She laughed with him, but distrusted the turn the conversation was taking. They were walking back to the office. He walked slowly, as though in deliberate opposition to the people around them, although they were already a little late—at least
she
was late, but, since she was with one of her superiors, it possibly didn’t matter.
“Where do you live?” he asked her. “Do you live uptown?”
“No,” she said, “I live downtown on Bank Street.” And after a moment: “That’s in the Village. Greenwich Village.”
He grinned. “Don’t tell me you studying to be a writer or a dancer or something?”
“No. I just found myself there. It used to be cheap.”
He scowled. “Ain’t nothing cheap in this town no more, not even the necessities.”
His tone made clear to which necessities he referred and she
would have loved to tease him a little, just to watch him laugh. But she was beginning, with every step they took, to be a little afraid of him. She was responding to him with parts of herself that had been buried so long she had forgotten they existed. In his office that morning, when he shook her hand, she had suddenly felt a warmth of affection, of nostalgia, of gratitude even—and again in the lobby—he had somehow made her feel safe. It was his friendliness that was so unsettling. She had grown used to unfriendly people.
Still, she did not
want
to be friends with him: still less did she desire that their friendship should ever become anything more. Sooner or later he would learn about Paul. He would look at her differently then. It would not be—so much—because of Paul as a man, perhaps not even Paul as a white man. But it would make him bitter, it would make her ashamed, for him to see how she was letting herself be wasted—for Paul, who did not love her.
This was the reason she was ashamed and wished to avoid the scrutiny of Mr. Davis. She was doing something to herself—out of shame?—that he would be right in finding indefensible. She was punishing herself. For what? She looked sideways at his black Sambo profile under the handsome lightweight Dobbs hat and wished that she could tell him about it, that he would turn his head, holding it slightly to one side, and watch her with those eyes that had seen and that had learned to hide so much. Eyes that had seen so many girls like her taken beyond the hope of rescue, while all the owner of the eyes could do—perhaps she wore Paul the way Mr. Davis wore his hat. And she looked away from him, half-smiling and yet near tears, over the furious streets on which, here and there, like a design, colored people also hurried, thinking,
And we were slaves here once.
“Do you like music?” he asked her abruptly. “I don’t necessarily mean Carnegie Hall.”
Now was the time to stop him. She had only to say, “Mr.
Davis, I’m living with someone.” It would not be necessary to say anything more than that.
She met his eyes. “Of course I like music,” she said faintly.
“Well, I know a place I’d like to take you one of these evenings, after work. Not going to be easy, being
my
secretary.”
His smile forced her to smile with him. But, “Mr. Davis,” she said, and stopped. They were before the entrance to their office building.
“What’s the matter?” he asked. “You forget something?”
“No.” She looked down, feeling big, black and foolish. “Mr. Davis,” she said, “you don’t know anything about me.”
“You don’t know anything about me, either,” he said.
“That’s not what I mean,” she said.
He sounded slightly angry. “I ain’t asked you nothing yet,” he said. “Why can’t you wait till you’re asked?”
“Well,” she stammered, “it may be too late by then.”
They stared hard at each other for a moment. “Well,” he said, “if it turns out to be too late, won’t be nobody to blame but me, will it?”
She stared at him again, almost hating him. She blindly felt that he had no right to do this to her, to cause her to feel such a leap of hope, if he was only, in the end, going to give her back all her shame.
“You know what they say down home,” she said, slowly. “If you don’t know what you doing, you better ask somebody.” There were tears in her eyes.
He took her arm. “Come on in this house, girl,” he said. “We got insurance to sell.”
They said nothing to each other in the elevator on the way upstairs. She wanted to laugh and she wanted to cry. He, ostentatiously, did not watch her; he stood next to her, humming
Rocks in My Bed.
She waited all afternoon for Paul to telephone, but although, perversely enough, the phone seemed never to cease ringing, it
never rang for her. At five-fifteen, just before she left the office, she called the apartment. Paul was not there. She went downstairs to a nearby bar and ordered a drink and called again at a quarter to six. He was not there. She resolved to have one more drink and leave this bar, which she did, wandering a few blocks north to a bar frequented by theater people. She sat in a booth and ordered a drink and at a quarter to seven called again. He was not there.
