Authors: Carolee Dean
“I’m so hungry,” I tell him.
“That’s a good sign.”
We pass four bedrooms
with music blaring from iPod
docks and radios. A girl
looks up at Elijah from a paperback
novel, then returns to her reading
as if it’s no big deal to have some guy
walking through the middle of the
house unannounced. A kid with a
crew cut does pull-ups on a bar
hanging from his door.
“What is this place?” I ask Elijah.
“Treatment foster care,” he tells me as he
opens the door to a bedroom
at the end of the hall.
Oscar is sitting in front of a
computer screen that’s hooked up
to the device on his wheelchair.
His back is to us and he’s clutching
a permanent marker in his fist,
using it to press the keys,
playing chess with someone online.
“Want this back?” Elijah says, handing
Oscar his pencil. Oscar smiles, drops
the marker, grabs the pencil, and
presses another set of keys.
I hear a thick Austrian accent.
I can’t believe I have a hot
girl in my bedroom.
“That sounds like the Terminator,” I say.
“Yeah, it’s a combination of Oscar’s
sense of humor and the kind
of stuff you can do with technology.
Watch out. He’s a real Casanova.”
Oscar looks at me and winks.
At least he tries. It comes out like a squint.
His smile is as big as the room, and I wonder
what he has to smile about. He seemed so
scared and desperate when I saw him on
the hallway.
I can’t help but laugh,
even though the entire
scene is so surreal, or
maybe because of that fact.
“He’s a real smart-ass
for someone who can’t talk,”
Elijah tells me. Then he touches
my hand. “But I’m glad
he makes you smile.”
Elijah has stubble on his chin,
which along with the ponytail
and loose white shirt, makes him look
a bit like a pirate.
And I wonder
when he started shaving,
and when he pierced his ears,
and why I didn’t try harder to make him
talk to me after his brother died.
Elijah: | Oscar: |
There are some things you need to know. Some things you can’t do. | |
| Lots of places you can’t go . . . |
unless a door is left open for you. Don’t try to teleport or walk through walls, move objects, or talk to people through their thoughts. | |
| Pause. |
| “Yes, but it’s different.” |
That makes two of us. I can suddenly feel everything with painful clarity. | |
| You can’t bend spoons with your mind. |
You can watch and listen and that’s all. | |
| No haunting rooms. |
You don’t have a lot of time. | |
| Four days, tops. |
After that you would be too far gone. | |
Now listen close. When you see yourself in the hospital, try not to freak. In half a second . . . | |
| you could lose it all. |
Face the pain. You can’t let desperation shut you down. | |
| Or you’ll go right back to the hall. |
all at once, how very
tired I am, and I can’t
help but yawn.
“Sleep,” says Elijah.
“You need your rest.”
But I’m already sinking
down onto a bean bag chair,
thinking about
how cozy this room feels.
I think about asking Oscar
why he doesn’t live with
his parents, but before
I have a chance,
I’m fast asleep.
it’s early morning.
In the dark I see
Elijah sitting up.
He’s knotting a strand
of blue flowers together and
I wonder where he got them
in the middle of October.
Then I see the pot
of forget-me-nots
on Oscar’s windowsill.
Elijah is watching me.
As I look from his face
to the flowers,
I have to catch my breath,
though I don’t know why.
He looks away and his
cheeks turn bright red.
I wonder if he sat there all night.
Oscar is fast asleep on the bed.
“He’s sweet,” I say, because the room
is too quiet.
“He’s got attitude.”
“That’s what I like about him,” Elijah says.
“He’s got a funny edge for someone who’s
been through the things he has.”
“What do you mean?”
“He showed the school nurse
the bruises and she called his Mom,
but she just said that Oscar fell a lot.
She covered for his stepdad.
That’s when Oscar took the gun out to
the soccer field. Then the cops got involved.
Now his mom sees the stepdad at the pen.
She never sees her son or even emails him.”
“That’s sad,” I say.
“Don’t pity him. He hates that.
Peace and happiness are relative.”
Ally: | Elijah: |
You’ve been on the hallway. | |
| I spent some time there. |
When you took those pills. | |
| Not the best move. |
How did you end up on the hall? | |
| I did it at the school. Up on the hill. |
But you made it back. | |
| It wasn’t easy. |
How did you get out? | |
| Someone left a door open. |
You wanted to die. | |
| I changed my mind. |
Why? | |
| I still had some stuff to do. |
Like what? | |
| Watch out for you. |
You liked me? | |
| I liked the girl I used to know. |
I liked her too. | |
| I know you’re hurting right now, Ally, and you may not believe this, but the pain you feel is temporary. Death is what lasts forever. |
You’re right. I don’t believe you. | |
| Give it some time. |
“The closer you get
to your body,
the more you feel it,”
he tells me.
