Four Past Midnight (110 page)

But, as it turned out, that was the only thing that was all right. They wanted the Polaroid no more than McCarty had wanted it ... although Pop had been so shaken by that encounter he went in fully prepared to take ten thousand dollars less, or fifty per cent of his original confident estimate of what the camera might fetch.

The elderly black woman was raking leaves, revealing a lawn which, October or not, was still as green as the felt on a billiard table. Pop nodded to her. She looked at him, looked
through
him, and continued raking leaves. Pop rang the bell and, somewhere in the depths of the house, a bell bonged.
Mansion
seemed the
perfectly
proper word for the Pus Sisters' domicile. Although it was nowhere near as big as some of the old homes in the Bramhall district, the perpetual dimness which reigned inside made it seem much bigger. The sound of the bell really
did
seem to come floating through a depth of rooms and corridors, and the sound of that bell always stirred a specific image in Pop's mind: the dead-cart passing through the streets of London during the plague year, the driver ceaselessly tolling his bell and crying, “Bring outcher dead! Bring outcher dead! For the luwa Jaysus, bring outcher dead!”

The Pus Sister who opened the door some thirty seconds later looked not only dead but embalmed; a mummy between whose lips someone had poked the smouldering butt of a cigarette for a joke.

“Merrill,” the lady said. Her dress was a deep blue, her hair colored to match. She tried to speak to him as a great lady would speak to a tradesman who had come to the wrong door by mistake, but Pop could see she was, in her way, every bit as excited as that son of a bitch McCarty had been; it was just that the Pus Sisters had been born in Maine, raised in Maine, and would die in Maine, while McCarty hailed from someplace in the Midwest, where the art and craft of taciturnity were apparently not considered an important part of a child's upbringing.

A shadow flitted somewhere near the parlor end of the hallway, just visible over the bony shoulder of the sister who had opened the door. The other one. Oh, they were eager, all right. Pop began to wonder if he couldn't squeeze twelve grand out of them after all. Maybe even fourteen.

Pop knew he
could
say, “Do I have the honor of addressing Miss Deere or Mrs. Verrill?” and be completely correct and completely polite, but he had dealt with this pair of eccentric old bags before and he knew that, while the Pus Sister who had opened the door wouldn't raise an eyebrow or flare a nostril, would simply tell him which one he was speaking to, he would lose at least a thousand by doing so. They took great pride in their odd masculine names, and were apt to look more kindly on a person who tried and failed than one who took the coward's way out.

So, saying a quick mental prayer that his tongue wouldn't fail him now that the moment had come, he gave it his best and was pleased to hear the names slip as smoothly from his tongue as a pitch from a snake-oil salesman: “Is it Eleusippus or Meleusippus?” he asked, his face suggesting he was no more concerned about getting the names right than if they had been Joan and Kate.

“Meleusippus, Mr. Merrill,” she said, ah, good, now he was
Mister
Merrill, and he was sure everything was going to go just as slick as ever a man could want, and he was just as wrong as ever a man could be. “Won't you step in?”

“Thank you kindly,” Pop said, and entered the gloomy depths of the Deere Mansion.

 

 

“Oh dear,”
Eleusippus Deere said as the Polaroid began to develop.

“What a
brute
he looks!” Meleusippus Verrill said, speaking in tones of genuine dismay and fear.

The dog was getting uglier, Pop had to admit that, and there was something else that worried him even more: the time-sequence of the pictures seemed to be speeding up.

He had posed the Pus Sisters on their Queen Anne sofa for the demonstration picture. The camera flashed its bright white light, turning the room for one single instant from the purgatorial zone between the land of the living and that of the dead where these two old relics somehow existed into something flat and tawdry, like a police photo of a museum in which a crime had been committed.