She was in a reckless, desperate state, like flight. She knew that she could not possibly go home and cook supper and wait in the empty apartment until his key turned in the lock. He would come in, breathless and contrite—or else, truculently,
not
contrite—probably a little drunk, probably quite hungry. He would tell her where he had been and what he had been doing. Whatever he told her would probably be true—there are so many ways of telling the truth! And whether it was true or not did not matter and she would not be able to reproach him for the one thing that
did
matter: that he had left her sitting in the house alone. She could not make this reproach because, after all, leaving women sitting around in empty houses had been the specialty of all men for ages. And, for ages, when the men arrived, women bestirred themselves to cook supper—luckily, it was not yet common knowledge that many a woman had narrowly avoided committing murder by calmly breaking a few eggs.
She wondered where it had all gone to—the ease, the pleasure they had had together once. At one time their evenings together, sitting around the house, drinking beer or reading or simply laughing and talking, had been the best part of all their days. Paul, reading, or walking about with a can of beer in his hand, talking, gesturing, scratching his chest; Paul, stretched out on the sofa, staring at the ceiling; Paul, cheerful, with that lowdown, cavernous chuckle and that foolish grin; Paul, grim, with his mouth turned down and his eyes burning; Paul doing anything whatever, Paul with his eyelids sealed in sleep,
drooling and snoring, Paul lighting her cigarette, touching her elbow, talking, talking, talking, in his million ways, to her, had been the light that lighted up her world. Now it was all gone, it would never come again, and that face which was like the heavens was darkening against her.
These present days, after supper, when the chatter each used as a cover began to show dangerous signs of growing thinner, there would be no choice but sleep. She might, indeed, have preferred a late movie, or a round of the bars, lights, noise, other people, but this would scarcely be Paul’s desire, already tired from his day. Besides—after all, she had to face the office in the morning. Eventually, therefore, bed; perhaps he or she or both of them might read awhile; perhaps there would take place between them what had sometimes been described as the act of love. Then sleep, black and dreadful, like a drugged state, from which she would be rescued by the scream of the alarm clock or the realization that Paul was no longer in bed.
Ah. Her throat ached with tears of fury and despair. In the days before she had met Paul men had taken her out, she had laughed a lot, she had been young. She had not wished to spend her life protecting herself, with laughter, against men she cared nothing about; but she could not go on like this, either, drinking in random bars because she was afraid to go home; neither could she guess what life might bring her when Paul was gone.
She wished that she had never met him. She wished that he, or she, or both of them were dead. And for a moment she really wished it, with a violence that frightened her. Perhaps there was always murder at the very heart of love: the strong desire to murder the beloved, so that one could at last be assured of privacy and peace and be as safe and unchanging as the grave. Perhaps this was why disasters, thicker and more malevolent than bees, circled Paul’s head whenever he was out
of her sight. Perhaps in those moments when she had believed herself willing to lay down her life for him she had only been presenting herself with a metaphor for her peace, his death; death, which would be an inadequate revenge for the color of his skin, for his failure, by not loving her, to release her from the prison of her own.
The waitress passed her table and Ruth ordered another drink. After this drink she would go. The bar was beginning to fill up, mostly, as she judged, with theater people, some of them, possibly, on their way to work, most of them drawn here by habit and hope. For the past few moments, without realizing it, she had been watching a lean, pale boy at the bar, whose curly hair leaned electrically over his forehead like a living, awry crown. Something about him, his stance, his profile or his grin, prodded painfully at her attention. But it was not that he reminded her of Paul. He reminded her of a boy she had known, briefly, a few years ago, a very lonely boy who was now a merchant seaman, probably, wherever he might be on the globe at this moment, whoring his unbearably unrealized, mysteriously painful life away. She had been fond of him but loneliness in him had been like a cancer, it had really unfitted him for human intercourse, and she had not been sorry to see him go. She had not thought of him for years; yet, now, this stranger at the bar, whom she was beginning to recognize as an actor of brief but growing reputation, abruptly brought him back to her; brought him back encrusted, as it were, with the anguish of the intervening years. She remembered things she thought she had forgotten and wished that she had been wiser then—then she smiled at herself, wishing she were wiser now.