“Feel what?”
“The pain
that made you
want to give up.”
“How do I get back?”
“You have to remember
why you wanted to die.
Then you have to experience
all the pain
and heartache
and disappointment
you ran from before.
Then you have to remember
that it wasn’t all bad.”
“I remember a few good things,”
I tell him.
“Like what?”
“I remember you.”
Elijah
kissed me. I
could tell he wanted
to, but he was so nervous
he wouldn’t make the first move.
It was sweet, the way he stood there,
under the streetlight, shifting from foot to
foot, leaning in close and then backing away.
I finally pulled him next to me and he wrapped
me in his arms. His lips, soft as rose petals, searching
out mine. I felt something inside of me burst open, like the
first blossom of spring. I took his hand, led him to a tree, and we
lay down in the grass. Hands exploring lips, lips exploring fingers, and
other things, but not so far that we couldn’t turn back. Bodies in motion. Then
we just held each other, under the silent stars. Neither one of us wanted to leave. I
wanted so badly for him to call me that summer, but I knew he wouldn’t. He was still
too fragile after what had happened to his brother. I could have called him. I almost did. But
then Davis and I
hooked up. And
afterward nothing
else mattered.
It’s six a.m. and still dark when
Elijah drives me to the hospital.
We go inside and he walks
up to the nurses’ station
to find out where they’re keeping me.
ICU, the nurse tells him, but he can’t
go in because he’s not family.
“You’ll have to find your own way in, but I’ll
be waiting here.”
“What do I do when I get there?”
“Think about your choices.
Feel your feelings.
Remember it wasn’t all bad.”
He goes to sit in the waiting room,
and I see my father perched in the corner,
coffee in one hand,
cell phone in the other,
laptop and daily planner
on the table in front of him.
He’s created a mobile office for himself.
It’s good to see I haven’t disrupted
his schedule. There’s hell to pay
when he gets off his routine.
Mom used to say it kept him
grounded, though that’s not
what I would call it.
“Go,” Elijah tells me,
but I can’t stop staring
at my father.
“Go!”
Elijah tells me
a second time,
and I turn and
walk down the hall.
I slip into the ICU
behind a nurse
and begin
looking behind the
curtains,
searching for myself.
There’s an old woman
lying on a bed. White hair
flowing across the
pillow. An old man sits next to her,
holds her hand, and weeps, and I
wonder how people
have the guts to stay so long
on such an angry
planet. In the next room there’s
a gunshot wound, but no one
sits with him. After
that, the survivors of a
head-on collision
in rooms three and four. Guess that’s
what happened to me. I crashed.
I watch
the girl lying there
in the white room
with the white sheets.
She’s in a gown
that looks
like faded wallpaper.
Her skin is
the color of frost
except for
the bruised eyes
sitting like two
moons
sinking into the night
and the blue
vein where the
needle pumps
her full of drugs
like she’s a flat tire
in need of air,
only there are
too many holes
to hold it in.
It takes a minute
before I realize
this is me.
When I see Nana
holding the girl’s hand,
the pain hits me
like a thousand
razor-sharp blades
cutting me
to pieces.
That’s what they did to me.
Hacked away at me
piece
by
piece
until I didn’t recognize myself anymore.
I look so damaged—
the bruised apple at
the bottom of the barrel—
and I wonder if there is enough
good left to make it
worth saving.
My father walks in and
he can barely look at me.
“I’m not having
any luck,” he says.
“Come sit with Ally,” Nana tells him.
He takes a step backward,
toward the door. “I have to keep
working,” he says, and
then he’s gone.
He’s worried about luck
when I’m barely hanging on.
I don’t understand him.
I may have gone over the edge,
but there must have been people
who gave me the nudge,
and I’m pretty sure he was one of them.
It feels like the walls
are bearing down on me.
I can’t breathe.
I can’t bear the pressure.
I can’t stay.
my father back out
to the waiting room,
where he returns to his
porta-office.
Takes all the pens
out of his briefcase
and lines them up
on the table
with their tips
all pointing due north
and the word
CROSS
pointed south.
This is what he does
for relaxation.
He organizes things.
Sometimes it’s the pens.
Sometimes it’s the peas
and carrots in the pantry.
Sometimes it’s me.
Some people drink.
Not my father.
Sometimes I wish he would.
In nice straight lines