For The Win (10 page)

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Authors: Cory Doctorow

Tags: #Science Fiction, #Fiction, #Dystopian

BOOK: For The Win
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The bull was tiring. The next time he passed, his breath came in terrible wheezes that blew the stink of betel before him like sweet rot. She could wait for his next pass, then run.

It was a good plan. She hated it. He had -- He'd threatened her. He'd scared her. He should
pay
. She was the General Robotwallah, not merely some girl from the village. She was from Dharavi, tough. Smart.

He wheezed past and she slipped out of the alley, her feet coming free of the muck with audible
plops
. He was facing away from her still, hadn't heard her yet, and he had his back to her. The stupid boys in her army only fought face to face, talked about the "honor" of hitting from behind. Honor was just stupid boy-things. Victory beat honor.

She braced herself and ran toward him, both arms stiff, hands at shoulder-height. She hit him high and kept moving, the way he had before, and down he fell again, totally unprepared for the assault from the rear. The sound he made on the dirt was like the sound of a goat dropping at the butcher's block. He was trying to roll over and she turned around and ran at him, jumping up in the air and landing with both muddy feet on his head, driving his face into the mud. He shouted in pain, the sound muffled by the dirt, and then lay, stunned.

She went back to him then, and knelt at his head, his hairy earlobe inches from her lips.

"I wasn't waiting for you at the cafe. I was minding my own business," she said. "I don't like you. You shouldn't chase girls or the girls might turn around and catch you. Do you understand me? Tell me you understand me before I rip out your tongue and wipe your ass with it." They talked like this on the chat-channels for the games all the time, the boys did, and she'd always disapproved of it. But the words had power, she could feel it in her mouth, hot as blood from a bit tongue.

"Tell me you understand me, idiot!" she hissed.

"I understand," he said, and the words came mashed, from mashed lips and a mashed nose.

She turned on her heel and began to walk away. He groaned behind her, then called out, "Whore! Stupid whore!"

She didn't think, she just acted. Turned around, ran at his still-prone body, indistinct in the dusk, one step, two step, like a champion footballer coming in for a penalty kick and then she
did
kick him, the foetid water spraying off her shoe's saturated toe as it connected with his big, stupid ribcage. Something snapped in there -- maybe several somethings, and oh, didn't that feel
wonderful
?

He was every man who'd scared her, who'd shouted filthy things after her, who'd terrorized her mother. He was the bus driver who'd threatened to put them out on the roadside when they wouldn't pay him a bribe. Everything and everyone that had ever made her feel small and afraid, a girl from the village. All of them.

She turned around. He was clutching at his side and blubbering now, crying stupid tears on his stupid cheeks, luminous in the smudgy moonlight that filtered through the haze of plastic smoke that hung over Dharavi. She would up and took another pass at him, one step, two step,
kick
, and
crunch
, that satisfying sound from his ribs again. His sobs caught in his chest and then he took a huge, shuddering breath and
howled
like a wounded cat in the night, screamed so loud that here in Dharavi, the lights came on and voices came to the windows.

It was as though a spell had been broken. She was shaking and drenched in sweat, and there were people peering at her in the dark. Suddenly she wanted to be home as fast as possible, if not faster. Time to go.

She ran. Mala had loved to run through the fields as a little girl, hair flying behind her, knees and arms pumping, down the dirt roads. Now she ran in the night, the reek of the ditch water smacking her in the nose with each squelching step. Voices chased her through the night, though they came filtered through the hammer of her pulse in her ears and later she could not say whether they were real or imagined.

But finally she was home and pelting up the steps to the third-floor flat she had rented for her family. Her thundering footsteps raised cries from the downstairs neighbors, but she ignored them, fumbled with her key, let herself in.

Her brother Gopal looked up at her from his mat, blinking in the dark, his skinny chest bare. "Mala?"

"It's OK," she said. "Nothing. Sleep, Gopal."