Except the picture which emerged did not show the Pus Sisters sitting together on their parlor sofa like identical book-ends. The picture showed the black dog, now turned so that it was full-face to the camera and whatever photographer it was who was nuts enough to stand there and keep snapping pictures of it. Now all of its teeth were exposed in a crazy, homicidal snarl, and its head had taken on a slight, predatory tilt to the left. That head, Pop thought, would continue to tilt as it sprang at its victim, accomplishing two purposes: concealing the vulnerable area of its neck from possible attack and putting the head in a position where, once the teeth were clamped solidly in flesh, it could revolve upright again, ripping a large chunk of living tissue from its target.

“It's so
awful!”
Eleusippus said, putting one mummified hand to the scaly flesh of her neck.

“So terrible!” Meleusippus nearly moaned, lighting a fresh Camel from the butt of an old one with a hand shaking so badly she came close to branding the cracked and fissured left comer of her mouth.

“It's totally in-ex-
PLICK
-able!” Pop said triumphantly, thinking:
I wish you was here, McCarty, you happy asshole. I just wish you was. Here's two ladies been round the Horn and back a few times that don't think this goddam camera's just some kind of a carny magic-show trick!

“Does it show something which
has
happened?” Meleusippus whispered.

“Or something which
will
happen?” Eleusippus added in an equally awed whisper.

“I dunno,” Pop said. “All I know for sure is that I have seen some goldarn strange things in my time, but I've never seen the beat of these pitchers.”

“I'm not surprised!” Eleusippus.

“Nor I!” Meleusippus.

Pop was all set to start the conversation going in the direction of price—a delicate business when you were dealing with anyone, but never more so than when you were dealing with the Pus Sisters: when it got down to hard trading, they were as delicate as a pair of virgins—which, for all Pop knew, at least one of them was. He was just deciding on the
To start with, it never crossed my mind to sell something like this,

but...
approach (it was older than the Pus Sisters themselves—although probably not by much, you would have said after a good close look at them—but when you were dealing with Mad Hatters, that didn't matter a bit; in fact, they
liked
to hear it, the way small children like to hear the same fairy tales over and over) when Eleusippus absolutely floored him by saying, “I don't know about my sister, Mr. Merrill, but I wouldn't feel comfortable looking at anything you might have to”—here a slight, pained pause—“offer us in a business way until you put that ... that camera, or whatever God-awful thing it is ... back in your car.”

“I couldn't agree more,” Meleusippus said, stubbing out her half-smoked Camel in a fish-shaped ashtray which was doing everything but
shitting
Camel cigarette butts.

“Ghost photographs,” Eleusippus said, “are one thing. They have a certain—”

“Dignity,”
Meleusippus suggested. “Yes! Dignity! But that
dog
—The old woman actually shivered. ”It looks as if it's ready to jump right out of that photograph and bite one of us.”

“All of us!” Meleusippus elaborated.

Up until this last exchange, Pop had been convinced— perhaps because he had to be—that the sisters had merely begun their own part of the dickering, and in admirable style. But the tone of their voices, as identical as their faces and figures (if they could have been said to
have
such things as figures), was beyond his power to disbelieve. They had no doubt that the Sun 660 was exhibiting some sort of paranormal behavior ...
too
paranormal to suit them. They weren't dickering ; they weren't pretending; they weren't playing games with him in an effort to knock the price down. When they said they wanted no part of the camera and the weird thing it was doing, that was exactly what they meant—nor had they done him the discourtesy (and that's just what it would have been, in their minds) of supposing or even
dreaming
that selling it had been his purpose in coming.

Pop looked around the parlor. It was like the old lady's room in a horror movie he'd watched once on his VCR—a piece of claptrap called
Burnt Offerings,
where this big old beefy fella tried to drown his son in the swimming pool but nobody even took their clothes off. That lady's room had been filled, overfilled, actually
stuffed
with old and new photographs. They sat on the tables and the mantel in every sort of frame; they covered so much of the walls you couldn't even tell what the pattern on the frigging paper was supposed to be.

