Gone with the Wind (24 page)

Marriage was bad enough, but to be widowed—oh, then life was over forever! How stupid people were when they talked about what a comfort little Wade Hampton must be to her, now that Charles was gone. How stupid of them to say that now she had something to live for! Everyone talked about how sweet it was that she had this posthumous token of her love and she naturally did not disabuse their minds. But that thought was farthest from her mind. She had very little interest in Wade and sometimes
it was difficult to remember that he was actually hers.

Every morning she woke up and for a drowsy moment she was Scarlett O'Hara again and the sun was bright in the magnolia outside her window and the mockers were singing and the sweet smell of frying bacon was stealing to her nostrils. She was carefree and young again. Then she heard the fretful hungry wail and always—always there was a startled moment when she thought: “Why, there's a baby in the house!” Then she remembered that it was her baby. It was all very bewildering.

And Ashley! Oh, most of all Ashley! For the first time in her life, she hated Tara, hated the long red road that led down the hill to the river, hated the red fields with springing green cotton. Every foot of ground, every tree and brook, every lane and bridle path reminded her of him. He belonged to another woman and he had gone to the war, but his ghost still haunted the roads in the twilight, still smiled at her from drowsy gray eyes in the shadows of the porch. She never heard the sound of hooves coming up the river road from Twelve Oaks that for a sweet moment she did not think—Ashley!

She hated Twelve Oaks now and once she had loved it. She hated it but she was drawn there, so she could hear John Wilkes and the girls talk about him—hear them read his letters from Virginia. They hurt her but she had to hear them. She disliked the stiff-necked India and the foolish prattling Honey and knew they disliked her equally, but she could not stay away from them. And every time she came home from Twelve Oaks, she lay down on her bed morosely and refused to get up for supper.

It was this refusal of food that worried Ellen and
Mammy more than anything else. Mammy brought up tempting trays, insinuating that now she was a widow she might eat as much as she pleased, but Scarlett had no appetite.

When Dr. Fontaine told Ellen gravely that heartbreak frequently led to a decline and women pined away into the grave, Ellen went white, for that fear was what she had carried in her heart.

“Isn't there anything to be done, Doctor?”

“A change of scene will be the best thing in the world for her,” said the doctor, only too anxious to be rid of an unsatisfactory patient.

So Scarlett, unenthusiastic, went off with her child, first to visit her O'Hara and Robillard relatives in Savannah and then to Ellen's sisters, Pauline and Eulalie, in Charleston. But she was back at Tara a month before Ellen expected her, with no explanation of her return. They had been kind in Savannah, but James and Andrew and their wives were old and content to sit quietly and talk of a past in which Scarlett had no interest. It was the same with the Robillards, and Charleston was terrible, Scarlett thought.

Aunt Pauline and her husband, a little old man, with a formal, brittle courtesy and the absent air of one living in an older age, lived on a plantation on the river, far more isolated than Tara. Their nearest neighbor was twenty miles away by dark roads through still jungles of cypress swamp and oak. The live oaks with their waving curtains of gray moss gave Scarlett the creeps and always brought to her mind Gerald's stories of Irish ghosts roaming in shimmering gray mists. There was nothing to do but knit all day and at night listen to Uncle Carey read aloud from the improving works of Mr. Bulwer-Lytton.

Eulalie, hidden behind a high-walled garden in a great house on the Battery in Charleston, was no more entertaining. Scarlett, accustomed to wide vistas of rolling red hills, felt that she was in prison. There was more social life here than at Aunt Pauline's, but Scarlett did not like the people who called, with their airs and their traditions and their emphasis on family. She knew very well they all thought she was a child of a mésalliance and wondered how a Robillard ever married a newly come Irishman. Scarlett felt that Aunt Eulalie apologized for her behind her back. This aroused her temper, for she cared no more about family than her father. She was proud of Gerald and what he had accomplished unaided except by his shrewd Irish brain.

And the Charlestonians took so much upon themselves about Fort Sumter! Good Heavens, didn't they realize that if they hadn't been silly enough to fire the shot that started the war some other fools would have done it? Accustomed to the brisk voices of upland Georgia, the drawling flat voices of the low country seemed affected to her. She thought if she ever again heard voices that said “paams” for “palms” and “hoose” for “house” and “woon't” for “won't” and “Maa and Paa” for “Ma and Pa,” she would scream. It irritated her so much that during one formal call she aped Gerald's brogue to her aunt's distress. Then she went back to Tara. Better to be tormented with memories of Ashley than Charleston accents.