He slumped back down. Mala's shoes stank. She peeled them off, using just the tips of her fingers, and left them outside the door. Perhaps they would be stolen -- though you would have to be desperate indeed to steal those shoes. Now her feet stank. There was a large jug of water in the corner, and a dipper. Carefully, she carried the dipper to the window, opened the squealing shutter, and poured the water slowly over the her feet, propping first one and then the other on the windowsill. Gopal stirred again. "Be quiet," he said, "it's sleep-time."

She ignored him. She was still out of breath, and the reality of what she'd done was setting in for her. She had kicked the idiot nephew -- how many times? Two? Three? And something in his body had gone
crack
each time. Why had he blocked her? Why had he followed her into the night? What was it that made the big and the strong take such sport in terrorizing the weak? Whole groups of boys would do this to girls and even grown women sometimes -- follow them, calling after them, touching them, sometimes it even led to rape. They called it "Eve-teasing" and they treated it like a game. It wasn't a game, not if you were the victim.

Why did they make her do it? Why did all of them make her do it? The sound of the crack had been so satisfying then, and it was so sickening now. She was shaking, though the night was so hot, one of those steaming nights where everything was slimy with the low-hanging, soupy moisture.

And she was crying, too, the crying coming out without her being able to control it, and she was ashamed of that, too, because that's what a girl from the village would do, not brave General Robotwallah.

Calloused hands touched her shoulders, squeezed them. The smell of her mother in her nose: clean sweat, cooking spice, soap. Strong, thin arms encircled her from behind.

"Daughter, oh daughter, what happened to you?"

And she wanted to tell Mamaji everything, but all that came out were cries. She turned her head to her mother's bosom and heaved with the sobs that came and came and came in waves, feeling like they'd turn her inside out. Gopal got up and moved into the next room, silent and scared. She noticed this, noticed all of it as from a great distance, her body sobbing, her mind away somewhere, cool and remote.

"Mamaji," she said at last. "There was a boy."

Her mother squeezed her harder. "Oh, Mala, sweet girl --"

"No, Mamaji, he didn't touch me. He tried to. I knocked him down. Twice. And I kicked him and kicked him until I heard things breaking, and then I ran home."

"Mala!" her mother held her at arm's length. "Who was he?" Meaning,
Was he someone who can come after us, who can make trouble for us, who could ruin us here in Dharavi?

"He was Mrs Dibyendu's nephew, the big one, the one who makes trouble all the time."

Her mothers fingers tightened on her arms and her eyes went wide.

"Oh, Mala, Mala -- oh, no."

And Mala knew exactly what her mother meant by this, why she was consumed with horror. Her relationship with Mr Banerjee came from Mrs Dibyendu. And the flat, their lives, the phone and the clothes they wore -- they all came from Mr Banerjee. They balanced on a shaky pillar of relationships, and Mrs Dibyendu was at the bottom of it, all resting on her shoulders. And the idiot nephew could convince her to shrug her shoulders and all would come tumbling down -- the money, the security, all of it.

That was the biggest injustice of all, the injustice that had driven her to kick and kick and kick -- this oaf of a boy knew that he could get away with his grabbing and intimidation because she couldn't afford to stop him. But she had stopped him and she could not -- would not -- be sorry.

"I can talk with Mr Banerjee," she said. "I have his phone number. He knows that I'm a good worker -- he'll make it all better. You'll see, Mamaji, don't worry."

"Why, Mala, why? Couldn't you have just run away? Why did you have to hurt this boy?"

Mala felt some of the anger flood back into her. Her mother, her own mother --

But she understood. Her mother wanted to protect her, but her mother wasn't a general. She was just a girl from the village, all grown up. She had been beaten down by too many boys and men, too much hurt and poverty and fear. This was what Mala was destined to become, someone who ran from her attackers because she couldn't afford to anger them.

She wouldn't do it.

No matter what happened with Mr Banerjee and Mrs Dibyendu and her stupid idiot nephew, she was not going to become that person.

#

This
scene is dedicated to Borders, the global bookselling giant that
you can find in cities all over the world -- I'll never forget
walking into the gigantic Borders on Orchard Road in Singapore and
discovering a shelf loaded with my novels! For many years, the
Borders in Oxford Street in London hosted Pat Cadigan's monthly
science fiction evenings, where local and visiting authors would read
their work, speak about science fiction and meet their fans. When I'm
in a strange city (which happens a lot) and I need a great book for
my next flight, there always seems to be a Borders brimming with
great choices -- I'm especially partial to the Borders on Union
Square in San Francisco.

