Frank Skinner Autobiography

Table of Contents

This ebook is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out or otherwise circulated without the publisher's prior consent in any form (including any digital form) other than this in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

Epub ISBN: 9781409065241

Version 1.10

  

Published by Arrow Books in 2002

17 19 20 18 16

Copyright © Frank Skinner 2001

Frank Skinner has asserted his right under the Copyright, Designs and Patents Act, 1988 to be identified as the author of this work

First published in Great Britain in 2001 by

Century

Arrow Books

Random House, 20 Vauxhall Bridge Road,

London SW1V 2SA

Addresses for companies within The Random House Group Limited can be found at:
www.randomhouse.co.uk/offices.htm

The Random House Group Limited Reg. No. 954009

A CIP catalogue record for this book is available from the British Library

ISBN 9780099426875

‘Reads like one long stand-up routine'

‘
Frank Skinner
is up there with
Tristram Shandy
as a brilliantly effective book . . . hilariously honest and deeply moving'

‘Honest and revealing . . . rags-to-riches account of a Brummie who's become one of the most successful entertainers on TV'

‘Funny? Yes, very.'

‘Funny and . . . well-crafted. [Skinner] has . . . an enormous care for words'

About the Author

Frank Skinner performed his first stand-up gig in December 1987, and four years later went on to win the prestigious Perrier Award. Frank has established himself as a major name in entertainment – both in live comedy and on television. Frank has created and starred in a succession of hit comedy shows, including
The Frank Skinner Show
,
Fantasy Football
and
Baddiel and Skinner Unplanned
. Frank has attained three number one hits with the iconic football anthem
Three Lions
alongside David Baddiel and the Lightning Seeds. He has starred in the West End in both
Art
and Lee Hall's
Cooking with Elvis
; and his critically acclaimed first book
Frank Skinner
was the bestselling autobiography of 2002, spending a total of 46 weeks in the
Sunday Times
bestsellers' list. In 2007 Frank Skinner returned to stand-up with another sell-out tour of the UK.

I
F
I'
M CONSIDERING
buying a book, I always take it off the shelf and read the first paragraph. This, I think, gives you a pretty fair inkling as to whether you'll like it or not. So, imagine the pressure I'm feeling at the moment. I suppose this has ended up in the Biography section and you are probably already eyeing up my competition: stuff like ‘My Life in Music' by David Hasselhof or ‘Fish in my rear-view mirror' by Teddy Kennedy. So, I know I have to work fast. I've never written a book before. In fact I've barely written a letter in the last ten years and even e-mails have become a bit irksome. I quite like text-messaging on my mobile phone, but it's not much of a warm-up for a 120,000-word autobiography. I even had text-message sex on one occasion. It was a long-winded but ultimately rewarding experience. At one stage in the proceedings I asked my fellow texter what was under her pants. The answer took the form of a vivid portrait in words that was three parts Jackie Collins and two parts Gray's Anatomy. I hadn't really expected such a wealth of detailed information. In short, I could almost smell it. Her message ended: ‘What's under YOUR pants?' I replied, in all honesty, ‘My knees.'

According to my own methods of purchase, if you are still with me at this stage, then the book is bought. Don't imagine this will lead to any falling away of standards. As far as I'm concerned, your outlay has forged a bond between us and I'm going to spend the rest of these pages telling you more about myself than I've ever told a best friend. You see, what I really like about the text-message story is that it's true. I really like true stuff. This is why I never read novels. I'm constantly plagued by the knowledge that they aren't true. If a novel begins, ‘Martin lit a cigarette and considered the situation', I'm thinking to myself, no, he didn't. There is no Martin. So, I'm offering you the truth. The story of my life. This throws up a couple of problems.

Firstly, and I am not inclined to false modesty, I find it hard to imagine the kind of person who would be even slightly interested in my life story. I never stood toe-to-toe with Saddam or struck a power-chord at a stadium gig. I'm a nondescript bloke from a working-class family in West Bromwich, who got lucky. I've always been lucky. A friend of mine used to say that if I fell off John Lewis's roof, I'd drop into a new suit, and I know what he meant. On my thirtieth birthday, a mate's girlfriend asked me what it was like to be thirty and ‘on the scrapheap'. Ten years later, I was doing a stand-up gig in front of five and a half thousand people, had my own chat show, and was at the core of a national phenomenon when me and two other blokes decided that football was coming home. How did all that happen?

This leads to the other problem. I've read the odd biography and I usually give up after about fifty pages because we're on chapter four and he's still at school. I hate all that early-life stuff. Who wants to know where his grandad was born and that his earliest memory was of staring at a stained-glass window at his auntie's house in Sudbury? By this stage I'm shouting, ‘Hurry up and get famous, you bastard, or I'm switching to Hasselhof.' But, as Wordsworth said, ‘The child is father to the man', so I feel I
need
to stick in a bit of relevant stuff from my pre-shaving years, just not in a big lump at the front. In fact, I don't see why the story needs to be in any particular order. We're mates now. You'll have to take me as you find me.