Ellen, busy night and day, doubling the productiveness of Tara to aid the Confederacy, was terrified when her eldest daughter came home from Charleston thin, white and sharp tongued. She had known heartbreak herself, and night after night she lay beside the snoring Gerald, trying to think of some way to lessen Scarlett's
distress. Charles' aunt, Miss Pittypat Hamilton, had written her several times, urging her to permit Scarlett to come to Atlanta for a long visit, and now for the first time Ellen considered it seriously.

She and Melanie were alone in a big house “and without male protection,” wrote Miss Pittypat, “now that dear Charlie has gone. Of course, there is my brother Henry but he does not make his home with us. But perhaps Scarlett has told you of Henry. Delicacy forbids my putting more concerning him on paper. Melly and I would feel so much easier and safer if Scarlett were with us. Three lonely women are better than two. And perhaps dear Scarlett could find some ease for her sorrow, as Melly is doing, by nursing our brave boys in the hospitals here—and, of course, Melly and I are longing to see the dear baby.…”

So Scarlett's trunk was packed again with her mourning clothes and off she went to Atlanta with Wade Hampton and his nurse Prissy, a headful of admonitions as to her conduct from Ellen and Mammy and a hundred dollars in Confederate bills from Gerald. She did not especially want to go to Atlanta. She thought Aunt Pitty the silliest of old ladies and the very idea of living under the same roof with Ashley's wife was abhorrent. But the County with its memories was impossible now, and any change was welcome.

A
S THE TRAIN CARRIED
S
CARLETT
northward that May morning in 1862, she thought that Atlanta couldn't possibly be so boring as Charleston and Savannah had been and, in spite of her distaste for Miss Pittypat and Melanie, she looked forward with some curiosity toward seeing how the town had fared since her last visit, in the winter before the war began.

Atlanta had always interested her more than any other town because when she was a child Gerald had told her that she and Atlanta were exactly the same age. She discovered when she grew older that Gerald had stretched the truth somewhat, as was his habit when a little stretching would improve a story; but Atlanta was only nine years older than she was, and that still left the place amazingly young by comparison with any other town she had ever heard of. Savannah and Charleston had the dignity of their years, one being well along in its second century and the other entering its third, and in her young eyes they had always seemed like aged grandmothers fanning themselves placidly in the sun. But Atlanta was of her own generation, crude with the crudities of youth and as headstrong and impetuous as herself.

The story Gerald had told her was based on the fact that she and Atlanta were christened in the same year. In the nine years before Scarlett was born, the town had been called, first, Terminus and then Marthasville, and not until the year of Scarlett's birth had it become Atlanta.

When Gerald first moved to north Georgia, there had been no Atlanta at all, not even the semblance of a village, and wilderness rolled over the site. But the next year, in 1836, the State had authorized the building of a railroad northwestward through the territory which the Cherokees had recently ceded. The destination of the proposed railroad, Tennessee and the West, was clear and definite, but its beginning point in Georgia was somewhat uncertain until, a year later, an engineer drove a stake in the red clay to mark the southern end of the line, and Atlanta, born Terminus, had begun.

There were no railroads then in north Georgia, and very few anywhere else. But during the years before Gerald married Ellen, the tiny settlement, twenty-five miles north of Tara, slowly grew into a village and the tracks slowly pushed northward. Then the railroad building era really began. From the old city of Augusta, a second railroad was extended westward across the state to connect with the new road to Tennessee. From the old city of Savannah, a third railroad was built first to Macon, in the heart of Georgia, and then north through Gerald's own county to Atlanta, to link up with the other two roads and give Savannah's harbor a highway to the West. From the same junction point, the young Atlanta, a fourth railroad was constructed southwestward to Montgomery and Mobile.

Born of a railroad, Atlanta grew as its railroads grew. With the completion of the four lines, Atlanta was now connected with the West, with the South, with the Coast and, through Augusta, with the North and East. It had become the crossroads of travel north and south and east and west, and the little village leaped to life.