Once, when he had done something to hurt her, she had told him, trying to be calm but choked and trembling with rage: “Look. This is the twentieth century. We’re not down on a plantation, you’re not the master’s son, and I’m not the black
girl you can just sleep with when you want to and kick about as you please!”
His face, then, had held something, held many things—bitterness, amusement, fury; but the startling element was pain, his pain, with which she now invested the face of the actor at the bar. It made her wish that she had held her tongue.
“Well,” he said at last. “I guess I’ll get on back to the big house and leave you down here with the pickaninnies.”
They had seen each other a few times thereafter but that was really the evening on which everything had ended between them.
She wondered if that boy had ever found a home.
The actor at the bar looked toward her briefly, but she knew he was not seeing her. He looked at his watch, frowned, she saw that he was not as young as he looked; he ordered another drink and looked downward, leaning both elbows on the bar. The dim lights played on his crown of hair. He moved his head slightly, with impatience, upward, his mouth slightly open, and in that instant, somehow, his profile was burned into her mind. He reminded her then of Paul, of the vanished boy, of others, of others she had seen and never touched, of an army of boys—boys forever!—an army she feared and hated and loved. In that gesture, that look upward, with the light so briefly on his face, she saw the bones that held his face together and the sorrow beginning to corrode his brow, the blood beating like butterfly wings against the cage of his heavy neck. But there was no name for something blind, cruel, lustful, lost, intolerably vulnerable in his eyes and mouth. She knew that in spite of everything, his color, his power or his coming fame, he was lost. He did not know what had happened to his life. And never would. This was the pain she had seen on the face of that boy so long ago, and it was this that had driven Paul into her arms, and now away. The sons of the masters were roaming
the world, looking for arms to hold them. And the arms that might have held them—could not forgive.
A sound escaped her; she was astonished to realize it was a sob. The waitress looked at her sharply. Ruth put some money on the table and hurried out. It was dark now and the rain that had been falling intermittently all day spangled the air and glittered all over the streets. It fell against her face and mingled with her tears and she walked briskly through the crowds to hide from them and from herself the fact that she did not know where she was going.
“W
HAT
’
S THE MATTER
?” she asked.
“I don’t know,” he said, trying to laugh, “I guess I’m tired.”
“You’ve been working too hard,” she said. “I keep telling you.”
“Well, goddammit, woman,” he said, “it’s not my fault!” He tried again; he wretchedly failed again. Then he just lay there, silent, angry, and helpless. Excitement filled him like a toothache, but it refused to enter his flesh. He stroked her breast. This was his wife. He could not ask her to do just a little thing for him, just to help him out, just for a little while, the way he could ask a nigger girl to do it. He lay there, and he sighed. The image of a black girl caused a distant excitement in him, like a far-away light; but, again, the excitement was more like pain; instead of forcing him to act, it made action impossible.
“Go to sleep,” she said, gently, “you got a hard day tomorrow.”
“Yeah,” he said, and rolled over on his side, facing her, one hand still on one breast. “Goddamn the niggers. The black stinking coons. You’d think they’d learn. Wouldn’t you think they’d learn? I mean,
wouldn’t
you?”
“They going to be out there tomorrow,” she said, and took his hand away, “get some sleep.”
He lay there, one hand between his legs, staring at the frail sanctuary of his wife. A faint light came from the shutters; the moon was full. Two dogs, far away, were barking at each other, back and forth, insistently, as though they were agreeing to make an appointment. He heard a car coming north on the road and he half sat up, his hand reaching for his holster, which was on a chair near the bed, on top of his pants. The lights hit the shutters and seemed to travel across the room and then went out. The sound of the car slipped away, he heard it
hit gravel, then heard it no more. Some liver-lipped students, probably, heading back to that college—but coming from where? His watch said it was two in the morning. They could be coming from anywhere, from out of state most likely, and they would be at the court-house tomorrow. The niggers were getting ready. Well, they would be ready, too.