I also like books with lots of short little sections, bite-sized to suit the busy lifestyle common to so many people in this, the twenty-first century.

Can I just make a brief point about modesty? I really like modesty. I respect it. Modesty in others draws me to them. A lot of people would regard me as a winner but, for the first thirty years of my life, as my mate's girlfriend instinctively recognised, I was a loser. Thirty years is a long time. I still think like a loser. I still move like one. I'm OK with that. Losers are often very nice people, well, compared to winners.

Unfortunately, the nature of autobiography means I have to talk about myself, at length. I'll have to say ‘I did this' and ‘I said that'. Sorry. Worst of all, as with the text-message story, I'm going to have to quote my own jokes. Now, as much as I love hearing them quoted by others, it is impossible to quote your own gags without sounding like a tosser. What can I do? I'm stuck with it.

The closest I've previously got to being ‘biographed' was getting done by
This is Your Life
. It was a strange dream-like experience. I was doing a gig at the London Palladium. It had been a bit of a stormer and, as I took my bows at the end after an hour and a half of fairly tasty stand-up, I was feeling pretty good. Happily, there was a lot of really loud cheering but then, in the midst of all this, there was a sort of secondary cheer which went up, even louder than the first one. Wow, I thought, they REALLY love me! Turned out the much louder secondary cheer was for Michael Aspel, sneaking on behind me. To be honest, I was a bit startled when, out the corner of my eye, I caught sight of him. Michael and I exchanged pleasantries before I was dragged off to my dressing room and locked in so I didn't accidentally bump into any surprise guests. Meanwhile, they prepared the Palladium stage for
This is Your Life
and, to my amazement, the crowd hung around till 1.00 a.m. to witness the event.

It occurs to me now that this is quite a nice way to structure a biography: the comedian locked alone in his dressing room, waiting to be ‘This is Your Lifed', and naturally he begins to reminisce until, 120,000 words later, he is awakened from his nostalgic meanderings by a knock on the door, ‘Mr Skinner, we're ready for you now.' And he strides out into the bright light to be greeted by a deafening roar that is less about admiration and more about love. Thus, I tell my tale like the old gal who used to be Kate Winslet does in
Titanic
. As I say, it's a nice way to structure an autobiography. But . . . I don't fancy it.

Something struck me as I sat locked in my dressing room that night. My big surprise shouldn't have been a surprise at all. I had had a phone message in the early hours of that morning telling me that Michael Aspel was going to be at the Palladium that night, and that I was his victim-to-be. It never occurred to me for one second that it might be true. It had, after all, been a strange week on the crazed messages front. On the previous Monday night, I did a gig in Oxford. When I left the building at around midnight, a female fan had written a lewd message in lipstick on my windscreen. It offered me ‘anal sex with no complications' if I cared to visit her that night. There was a phone number but the woman was clearly a nutter. I mean, you should have seen the state of her lounge.

Anyway, I barely noticed the phone-message. It never occurred to me that I might be
This is Your Life
material. Why would they be interested in me? (I sense you're already getting fed-up with the modesty thing.) The words ‘scraping' and ‘barrel' should have come to mind but they didn't. I discovered a few days later that the phone-call had come from a couple of former colleagues from my comedy-club days, Malcolm Hardee and Jim Tavare. Malcolm knew about my special night because he was due to be a guest on the show. He was dropped when the producer heard about the phone-call. Malcolm actually had the cheek to turn up to the after-show party, but he completely redeemed himself in my eyes by performing a commando nerve-grip on Michael Aspel, causing the much-loved broadcaster to drop helplessly to his knees. I have the greatest respect for Mr Aspel but that is what I call comedy. If
This is Your Life
was a live, late-night show it would be the best thing on television. Imagine a long line of ex-lovers, debtors, and discarded ex-friends coming on and haranguing the victim. Or friends and relatives cheerily striding on to talk openly of his surly manner and his various brushes with sexually transmitted disease. As it is, much wonderful stuff was lost in the final edit of my own
TIYL.
I can still see the incredibly professional way in which Michael Aspel smiled and nodded when Jonathan Ross and his wife, Jane, came on and thanked me for introducing them to anal sex.

I should point out that this was a reference to a stand-up routine of mine. Neither Jonathan nor Jane were with me in the untidy lounge. For some reason, anal sex has become something of a leitmotif in my life. Many's the time that I have eschewed the easy pleasures of the main auditorium and, instead, sought out the smaller, more challenging, and ultimately more rewarding charms of the adjoining Studio Theatre. Even if the experience is essentially the same, the mere knowledge that you are in the more exclusive smaller venue seems to make the whole thing more exciting. Many would consider this a private matter but, like the ancient mariner, I feel a strange need to tell my tale.