Girls in Pants: The Third Summer of the Sisterhood (28 page)

They all showered (the hot water ran out after Carmen’s and before Lena’s) and made a late lunch of grilled cheese sandwiches and brownies, feeling sun-tired and extra hungry, the way the ocean makes you feel.

The first cell phone rang just after lunch.

“Really? How great!” Carmen was laughing into the phone. She moved it a few inches from her mouth. “Win saw Katherine in the kids’ lounge at the hospital today,” she explained to Tibby. “The hockey helmet is off!”

“I know. She misses it.” Tibby smiled appreciatively. She liked Win. She gave Win the big thumbs-up. But she found herself wishing that he weren’t joining them just now.

The second call came from Valia. Valia apparently couldn’t find the photocopy of the drawing Lena had made of her, and wanted urgently to bring it back to Greece. Valia had new life in her—and she was putting it all into packing. Valia then insisted on getting Carmen on the phone so she could tell her something about the new soap opera she had adopted, the same dumb show Carmen was always watching.

The third call was for Bee. Tibby watched Bee melt into the phone and she knew it was Eric. She could never begrudge Bee—or anyone she loved, for that matter—a voice that could give her so pure a look of happiness.

Tibby sat on the kitchen counter and considered the sheer number of voices that had joined their lives.

Then Brian called on Tibby’s cell phone. He wanted to talk to her, and she wanted to talk to him—just for a few minutes, at least.

As soon as Tibby hung up, two other phones started ringing simultaneously. Lena caught Tibby’s glance. “What’s going on here?” she said. “It’s like a joke.”

Tibby nodded. “Only I can’t figure out if it’s funny or not.”

Dinner was a chaotic affair, what with the phones ringing and Carmen almost burning down the house when she forgot about the rice. There wasn’t much peace. It was sort of wonderful in the sense that it reassured Tibby how rich and funny and interconnected her world was. It was sort of sad in the sense that she’d imagined that world would stop for this one weekend, so that they could just exist together in solitude. But the world hadn’t stopped for them. If anything, it had sped up.

Hours later, midnight had come and gone and Tibby couldn’t sleep. She sat on the floor of the small, sandy bedroom and couldn’t help feeling a little bleak. It wasn’t that their night hadn’t been fun; it had been. After the kitchen fire was brought under control, they decided to abandon the stove altogether and had milkshakes and peanut butter fudge for dinner instead. They ate so much of it they had all lain groaning and exhausted on the living room floor.

There were so many things to talk about, so many new people to process, so much future bearing down on them, they had barely gotten started. They had listened to music and fallen into sugar-induced slumber and crawled off to their various bedrooms.

Tonight, for the first time, the world had felt too big to contain and digest within their small circle of friendship. Was this the way the future was going to go?

They were growing up. It was inevitable, and Tibby had learned enough this summer not to stand in its way. There were boyfriends and families and big plans burning just ahead of them.

But please, God, she couldn’t do it if it was a trade-in. She couldn’t strike the bargain if growing up meant drowning out the friendship that stood at the very center of her life, the thing that gave her strength and balance.

Darkness closed her in the house and the black waves beat against the shore for all to hear. All of a sudden Tibby felt claustrophobic. Perhaps for the first time in memory, she felt more afraid of a small, confining space than the big, infinite one. Without thinking, she tiptoed out of the bedroom, down the stairs, and out into the air.

Tibby felt like she was walking into a dream, a happy dream, when she saw the three distant silhouettes sitting on the sand. She laughed at the sight of those three familiar heads. It was like a dream too, in that she knew more than she really could know. She knew what they were feeling; she knew it was the same thing she was feeling, and in that knowledge she felt the strength of their connection.

It seemed as though they were waiting for her, even though they had no practical reason to know she would come. When Tibby got close enough, Bee reached up for her hand and pulled her down into their little cluster.

“Hi.” Tibby’s voice was quiet, but almost giddy.

“This is where the cool kids go,” Bee said, laughing.

Lena shrugged. “I guess nobody could sleep.”

“We have too much stuff to talk about,” Carmen mused.

A wave washed close to their feet. This didn’t give anybody the idea to move.

They tightened their circle, and Carmen set the Pants in the middle, making a circle of their summer as well.

Tibby breathed out, finding inexpressible comfort in her friends’ faces. Before her eyes, this night had transformed into a gift of reassurance. This was the future. Life would get busier and more varied, populated both by beautiful things and unfortunate circumstances. If their friendship demanded exclusivity or solitude, it couldn’t work. If it required that everything go as planned, it would turn brittle, and ultimately it would break. On the other hand, she knew that if they could be flexible and big, if they could encompass change, then they would make it.

Tibby remembered her dream about taxidermy and understood in a new way the beauty of the Pants. The Pants could move along with them.

“Whatever happens,” Bridget said, “we will find each other. We always will.”

I’m going back to the start.
—Coldplay

EPILOGUE

F
or our last hour at the beach, we exchanged gifts instead of saying good-bye. We didn’t plan it that way, exactly. It just kind of fell into place, like us all finding each other on the beach in the middle of the night. We each wanted a few things we could hold on to.

The sun streamed pink and orange behind our heads, and the ocean churned dark. The sand felt softer in the sweet light. The air was warm and comforting.

I can’t tell you all that was said and what was felt. I just can’t. But I’ll tell you what happened and you can imagine it. You’ll do better with your imagination than I could with my words.

Carmen got to go first, because she is the least patient. Not about getting, about giving. “For the walls of our dorm rooms,” she announced, handing them out.

