to go on but you can’t stop yourself. Riding boots, you think, with the sinister crop; but that’s not too bad, they’re foreign and historical. Cowboy boots, two of them, planted apart, stomp, stomp, on Main Street just before the shot rings out. A spur, in the groin. A man’s gotta do, but why this? Jackboots, so highly shined you can see your own face in the right one, as the left one raises itself and the heel comes down on your nose. Now you see rows of them, marching, marching; yours is the street-level view, because you are lying down. Power is the power to smash, two hold your legs, two your arms, the fifth shoves a pointed instrument into you; a bayonet, the neck of a broken bottle, and it’s not even wartime, this is a park, with a children’s playground, tiny red and yellow horses, it’s daytime, men and women stare at you out of their closed car windows. Later the policeman will ask you what you did to provoke this. Boots were not such a bright idea after all.

But just because all rapists are men it doesn’t follow that all men are rapists, you tell yourself. You try desperately to retain the image of the man you love and also like, but now it’s a sand-colored plain, no houses left standing anywhere, columns of smoke ascending, trenches filled with no quarter, heads with the faces rotting away, mothers, babies, young boys and girls, men as well, turning to skulls, who did this? Who defines
enemy?
How can you like men?

Still, you continue to believe it can be done. If not all men, at least some, at least two, at least one. It takes an act of faith. There is his foot, sticking out from under the sheet, asleep, naked as the day he was born. The day he was born. Maybe that’s what you have to go back to, in order to trace him here, the journey he took, step by step. In order to begin. Again and again.

IN LOVE
WITH
RAYMOND
CHANDLER

An affair with Raymond Chandler, what a joy! Not because of the mangled bodies and the marinated cops and hints of eccentric sex, but because of his interest in furniture. He knew that furniture could breathe, could feel, not as we do but in a way more muffled, like the word
upholstery
, with its overtones of mustiness and dust, its bouquet of sunlight on aging cloth or of scuffed leather on the backs and seats of sleazy office chairs. I think of his sofas, stuffed to roundness, satin-covered, pale blue like the eyes of his cold blond unbodied murderous women, beating very slowly, like the hearts of hibernating crocodiles; of his chaises longues, with their malicious pillows. He
knew about front lawns too, and greenhouses, and the interiors of cars.

This is how our love affair would go. We would meet at a hotel, or a motel, whether expensive or cheap it wouldn’t matter. We would enter the room, lock the door, and begin to explore the furniture, fingering the curtains, running our hands along the spurious gilt frames of the pictures, over the real marble or the chipped enamel of the luxurious or tacky washroom sink, inhaling the odor of the carpets, old cigarette smoke and spilled gin and fast meaningless sex or else the rich abstract scent of the oval transparent soaps imported from England, it wouldn’t matter to us; what would matter would be our response to the furniture, and the furniture’s response to us. Only after we had sniffed, fingered, rubbed, rolled on, and absorbed the furniture of the room would we fall into each other’s arms, and onto the bed (king-size? peach-colored? creaky? narrow? four-posted? pioneer-quilted? lime-green chenille-covered?), ready at last to do the same things to each other.

BOOK: Good Bones and Simple Murders
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