Glow
Authors: Ned Beauman
Ned Beauman was born in 1985 in London. His debut
novel, BOXER, BEETLE, was shortlisted for the
Guardian
First Book Award and the Desmond Elliot Prize
and won the Writers' Guild Award for Best Fiction Book
and the Goldberg Prize for Outstanding Debut Fiction.
His second novel, THE TELEPORTATION ACCIDENT,
was longlisted for the Man Booker Prize and won the
Encore Award and a Somerset Maugham Award. He has
been chosen by the
Culture Show
as one of the twelve
best new British novelists and by
Granta
as one of the 20
best British novelists under 40. His work has been
translated into more than ten languages.
Also by Ned Beauman
Boxer, Beetle
The Teleportation Accident
Glow
Ned Beauman
First published in Great Britain in 2014 by Sceptre
A imprint of Hodder & Stoughton
An Hachette UK company
Copyright © Ned Beauman 2014
The right of Ned Beauman to be identified as the Author of the
Work has been asserted by him in accordance with the
Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this publication may be reproduced,
stored in a retrieval system, or transmitted, in any form or by any
means without the prior written permission of the publisher, nor be
otherwise circulated in any form of binding or cover other than that
in which it is published and without a similar condition being
imposed on the subsequent purchaser.
All characters in this publication are fictitious and any resemblance
to real persons, living or dead is purely coincidental.
A CIP catalogue record for this title is available from the British Library
Ebook ISBN 978 1 444 76554 0
Hardback ISBN 978 1 444 76551 9
Hodder & Stoughton Ltd
338 Euston Road
London NW1 3BH
As to what hour it might have been I had no idea, except that it must have been some hour of the night. But it might have been three or four in the morning just as it might have been ten or eleven in the evening, depending no doubt on whether one wondered at the scarcity of passers-by or at the extraordinary radiance shed by the street-lamps and traffic-lights. For at one or other of these no one could fail to wonder, unless he was out of his mind.
‘The Calmative’ by Samuel Beckett
Only let the material interests once get a firm footing, and they are bound to impose the conditions on which alone they can continue to exist. That’s how your money-making is justified here in the face of lawlessness and disorder. It is justified because the security which it demands must be shared with an oppressed people. A better justice will come afterwards.
Nostromo
by Joseph Conrad
Contents
Day 1
12.49 a.m.
When he first sees her, Raf is sitting on a washing machine about to swallow an eighth of a gram of what is apparently a mixture of speed, monosodium glutamate, and an experimental social anxiety disorder medication for dogs. That, anyway, is what it sounded like Isaac told him, but the music in the laundrette is pretty loud and he wonders if he might have misheard. The powder has been divided between two cigarette papers and then the cigarette papers have been folded up and twisted to make those tight sealed parcels that always remind him of pork wontons, and Isaac has already gulped down his wonton, but Raf still has his in his hand, because he can’t stop staring at the girl by the door. She’s half white and half something else, maybe half Thai; and she has one of those faces where the entire bone structure seems to ramify from the cheekbones in such a way that the result looks like a 3D computer graphic from the eighties because it’s composed of such an economical number of sharp, flat planes, except that the angles are confused here by strands of long black hair escaping from where she’s pinned the rest of it up at the back of her head; and she has a small mouth folded towards a natural semi-pout that must be a good shape for when she’s pretending to disapprove of something while trying not to laugh; and she’s wearing a black hoodie unzipped over a slouchy grey vest. There are about sixty people dancing in the corridor of space between Raf and this girl, like a rush-hour Tube carriage that’s learned to vibrate to a determinate rhythm, and he considers pushing through them all to talk to her – ‘Will you immediately become my wife?’ – but then Isaac knocks him on the arm with a plastic water bottle to hurry him up. Without breaking surveillance, he takes the bottle, puts the wonton in his mouth, washes it down with a gulp of water, and leans over to shout in Isaac’s ear, ‘What did you say was in this?’
‘What?’
‘What did you say was in this?’
‘Speed, monosodium glutamate, and an experimental social anxiety disorder medication for dogs.’
‘What’s social anxiety disorder?’
‘What?’
The sound system isn’t even that loud but the room’s so small that the treble pushes at the sides like a fat toddler stuffed into a car seat. ‘What’s social anxiety disorder?’
‘I can’t hear you. Come outside.’
Raf reluctantly follows Isaac out into the little paved yard behind the laundrette where a few people are chatting and smoking. Upside down in the corner is one of those white polypropylene slatted-back chairs that colonise faster than rats, lying there in the incredulous posture of an object that is almost impossible to knock over but has nonetheless found itself knocked over.
‘What’s social anxiety disorder?’ Raf says again. From here he can’t see the girl.
‘Shyness, basically.’ In recent years, Isaac explains, a lot of American vets have started to diagnose the condition in pet dogs, and as a result a range of competing psychiatric prescriptions have now been brought to market. As for the rest of the mixture, he has no explanation for the monosodium glutamate, unless that’s just to bulk it out, although in that case it’s difficult to say why, out of all the available inert white powders, the manufacturers have chosen to use monosodium glutamate in particular. (Raf almost wonders if it could be a joke about the wontons.) And it has some speed in it because everything has some speed in it.
‘What’s it going to do?’ Raf says.
‘It’s like really bad ecstasy.’
For a long time Raf had thought of ecstasy as a substance so synthetic it was almost a pure abstraction, so it surprised him to learn from Isaac last month that the reason there’s no good ecstasy in London at the moment is that two hundred and fifty drums of sassafras oil, which in the old days was thought to cure syphilis, were confiscated at a port in Thailand. To find out that ecstasy – like cocaine, like opium, like marijuana – comes from a plant that grew in the ground is to find out that angels have belly buttons. (Speed, by contrast, is made out of ephedrine, which can be extracted from certain shrubs but nowadays is almost always made out of laboratory chemicals instead, so like some theorem in vector algebra the drug owes nothing to the outside world, unless you followed the chain all the way back to the hydrocarbons they take out of crude oil.) Strange, too, to think of the million flirtations that won’t be consummated, the million dawns that won’t be watched, the million comedowns that won’t be endured just because a guy in Laem Chabang neglected to pay a bribe or another guy refused to take one. No politician at a WTO conference ever had so much power. The drug trade, Isaac told him, is the first globalisation of the emotional life.
‘When is there going to be good ecstasy again?’ Raf says.
‘Maybe never,’ says Isaac. ‘We need to get hold of some glow.’
‘What’s that?’
‘You know, that new stuff. Barky said it was the best thing he’d ever taken. Ever in his whole life.’
‘Does he still have any?’
‘I think so.’
‘Is he coming here?’
Isaac shrugs. ‘His phone’s off.’
The reason the owners of this laundrette are allowing a small rave to take place here tonight is so they can sell drugs to the crowd, but all they have is cocaine, ketamine, and a new ecstasy understudy called ethylbuphedrone that you can buy legally over the internet from laboratories in China, none of which are of any interest to Raf. Looking around, he feels, not for the first time, a mild bitterness that he wasn’t born twenty years earlier, when a night out would have been all about snowy Dutch MDMA in a giant import warehouse near the M11, a drug culture so good that people wrote memoirs about it, instead of these self-administered double-blind trials in a twenty-square-metre urban utility. How was London reduced to this?