Carmen had found four long, vertical frames and pasted three photographs into each of them. The first photo, on the top, was the one of our mothers, as young, happening, late-eighties moms sitting on a wall, arms around each other’s shoulders, wearing jeans. The photo was familiar to us now. A little speckled. A little old. A little heartbreaking to remember Marly, as it always was. The next photo, in the middle, was also old, one I barely remembered ever seeing. It was the four of us as toddlers, our faces peeking over a couch. We looked like a miniature girl band. Carmen looked like the singer. I, small and confused, looked like the one who plugged the instruments into the amplifiers. It made me laugh. The bottom photo was from graduation, the four of us in the same order, the same faces, the same expressions.

The crying started for each of us around then. It was inevitable. It was like that feeling of being outside in a rainfall without a raincoat or umbrella. You fight getting wet for a while and then you just surrender to it and you realize it feels pretty nice. You wonder, why do we fight the things we fight when giving in to them isn’t so bad at all?

Bee went next. She passed out tiny jewelry boxes. We pulled the tops off all at once.

On four delicate silver chains dangled four tiny, identical charms. Of pants. They were tiny silver charms in the shape of pants, just like our Pants. Now they
were
our Pants, in a new and different way.

Bee explained how Greta first spotted one in a jewelry kiosk in the middle of the mall in Huntsville, Alabama. And how she and Greta made a joint project of hounding the jeweler, Mr. Bosely, until he came up with three more.

We all put them on each other, fiddling with clasps, holding up hair. I pressed the tiny charm flat against my sternum, knowing it would live there now. We couldn’t look at each other except in little bits. It was hard to feel so much.

Lena handed hers out next. She had even wrapped them. We tore the paper off with different degrees of care: I folded the wrapping paper for future use, Bee tore at hers savagely and sat on the crumpled paper so it wouldn’t blow down the beach.

Lena had made four nearly identical drawings and framed them, one for each. She’d drawn the Traveling Pants twice, front and back. But she’d drawn them upside down and side by side so that together they formed a big W. Next to it Lena added the letter
e
. The picture said
We
.

I went last. I handed out videocassettes with specially decorated labels. “We have to go inside for this,” I said.

I had already made sure the Morgans’ VCR was in working order. So once we’d scrambled up the beach and into the house, it didn’t take me long to get the movie fired up.

It was short. Just ten minutes. Most of it was stuff from my own parents’ collection, but I’d managed to get stuff from Tina and Ari too. I’d even given the two of them and my mom a little preview a few nights before in our den, though I made them keep it a secret. The three of them wept while I crowded up all close to the TV and pretended not to. The three moms hugged afterward. That made me feel happy.

The first part was on old-fashioned Super 8 film, atmospheric and a little jerky, showing us crawling around in Lena’s backyard. Well, Lena was timid about crawling, so we mostly nudged and rolled her. I was a stringy baby, bald and purposeless. Bee’s hair looked like white feathers adorning her head. She was a fast crawler. Her mother had to pull her away from the side of the pool. Bee’s brother, Perry, made a brief appearance. He didn’t move much, but he did find a bug in the grass. Carmen had perfect brown ringlets, giant eyes, and a very loud voice with which to coax inert baby Lena.

By the time we were two, some parent or other had sprung for a real video camera. The next part showed the four of us girls lined up on four plastic potties. Lena sat patiently, her elbow on her knee, her chin in her palm. I was tiny and seemed to be falling into mine. Carmen was trying to yank a Mary Jane off her foot. Bee finished first. “I’m done!” She stood up and shouted at someone off camera.

The next bits were fast takes, a catalog of joint birthday parties, bad haircuts, and complex orthodontia. Siblings, parents, grandparents, and other relatives filtered through in various fashion mishaps.

The last one was a long shot, taken when we were about seven. I didn’t even understand the significance of it when I’d picked it out and smoothed it into the end of the movie.

It was taken at Rehoboth Beach, probably within a mile of this very place. The camera showed the four of us holding hands in the rough surf, jumping waves, shouting and screaming.

It was just like now. Exactly as we had done the afternoon before and early that morning. As I looked at the screen I could feel the cold, salty water covering my hands, linked with Bee’s on one side and Lena’s on the other. I could hear Carmen’s shrieks of joy in my ear. Different times we lined up in a different order. It didn’t matter the order.

The image stayed on the screen and we all watched it, even when it went still.

Back then was exactly the same as now. To brave the undertow, we had learned to hold hands.

QUESTIONS FOR DISCUSSION

1. The novel opens with a first-person narrative by Tibby. Why do you think the author selected this character to frame the story? Would you have selected another character, and if so, what would he or she say?

2. Epigraphs (short quotations) from a variety of sources—song lyrics, remarks by real-life personalities, fictitious sayings by the novel’s characters—are used to separate sections of the book. Which one is your favorite? Why?

3. Of the four girls, whom are you most like? Whose first year of college would you most like to follow?

4. “Our shared childhood is ending. Maybe we’ll never live at home again. Maybe we’ll never all live in the same place again. We’re headed off to start our real lives. To me that is awe-inspiring, but it is also the single scariest thought in the world” (prologue). The girls realize that leaving for college is much bigger than leaving each other for just a summer. Do you think each of the girls is prepared to be away from her friends for an entire year? Whose first year do you most worry about? How would you prepare to leave your friends?

5. In the prologue, Tibby compares each of the girls to a car. What kind of car would you be? Why?

6. “Tibby was a slow adjuster. In preschool, her teachers had said she had trouble with transitions. Tibby preferred looking backward for information rather than forward. As far as she was concerned, she’d take a nursery school report card over a fortune-teller any day of the week. It was the cheapest and best self-analysis around” (begin reading section). By the end of the book, how has Tibby changed in her response to the new or unexpected? How have the other girls changed? Who has grown the most? How?