The Pus Sisters' parlor wasn't quite that bad, but there were still plenty of photographs; maybe as many as a hundred and fifty, which seemed like three times that many in a room as small and dim as this one. Pop had been here often enough to notice most of them at least in passing, and he knew others even better than that, for he had been the one to sell them to Eleusippus and Meleusippus.

They had a great many more “ghost photographs,” as Eleusippus Deere called them, perhaps as many as a thousand in all, but apparently even they had realized a room the size of their parlor was limited in terms of display-space, if not in those of taste. The rest of the ghost photographs were distributed among the mansion's other fourteen rooms. Pop had seen them all. He was one of the fortunate few who had been granted what the Pus Sisters called, with simple grandiosity, The Tour. But it was here in the parlor that they kept their
prize
“ghost photographs,” with the prize of prizes attracting the eye by the simple fact that it stood in solitary splendor atop the closed Steinway baby grand by the bow windows. In it, a corpse was levitating from its coffin before fifty or sixty horrified mourners. It was a fake, of course. A child of ten— hell, a child of
eight
—would have known it was a fake. It made the photographs of the dancing elves which had so bewitched poor Arthur Conan Doyle near the end of his life look accomplished by comparison. In fact, as Pop ranged his eye about the room, he saw only two photographs that weren't obvious fakes. It would take closer study to see how the trickery had been worked in those. Yet these two ancient pussies, who had collected “ghost photographs” all their lives and claimed to be great experts in the field, acted like a couple of teenage girls at a horror movie when he showed them not just a paranormal
photograph
but a goddam Jesus-jumping paranormal
camera
that didn't just do its trick once and then quit, like the one that had taken the picture of the ghost-lady watching the fox-hunters come home, but one that did it again and again and again, and how much had they spent on this stuff that was nothing but
claptrap?
Thousands? Tens of thousands ?
Hundreds
of—

“—show us?” Meleusippus was asking him.

Pop Merrill forced his lips to turn up in what must have been at least a reasonable imitation of his Folksy Crackerbarrel Smile, because they registered no surprise or distrust.

“Pardon me, dear lady,” Pop said. “M'mind went woolgatherin all on its own for a minute or two there. I guess it happens to all of us as we get on.”

“We're eighty-three, and
our
minds are as clear as window-glass,” Eleusippus said with clear disapproval.

“Freshly washed
window-glass,” Meleusippus added. “I asked if you have some new photographs you would care to show us ... once you've put that wretched thing away, of course.”

“It's been
ages
since we saw any really good new ones,” Eleusippus said, lighting a fresh Camel.

“We went to The New England Psychic and Tarot Convention in Providence last month,” Meleusippus said, “and while the lectures were enlightening—”

“—and uplifting—”

“—so many of the photographs were
arrant
fakes! Even a child of ten—”

“—of
seven
!
—
”

“—could have seen through them. So ...” Meleusippus paused. Her face assumed an expression of perplexity which looked as if it might hurt (the muscles of her face having long since atrophied into expressions of mild pleasure and serene knowledge). “I am puzzled. Mr. Merrill, I must admit to being a bit puzzled.”

“I was about to say the same thing,” Eleusippus said.

“Why did you bring that awful thing?” Meleusippus and Eleusippus asked in perfect two-part harmony, spoiled only by the nicotine rasp of their voices.

The urge Pop felt to say
Because I didn't know what a pair of chickenshit old cunts you two were
was so strong that for one horrified second he believed he
had
said it, and he quailed, waiting for the twin screams of outrage to rise in the dim and hallowed confines of the parlor, screams which would rise like the squeal of rusty bandsaws biting into tough pine-knots, and go on rising until the glass in the frame of every bogus picture in the room shattered in an agony of vibration.

The idea that he had spoken such a terrible thought aloud lasted only a split-second, but when he relived it on later wakeful nights while the clocks rustled sleepily below (and while Kevin Delevan's Polaroid crouched sleeplessly in the locked drawer of the worktable),
it seemed
much longer. In those sleepless hours, he sometimes found himself wishing he
had
said it, and wondered if he was maybe losing his mind.