Borders
worldwide

If you want to get rich without making anything or doing anything that anyone needs or wants, you need to be
fast
.

The technical term for this is
arbitrage
. Imagine that you live in an apartment block and it's snowing so hard out that no one wants to dash out to the convenience store. Your neighbor to the right, Mrs Hungry, wants a banana and she's willing to pay $0.50 for it. Your neighbor to the left, Mr Full, has a whole cupboard full of bananas, but he's having a hard time paying his phone bill this month, so he'll sell as many bananas as you want to buy for $0.30 apiece.

You might think that the neighborly thing to do here would be to call up Mrs Hungry and tell her about Mr Full, letting them consummate the deal. If you think that, forget getting rich without doing useful work.

If you're an arbitrageur, then you think of your neighbors' regrettable ignorance as an opportunity. You snap up all of Mr Full's bananas, then scurry over to Mrs Hungry's place with your hand out. For every banana she buys, you pocket $0.20. This is called arbitrage.

Arbitrage is a high-risk way to earn a living. What happens if Mrs Hungry changes her mind? You're stuck holding the bananas, that's what.

Or what happens if some other arbitrageur beats you to Mrs Hungry's door, filling her apartment with all the bananas she could ever need? Once again, you're stuck with a bunch of bananas and nowhere to put them (though a few choice orifices do suggest themselves here).

In the real world, arbitrageurs don't drag around bananas -- they buy and sell using networked computers, surveying all the outstanding orders ("bids") and asks, and when they find someone willing to pay more for something than someone else is paying for it, they snap up that underpriced item, mark it up, and sell it.

And this happens very, very quickly. If you're going to beat the other arbitrageurs with the goods, if you're going to get there before the buyer changes her mind, you've got to move faster than the speed of thought. Literally. Arbitrage isn't a matter of a human being vigilantly watching the screens for price-differences.

No, arbitrage is all done by automated systems. These little traderbots rove the world's networked marketplaces, looking for arbitrage opportunities, buying something and selling it in less than a microsecond. A good arbitrage house conducts a
billion
or more trades every day, squeezing a few cents out of each one. A billion times a few cents is a lot of money -- if you've got a fast computer cluster, a good software engineer, and a blazing network connection, you can turn out
ten or twenty million
dollars a day.

Not bad, considering that all you're doing is exploiting the fact that there's a person over here who wants to buy something and a person over there who wants to sell it. Not bad, considering that if you and all your arbitraging buddies were to vanish tomorrow, the economy and the world wouldn't even notice. No one needs or wants your "service" but it's still a sweet way to get rich.

The best thing about arbitrage is that you don't need to know a single, solitary thing about the stuff you're buying and selling in order to get rich off of it. Whether it's bananas or a vorpal blade, all you need to know about the things you're buying is that someone over
here
wants to buy them for more than someone over
there
wants to sell them for. Good thing, too -- if you're closing the deal in less than a microsecond, there's no time to sit down and google up a bunch of factoids about the merchandise.

And the merchandise is pretty weird. Start with the fact that a lot of this stuff doesn't even exist -- vorpal blades, grabthar's hammers, the gold of a thousand imaginary lands.

Now consider that people trade more than gold: the game Gods sell all kinds of funny money. How about this one:

Offered: Svartalfaheim Warriors bonds, worth 100,000 gold, payable six months from now. This isn't even
real
fake gold -- it's the promise of real fake gold at some time in the future. Stick that into the market for a couple months, baby, and watch it go. Here's a trader who'll pay five percent more than it was worth yesterday -- he's betting that the game will get more popular some time between now and six months from now, and so the value of goods in the game will go up at the same time.

Or maybe he's betting that the game Gods will just raise the price on everything and make it harder to clobber enough monsters to raise the gold to get it, driving away all but the hardest-core players, who'll pay anything to get their hands on the dough.

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