In a space of time but little longer than Scarlett's seventeen
years, Atlanta had grown from a single stake driven in the ground into a thriving small city of ten thousand that was the center of attention for the whole state. The older, quieter cities were wont to look upon the bustling new town with the sensations of a hen which has hatched a duckling. Why was the place so different from the other Georgia towns? Why did it grow so fast? After all, they thought, it had nothing whatever to recommend it—only its railroads and a bunch of mighty pushy people.

The people who settled the town called successively Terminus, Marthasville and Atlanta, were a pushy people. Restless, energetic people from the older sections of Georgia and from more distant states were drawn to this town that sprawled itself around the junction of the railroads in its center. They came with enthusiasm. They built their stores around the five muddy-red roads that crossed near the depot. They built their fine homes on Whitehall and Washington streets and along the high ridge of land on which countless generations of moccasined Indian feet had beaten a path called the Peachtree Trail. They were proud of the place, proud of its growth, proud of themselves for making it grow. Let the older towns call Atlanta anything they pleased. Atlanta did not care.

Scarlett had always liked Atlanta for the very same reasons that made Savannah, Augusta and Macon condemn it. Like herself, the town was a mixture of the old and new in Georgia, in which the old often came off second best in its conflicts with the self-willed and vigorous new. Moreover, there was something personal, exciting about a town that was born—or at least christened—the same year she was christened.

*     *     *

The night before had been wild and wet with rain, but when Scarlett arrived in Atlanta a warm sun was at work, bravely attempting to dry the streets that were winding rivers of red mud. In the open space around the depot, the soft ground had been cut and churned by the constant flow of traffic in and out until it resembled an enormous hog wallow, and here and there vehicles were mired to the hubs in the ruts. A never-ceasing line of army wagons and ambulances, loading and unloading supplies and wounded from the trains, made the mud and confusion worse as they toiled in and struggled out, drivers swearing, mules plunging and mud splattering for yards.

Scarlett stood on the lower step of the train, a pale pretty figure in her black mourning dress, her crêpe veil fluttering almost to her heels. She hesitated, unwilling to soil her slippers and hems, and looked about in the shouting tangle of wagons, buggies and carriages for Miss Pittypat. There was no sign of that chubby pink-cheeked lady, but as Scarlett searched anxiously a spare old negro, with grizzled kinks and an air of dignified authority, came toward her through the mud, his hat in his hand.

“Dis Miss Scarlett, ain' it? Dis hyah Peter, Miss Pitty's coachman. Doan step down in dat mud,” he ordered severely, as Scarlett gathered up her skirts preparatory to descending. “You is as bad as Miss Pitty an' she lak a chile 'bout gittin' her feets wet. Lemme cahy you.”

He picked Scarlett up with ease despite his apparent frailness and age and, observing Prissy standing on the platform of the train, the baby in her arms, he paused: “Is dat air chile yo'nuss? Miss Scarlett, she too young ter be handlin' Mist' Charles' onlies' baby! But we ten' to dat
later. You gal, foller me, an' doan you go drappin' dat baby.”

Scarlett submitted meekly to being carried toward the carriage and also to the peremptory manner in which Uncle Peter criticized her and Prissy. As they went through the mud with Prissy sloshing, pouting, after them, she recalled what Charles had said about Uncle Peter.

“He went through all the Mexican campaigns with Father, nursed him when he was wounded—in fact, he saved his life. Uncle Peter practically raised Melanie and me, for we were very young when Father and Mother died. Aunt Pitty had a falling out with her brother, Uncle Henry, about that time, so she came to live with us and take care of us. She is the most helpless soul—just like a sweet grown-up child, and Uncle Peter treats her that way. To save her life, she couldn't make up her mind about anything, so Peter makes it up for her. He was the one who decided I should have a larger allowance when I was fifteen, and he insisted that I should go to Harvard for my senior year, when Uncle Henry wanted me to take my degree at the University. And he decided when Melly was old enough to put up her hair and go to parties. He tells Aunt Pitty when it's too cold or too wet for her to go calling and when she should wear a shawl…. He's the smartest old darky I've ever seen and about the most devoted. The only trouble with him is that he owns the three of us, body and soul, and he knows it.”